Megan Thee Stallion and Klay Thompson, roommates edition? Megan sparked rumors that she moved in with her NBA boo after posting a photo making a hand-heart with Thompson in front of a house while showing off a key.

The picture led Meg’s Wednesday (Oct. 29) photo dump on IG and fans, friends and peers had plenty to say as Kehlani, Angel Reese, Flo Milli, H.E.R. and Lauren Jauregui all showed the Houston Hottie some love in her comment section.

After going public with their relationship in July, it appears things are going well as they may have purchased a home together just three months later. “A HOUSE!? This getting too serious friend. I gotta meet him first to see if I approve,” one fan joked.

Another added: “You done moved to dallas huh.”

If they happened to move in together, it would make sense to be in Dallas or the surrounding area, with Thompson suiting up for the Dallas Mavericks. Meg’s been head over heels for Thompson, as she entered her WAG era and has been courtside supporting her baller boo.

It’s been an uneven start to the season for Thompson, who finished with just five points on 2-10 shooting from the field on Wednesday night, but the Mavs got the win against the Indiana Pacers 107-105 to improve the team’s record to 2-3.

Last week, she posted a series of photos at Klay’s opening game and showed off a nautical-themed chain with a steering wheel pendant she had made for Thompson, who’s in his 15th NBA season.

As for Meg, she released her “Lover Girl” single last week and is hosting her Hottieween party on Halloween in Humble, Texas.

Billboard has reached out to Meg’s reps for comment.

Billboard Latin Music Week 2025 included a series of emerging artists showcases, featuring everyone from Lupita Infante and Christian Alicea to Alejo, Zizzy and Chaparro Chuacheneguer.

Held in the Stardust Lounge at the Fillmore Miami Beach, the intimate concerts began on Monday, October 20th, with a set presented by Platoon featuring Colombian musician and producer Golden, known for his musical versatility (R&B, Afrobeats, hip-hop, pop) and collaborations with artists such as Beelé, Hamilton, and Maria Becerra. Golden made his debut as a singer in June with the album Saoko Vol. 1, in which he shares his African roots, fusing them with salsa and lyrics that largely pay tribute to women. He was joined by two special guests: Cartagena-born Zaider, recognized for his fusion of Afrobeats and reggaetón; and producer Slow Mike.

On Tuesday, Oct. 21st, Peermusic presented an energetic showcase featuring four of its stars. Mexican artist Zizzy kicked things off with his unique fusion of rap, reggaetón, and R&B, adding a touch of romance. Famous for his collaborations with stars like Yng Iván and Álvaro Díaz, the Monterrey native demonstrated his talent as one of the most promising artists in the Latin urban genre. Next up was Alejo, the young Puerto Rican star who’s latest achievements include appearing at Lollapalooza Chile, performing at the Lunario in Mexico City, and participating in summer festivals in Spain. With his urban style and catchy rhythms, he had not only his fans singing and dancing, but also those he won over at the event.

Lupita Infante’s feminine presence added a special touch to the evening. Accompanied by a mariachi band, the great Pedro Infante’s granddaughter showcased her spectacular voice, singing the ranchera songs that have earned her two Latin Grammy nominations with her bold style and soulful vocals. Christian Alcea closed the show, captivating the audience with his energetic performance and getting everyone dancing. His spectacular way of fusing traditional salsa with modern rhythms, combined with his charisma, gives the genre a unique flavor.

To close out the week, Mexican music and dance took over the final showcase at Billboard Latin Music Week on Wednesday, Oct. 22, beginning with Silvia Zepeda’s rancheras, an artist signed to Luz Record who has been carving out a place for herself in the regional Mexican music scene throughout 2025. The audience sang along to songs like “Un Puño de Tierra,” in which she was accompanied by Lorenzo Méndez, one of the most respected voices in the genre and former lead singer of La Original Banda El Limón.

Meanwhile, Gerardo Fernández showcased his powerful voice, performing rancheras as well. With 13 albums in his discography, Pedro Fernández’s brother remains true to his roots, and he demonstrated this on stage.

The energy and fun came courtesy of two artists who are causing sensation on social media and within the Latino community of California. First, Juanito El Millonzuki, also known as “the king of urban ranch,” got the crowd dancing with his upbeat set. Shortly after, he was joined by another charismatic performer, Chaparro Chuacheneger — short in stature but with a big heart when it comes to spreading his positive energy through his songs, bringing the party to a close.

With over 30 years of history, Latin Music Week is the largest and most important gathering of Latin artists and industry executives worldwide. This year’s event featured a star-studded lineup that included Aitana, Anuel AA, Bebeshito, Carlos Vives, Carín León, Danny Ocean, DJ Khaled, Daddy Yankee, Emilia Mernes, Ivy Queen, Gloria Estefan, Grupo 5, Kapo, Laura Pausini, Luck Ra, Netón Vega, Olga Tañón, Óscar Maydon, Ozuna, Pablo Alborán, Rawayana, Suzette Quintanilla, Tokischa, Xavi, Yailin La Más Viral, and more.

Billboard Latin Music Week also coincided with the 2025 Billboard Latin Music Awards, which aired on Thursday, Oct. 23, on Telemundo, where Bad Bunny was honored as Top Latin Artist of the 21st Century.

50 Cent wasted no time in trolling BMF star Lil Meech after the Starz series was canceled following four seasons.

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50 fired away on Instagram on Wednesday (Oct. 29) after news of the show produced by his G-Unit Film & TV division was canned. He posted a series of Photoshopped pictures featuring Lil Meech holding signs saying he was “out of work” and panhandling for money on the street corner.

“What next season little [ninja emoji],” he wrote. BMF star Kris Lofton chimed into 50’s comment section. “Sheesh,” he added.

Rapper Flawless joked: “2 things I don’t play with…the IRS and 50 cent!”

In true 50 Cent fashion, he made sure to clarify that he had no involvement in the show’s cancellation. “I am deeply concerned by the widespread assumption that I had any involvement in the recent cancellation of BMF,” he wrote. “I intend to thoroughly investigate this matter to understand exactly how and why it occurred Thank you.”

He also took issue with TMZ and other headlines referring to him as a troll. “The fact that TMZ is calling me a troll is very troubling to me,” he jokingly added in a since-deleted post to IG. “I have worked tirelessly to build my brand and I’m now being reduced to nothing more than a troll.”

50’s relationship with Lil Meech and his father, Big Meech, has soured since the launch of the Starz series chronicling the rise and fall of the Black Mafia Family in 2021. Before the launch, 50 even paid for Lil Meech to get acting lessons so he could properly portray his father in the series, who was incarcerated at the time.

While BMF is done, other Starz-50 Cent projects are in the works. Fans can expect Power spinoffs  Raising Kanan and Force to return for a final season later this year. There’s also a Power: Origins prequel series in production.


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Megadeth has revealed the tracklist for its upcoming final album, and it’ll include a long-awaited bonus track.

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The band revealed its self-titled album, due out Jan. 23, will have 10 tracks and will include an 11th bonus song called “Ride the Lightning.” The song was cowritten with Metallica’s James Hetfield, Cliff Burton, and Lars Ulrich, which Megadeth’s frontman Dave Mustaine explained was included on the album to celebrate his career.

“As I come full circle on the career of a lifetime, the decision to include ‘Ride the Lightning’, a song I cowrote with James, Lars and Cliff, was to pay my respects to where my career first started,” Mustaine said in a statement.

Megadeth announced in August the band would be saying farewell after 16 albums. Mustaine confirmed their next project would be the group’s last, sharing a video to the band’s YouTube and social media pages that included Mustaine’s alter ego, Vic Rattlehead, delivering the news.

“For over four decades, I’ve been chained in silence, but the end demands my voice,” Vic begins while seated behind a desk. “It is confirmed: The next Megadeth studio album will be the last. Forty years of metal, forged in steel, ending in fire. And when the new year rises, the global farewell tour. You’ve heard the warning. Now prepare yourself, Cyber Army. Stay loud, stay tuned, and meet me on the frontlines.”

Mustaine then thanked fans in a press release for their commitment and celebrating the band’s impact on rock. “There’s so many musicians that have come to the end of their career, whether accidental or intentional,” he said at the time. “Most of them don’t get to go out on their own terms on top, and that’s where I’m at in my life right now. I have traveled the world and have made millions upon millions of fans and the hardest part of all of this is saying goodbye to them.”

The band will additionally join Iron Maiden on its Run for Your Lives Tour next year.

Check out the tracklist below.

On the strength of top sellers from the KPop Demon Hunters soundtrack, Sabrina Carpenter and Morgan Wallen, Universal Music Group’s revenue grew 5.3% to 3.02 billion euros ($3.53 billion at the quarter’s average euro-to-dollar exchange rate) in the third quarter of 2025, the company announced Thursday (Oct. 30). In constant currency, which removes the impact of considerable foreign exchange fluctuations since the beginning of the year, UMG’s revenue rose 10.2% in the quarter. 

With all three of UMG’s business units posting gains, adjusted earnings before interest, taxes, depreciation and amortization (EBITDA), a common measure of profitability, increased 6.9% (11.6% in constant currency) to 594 million euros ($694 million). Adjusted EBITDA margin — EBITDA as a percentage of revenue — improved to 22.0% from 21.6%.  

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CEO Lucian Grainge emphasized the company’s long-term value creation and strategic efforts that don’t show up in the financial results. “Importantly, we continued to drive progress on our strategic plans, including our artists’ and songwriters’ creative and commercial success, our global expansion, the industry’s embrace of our responsible AI initiatives and the continued implementation of Streaming 2.0.,” he said in a statement. A day earlier, UMG announced a settlement and licensing agreement with AI music generator Udio. Just hours before earnings were released, UMG trumpeted a partnership with Stability AI to create tools for artists and producers that are powered by “responsibly” trained generative AI. 

In the recorded music division, revenue rose 3.6% (8.3% in constant currency) from the prior-year period to 2.22 billion euros ($2.60 billion). Recorded music subscription revenue improved 3.6% (8.7% in constant currency) to 1.52 billion euros ($1.78 billion), in line with the company’s projections of 8% to 10% annual growth. The company said subscription growth came primarily from an increase in the number of global subscribers. 

Other streaming revenue, which included ad-supported streaming, fell 4.8% (flat in constant currency) to 337 million euros ($394 million). The company attributed the decline to a shift in streaming activity to poorly monetized short-form videos from more effectively monetized video platforms. 

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Physical sales jumped 18.4% (23.1% in constant currency) to 341 million euros ($399 million) due to initial shipments of Taylor Swift’s The Life of a Showgirl, which had a street date after the end of the third quarter. Licensing and other revenue improved 0.9% (4.1% in constant currency) to 328 million euros ($383 million). Digital downloads were down 7.1% (unchanged in constant currency) to 39 million euros ($46 million). 

Music publishing revenue improved 8.6% (13.6% in constant currency) to 543 million euros ($635 million). Publishing’s digital revenue grew 10.8% (16.8% in constant currency) to 327 million euros ($382 million) due to streaming growth and subscription revenue gains. Performance revenue rose 13.9% (17.3% in constant currency) to 115 million euros ($134 million). Synch revenue fell 1.6% (rose 3.3% in constant currency) to 63 million euros ($74 million). Mechanical royalties were down 7.1% (3.7% in constant currency) to 26 million euros ($30 million). 

Merchandising and other revenue grew 9.3% (15.6% in constant currency) to 259 million euros ($303 million). Lower direct-to-consumer sales were more than offset by growth in touring merchandise sales.


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Jason Kelce might be gaining one of music’s biggest stars as a sister-in-law, but that doesn’t mean he’s any the wiser to the boundaries of basic musical genres. In a hilarious moment on Kylie Kelce’s Not Gonna Lie podcast posted Thursday (Oct. 30), the retired Philadelphia Eagles center left his wife absolutely perplexed when he classified a certain pop star — who’s previously collaborated with Taylor Swift — as a “hip-hop” artist.

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While sitting together on a couch dressed in Frozen-themed Halloween costumes (Kylie showed up as Olaf the snowman, while Jason channeled Kristoff), the couple poked fun at their own lack of pop-culture knowledge by facing off in a round of trivia. When the football player challenged the podcaster to name one of the three artists who are set to headline Coachella next year, he provided the following hint: “I would say the two that I know are hip-hop artists.”

“You have guaranteed heard multiple [songs by] 2 and 3,” Jason continued, trying to help Kylie out. “One of them is on a new song with Taylor.”

The latter clue led Kylie to correctly guess Sabrina Carpenter, who guested on Swift’s The Life of a Showgirl title track released earlier in October. The two-time Grammy winner will split the Coachella billing with Justin Bieber and Karol G — none of whom are known for making hip-hop music — in 2026.

A puzzled Kylie then asked, “Did you count [Carpenter] in hip-hop?”

“I mean, what else would she be?” Jason replied, adding that pop and hip-hop are “the same thing these days” when the former field hockey player informed him of Carpenter’s actual genre.

Looking aghast, Kylie couldn’t help but go silent with a baffled expression for several seconds.

Though Jason is right that hip-hop is very popular, Carpenter has never once charted on any of Billboard‘s rap, R&B or hip-hop rankings. She has, however, scored multiple hits on the Billboard Hot 100 — including No. 1 singles “Please Please Please” and “Manchild” — as well as several pop, dance and country charts.

But, who knows? Perhaps Carpenter will make the pivot to hip-hop at some point, and if nothing else, Jason’s classification of her music may very well make for a hilarious conversation when their paths presumably cross at Travis Kelce’s future wedding to Swift.

Watch the full interaction on the latest episode of Not Gonna Lie above.


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This article was created in partnership with AEG Presents.

The Billboard Live Music Summit returns to Los Angeles on November 3, honoring Usher as Touring Artist of the Year. With 8 Grammy Awards, 9 Billboard Hot 100 No. 1 hits, and countless sold-out arena tours, Usher has built a career few can rival. From his record-breaking Las Vegas residency to his electrifying world tours, he continues to redefine what it means to be a live performer. Another notable name in Latin music is Rauw Alejandro, who will be speaking with Hans from Live Nation and Leila Cobo on his rise in the Latin music space and his experience on touring.

Usher and Rauw Alejandro will appear in conversation during Billboard‘s Live Music Summit, held Nov. 3 in Los Angeles. For tickets and more information, click here.

From iconic festival to global tour promotion for superstar artists, to some of the most iconic and well-known venues, AEG Presents is a world leader in the music and entertainment industry. They are a part of every step of creating a live music experience, bringing fans and artists together, which will all be covered at the Billboard Live Music Summit and Awards.

This year’s Live Music Summit will bring a wide range of touring executives and music industry professionals together for a day of insights and conversation. The event featured Usher along with other top artists and key touring executives sharing their perspectives throughout the day. 

AEG Presents will be sponsoring the Luncheon, which will be held in between panels during the Live Music Summit. The Luncheon will allow artists, attendees, and panelists an opportunity to talk in a more relaxed setting, allowing for additional conservations and networking opportunities. 

Usher will sit down with Gail Mitchell to speak about his current tour and how he went from being an aspiring artist to a household name. Usher’s legacy is unmatched – a 28-year touring career, which has taken him to arenas, residencies and the world’s largest stage: the Super Bowl.

Rauw Alejandro and Hans from Live Nation will join Billboard Español’s Leila Cobo in conversation about his rise in Latin Music and touring. Both Usher and Rauw Alejandro had two of the biggest tours in 2025. Which makes them the perfect representatives on the artists front. They will both appear on November 3 at the Billboard Live Music Summit and Awards in partnership with AEG Presents.

Rauw Alejandro

Rauw Alejandro

Marco Perretta

The Ticketing Panel panelists include Kristen Mitchell (Wasserman), Lauren mcKinney (Foundations Artist Management), and Dean Dewulf (AXS) and will be moderated by Dave Brooks (Billboard).  Ticketing is one of the most important aspects of the touring industry, connecting fans to their favorite artists. The panel will focus on accessibility to tickets, fan first ticketing, and the steps ticketing partners are striving toward for the future.

The Agents Power panel will bring together top agents from WME, CAA, UTA, AGI, and Arrival Artists to cover all things related to artist development and representation. 

Following the Ticketing, Usher Legend of Live, and Agents Panels in the morning, the AEG Sponsored Luncheon allowed leaders and attendees to come together by creating a space for networking and discussion in a relaxed, professional setting.

Live Music Summit 2025

Live Music Summit 2025

Courtesy Photo

Billboard Live Music Summit 2025 returns on November 3 in Los Angeles. Click here for more information, the programming schedule, and to buy tickets.

Drake is ready to party like it’s 1993 if the Toronto Blue Jays capture their first World Series title in 32 years on Friday night (Oct. 31).

The 6 God took to Instagram on Wednesday night (Oct. 29) after the Jays throttled the Dodgers 6-1 in a decisive game five to taunt star pitcher and position player Shohei Ohtani and Dodgers Nation while taking a 3-2 series lead.

“ONE MORE!!!!!!!” Drake captioned an IG Story with a photo of Ohtani lying down next to a baseball glove and bats.

Drizzy continued to troll Ohtani by posting a picture of him being struck out by Blue Jays rookie pitcher Trey Yesavage during game five. “Savage already otw to the dugout boss lol,” he wrote.

Drake is riding high with the Jays on the brink of a title. The OVO boss was celebrating his birthday at the World Series when he attended game one on Oct. 24.

Don’t be surprised to see the 6 God at Rogers Centre again, as he hopes to witness a historic World Series clincher on Friday night when the Blue Jays look to close out the Dodgers in game six.

Drake is currently back home in Toronto. Drizzy had a father-son outing with Adonis on Wednesday night when they pulled up courtside for a Toronto Raptors and Houston Rockets game. Rockets star Kevin Durant is close with Drake, and the duo playfully jawed back and forth throughout the contest.

Unfortunately for Drake and the Raptors, for whom he’s a team ambassador, Toronto fell to Houston 139-121 as Durant finished with 31 points.


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For over two decades, Keith Caulfield has been an integral part of the Billboard charts team, tabulating which singles and albums are the most popular in the United States. To be more specific, Caulfield — managing director of charts and data operations — looks after the Billboard 200, the standard bearer for an album’s performance since it was first introduced in 1956.

In the years since the Billboard 200 — and the Hot 100, Billboard‘s premiere singles chart — debuted, a lot has changed in the music industry. Music fans went from buying vinyl records at physical stores, to buying 8tracks, cassettes and CDs, to downloading singles online, to streaming music for a flat monthly rate. To keep up with how people are listening, Caulfield and the charts team at Billboard have evolved the rules a number of times to balance the incorporation of new media while still staying true to the origins of the charts.

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In this wide-ranging conversation on Billboard’s new music business podcast, On the Record, Caulfield discusses how to compare chart performance in the past versus the present, why albums are often longer than ever and why artists are releasing so many album variants. He also offers some chart fun facts that might come as a surprise, discusses the power of algorithms to push songs to new audiences, and explains how the charts are keeping up with an increasingly fragmented cultural landscape.

The interview can be watched in full below or listened to at this link.

To catch up on past episodes of On the Record, including interviews with guests like Atlantic CEO Elliot Grainge, top investor Matt Pincus, hitmaker Amy Allen, Spotify exec Sam Duboff, head of Sphere booking Josephine Vaccarello and more, click here.

This podcast is a co-production of Billboard and Sickbird Productions.


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New York voters will go to the polls on Tuesday (Nov. 4) to pick a new mayor, and in at least one late-breaking survey, leading contender Democratic Socialist Zohran Mamdani is on top again when it comes to his knowledge of iconic New York musicians. The democratic nominee who is facing off against former Gov. Andrew Cuomo, popped in to the Track Star podcast this week to test his music IQ with host Jack Coyne, and the results were an across-the-board sweep.

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Well, except for one legendary Long Island-based songwriter whose music Mamdani was surprisingly unfamiliar with.

Coyne started with a layup, with Mamdani smiling as he instantly identified Jay-Z and Alicia Keys’ 2009 classic “Empire State of Mind.” Coyne suggested that his music test was “more important” than running for mayor, with Mamdani joking that despite his double-digit lead at press time, he feared he was “about to lose the race” if he blew the quiz.

He aced the next one as well, singing along to the chorus of the Strokes’ 2001 classic “Someday,” and casually dropping that his pal, band singer Julian Casablancas, is a “great guy,” who, despite working in a “pretty dirty” profession is a “straightforward, sincere, nice” person.

And you know track three was no worry, since it was his own song with HAB, “#1 Spice,” released under his nom de rap “Young Cardamom,” in 2016. If having a candidate who has dropped bars didn’t already make you feel old, the 34-year-old aspiring city leader said he recorded his first verses for an AP Lit class in high school before a friend from his native Uganda hit him up to record the track that he later heard a different politician using to hype his own campaign.

Within seconds, Mamdani blew a kiss to indicate that he knew Coyne was rocking Yonkers MC Jadakiss’ 2001 single “We Gonna Make It,” with the candidate revealing that his dream walk-on music is Ja Rule and Jada’s 2004 anthem “New York.”

He ran the board on the next three, correctly bagging the Beastie Boys’ party starter anthem “No Sleep Till Brooklyn”, grooving to the “incredible” Frank Sinatra’s “New York, New York” and bobbing his head to Queens’ own Mobb Deep and their 1995 single, “Survival of the Fittest.”

“M-O-B-B-D-E-E-P,” Mamdani chanted.

And then things went off the rails.

As the legendary piano intro to Long Island legend Billy Joel’s 1976 homage to his home, “New York State of Mind,” played over his headphones Mamdani had to get real. “You know, as a politician it’s important to be honest,” he said as Coyne tried to help out by noting that the musician plays piano and is, as we said, from Long Island.

Nothing.

“That’s not on your go-to playlist?,” Coyne asked. “Got to be honest, no,” Mamdani said, hoping that his fellow New Yorker’s won’t ding him for not knowing the track from the artist who holds the record for the most shows by an act at Manhattan’s Madison Square Garden at 150.

Mamdani proved his music bona fides last week as well, when he popped up for a surprise cameo on Friday (Oct. 24) at PinkPantheress’ Brooklyn show at the Kings Theater. When the camera cut to him in the audience, he flashed the get out the vote message, “Our Time Has Come Vote Nov 4,” which was scrawled across his hands.

Watch Mamdani on the Track Star show here.


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