Laufey opened a two-night stand at Crypto.com Arena in downtown Los Angeles on Friday (Sept. 26) with a show that captured her unique place in pop — her music is rooted in jazz, but her concert has pop-superstar production values.

The A Matter of Time Tour, the Icelandic singer-songwriter’s third tour and her first that consists entirely of arena dates, began on Sept. 15 in Orlando. It will conclude in Kópavogur, Iceland, on March 15, 2026.

Laufey (it’s pronounced LAY-vay, for those still catching up to her) won a Grammy for best traditional pop vocal album in 2024 for her sophomore album, Bewitched, and she could be headed for another win in that category on Feb. 1 for her third album, A Matter of Time. The album entered the Billboard 200 at No. 4. It has topped Billboard’s Jazz Albums chart for the past four weeks. (Bewitched logged 102 weeks at No. 1 on that chart.)

Related

For all she has achieved, you have the sense that, Laufey, just 26, is still climbing. She has some big looks upcoming. She may well land a performance slot on the Grammy telecast – it would be her first star turn on Music’s Biggest Night. (She performed “From the Start,” a song from Bewitched, on the 2024 Premiere Ceremony, which is streaming-only, and backed Billy Joel during his show-closing performance on that year’s telecast. Also, she is set to play the Coachella Valley Music & Arts Festival on Apr 19. She has said she would like to record a James Bond theme song, which seems inevitable, which could bring in a performance on the Oscar telecast.  Are we getting ahead of ourselves? Perhaps, but it’s pretty clear to see the career path she’s on.

Laufey didn’t get where she is by thinking small. In 2023, she told RUSSH that Taylor Swift is her favorite current artist. The reason she gave for that choice spoke to her ambitions: “She has done for pop and country what I hope to do for jazz. She has managed to unite people across the world which is one of my main goals as a musician.”

Laufey’s choice of opening act for her tour’s North American leg — English pop/rock artist Suki Waterhouse — also spoke to her pop ambitions.

In 2022, when Laufey first headlined in L.A., she played the legendary but comparatively tiny Troubadour. Her growth since then can be seen in her bookings: In November 2023, she played two nights at the Theatre at the Ace Hotel. On her return in August 2024, she played the Hollywood Bowl. This time, it was a sold-out, two-night stand at Crypto.

Here are the six best moments from Laufey’s opening night show at Crypto.com Arena.

Mariah Carey is back after seven years by releasing her 16th album, ‘Here For It All,’ and we’re breaking down her world-dominating career. With interviews featuring Anderson .Paak, Julia Michaels, and Snoop Dogg, watch as the music industry celebrates the iconic queen and her lasting impact. With the release of her new album, we’re diving into each track as she reclaims her throne.

Tetris Kelly:

It’s all about me, Mimi, that is. That’s right, Mariah Carey’s new album, ‘Here For It All’ has arrived, and we’re taking a deep dive into the project, talking with artists, experts and fans all about it, and of course, looking back at some of our favorite Mariah Billboard moments, baby, we’re here for it all. Mariah teamed up with Anderson .Paak on the new single and music video for “Play This Song.” And we were so ready for this team up. The album is all about her. She got super emotional on “Nothing Is Impossible.” Mariah is singing. The title track is my absolute fave, darling. I mean, listen to the lyrics. The album is worth bringing out the confetti and champagne and getting in your feelings. And she took us to church with the Clark Sisters on “Jesus, I Do.” So obsessed with this album and the new single “Play This Song” wasn’t the only time that Anderson .Paak teamed up with Mariah. We chatted with him about “Type Dangerous.”

Anderson .Paak:

Shout out to the Queen, Mariah Carey. I was messing around like, let’s try to flip this. And when she came in, she really liked it. 

Tetris Kelly:

Mariah Carey has returned with new music from MC16. We’re giving you the rundown with the producer of the track himself. I like them dangerous. Hey, come on, bro, tell me about the track, man. How was it to produce that and get be involved in the project? 

Keep watching for more!

Julie Adam is having a milestone year — and it’s getting even bigger.

The president & CEO of Universal Music Canada is this year’s Billboard Canada Executive of the Year. She will accept the award at Billboard Canada Women in Music on Oct. 1 at Rebel in Toronto.

Related

Adam was promoted to the head role at the beginning of this year and is now the only woman heading a major label in Canada.

Adam’s rise comes after decades of breaking barriers. She started in radio, becoming Canada’s first female Vice President of Radio Programming, and spent more than 20 years at Rogers Sports & Media before moving to Universal in 2023 as EVP & GM. It wasn’t long before she stepped into the top role, taking charge of Canada’s largest record company during a moment of change.

UMC is the market share leader amongst labels in Canada (the label has 7 of the top 10 albums year to date), with both domestic success for international artists and rising stardom for homegrown artists.

The past year has seen chart breakthroughs for artists like Josh Ross (who was among the most nominated artists at the Junos and CCMAs) and Toronto pop artist Sofia Camara, who hit the Billboard Canadian Hot 100 for the first time this week. Other artists, like Mae Martin and Owen Riegling, continue to make a big mark.

It’s no surprise Adam was named to the Billboard Canada Power Players list this year and to Billboard’s Global Power Players.

What makes Adam stand out — and what this award underlines — is not just the business, but the way she leads. Her book Imperfectly Kind doubles as her philosophy: that empathy and generosity can fuel success. Colleagues and artists alike point to her ability to create space for others to thrive, a rare quality in an industry often driven by competition.

Read more here. — Peony Hirwani

Canadian Music Industry Weighs in on How to Support Canadian Audio Content at CRTC Public Hearings

The Canadian Radio-television and Telecommunications Commission (CRTC)’s “Supporting Canadian and Indigenous audio content” hearings are underway.

The CRTC proceedings are centred around the Online Streaming Act, a legislation that updates Canada’s Broadcasting Act for the new digital media landscape. It’s a once-in-a-generation update to CanCon regulations, and many stakeholders have been weighing in about how it should be implemented.

An important aspect to these hearings is last year’s CRTC decision to enforce major foreign-owned streaming services with Canadian revenues over $25 million to pay 5% of those revenues into Canadian content funds, like FACTOR and Musicaction. It’s been a major hot button issue, with pushback from the big major streaming services like Spotify and Amazon. After appealing the base contributions, the courts paused payments until an appeal.

That has been a big topic of conversation in arguments over a series of five days of hearings in Gatineau, Quebec, from September 18 to September 29.

The country’s federal government is under heavy pressure from the United States to forego the base contributions in the legislation, with 18 members of Congress signing a letter, claiming the act “imposes discriminatory obligations and threatens additional obligations imminently is a major threat to our cross-border digital trade relationship.”

CRTC regulations state that at least 35% of popular music picks on commercial radio stations must be Canadian content — but this standard doesn’t currently extend to music streaming services.

The goal of the hearings is to discuss how CanCon regulations can be adjusted in support of the changes taking place in the music industry and the Canadian broadcasting system, including the rise of streaming services, the decline of radio broadcasting alongside increasing support for Indigenous music and diverse Canadian artists.

In its notice of consultation on the hearing that began last week, the CRTC said streamers should “contribute to the discoverability of Canadian, French-language and Indigenous music either through financial contributions or through initiatives targeting the promotion and exposure of these songs to their users.”

Read more about the hearings here. — Heather Taylor-Singh

Kneecap Say They Haven’t Received Any Formal Notice After Ban From Canada

Kneecap have yet to receive official confirmation of its ban in Canada.

Last Friday (September 19), the Irish hip hop trio was ruled ineligible to enter the country by Liberal MP and Parliamentary Secretary for Combating Crime Vince Gasparro in a video posted to X.

While the ban forces the group to forfeit scheduled concerts in Toronto and Vancouver next month, Kneecap’s manager, Dan Lambert, said that the band hasn’t gotten any communication from the federal government.

“Nobody has instructed Kneecap that they can’t travel to Canada except Vince and his social media video,” Lambert tells CBC News.

During Gasparro’s video, he claimed the trio “have amplified political violence and publicly displayed support for terrorist organizations such as Hezbollah and Hamas,” and said he was making the announcement “on behalf of the Government of Canada.”

The ruling blocks Kneecap’s planned shows at Toronto’s History on October 14 and 15, as well as concerts at Vancouver’s Vogue Theatre on October 22 and 23.

Soon after the news broke out, Kneecap rejected the claims in an Instagram statement addressed directly to Gasparro, calling his remarks “wholly untrue and deeply malicious.”

The trio added that they’ve instructed their lawyer to initiate legal action against Gasparro. “We will be relentless in defending ourselves against baseless accusations to silence our opposition to a genocide being committed by Israel,” they said.

Kneecap vowed that if they win in court, they will donate all damages to “some of the thousands of child amputees in Gaza.”

“We’re pretty shocked that this could happen in Canada,” Lambert said to CBC News, adding the band has played in Canada multiple times. He noted that the only country where the group has been banned is Hungary.

Lambert said the case is due in court on Friday, and he fully expects the band to win.

Read more here. – H.T.S.


Billboard VIP Pass

FNC Entertainment — the agency behind P1Harmony and AOA, whose 2014 hit “Miniskirt” is still covered worldwide — may be best remembered as one of the early drivers of band music’s mainstream popularity in K-pop. For newer fans, that legacy might come as a surprise. Beginning with FTISLAND in 2007, followed by CNBLUE and N.Flying, FNC Entertainment has long explored the intersection of rock and K-pop. More than a decade later, the label is introducing a new band: AxMxP (pronounced A-M-P), a four-member unit consisting of vocalist/rapper HA YOO JOON, guitarist/vocalist KIM SHIN, drummer CRU, and bassist/vocalist JU HWAN.

Their name stands for Amplify Music Power, symbolizing a mission to broadcast their voices through music like an amplifier. Officially debuting on Sept. 10, AxMxP embodies the essence of a true rookie, arriving with a full-length self-titled album spanning 10 tracks that traverse punk rock, rock ballad, modern pop-rock and hip-hop rock. At their debut showcase, held before more than 2,000 fans, the members — all between ages 15 and 20 — powered through the entire setlist with striking poise and even moments of relaxed enjoyment. That confidence reflects the know-how FNC Entertainment has honed across years of band development.

Like many bands who gradually build their chops through club gigs and joint concerts before breaking into the mainstream, AxMxP has already spent years on diverse stages. Through the label’s Band Kingdom tour, they have performed in Tokyo, Kaohsiung, Taipei and more, gaining crucial experience and a sense of unity as a live act.

Still, these credentials are only part of the story. The real reason AxMxP earned Billboard Korea’s September Rookie of the Month title lies in the undeniable quality of their debut. Their showcase revealed not just technical polish but also an openness to genre and a serious commitment to taking ownership of their stage. Above all, their energy conveyed joy, sincerity and fearlessness. Here are the voices of AxMxP’s four members as they begin their journey.

Spinal Tap may be a fake band, but its music is very real, and it is being used to raise money for Teen Cancer America, a non-profit founded by The Who’s Roger Daltrey and Pete Townshend that runs cancer programs for teens and young adults ages 15-39.

Members of such legendary groups as Guns N’ Roses, Foo Fighters, The Go-Go’s and Tool, among others, appear on The Majesty of Rock, a 32-song collection from the Spinal Tap catalog, including such Tap classics as” Sex Farm,” “(Listen to the) Flower People,” “Hell Hole” and “Big Bottom.” The collection also features a contribution from the Play it Back Players, a band comprised of cancer patients and professional musicians, who donate their time.

In the spirit of Spinal Tap, many of the musicians created fake bands for the project. For example, Vixen’s Britt Lightning formed The Lightning Rods for her contribution. Guns N’ Roses’ Dizzy Reed plays with a group dubbed Jason Achilles, while System of a Down’s John Dolmayan plays with Antenna the End. “Big Bottom” is attributed to the band S.S.R.J.C.T., which is comprised of Mastadon’s Troy Sanders, Failure’s Kellii Scott, Kyuss’s Scott Reeder, Foo Fighters’ Rami Jaffee, Tool’s Justin Chancellor and The Go-Go’s Abby Travis. (The band takes its name from the first initial of each musician’s last name)

Only 5,000 digital copies of the compilation will be available and can be purchased here for a minimum donation of $19.84, a reference to the year This is Spinal Tap was released in 1984.

Journalist and podcaster Marc Shea produced the set, which came about following a conversation on his Performance Anxiety. “Three and a half years later, we have a double album to honor the musical and comedic legacy of Spinal Tap, the band that gave us ‘going to 11’ as well as raising awareness for spontaneous combustion,” he said in a statement. “I can’t thank the contributors or TCA enough for their support.”

 “This tribute album is a fun, powerful way to raise crucial funds and awareness for the unique challenges facing this age group,” Shannon Sullivan, executive director of Teen Cancer America, said in a statement. We are incredibly grateful to the brilliant artists who have lent their talents to this project and to the creators of Spinal Tap for allowing us to celebrate their genius for a cause that is so important.”

The share prices of two K-pop giants, HYBE and SM Entertainment, suffered steep losses in a week in which few music stocks mustered even small gains. 

In the week ended Friday (Sept. 26), HYBE’s stock fell 7.5% to 268,500 KRW ($190.53) amid a broader monthly downturn of approximately 9%. The company’s founder and chairman, Bang Si-hyuk, is currently facing a securities litigation probe. Additionally, on Tuesday (Sept. 23), HYBE sold its stake in YG Entertainment’s YG Plus. 

Related

While HYBE maintains exposure to YG Plus through the 10.2% stake owned by HYBE subsidiary Weverse, the disposal of its 4.8 million shares worth a total of 38.22 billion KRW ($27 million) will help shore up the company’s finances. HYBE’s operating profit rebounded in the second quarter, but in 2024, the company reported that cash flow from operating activities was at its lowest since the COVID-19 pandemic began in 2020. HYBE held 412 billion KRW ($292 billion) in cash and cash equivalents at the end of 2024, an improvement from 2023 but lower than in both 2021 and 2022. 

SM Entertainment fared even worse than HYBE, falling 13.9% to 131,700 KRW ($93.46) after the company’s first court-led mediation with three members of the group EXO failed to resolve a $430,000 contract dispute. The artists claimed last year that they were being overcharged by SM for the distribution of music. 

Despite their recent struggles, the two K-pop companies are among the best-performing music stocks in 2025. Year to date, SM Entertainment is up 81.4% — third-best behind Netease Cloud Music (134.2%) and Tencent Music Entertainment (111.9%) — and HYBE has gained 33.6%. 

The Billboard Global Music Index (BGMI) fell 2.1% to 3,034.75 this week, lowering its year-to-date gain to 40.8%. That marked the first decline in four weeks and just the sixth losing week in the second half of the year. Only two stocks posted gains for the week, while 16 lost value and one was unchanged. 

Related

Global markets were mixed this week as investors weighed the damage that could arise from a possible federal government shutdown in the U.S. The Nasdaq composite index fell 0.7% to 22,484.07 after closing the previous week at an all-time high. The S&P 500 ended a three-week winning streak, closing down 0.3% to 6,643.70. The U.K.’s FTSE 100 rose 0.7%. South Korea’s KOSPI composite index slid 1.7% and China’s Shanghai Composite Index rose 0.2%.

Universal Music Group had the week’s largest gain, rising 2% to 24.00 euros ($28.09). Madison Square Garden Entertainment, which improved 0.3% to $45.29, was the week’s only other music stock in positive territory.

Live Nation fell 1.2% to $161.79, bringing its two-week decline to 6.9%. Live Nation and Ticketmaster were sued by the U.S. Department of Justice on Sept. 18 over allegedly violating the Better Online Ticket Sales (BOTS) Act and engaging in “systemic unfair and deceptive practices,” according to the lawsuit. The stock received good news earlier in the week, however, when Seaport Global increased its price target to $190 from $170 and maintained its “buy” rating. 

Music streaming companies were among the week’s biggest losers. Tencent Music Entertainment fell 5.9%, Anghami slipped 4.8%, Netease Cloud Music dropped 4.4% and Spotify, the BGMI’s most valuable company, dipped 2.5%.

Related

Another streaming company, LiveOne, executed a 10-to-1 reverse stock split on Friday (Sept. 26) that allowed it to meet the Nasdaq exchange’s minimum bid requirement of $1 per share. After accounting for the split, LiveOne’s share price fell 5.5% to $4.82, deepening its year-to-date loss to 65.1%. 

iHeartMedia had the second-largest decline of the week, falling 10.6% to $2.71. Despite the stock suffering its first decline in three weeks, iHeartMedia shares have risen 69.4% over the past seven weeks and have gained 27.2% year-to-date. The stock has been on a roll since its Q2 earnings on Aug. 11 showed that the company beat guidance by posting a small revenue gain.

Billboard

Billboard

Billboard

Papa Roach’s “Braindead,” featuring H2O vocalist Toby Morse, rises two spots to No. 1 on Billboard’s Mainstream Rock Airplay chart dated Oct. 4.

As the song becomes the Jacoby Shaddix-led Papa Roach’s 12th leader on the list, the group now claims sole possession of the 10th-most No. 1s in the Mainstream Rock Airplay chart’s 44-year history, breaking out of a tie with Volbeat.

Papa Roach first ruled Mainstream Rock Airplay in 2009 with “Lifeline,” nine years after initially reaching the survey with “Last Resort” (No. 4, 2000). Its current No. 1 streak — five in a row — dates to September 2022, when “No Apologies” led for a week.

Most No. 1s, Mainstream Rock Airplay:
21, Shinedown
19, Three Days Grace
16, Five Finger Death Punch
14, Foo Fighters
14, Metallica
13, Disturbed
13, Godsmack
13, Linkin Park
13, Van Halen
12, Papa Roach

As for Morse, “Braindead” is his first solo ruler on a Billboard chart, in his first appearance on his own. H2O has multiple entries, including No. 1s, on album charts, from 1997’s Thicker Than Water through 2015’s Use Your Voice.

Concurrently, “Braindead” zooms 19-10 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.5 million audience impressions in the week ending Sept. 25, up 24%, according to Luminate. It’s Papa Roach’s 10th top 10, and fifth in a row. The band’s best, “Even If It Kills Me,” reached No. 2 in June.

“Braindead” is currently a stand-alone single. Papa Roach’s most recent album, Ego Trip, debuted at No. 6 on Top Hard Rock Albums in April 2022 and has earned 204,000 equivalent album units to date.

All Billboard charts dated Oct. 4 will update Tuesday, Sept. 30 on Billboard.com.

It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here.

Halsey is staying transparent with fans about her health, sharing an update about recent chemotherapy treatments Thursday (Sept. 25) in a candid TikTok.

Related

The clip opens with the pop star chilling at home, noting that they wanted to “come on here to give you guys a speed round of updates” — the first of which had to do with Halsey’s ongoing battle with a rare T-cell lymphoproliferative disorder. “Just did another few sessions of chemo,” the musician tells the camera before showing a small device attached to her collarbone and chest area. “Got a new port placed.”

Chemotherapy is a common way of treating lymphoproliferative disorders, according to Cleveland Clinic, and Halsey has previously been open about undergoing the intravenous procedure for her illness. The About-Face Beauty founder first revealed that they’d been diagnosed with the T-cell disorder, as well as lupus, in June 2024, and sang about experiencing severe health issues on album The Great Impersonator.

Lymphoproliferative disorders are conditions that affect white blood cells, including cancers such as leukemia and lymphoma. Some affect people’s immune systems, while others involve the uncontrollable multiplication of abnormal lymphocytes, according to Cleveland Clinic.

In the comments of her TikTok, Halsey discussed more about the side effects of chemo, sharing that it’s nearly impossible to even stand up “for like a week” after receiving the treatment. “You guys see me between treatment where I have energy,” they added. “The time flies by when I’m recovering so it doesn’t seem like as long, but it’s definitely a while.”

Elsewhere in the video, the hitmaker talked about her upcoming birthday — “I’ve been so busy I honestly haven’t even thought about it at all,” shared Halsey, who will turn 31 on Sept. 29 — and gearing up to hit the road again this fall. After finishing up the For My Last Trick Tour in July, the Americana star announced plans to celebrate the 10-year anniversary of debut album Badlands with a Back to Badlands trek kicking off Oct. 14.

Watch Halsey’s update below.

@halsey

can’t wait to be in there soon! 🪦

♬ original sound – Halsey


Billboard VIP Pass

 Jelly Roll, BigXthaPlug, Ed Sheeran, Jessie Murph and Alex Warren are among the artists who will be taking part in iHeartMedia’s annual “iHeartRadio Jingle Ball Tour” presented by Capital One.

The trek will also feature Conan Gray, Laufey, mgk, Monsta X, Myles Smith, Nelly, Olivia Dean, Ravyn Lenae, Reneé Rapp, Shinedown, The Kid LAROI, Zara Larsson and more. The trek will make stops in Dallas/Fort Worth, Los Angeles, Chicago, Detroit, New York, Boston, Philadelphia, Atlanta, Miami and Washington, D.C. The tour stops will also be part of a network special on ABC, which will air in December and the following day on Hulu.

“Now in its 30th year, the Jingle Ball Tour has become the premier holiday music event, where fans can see the biggest artists performing the best songs of the year,” John Sykes, president of entertainment enterprises for iHeartMedia, and Tom Poleman, chief programming officer for iHeartMedia, said in a joint statement. “Once again we are partnering with ABC to bring this holiday tradition to even more fans across the country.”

General public tickets go on sale Oct. 3 at 12 p.m. local time on iHeartRadio’s website.

For a 12th year, nine cities on the tour will partner with the Ryan Seacrest Foundation, a non-profit organization that aids pediatric patients through entertainment and/or educational initiatives. iHeartRadio’s 106.1 KISS FM’s Jingle Ball in Dallas/Fort Worth will work with the Kidd’s Kids, an organization with the mission of creating uplifting memories for families of kids with life-altering or life-threatening conditions. Partners of this year’s national iHeartRadio Jingle Ball include presenting partner Capital One, Boost Mobile, JCPenney and Mercedes-Benz.

The concert dates are below:

Dec. 2: Dallas/Fort Worth – iHeartRadio 106.1 KISS FM’s Jingle Ball 2025 Presented by Capital One @ Dickies Arena (Lineup: Alex Warren, Jessie Murph, mgk, Nelly, Reneé Rapp, Rachel Chinouriri, Shinedown, Zara Larsson and a sing-along moment for KPOP Demon Hunters.

Dec. 5: Los Angeles – iHeartRadio 102.7 KIIS FM’s Jingle Ball 2025 Presented by Capital One @ Intuit Dome (Lineup: Alex Warren, Audrey Hobert, Conan Gray, Feid, Jackson Wang, Jessie Murph, The Kid LAROI, Leon Thomas, Reneé Rapp, Zara Larsson and a sing-along moment for KPOP Demon Hunters.)

Dec. 8: Chicago – iHeartRadio 103.5 KISS FM’s Jingle Ball 2025 Presented by Capital One @ Allstate Arena (Lineup: Audrey Hobert, Jessie Murph, Nelly, Ravyn Lenae, Reneé Rapp, Teddy Swims, Shinedown, Jackson Wang, Zara Larsson and a sing-along moment for KPOP Demon Hunters.)

Dec. 9: Detroit – iHeartRadio Channel 95.5’s Jingle Ball 2025 Presented by Capital One @ Little Caesars Arena (Lineup: BigXthaPlug, Conan Gray, Jessie Murph, MOLIY, Nelly, Rachel Chinouriri, Ravyn Lenae, Shinedown, Zara Larsson and a sing-along moment for KPOP Demon Hunters.)

Dec. 12: New York – iHeartRadio Z100’s Jingle Ball 2025 Presented by Capital One @ Madison Square Garden (Lineup: Alex Warren, BigXthaPlug, Conan Gray, Ed Sheeran, Jessie Murph, Laufey, Monsta X, Myles Smith, Nelly, Ravyn Lenae, Reneé Rapp, Zara Larsson and a sing-along moment for KPOP Demon Hunters.)

Dec. 14: Boston – iHeartRadio Kiss 108’s Jingle Ball 2025 Presented by Capital One @ TD Garden (Lineup: Ed Sheeran, Laufey, MOLIY, Myles Smith, Olivia Dean, Ravyn Lenae, Sean Paul, Zara Larsson and a sing-along moment for KPOP Demon Hunters.)

Dec. 15: Philadelphia – iHeartRadio Q102’s Jingle Ball 2025 Presented by Capital One @ Xfinity Mobile Arena (Lineup: AJR, Alex Warren, BigXthaPlug, Laufey, Monsta X, Myles Smith, Ravyn Lenae, Zara Larsson and a sing-along moment for KPOP Demon Hunters.)

Dec. 16: Washington, D.C. – iHeartRadio HOT 99.5’s Jingle Ball 2025 Presented by Capital One @ Capital One Arena (Lineup: AJR, Alex Warren, Conan Gray, Jelly Roll, Laufey, Monsta X, Myles Smith, Nelly, Olivia Dean, Shinedown, Zara Larsson and a sing-along moment for KPOP Demon Hunters.)

Dec. 18: Atlanta – iHeartRadio 96.1 The Beat’s Jingle Ball 2025 Presented by Capital One @ State Farm Arena (Lineup: BigXthaPlug, Jermaine Dupri & Friends, Kehlani, Lil Jon & Friends, Mariah The Scientist, MOLIY and Nelly.)

Dec. 20: Miami – iHeartRadio Y100.7’s Jingle Ball 2025 Presented by Capital One @ Kaseya Center (Lineup: BigXthaPlug, Feid, Kehlani, mgk, Monsta X, Nelly, Zara Larsson and a sing-along moment for KPOP Demon Hunters.)


Billboard VIP Pass

Former Little Mix member Jesy Nelson had some major news to share on Friday morning (Sept. 26). Four months after she and partner of three years Zion Foster welcomed their twins, Ocean Jade and Story Monroe, the singer revealed that they are engaged to be married.

“Just got engaged to my best friend,” she wrote along with crying eyes and engagement ring emoji. In the surfside pic, a smiling Nelson, 34, holds up her hand to show off the bling as Foster plants a sweet kiss on her cheek, the sun setting over the waves behind the happy couple. A second snap zooms in on the impressive round-cut diamond ring set in a band that appears to have more inset diamonds.

The couple, who began dating in 2022, have a lot to celebrate after a trying 2025. In January, Nelson hinted that she was pregnant when she teased that she was “eating for 3 now,” sharing two months later that the identical babies were monochorionic/diamniotic twins — meaning they were sharing a placenta while having separate amniotic sacs.

“Normally, most twins will have two placentas that they feed off of, but when you have mono/di twins, that means your twins live off one placenta, which can lead to lots of complications,” Nelson explained in an emotional video at the time, adding that the dangerous condition meant her high-risk pregnancy was being closely monitored.

The babies arrived prematurely in May at 31 weeks, with Nelson saying at the time that they were “healthy and fighting strong!”

Nelson split with Little Mix in 2020 after a decade in the group, shortly after the girl group released their sixth studio album, Confetti. She’s since released the solo singles, “Boyz” with Nicki Minaj, as well as 2023’s “Bad Thing” and, in 2024, a collab with Foster on the song “Mine.”


Billboard VIP Pass