Lianne La Havas is back: After five years of relative quiet, the British singer-songwriter has returned with new single “Disarray.”
The emotive song, which La Havas has described in a press release as a “window into a moment of my life,” was recorded live to tape, capturing a tender, passionate vocal performance. “The song felt very intimate, almost like a secret just for me,” she added.
“My memory of this/ Will forever exist/ I have one wish/ That you would be the man you were,” the 36-year-old sings atop finger-plucked electric guitar, poignantly describing the protracted breakdown of a relationship. Listen to the track in full below.
“Disarray” marks the first slice of new material from La Havas since her self-titled LP, which was released in 2020. Written with Matthew Hales, the concept record depicted the stages of dating from early romance to its end, and scooped the best album prize at the Ivor Novello Awards the following year.
Lianne La Havas charted at No. 7 on the Official U.K. Albums Chart upon release and also earned its author a BRIT nomination for best female solo artist. It marked the Londoner’s third top 10 album in the U.K., following 2015’s Blood (No. 2) and the Mercury Prize-nominated Is Your Love Big Enough? (No. 4), released three years prior.
Posting to social media, La Havas has indicated that “Disarray” is the start of a new chapter in her career, though details of an album are yet to be revealed.
”For the last couple of years, my life could have been described as utter disarray,” she wrote in a cryptic post uploaded to Instagram last week (Sept. 24). “Today, I can thankfully say, that is now firmly in the past, so I’d like to share my story with you in the coming months.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-01 11:36:452025-10-01 11:36:45Lianne La Havas Returns With First New Single in 5 Years: ‘It’s About Vulnerability and Honesty’
The Cure will headline a series of massive outdoor shows in the U.K. and Ireland next summer.
The run of dates is scheduled to kick off in Dublin’s Marlay Park on June 26, before continuing on to Belfast’s Belsonic at Ormeau Park (June 28), Wythenshawe Park in Manchester (Aug. 21) and a night at the Royal Highland Showgrounds (Aug. 23) as part of the Edinburgh Summer Sessions. See the full trek below.
Tickets for all shows go on sale this Friday (Oct. 3) at 9 a.m. (BST) via The Cure’s official website, while fans who have previously signed up to the band’s mailing list will be given access to the pre-sale information.
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Support for each of the shows will alternate between Mogwai, The Twilight Sad, Slowdive, Just Mustard, Stella and the Dreaming, and The Slow Readers Club.
In addition to the newly-announced gigs, The Cure are set to headline the Isle of Wight Festival next summer, as well as European festivals including Primavera Sound, Nova Rock, and Rock en Seine.
Frontman Robert Smith told the Official Charts Company at the time: “It is enormously uplifting, genuinely heartwarming to experience such a wonderful reaction to the release of the new Cure album. To everyone who has bought it, listened to it, loved it, believed in us over the years – thank you!”
Songs of a Lost World marked the legendary act’s first full-length record in 16 years. They performed it in full at Troxy in east London on release day, as well as two shows at the BBC Radio Theatre.
In June, meanwhile, Smith joined Olivia Rodrigo on stage during her Glastonbury Festival headline slot. Rodrigo introduced him as “a personal hero” and “perhaps the best songwriter to come out of England” before the pair duetted on two anthems by The Cure: “Friday I’m In Love” and “Just Like Heaven.”
The Cure U.K. and Ireland 2026 tour dates:
June 26: Dublin, Ireland @ Marlay Park
June 28: Belfast, Northern Ireland @ Belsonic, Ormeau Park
August 21: Manchester, England @ Wythenshawe Park
August 23: Edinburgh, Scotland @ Summer Sessions, the Royal Highland Showgrounds
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Sonos continues to build popularity through its array of premium, immersive home audio speakers. The brands lineup ranges from theater-quality soundbars, music-enhancing stereo speakers, compact portable speakers and bass-pounding subwoofers. If you’re diving into the Sonos ecosystem, the best place to start is with the Era 300.
The versatile speaker delivers industry-leading sound quality for music lovers, but for film aficionado’s, this bluetooth speaker can also double as a great home theater surround sound device with seamless connection to other Sonos products. It may have an unusual shape compare to most speakers on the market, but its minimalistic design provides an eye-catching modern feel to enhance the space its in. Featuring Dolby Atmos-enabled speakers, you’ll quickly forget about its unique build and fully be consumed by its impressive surround sound and spatial audio capabilities.
Under the hood are six speaker drivers, four tweeters, and a couple of mid/bass drivers—all of which deliver detailed, big, and robust sound. Its most impressive feature, however, is spatial audio. The speakers sound spreads in all directions and for a substantial distance without lacking definition. If you opt for the Sonos companion app, you can adjust EQ, tune the speakers to your environment via the TruePlay feature, and pair other Sonos speakers together.
Pair With a Soundbar
To fully enhance the Era 300, pair it with the brand’s impressive soundbars to really immersive yourself in spatial audio. The brands most premium and most powerful soundbar, the Arc Ultra creates a massive soundstage that fills every inch of the room and precisely places sounds all around you. Featuring their signature Sound Motion technology, this soundbar packs clear, deep and balanced sound into an unbelievably compact design. Add in an Era 300 speaker or two, you’ll never need to go a movie theater again.
On the more affordable side, the Sonos Ray soundbar offers crisp dialogue and balanced stereo sound with forward-facing acoustics. At a more budget-friendly price point, enhance your shows, movies and video games for only $219. The Ray also pairs seamlessly with the Era 300 for a more premium surround sound experience.
The cherry on top of your home theater set up is a subwoofer. If you’re in a smaller place like an apartment the Sonos Sub Mini is a great option. It’s also cheaper than its big brother the Sub 4 coming in at $499. If you’re wanting to add bold bass to your living space, this compact premium subwoofer features advanced processing that helps reproduce the full-toned bass of a much larger subwoofer but at a smaller scale. Its minimal footprint and unique cylindrical design fits nicely all around your home. For the best bass experience, pair it with the Sonos soundbar and the Era 300 speakers.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-01 02:30:392025-10-01 02:30:39How to Build An Immersive Home Theater Setup With the Sonos Era 300
Ever since Michael Jackson ushered in the blockbuster era of the Super Bowl halftime show when he headlined in 1993, nearly every performer who has graced the stage on sports’ (and TV’s) biggest night has enjoyed sizable boosts in sales and streams. Looking to continue this tradition is Bad Bunny, who is set to hit the midfield stage early next year when he headlines Super Bowl LX.
With few exceptions, Super Bowl halftime headliners have seen a sizable commercial uptick over the last 30 years. In 2002, U2 saw sales for three of the band’s key albums (All That You Can’t Leave Behind, The Joshua Tree and Best of 1980-1990) more than double in the week following the performance. In 2004, Janet Jackson — in spite of, or perhaps because of, the singer’s infamous “Nipplegate” controversy — saw a similar jump. Particularly large sales gains were also seen for Paul McCartney in 2005, Prince in 2007, Tom Petty & The Heartbreakers in 2008, Madonna in 2012, Katy Perry and Missy Elliott in 2015, Coldplay and Bruno Mars in 2016 and, in 2017, Lady Gaga, who saw a whopping 1,000% gain in digital album and song sales on Super Bowl Sunday alone.
In 2025, the halftime show headlined by Kendrick Lamar averaged 133.5 million viewers across TV and streaming in the U.S., according to Roc Nation, Apple Music and the NFL, making it the most-watched of all time.
Super Bowl halftime performances in the last 30-plus years have spurred some impressive boosts in sales and streams — and on Billboard’s charts. In the wake of the announcement that Bad Bunny will be headlining the 2026 Super Bowl halftime show, here’s a look back at some of the biggest halftime show winners since 1993. (Sales and streaming data for the U.S. only, according to Luminate.)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-01 01:46:172025-10-01 01:46:17How Super Bowl Halftime Shows Lead to Super Sales, From Michael Jackson to Kendrick Lamar
A federal judge has denied a bid by Sean “Diddy” Combs to overturn his prostitution convictions, clearing the path for sentencing later this week.
In a ruling late Tuesday (Sept. 30), Judge Arun Subramanian rejected Combs’ various arguments for a new trial, including his eyebrow-raising claim that the “freak-off” sex parties at the heart of the case were just porn movie shoots protected by the First Amendment.
“Illegal activity can’t be laundered into constitutionally protected activity just by the desire to watch it,” the judge wrote. “Combs’s conduct goes far beyond that point.”
Judge Subramanian also rejected arguments about the Mann Act, the federal prostitution law Combs violated. His lawyers argued that the star merely hired men for consensual sex with his girlfriend, which they said didn’t meet the definition of “prostitution.” But the judge didn’t buy it.
“That definition would narrow prostitution almost out of existence,” he wrote. “It would exclude any situation in which a person pays a third party (like a brothel) to have sex with an employee.”
The ruling will clear the way for Combs’ sentencing, which is scheduled for Friday (Oct. 3). Prosecutors are seeking 11 years, while defense attorneys say Combs should get just 14 months — a sentence that would see him released almost immediately on time served.
Combs was arrested and charged in September 2024 with racketeering (RICO) and sex trafficking violations over accusations that he ran a sprawling criminal operation aimed at facilitating “freak-offs” — elaborate events which he allegedly forced ex-girlfriend Cassie Ventura and other women to have sex with male escorts while he watched and masturbated.
Following a blockbuster trial this spring, jurors issued a verdict clearing Combs on the RICO and sex trafficking charges that could have seen him sentenced to prison for life. But he was still convicted on two other counts for transporting Ventura and others across state lines for the purposes of prostitution.
In July, Combs’ lawyers asked the judge to overturn those convictions, calling them an “unprecedented” and unconstitutional use of the Mann Act against their client.
“Sean Combs sits in jail based on evidence that he paid adult male escorts and entertainers who engaged in consensual sexual activities with his former girlfriends, which he videotaped and later watched with the girlfriends,” his lawyers wrote. “That is not prostitution, and if it is, his conviction is unconstitutional.”
But in Tuesday’s decision, Judge Subramanian said there were no constitutional issues with the century-old statute or the way the government was now wielding it against Combs.
“Combs is right that the Mann Act’s text and application have changed over the last century,” the judge wrote. “But that has little relevance to his conduct, which sits at the heartland of the Act’s legitimate proscriptions. Unsurprisingly then, his conviction raises no constitutional problem.”
The judge also rejected arguments that there was simply not enough evidence to support the prostitution convictions. He ruled that prosecutors had “presented overwhelming evidence of Combs’s guilt under the Mann Act on many occasions” and that the government “proved its case many times over.”
In addition to clearing the way for sentencing, Tuesday’s ruling also sets the stage for Combs’ certain appeal of his convictions. Procedurally, such post-trial motions must be filed and denied by a trial judge before an appeal can be filed at a circuit court.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-01 01:41:552025-10-01 01:41:55Diddy Judge Denies New Trial or Acquittal as Sentencing Looms: ‘Overwhelming Evidence’
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
The future of smart glasses is here. Meta and Ray-Ban just launched its most advanced wearable tech with the Meta Ray-Ban Display. Releasing with a Meta Neural Band, the device is the world’s first Al display glasses that feature an in-lens display with input control from your wrist. Hidden within Ray-Ban’s timeless wayfarer frames, these tech-savvy spectacles continues to push boundaries in wearable technology without sacrificing style.
Priced at $799, the new Meta Ray-Ban Display & Neural Band package are only available in-store exclusively at Best Buy. Starting on Tuesday, Sept. 30, shoppers can schedule appointments at Best Buy to demo the smart glasses to get hands-on experience. Check appointment times here.
They may look like a classic pair of Ray-Ban Wayfarer’s but underneath are some impressive tech and smart features. Unlike previous Meta Ray-Ban products, the Display features a 600x600p hi-res full-color augmented reality display built into the right lens. Users can make subtle hand movements to navigate the in-lens display, send and receive messages, get turn-by-turn directions and translate conversations live with Meta Al. The days of pulling out your phone are a thing of the past.
The glasses also feature open-ear speakers with Bluetooth connectivity, a 12MP camera with 3X zoom and even a viewfinder on the in-lens display for more accurate capturing. Users will be able to get up to six hours of continuous battery life per charge and up to 30 total hours of battery life with fully charged case.
The Meta Ray-Ban Display and Neural Band are available starting Tuesday, Sept. 30, exclusively in-store at Best Buy locations. Look into the future by booking a demo appointment here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-01 00:36:522025-10-01 00:36:52Look Into the Future With New Meta Ray-Ban Smart Glasses Featuring an In-Lens Display
The seven-time Grammy-winning singer-songwriter and guitarist will perform his first-ever concert in the country on Jan. 22, 2026, at Mahalaxmi Racecourse in Mumbai. The one-night-only show will be presented and produced by BookMyShow Live, the live entertainment arm of BookMyShow.
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“India has long been on my list of places to play, not just for the vibrancy of its culture but for the way music lives in the everyday lives of people here,” Mayer said in a statement. “To finally perform in Mumbai feels both humbling and exhilarating.”
Tickets will be available through BookMyShow beginning with an exclusive pre-sale for RuPay credit card holders on Oct. 12, 2025, followed by a general on-sale on Oct. 13, 2025.
The announcement underscores the expanding role of BookMyShow Live as a driver of international touring in South Asia. Once a ticketing startup, the company has evolved into a full-service live entertainment player, producing and promoting tours and festivals across India. Past projects have included bringing global superstars like Coldplay, U2, Ed Sheeran, Guns N’ Roses, Maroon 5 and Post Malone to the market, as well as creating large-scale experiences such as Lollapalooza India, Cirque du Soleil’s BAZZAR and NBA exhibition games.
“John Mayer’s debut performance in India represents a significant cultural milestone and reflects how far live music has come in this country,” said Naman Pugalia, chief business officer of live events at BookMyShow, in a statement. “His music has touched millions across the world, weaving its way into some of the most personal and unforgettable moments of our lives. To finally see him on stage in Mumbai transforms that private connection into a collective experience.”
In recent years, India has emerged as a major stop for international acts. Post Malone, Imagine Dragons, and Dua Lipa have all sold out shows across the country, while Lollapalooza India drew 60,000 fans in 2023. According to Live Nation, Lollapalooza India’s 2025 edition — headlined by Green Day and Shawn Mendes — set a new attendance record. And the momentum continues: Cigarettes After Sex sold out two large shows in January, Guns N’ Roses will take the stage at Mahalaxmi Racecourse next month and Travis Scott is slated to perform in Delhi this October.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-01 00:05:332025-10-01 00:05:33John Mayer to Play His First-Ever Concert in India
Irving Azoff still has a bone to pick with YouTube over the streaming giant’s royalties to artists.
“YouTube is by far the worst offender,” the famed artist manager and entrepreneur said on Friday (Sept. 26) at The Wrap’s TheGrill 2025. “I’m really not fond of when companies take advantage of creators.”
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Citing numbers available through Global Music Rights (GMR), the performance rights organization he founded in 2013, Azoff said YouTube’s royalty rates are a fifth of its nearest competitor despite having five times that competitor’s annual revenue. That gives YouTube “unchecked” power when it comes to negotiating with rights holders such as GMR, SESAC, Paramount, Fox Television, Univision and NBC Universal, he added.
“When you get down to the end of a negotiation with them, they call your artists, they call your record companies,” Azoff continued. “They go out and [say], ‘We’re going to take your music down.’”
Azoff has been voicing his opinions about YouTube for at least a decade. In a February 2016 interview with The New York Times, he lambasted the video streaming platform for paying too little to creators and hiding behind the Digital Millennium Copyright Act’s (DMCA) “safe harbor” provision that allowed it to host music videos uploaded by its users. “When you’re dealing with these tech companies,” he said, “they are worth zillions of dollars, more than the net worth of the entire music industry.”
At Clive Davis’ pre-Grammy Awards gala a few days later, Azoff warned the music industry not to “be pacified by lip service about efforts to create paid subscription services.” At the time, music consumption was skyrocketing, industry revenues were at an all-time low, and YouTube’s poorly monetized free streams were competing against burgeoning subscription services. “It’s a system that is rigged against the artists,” Azoff told Billboard in May 2016. “In my years as a manager, I haven’t seen such a serious threat to artists.”
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Azoff also lambasted YouTube at the same The Wrap event in October 2016, calling the company “very evil” and citing its use of the Clinton-era DMCA. “We’re at a time, especially in music, when there’s such a lack of respect for intellectual property, and they’re the worst offender of it,” he said.
Since 2016, YouTube has launched various subscription services to complement its core ad-supported free platform, including YouTube Music, which currently has a 10% share of the global music subscription market, according to MIDiA Research. But ad-supported royalties have faltered in recent years, and numerous music industry sources have told Billboard that YouTube Shorts, YouTube’s short-form video format, is likely a factor behind a decrease in music royalties from the video platform.
Music companies aren’t alone in opposing the tech giant. NBCUniversal is currently mired in a licensing dispute with YouTube TV and warned on Monday (Sept. 29) that its programming could be pulled from the platform. “YouTube TV has refused the best rates and terms in the market, demanding preferential treatment and seeking an unfair advantage over competitors to dominate the video marketplace — all under the false pretense of fighting for the consumer,” NBCUniversal said in a statement.
NBCUniversal’s confrontation with YouTube could end up being helpful for music, said Azoff at the event on Friday. “You got to hope at some point something goes on that forces them to come to the party,” he said. “But when you got people like [chairman and CEO of NBCUniversal owner Comcast] Brian Roberts making public statements about it, it’s better. So, I’m more hopeful that something gets done, because it’s not just the music industry that they’re bullying. It’s everybody.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-30 23:05:402025-09-30 23:05:40Irving Azoff Slams YouTube Over Low Artist Royalties: ‘By Far the Worst Offender’
“My Only Angel,” the first taste of Aerosmith and YUNGBLUD’s forthcoming collaborative EP, blasts in at No. 1 on Billboard’s Hot Hard Rock Songs chart (dated Oct. 4). With the entrance, the legendary rock group earns its first No. 1 on the list, which began in 2020, while YUNGBLUD captures his second, after “Obey” ruled for a week in September 2020.
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“My Only Angel” soars in atop the multimetric chart through a combination of 2 million official streams, 1.4 million radio audience impressions and 5,000 song sales in the United States in the Sept. 19-25 tracking week, according to Luminate.
The song previews Aerosmith and YUNGBLUD’s joint EP, One More Time, due Nov. 21. Among the five tracks is “Back in the Saddle (2025 Mix)”; Aerosmith’s original song by that title that reached No. 38 on the Billboard Hot 100 in 1977. One More Time marks Aerosmith’s first new material since its 2012 album, Music From Another Dimension!
Concurrently, “My Only Angel” debuts at No. 37 on Mainstream Rock Airplay as Aerosmith’s 45th appearance on the tally and first since “Lover Alot” in 2012. Dating to the radio chart’s launch in March 1981, the group has scored nine No. 1 hits among 24 top 10s. Prior to the new track, the band mined similar lyrical territory with “Angel” (No. 2, 1988) and “Angel’s Eye” (No. 4, 2000).
In addition to its chart-topping Hot Hard Rock Songs debut, “My Only Angel” begins at No. 20 on the Hot Rock Songs chart and No. 23 on Hot Rock & Alternative Songs, both of which follow the same multimetric methodology.
YUNGBLUD and Aerosmith’s Steven Tyler and Joe Perry performed together at the MTV Video Music Awards on Sept. 7 as part of a tribute to the late Ozzy Osbourne. Tyler and YUNGBLUD also played at Osbourne’s final concert in Birmingham, England, on July 5.
It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber?Sign up for free here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-30 22:40:432025-09-30 22:40:43Aerosmith & YUNGBLUD’s ‘My Only Angel’ Makes No. 1 Ascent Onto Hot Hard Rock Songs Chart
Bunnie Xo is speaking out amid the uptick in comments she’s receiving regarding Jelly Roll‘s weight loss.
In a recent TikTok, the podcaster mimicked a common remark she says she’s been seeing in her replies — “Girl, your man is so hot now that he lost all that weight” — before slamming such comments as “shallow.” “Is he? ‘Cause he’s always had the same face,” Bunnie told the camera. “He’s always had the same heart, he’s always had the same soul.”
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“I think the most appropriate thing here to say is he looks so much more healthier now that he’s lost weight,” she continued of her husband. “We’ve gotta stop living in a Shallow Hal world, guys. You might miss out on the best love of your life by judging somebody by their weight.”
The influencer’s reminder comes as Jelly has been looking slimmer than ever. He’s been open about his weight-loss journey over the past year or so, revealing in April that he’d lost more than 200 pounds.
Earlier this month, Jelly also showed off his new wardrobe while visiting Rome to meet Pope Leo XIV. “I can fit in Louis Vuitton now,” he wrote on Instagram at the time. “Pray for my bank account.”
And while some fans may have started crushing on Jelly in recent months, Bunnie has been the country star’s other half for years. The pair got married in 2016 and recently celebrated their nine-year anniversary.
“Life is ours, we live it our way, 9 years of us,” Bunnie wrote on Instagram at the time, while Jelly added on his Story, “I love more and more every single day.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-30 22:26:212025-09-30 22:26:21Bunnie Xo Slams ‘Shallow’ Fans Who Say Jelly Roll Is Hot ‘Now That He Lost All That Weight’