Killer Mike has apologized to Steph Curry and the NBA star’s wife, Ayesha Curry, following his comments reacting to a TikTok video ridiculing Ayesha.

The Atlanta rapper broadcast his apology during an appearance on Shannon Sharpe’s Club Shay Shay on Wednesday (Oct. 1), chalking it up to his words being “misconstrued” and saying that he was high at the time.

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“Steph Curry, Ayesha Curry — boy, my wife done cussed me out,” Mike admitted. “My oldest daughter called me. My youngest daughter called me. … Homeboys that have played in the NBA called me.”

Killer Mike continued: “And I realized that maybe I shouldn’t smoke and get on Instagram. So let me say this, ’cause I appreciate you checking it; it shows you have a tremendous amount of respect for me. Mrs. Ayesha Curry and her husband Steph, I apologize for my statement being misconstrued.”

Mike’s comment stemmed from his reaction to content creator BooWoodz’s skit teasing Ayesha Curry, poking at her alleged thirst for attention to take the spotlight from her Hall-of-Fame hubby.

“She wants to be GloRilla or some sh–,” BooWoodz said in the clip posted in September. “Like we get it, bro. Just drop an an album or some sh–. Stop embarrassing this man, bro. This sh–‘s getting pathetic.”

Killer Mike had a laugh at the video and hopped into the comments, writing: “My n—a said she wanna go be Glo!!!” he wrote. “Man Steph doesn’t deserve the embarrassment frfr. God Bless him.”

Steph Curry got wind of Mike’s comments and he replied, defending his wife. “Naaaa not you Mike,” the Golden State Warriors superstar wrote, checking the rhymer. “I’m cool [staying] silent and letting these other clowns have [their] moment! And you’re the worst of them [BooWoodz]. But you’re better than that [Killer Mike]. Stay in your lane and let God keep blessing me like he is. We r good over here.”

Mike clearly realized he was in the wrong and continued to repeatedly apologize, as Shannon Sharpe ribbed him throughout the interview.

 “I was just stoned up, trying to make a joke,” the Run the Jewels rapper offered up as an excuse. “It wasn’t my damn business, like my wife said. So, I’m sorry, y’all.”

Watch the clip of Killer Mike’s apology below.

David Kaefer, the Spotify executive in charge of the company’s music and audio businesses, will leave the company at the end of October. The announcement was made on Wednesday (Oct. 1) through both an internal memo and a LinkedIn post by Kaefer.

Named to Billboard‘s 2025 Power Players list, Kaefer spent seven years at Spotify, most recently as global head of music and audiobook business. In that role, he led the company’s music licensing and partnerships and its growing audiobook business that launched in 2022. According to Kaefer’s LinkedIn post, after leaving Spotify, he plans to be an advisor and invest in tech, media and sustainability. 

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Charlie Hellman, currently Spotify’s vp/global head of music product, will succeed Kaefer as senior vp and global head of music. Hellman joined Spotify in 2011 and helped build some of the company’s first recommendation and social features. 

Separately, on Tuesday (Sept. 30), Spotify CEO Daniel Ek announced he would step down on Jan. 1, 2026, to be replaced by two co-CEOs: co-president/chief business officer Alex Norström and co-president/chief product and technology officer Gustav Söderström. The pair will report to Ek, who will transition to the role of executive chairman. They are expected to be named to the company’s board of directors.

Below, you can read the internal memo obtained by Billboard that was written by Norström about Kaefer’s departure.

Team,

I would like to take a moment to share some thoughts on the future of our Music team and its leadership.

It has been a pleasure to work with and learn from David Kaefer, particularly in his leadership of key music functions, including Editorial, Partnerships, and GTM, as well as his extensive experience navigating innovative industry deals. On a personal note, I’ve always valued his strategic saviness and unique blend of toughness and humor. From the moment that he shared his plans for a new, ideally West Coast-based adventure a few months ago, I’ve felt a deep sense of gratitude for his incredible run. David will remain with us until October 24th.

This brings me to our new head of Music vertical, Charlie Hellman. Charlie’s fifteen-year journey here is legendary; in addition to hiring and serving as a mentor to more successful Spotifers than I can count, he drove the creation of the US R&D team, Spotify for Artists, and so many of our music experiences from our very first radio feature to our expansion into music video. As we enter our next era of scale, we are centralizing all music functions under his leadership. Charlie’s proven ability to think strategically, advocate for both artists and Spotify’s role in growing Music, and collaborate effectively across the company and our industry make him the ideal leader for the Music organization of tomorrow.

Finally, this is about all of you. Music is and always will be the beating heart of Spotify. We are still in the early chapters of our story, and we’re setting our sights higher than ever. Our success rests on your work to deliver for artists, songwriters, and fans. Charlie joined when we were celebrating a then massive one million subscribers, and I can’t wait for the day when you’re telling a new hire that you remember when we hit our first billion.

Best,

Alex


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Following the news that Bad Bunny will headline the 2026 Super Bowl Halftime Show, a core member of Donald Trump’s administration has warned that United States Immigration and Customs Enforcement agents will be present at the game.

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In a Wednesday (Oct. 1) appearance on “The Benny Show,” Corey Lewandowski — the president’s 2016 and 2024 campaign manager who now advises the Department of Homeland Security — was asked whether ICE will be on the ground at Levi’s Stadium in Santa Clara, California, come Feb. 8, 2026.

“There is nowhere you can provide safe haven to people who are in this country illegally,” was Lewandowski’s response. “Not the Super Bowl and nowhere else. We will find you and apprehend you and put you in a detention facility and deport you.”

“Know that is a very real situation under this administration, which is contrary to how it used to be,” he continued.

The remarks come just three days after it was announced that Benito would be performing at the Big Game next year, six years after he made his debut on the Super Bowl stage during Jennifer Lopez and Shakira’s headlining show. The news was particularly attention-grabbing as the rapper had previously decided not to perform in the United States while on tour due to concerns that immigration officers might target his audiences — something he referenced at the time of the announcement.

“I’ve been thinking about it these days, and after discussing it with my team, I think I’ll do just one date in the United States,” Bad Bunny wrote on X on Sunday (Sept. 28).

As for Lewandowski’s personal opinions about Roc Nation’s pick for the 2026 showcase, the conservative consultant isn’t a fan. “It’s so shameful they’ve decided to pick somebody who seems to hate America so much to represent them at the Halftime Show,” he said on “The Benny Show.”

“We should be trying to be inclusive, not exclusive,” Lewandowski added. “There are plenty of great bands and entertainment people who could be playing at that show that would be bringing people together and not separating them.”

It’s unclear where Lewandowski may have gotten the notion that Bad Bunny — who is from Puerto Rico, an unincorporated territory of the U.S. — hates America. Even as he was explaining his reasons for not taking his Debí Tirar Más Fotos World Tour through the so-called Land of the Free in 2025-26, Benito specified in a September interview with I-D, “There were many reasons why I didn’t show up in the U.S., and none of them were out of hate.”

“I’ve performed there many times,” he continued at the time. “All of [the shows] have been successful. All of them have been magnificent. I’ve enjoyed connecting with Latinos who have been living in the U.S. … But there was the issue of, like, f–king ICE could be outside [my concert]. And it’s something that we were talking about and very concerned about.”

Doja Cat released her Vie album last week, and she played a round of F—k, Marry, Kill when it comes to her albums as part of her Interview magazine feature on Wednesday (Oct. 1).

“F—k, Marry, Kill: VieScarlet, and Planet Her,” Interview Mag‘s Ary Russell asked Doja.

The Grammy-winning artist ended up swapping Scarlet out for her 2018 project Amala before answering. “That’s not fair. You should have put Amala in there instead of Scarlet,” she replied. “Kill Amala. F—k Vie. Marry Planet Her.”

It seems she’s favoring her 2021 album, as Planet Her was filled with hits like “Kiss Me More,” “Need to Know,” “Woman” and “Get Into It.”

“Kiss Me More” features an assist from SZA and went on to notch both artists their first Grammy win in the best pop duo/group performance category, while “Woman and “Get Into It” cracked the Billboard Hot 100’s top 10.

“I wanted to kind of go outside of what I understood [or] what I knew as pop aesthetic or rap aesthetic. I wanted to quite literally travel outside of the planet,” Doja told MTV news of PH. “When it comes to the videos and choice of words and melodies and combinations musically, I wanted it to feel different. I wanted it to feel otherworldly.”

Vie serves as Doja’s fifth studio album and the LP arrived on Friday (Sept. 29) and the 15-track album features a lone reunion with SZA on “Take Me Dancing.”

“It’s fabulous to just be able to enjoy it with other people,” she said to Interview about the project finally being out. “Because I can be in my house on the couch listening to it, but it’s nothing like hearing other people be like, ‘Oh my god, I love that part.’ Or them knowing the lyrics even is so invigorating. I love when people know already. It’s amazing to hear people rap it back to me or sing it back to me.”

Doja will be hitting the road in support of the album for her Tour Ma Vie World Tour, which kicks off with legs in Australia and Asia in November before heading to South America in 2026.

The promoter of Rod Wave’s Last Lap tour is suing the R&B singer and rapper for allegedly holding onto $27 million worth of advances despite refusing to finish the 35-date trek.

Rod (Rodarius Marcell Green) faced the claims in a Monday (Sept. 29) federal court lawsuit from Grizzly Touring, a joint live events venture between AG Entertainment, Mammoth Touring and CTS Eventim. Grizzly partnered with Rod last year for a North American arena tour supporting his October 2024 album Last Lap, which debuted at No. 2 on the Billboard 200.

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The Last Lap tour was supposed to include 35 shows, and Grizzly allegedly advanced Rod $57 million to cover expenses like travel, lodging and production costs. But according to the lawsuit, Rod only completed 26 performances that earned $30 million against the guarantee, leaving $27 million in advances that he now won’t repay.

“Artist refuses to pay Grizzly a single penny of the more than $27 million he owes, and was required to pay in the first instance, and has instead chosen to spend his advance on private jets and lavish second homes,” wrote Grizzly’s lawyers from the firm Weil Gotshal & Manges.

Grizzly alleges that many Last Lap shows had to be canceled because Rod upped the scale of his tour production without warning, requiring more time to put up and take down his arena sets and making it impossible to play shows back-to-back as originally scheduled.

But the lawsuit says Rod is now unfairly blaming these canceled dates on Grizzly, citing a September Billboard interview in which the singer said his promoter messed up routing for the tour. Rod also said in the Billboard interview that he plans to launch a new tour through his own company, Mainstay Touring, in late 2025 — a breach of the exclusivity clause in his contract with Grizzly, per the lawsuit.

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Grizzly now wants a court order forcing Rod to repay his $27 million advance, plus additional financial damages for breach of contract. The promoter is also asking for an injunction blocking Rod from embarking on a self-promoted tour without Grizzly’s involvement.

“As a result of artist’s actions, Grizzly has suffered and will continue to suffer irreparable harm, including harm to its goodwill and business reputation,” reads the complaint. “Artist’s actions are a clear breach of Grizzly’s exclusive right to promote and market artist’s shows, which are uniquely popular.”

Reps for Rod did not immediately return a request for comment on Wednesday (Oct. 1). But the lawsuit attaches a Sept. 18 letter in which Rod’s attorney, David Rose of Pryor Cashman, denied that the singer breached any agreements with Grizzly.

Rose writes in this letter that the canceled Last Lap shows were “solely attributable” to Grizzly’s own errors, including “onerous and inexplicable routing and booking decisions” and failures to properly ship Rod’s touring equipment.

“As a result of Grizzly’s manifest breaches, the agreement and any exclusivity provisions contained in it are no longer in effect,” wrote Rose.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Austin City Limits Music Festival launches its three-night broadcast event starting on Friday (Oct. 3) on Hulu. This year’s festival will take place over two weekends: Oct. 3-5 and Oct. 10-12 at Zilker Park in Austin, Texas.

Headliners include Hozier, Sabrina Carpenter, The Strokes, Doechii, John Summit and Doja Cat. Hulu’s ACL Fest coverage starts on Oct. 3, 4 and 5. Headlining performances take place at night.

If you’re not a Hulu subscriber, click below to launch your free 30-day trial to stream ACL Fest for free. The festival streams at no additional charge to subscribers and you can watch from anywhere (TV, computer, smart phone, etc). Hulu offers live access to stream music festivals such as ACL Fest, Bonnaroo and Lollapalooza.

Opening night of ACL Fest will be headlined by Hozier, the latter of which will stream on Hulu at 9:15 p.m. ET/8:15 p.m. CT.

Also included on Friday’s, Oct. 3 streaming schedule: Asleep at the Wheel, Good Neighbours, King Princess, Role Model, Jensen McCrae, The Favors, Empire of the Sun and others. Sabrina Carpenter, The Strokes and Doechii are scheduled to headline on Saturday, Oct. 4. Djo, Sammy Virji and others perform on Saturday, while Sunday’s lineup includes Feid, T-Pain, Mk.gee, Polo & Pan, Rainbow Kitten Surprise, Wet Leg, John Summit and Doja Cat. (Click here for ExpressVPN to learn how to stream ACL Fest internationally.)

Other performers expected to take the stage at ACL Fest 2025 include Japanese Breakfast, Car Seat Headrest, Magdalena Bay, Olivia Dean, Marina, Gigi Perez, MJ Lenderman, Phantogram, Passion Pit, The Dare, Ca7riel & Paco Amoroso, Panda Bear, Anderson East, Lucius and many more.

Catch all the fun live on Hulu here, or, if you want to be there in person, last-minute tickets are available on StubHub, Vivid Seats and other ticketing sites. Purchase tickets below.

The long-out-of-print self-titled album from Buckingham Nicks debuts at No. 3 on Top Album Sales with 30,000 copies sold in the United States in the week ending Sept. 25, according to Luminate. The set was originally released in 1973 before Lindsey Buckingham and Stevie Nicks joined Fleetwood Mac and is the only album from the pair as a duo.

Buckingham Nicks also arrives on Top Rock Albums, Indie Store Album Sales, Catalog Albums (No. 1 on each); Top Rock & Alternative Albums, Vinyl Albums (No. 2); and the Billboard 200 (No. 11).

Originally issued through Polydor, Buckingham Nicks has been out of circulation (though widely bootlegged) until its official remastered Rhino reissue on Sept. 19. The project also made its official debut on CD, streaming services and as a digital download through Rhino, alongside a number of vinyl variants.

Upon the album’s reissue, Buckingham and Nicks shared on their respective Instagram accounts: “We’re so happy this album is getting a second life. We hope you love it.”

With 30,000 sold, Buckingham Nicks tallies the biggest sales week in over a decade for any album by Buckingham, Nicks or Fleetwood Mac. The last time a set from any of those acts had a larger sales week was on the Top Album Sales chart dated Oct. 25, 2014, when Nicks’ 24 Karat Gold: Songs From the Vault, sold 33,000 copies in its opening week (No. 7).

Further, with 18,000 copies sold on vinyl, the album notches the largest sales week in the format in the modern era (since Luminate began electronically tracking sales in 1991) for any project by Buckingham, Nicks or Fleetwood Mac.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Pop supergroup *NSYNC is celebrating its 30th anniversary.

It’s been 30 years since the boy band consisting of Justin Timberlake, JC Chasez, Joey Fatone, Chris Kirkpatrick and Lance Bass was formed on Oct. 1 1995, and ShopBillboard is ready to celebrate. To commemorate the legacy that was, and still is, *NSYNC, we recommend both casual and die-hard fans of the band pick up this *NSYNC 30th Anniversary Celebration: We Want You Back! book available on Amazon.

The book was penned by journalist Selena Fragassi and currently retails for $14.48. A Kindle version is also available for $11.99 if you’d rather digitally flip through the fan-forward novel. The book is fully illustrated and is curated by a fan, for the fans.

*NSYNC's 30th Anniversary Biography: Buy Online

*NSYNC 30th Anniversary Celebration: We Want You Back!

$14.48 $24.99 42% off

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A book celebrating *NSYNC’s 30th anniversary.


The book begins where most fans did, with the group’s 1997 self-titled debut album spearheaded by the famed single “I Want You Back.” The group gained major star power from the release, following it up with their 2000’s work No Strings Attached, which became one of the fastest-selling albums in history with over 1 million copies sold in just one day.

From their success on the charts, we’re taken through their life on the road where the boy band completed five nationwide concert tours before going on hiatus in 2002. The book takes us through when *NSYNC reunited in 2023 after almost two decades apart, releasing their single “Better Place.” On the Billboard side, the track peaked at No. 25 on the Billboard Hot 100 chart, which was a tie for their highest Hot 100 debut with their first single, “I Want You Back” in 1998. This marked the group’s return to the Hot 100 for the first time in over 20 years.

For those curious, these days, *NSYNC is focused on solo activities but has come together for special appearances here and there. If reading isn’t your thing, we won’t judge, Amazon also features a bunch of official *NSYNC merch that you can shop right now. We’ve picked out a few of our favorites, from hoodies to tank tops, that you can shop below.

Shop our official Amazon *NSYNC merch picks here.

*NSYNC's 30th Anniversary Biography: Buy Online

*NSYNC Official Name Stack T-Shirt

A red t-shirt spelling out all the *NSYNC member’s names.


*NSYNC's 30th Anniversary Biography: Buy Online

*NSYNC Official No Strings Attached Raglan Baseball Tee

A black and white long-sleeve baseball tee with *NSYNC’s No Strings Attached album art on it.


*NSYNC's 30th Anniversary Biography: Buy Online

*NSYNC Official Retro Neon Logo Tank Top

A black tank top with the *NSYNC members on the front in a colorful graphic.


*NSYNC's 30th Anniversary Biography: Buy Online

*NSYNC Official Gonna Be Me Pullover Hoodie

A blue hoodie with *NSYNC’s No Strings Attached album art on it.


*NSYNC's 30th Anniversary Biography: Buy Online

*NSYNC Official Right Through You V-Neck T-Shirt

A blue v-neck t-shirt with an *NSYNC graphic on the front.


THE BIG STORY: Sean “Diddy” Combs essentially won his criminal case, right? After all, the jury acquitted him on the central racketeering and sex-trafficking charges that could have sent him to prison for life. The feds overreached and the jury slapped them down, the narrative goes — let’s get those White Parties going again.

But the star was convicted, albeit on lesser charges of interstate prostitution. And these weren’t misdemeanors: Prosecutors want at least 11 years in prison, and the probation office says he deserves seven years. Combs’ lawyers, on the other hand, want just 14 months — a sentence that would send him home almost immediately on time served.

When Combs is sentenced by a federal judge on Friday (Oct. 3), how much time will he actually get? Legal experts told me that it will largely depend on one tricky question: How much the judge separates the “acquitted conduct” that was rejected by the jury from the actions on which Combs was actually convicted.

That might seem like common sense, but it’s actually a controversial issue and the key dispute between Combs and prosecutors ahead of sentencing. Experts say it’s also a serious challenge for a federal judge: “It will be hard for the judge to unhear everything he has already heard about Combs,” one former longtime Manhattan federal prosecutor told me.

For more, go read my full story here. And stay tuned at Billboard — we’ll keep you updated when the sentence is issued.

You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.

Other top stories this week…

NO NEW TRIAL – Separately in the Diddy case, Judge Arun Subramanian denied a motion seeking to overturn his prostitution convictions, clearing the way for both sentencing and appeals. The ruling rejected Combs’ various arguments, including his eyebrow-raising claim that the “freak-off” sex parties at the heart of the case were just porn movie shoots protected by the First Amendment. “Illegal activity can’t be laundered into constitutionally protected activity just by the desire to watch it,” the judge wrote.

GET A GOOD LAWYER – A federal judge dismissed a lawsuit claiming Taylor Swift stole lyrics for 15 of her songs from a self-published Florida poet, ruling that accuser Kimberly Marasco was trying to claim ownership over “common words” and basic ideas: “Plaintiff’s poems amount at most to ideas, metaphors, contexts, and themes — none of which is a proper subject of copyright protection,” the judge wrote.

PROTECT YA SECRETS – A federal judge said that Martin Shkreli must face a lawsuit over Once Upon a Time in Shaolin, a one-of-a-kind Wu-Tang Clan album that he once owned. The judge refused to dismiss the case because she said the ultra-rare album might be considered a “trade secret” — and that Shkreli potentially broke the law by retaining copies after he forfeited it to prosecutors. But she acknowledged that such a ruling was “uncharted territory” for trade secrets law.

NIRVANA COVER CASE – The iconic grunge band won a court ruling dismissing a long-running lawsuit filed by Spencer Elden, the man who appeared as a nude baby on the iconic cover of Nirvana’s 1991 album Nevermind. Elden claimed the image amounted to child pornography, but the judge ruled it was not the kind of sexualized photo that would break the law: “This image … is most analogous to a family photo of a nude child bathing.”

KIM K SUES RAY J – Kim Kardashian and Kris Jenner filed a defamation lawsuit against Ray J over allegations that he falsely claimed during a podcast that federal authorities are investigating the mother and daughter pair for criminal racketeering. The case, filed by lawyer Alex Spiro, said the singer had waged a “malicious campaign of harassment” against the Kardashians because he was intent on “reviving his own fading notoriety.” Ouch.

METRO BOOMIN VERDICT – The superstar producer won a jury verdict clearing him of wrongdoing in a civil lawsuit filed by Vanessa LeMaistre, who claimed that he sexually assaulted and impregnated her in 2016. It took only a short deliberation for the jury to reject those accusations, which Metro’s lawyers repeatedly told them had been conjured up while LeMaistre was high on the psychoactive drug ayahuasca during a trip to Peru.

“COMPLETE BOONDOGGLE”Thomas St. John, a former longtime business manager to Calvin Harris, fired back against the DJ’s recent allegations of fraud, calling the accusations “categorically false.” In a response statement, St. John said he did not steal money from anybody and that Harris had willingly agreed to invest in the Los Angeles real estate plan at the center of the dispute — a project Harris says was a “complete boondoggle.”

MJ ABUSE CASES – Michael Jackson’s estate revealed in court filings that Wade Robson and James Safechuck — two men who have long accused the late pop star of sexually assaulting them as children — are seeking a whopping $400 million in their court cases. The revelation came amid an intra-estate dispute with Jackson’s daughter, Paris Jackson, who claims the estate executors have paid too much in legal bills to certain law firms.

NOT AGAIN – Tekashi 6ix9ine pled guilty yet again to breaching the plea deal he secured by testifying against his former Brooklyn gangmates, marking his third violation of supervised release in less than a year. At a court hearing, Tekashi admitted that he attacked a man in a Florida mall last month after the man taunted him for flipping on his crew.

RAP ON TRIAL – A New York appeals court ruled that Brooklyn prosecutors shouldn’t have used a rap song as evidence in a murder trial, saying the lyrics had “inherent ambiguity” and that the defendant was “deprived of a fair trial.” The decision, which centered on a prosecution expert witness who merely “guessed” when explaining what the lyrics meant to jurors, came amid a nationwide debate about rap in criminal cases.

GRACELAND SCAMMER – Lisa Jeanine Findley, the woman who tried to sell off Elvis Presley’s Graceland mansion for millions of dollars in a bizarre scheme, was sentenced last week to more than four years in prison. Last year, Findley used a fake company and forged documents to try to conduct a foreclosure sale of the legendary Memphis home – an outlandish scam that befuddled media outlets and officials alike.

CLUB CLASH – A trio of Miami club operators who run the city’s famed Club Space venue fired back at a lawsuit brought by dance music giant Insomniac Events by filing a countersuit accusing Insomniac and its CEO Pasquale Rotella of “predatory tactics and greed.”

AI BATTLE IN GERMANY – One of the first major AI music cases in the European Union went before a Munich court this week. The case — pitting German music royalties group GEMA against OpenAI — raises the same question at play in the billion-dollar U.S. lawsuits: Do AI companies need to pay for the vast numbers of copyrighted works they use to train their machines? Billboard’s Rob Levine has a breakdown of the case and its implications.

ROYALTY ROW – T.I. was hit with a new lawsuit from veteran hip hop producer Sir Jinx over accusations that the rapper has failed to pay proper royalties for his 2016 Dr. Dre collaboration “Dope.” Jinx — Dre’s cousin who rose to fame with Ice Cube in the 1980s — has become a prolific litigant in recent years, filing lawsuits seeking more compensation for his work with Cube, Yo-Yo and others.

BAND BREAKUP BATTLE – The metalcore band Hatebreed and its frontman Jamey Jasta fired back at a lawsuit filed by bassist Chris Beattie over his ouster — calling it a “garden variety band break-up case” filed by a “disgruntled” former member who is improperly claiming a legal right “to remain a permanent member” of the band.


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Jay Pharoah and Sommore are headlining the third annual Because They’re Funny (BTF) Comedy Festival, which returns to Washington, D.C.’s The Wharf on Oct. 10-12. The event is being presented by the entertainment company Nice Crowd in partnership with Events DC, the official convention and sports authority for the District of Columbia. 

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“Because They’re Funny’s momentum continues to grow and D.C., with its deep roots in comedy, is the perfect home for it,” said Nice Crowd CEO Jeff Friday and the company’s president Nicole Friday in a statement released with the news. “This festival showcases many of the top comics in the business while creating space for the next generation. We’re thrilled to have both Sommore and Jay Pharoah headlining two nights at the Anthem this year.”

Pharoah, whose comedy credentials include a six-season run on Saturday Night Live and Comedy Central’s Out of Office, will appear Oct. 11 at the Anthem and also host BTF’s flagship competition “Breakout Comedian of the Year.” Six finalists will be vying for the $10,000 grand prize plus the opportunity to sign with Hollywood talent agency Innovative Artists.

Nicknamed the Queen of Comedy, Sommore is known for her stand-up specials as well as roles in films such as Friday After Next and Soul Plane. She will hit the Anthem stage on Oct. 12 and host the Hey Ladies Comedy Experience, whose lineup includes actress-singer Tisha Campbell, who starred in the popular television series Martin and My Wife and Kids.

“We’re thrilled to present the third annual Because They’re Funny Comedy Festival,” said Events DC president/CEO Angie M. Gates in the press announcement. “This event not only positions the District as a premier comedy destination but also shines a spotlight on emerging talent. We’re excited to welcome major acts, including Jay Pharoah, to our city, and I can’t wait for comedy fans from around the world to experience the unforgettable performances and vibrant energy of this world-class festival.”

BTF will round out its three-day fest with panels, podcasts and an open mic event for local Washington, D.C, comics among other offerings. See the BTF events schedule on the festival’s website.

Because They're Funny DC Comedy Festival

Because They’re Funny DC Comedy Festival

Courtesy Photo


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