Donald Trump is continuing with his campaign against Bruce Springsteen, who recently kicked off his tour in Minneapolis and tore into the American government on stage, leading the twice-impeached POTUS to unleash yet another fiery post on Truth Social.
Related
Bruce Springsteen’s Tour Kickoff in Minneapolis: Fiery Speeches, a Prince Cover & More Best Moments
How Minnesotans Feel About Bruce Springsteen’s ‘Streets of Minneapolis’ & Anti-ICE Activism
Musicians Who’ve Spoken Out Against ICE, From Bad Bunny to Billie Eilish
On Thursday (April 2), Trump wrote, “Bad, and very boring singer, Bruce Springsteen, who looks like a dried up prune who has suffered greatly from the work of a really bad plastic surgeon, has long had a horrible and incurable case of Trump Derangement Syndrome.”
“The guy is a total loser who spews hate against a President who won a Landslide Election, including the popular vote, all Seven Swing States, and 86% of the Counties across America,” he continued. “Under Sleepy Joe and the Dems, our Country was DEAD, and now we have the ‘hottest’ Country, by far, anywhere in the World. MAGA SHOULD BOYCOTT HIS OVERPRICED CONCERTS, WHICH SUCK. SAVE YOUR HARD EARNED MONEY.”
Billboard has reached out to Springsteen’s rep for comment.
The Boss played his first Land of Hope and Dreams American Tour show in the Minnesota city on Tuesday (March 31). He made was sure to address the importance of the night’s setting during the show, reminding the crowd how federal troops had “brought death and terror to the streets of Minneapolis” in reference to how ICE officers shot and killed civilians Renee Good and Alex Pretti in January.
“Their bravery, their sacrifice and their names will not be forgotten,” Springsteen said on stage.
Elsewhere in the show, the rocker reportedly condemned Trump’s “corrupt, incompetent, racist, reckless, and treasonous” administration.
This isn’t the first time the president has gone on a tirade against Springsteen. The White House similarly called the E Street Band leader a “loser” with “Trump Derangement Syndrome” in February after Springsteen dropped a song protesting ICE called “Streets of Minneapolis.” Trump has also personally gone after Springsteen on Truth Social a number of times during his first year back in office.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:57:482026-04-02 15:57:48Donald Trump Tells MAGA to Boycott ‘Total Loser’ Bruce Springsteen After Rocker Slams ICE
The choreographer behind *NSYNC‘s famous “Bye Bye Bye” dance is suing Sony Music after it appeared in the Marvel movie Deadpool & Wolverine, claiming the label had no right to sell access to his iconic routine.
Related
Rauw Alejandro’s Choreographer Sues Epic Games, Says Fortnite Stole His Music Video Dance Moves
‘That’s What This Is All About’: Kevin Lyman on 30 Years of Vans Warped Tour and What Comes Next
New Levels Strike Global Partnership With Virgin Music Group, Signs Hooligan Hefs & More
Darrin Henson, who won the MTV Video Music Award for best choreography in 2000 for the “Bye Bye Bye” music video, says in his lawsuit that he owns copyrights to the choreography, but that Sony has wrongfully “held themselves out as the owners of the work.”
The dispute was sparked by the 2024 Deadpool movie, in which the title character dances to “Bye Bye Bye” in the opening sequence. The scene was heavily memed on TikTok and other social media platforms, causing a streaming boom for *NSYNC’s track.
As a result, Henson claims that his decades-old dance moves are now “unjustly affiliated with Marvel”— all because Sony granted a license for a piece of intellectual property that it didn’t own.
“The reality is that the work belongs to Henson, and to obtain full acknowledgement of his ownership and a complete transfer of all monies earned by SME and its licensees, the plaintiff must seek declaratory relief from the court,” his lawyers write in their March 27 complaint, which was obtained by Billboard.
Henson says Sony also wrongfully licensed the choreography to Epic Games for use in the video game Fortnite as an “emote” — a move that gamers can purchase as an add-on downloadable content for the game.
The lawsuit claims Henson attempted to resolve the dispute “amicably,” but that Sony has refused to budge. The label allegedly told him that, because it owns the copyrights to the “Bye Bye Bye” music video, it was entitled to license out the use of dance to Marvel Studios and Epic.
A rep for Sony Music declined to comment on Thursday (April 2). Marvel and Epic are not named as defendants in the lawsuit nor accused of any wrongdoing.
Henson’s case is just the latest court fight over choreography. Last year, a dancer who worked with Usher and Jennifer Lopez sued over allegations that Fortnitestole his moves from a recent Rauw Alejandro music video. Before that, the TikTok user who says she created the viral “Apple dance” to a Charli xcx song sued Roblox for selling it.
For years, such cases faced skeptical judges, who questioned whether simple dance moves were even covered by copyright law, which historically covered only more elaborate choreography such as ballets. But in 2023, a federal appeals court issued a first-of-its-kind ruling reviving such a lawsuit against Epic, saying there was “no reason to treat choreography differently” from longer dance routines.
The music video for “Bye Bye Bye,” released in January 2000 as the lead single from the band’s No Strings Attached, is a legendary piece of 2000s pop culture, featuring the boy band members hung from puppeteer’s strings before breaking into dance. The video spent 25 consecutive days at No. 1 on MTV’s then-ubiquitous Total Request Live countdown, and was ranked at No. 21 on Billboard’s 100 Greatest Music Videos of the 21st Century.
In his lawsuit, Henson says he was recruited by the band’s manager to create the sequence for the group in October 1999. And when he did so, he says he never signed any kind of agreement handing over the rights to anyone.
“Henson did not sign a work made for hire agreement prior to the creation of the work, and as such by its creation alone, became the sole owner of the work,” his lawyers write. “To date, he has not transferred said ownership to any third party.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:43:202026-04-02 15:43:20*NSYNC ‘Bye Bye Bye’ Dance Creator Sues Sony Music Over Viral ‘Deadpool’ Movie Scene
You might remember Teddybears’ “Cobraystle” from 2006 alt rock radio, but it’s more likely you remember the song from the many other places it existed that year, and for years thereafter.
A synch juggernaut of late ’00s, the Swedish trio’s dancehall meets indietronica ass-shaker was used in commercials for everything from KFC to Volvo and in a long list of movies, television shows and videogames — including, but not limited to Date Night, Grey’s Anatomy and FIFA 06.
“It was a snowball effect,” Teddybears’ Joakim Åhlund tells Billboard. “Once it happened once, it started happening more. In some cases I’m sure it was our manager or someone at our record or publishing company pulling strings to get our songs that attention, but I haven’t really done anything except make the actual music.”
Whoever was pulling strings on behalf of Åhlund had been doing commendable work. The “Cobrastyle” phenomenon happened not long after “Jerk It Out” by Caesers, a band then known as Caesars Palace and also featuring Joakim Åhlund, was also widely synched in ads for Coca Cola, Nivea, and iPod Shuffle, with the silhouetted ad it soundtracked for the latter becoming synonymous with the famous ad campaign. Then, 25 years after it’s original release, Teddybears’ 2006 Iggy Pop collab “Punkrocker” was also used in last year’s Superman, a synch that gave it an 18,468% streaming surge last summer.
“When the Superman thing happened and we started hearing that song again, I was like ‘This is actually a really good song still,’” beams Åhlund.
Teddybears – brothers Joakim and Klas Åhlund and Patrik Arve – formed as a hardcore band in Stockholm in the early ‘90s, releasing its debut album in 1993. “Cobrastyle” first came out on the band’s fourth album, 2004’s Fresh, and in 2006 music from that album and 2000’s Rock ‘n’ Roll High School was amalgamated into the band’s first album released in the U.S., Soft Machine. The project contained two new tracks along with 12 older songs, including “Punkrocker” and “Cobrastyle.” The latter song gained further ubiquity when Robyn released a cover of it in 2007. “We’ve been good friends with Robyn for a long time,” says Åhlund. “[The cover] was kind of a natural thing for her to do, because it’s kind of a family thing.”
The Soft Machine release in conjunction with the Robyn cover and all the “Cobrastyle” synchs (along with general acclaim for the album) made Teddybears a presence in the U.S., where the group toured, played Coachella in 2007, appeared on Jimmy Kimmel Live! and played “Cobrastyle” with Robyn on The Late Show with David Letterman.
“We were big in the very small country of Sweden,” says Åhlund. “We sang our music in English, and we were always thinking about an international audience. So it was good to reach out beyond the Swedish borders, which we did with Soft Machine. It was fun to be on Jimmy Kimmel’s show and have people in the U.S. and the whole world know about us.”
But by design, the world only ever knew Teddybears to a certain extent, given that its three members always performed and appeared in promotional materials wearing giant teddy bear heads. “We didn’t want to be famous,” says Åhlund. “And it was great, because even at peak Teddybears, I could still just ride the subway with my kids and nobody knew who I was.”
Naturally, the Iggy Pop association helped raise the band’s visibility, with the “Punkrocker” collab coming about after the band’s manager did more string-pulling.
“Sooner or later, we found someone who knew someone who knew him, and we just got in touch” says Åhlund. “We were like, shocked and of course overjoyed and surprised when he answered at all, and that he answered that he wanted to do it was crazy.”
Klas Åhlund and Arve recorded the song with Pop in Miami, and weeks later all three Teddybears filmed the music video with him in New York. “He was such a gentleman,” Joakim Åhlund recalls of the shoot “He had a bad boy rumor, perhaps not entirely undeserved at the time — and I didn’t expect him to be an animal or something, but he was a very dignified and at that time an already little bit elderly gentleman who was so eloquent, well-spoken, soft spoken and nice to everybody on the set.
While “Punkrocker” wasn’t written with Pop in mind, “it’s almost like it was,” says Åhlund. “It’s a song that’s perfect to be sung by him. He does it with this soulful voice with these echoes of experience in it. There’s not many in this world that could deliver it with such dignity and credibility.”
25 years after the song’s release, the song’s Superman synch was, as Åhlund tells it, a fluke that happened after the film’s music supervisor saw it on their Spotify dashboard. “He just liked it. It was a complete coincidence.”
Ten years after the last Teddybears album, 2016’s Rock On!, Åhlund and his bandmates see each other frequently in Stockholm, but have no current plans to record another album together. “I don’t feel like the world’s waiting for one, to be honest.” The bear masks are tucked away at a Stockholm storage facility, coming out for the occasional live gig.
Joakim Åhlund
Dan Kendall
Meanwhile, Åhlund is currently touring with his band Les Big Byrd, which is on the road supporting Brian Jonestown Massacre. Åhlund also plays free jazz and runs a small record label. The band’s members have also worked with myriad pop royalty, with Joakim Åhlund producing Charli xcx‘s 2013 “You (Ha Ha Ha)” (with Charli later interpolating “Cobrastyle” for her 2023 song “Speed Drive”) and Klas Åhlund producing music for stars including Britney Spears, Madonna, The Weeknd and Robyn, including much of her newly released album Sexistential. Åhlund reports that Arve “has like 15 different bands and projects.”
Looking back at the Teddybears’ era-defining mid-’00 run, Åhlund is satisfied. “We didn’t sound like anybody else or try to sound like anybody else, and to me it still sounds good today.
And while he jokes that the Superman synch helped him buy “a couple more Lamborghinis,” the reality is that despite all the success and the synchs, his lifestyle has always been pretty lowkey. “I live in an apartment in Stockholm city. I don’t even have a driver’s license. I ride a bicycle.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:13:222026-04-02 15:13:22How Teddybears Helped Define 2006 With Its Music & Countless Commercial Synchs: ‘It Was a Snowball Effect’
For artists, executives and fans, the second Thursday in April is all about arriving in Indio, California. This year, Billboard will again be providing a soft landing to select musicians and industry leaders with The Arrival, an invite-only gathering happening before the first weekend of Coachella 2026.
Taking place at a luxe private estate in Indio, the event will feature performances by a choice collection of electronic artists, with beloved duo Louis The Child, British phenom Jonas Blue and rising dance star Arlo all set to perform.
Louis The Child will weave both their era-defining hits like “It’s Strange” and “Better Not,” along with new unreleased music into their set, with the Chicago duo set to release their second studio album later this year. Meanwhile, global powerhouse Jonas Blue will play a set made of his signature groovy house, including the 2025 smash “Edge of Desire.” Several yet-to-be-announced artists will also play throughout the evening.
During it all, drinks will flow and a custom menu of offerings from Jimmy John’s Dream Rotation menu will be on offer. Additionally, white hot supper club Mary Lou’s, which has hosted locations in Palm Beach, Miami, Montauk and Aspen and beyond, will offer myriad VIP experiences.
The Arrival is designed as a setting to create connections among media, music and entertainment tastemakers ahead of three globally notable days in the desert. Previous editions of The Arrival have welcomed guests including Charli xcx, Sydney Sweeney, Saweetie, Halsey, Patrick Schwarzenegger, Paris Jackson, G-Eazy, Victoria Justice and other A-listers.
Further sponsorship and support for The Arrival have been generously provided by Skechers U.S.A., Inc, FanUp, Buldak Ramen, Bandero Tequila, Adobe, Blind Lemon Hard Lemonade, The Beast, Haku Vodka, 196 Vodka Seltzer, Voss Water and Monster Energy. Additionally, a beauty pit stop is offered in coordination with ESW Beauty, PanicPanties, Fazit, and Clutch Glue.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:00:532026-04-02 15:00:53Billboard Returns to the Desert With The Arrival Featuring Louis The Child, Jonas Blue, Arlo & More
The gala is set for May 19 in NYC at Cipriani 42nd Street, and tickets are available, starting at $2,500. Proceeds from the evening will benefit the next generation of creatives through educational programming, fellowships, scholarships and prizes courtesy of The Gordon Parks Foundation.
“To be recognized in a space honoring Gordon Parks and Muhammad Ali is humbling. They told the truth through their work, and that’s always been the goal of mine too,” Chance tells Billboard. “The tribute to Ali is really about honoring that spirit and showing gratitude to his legacy.”
Chance is also among the list of honorees for the night, which includes Elizabeth Alexander, John Legend, Henry Taylor and Lonnie Ali (representing Muhammad Ali).
“It is an honor to work with The Gordon Parks Foundation because Parks truly understood the psyche of the musician,” Jason Moran adds to Billboard. “His sensitivity, not only with his camera, but with his ear. He knows exactly when to snap the shutter, which informs the way he composes his music as well. For Parks, the eye is also the ear, and the ear informs his eye.”
Former NFL star and activitst Colin Kaepernick will be a presenter alongside Darren Walker, Hank Willis Thomas, New York Times critic Salamishah Tillet and artist/photographer Deana Lawson.
It’s a star-studded group of co-chairs for the event that includes Swizz Beatz and Alicia Keys, Spike and Tonya Lee, Ben Stiller and Christine Taylor, Anderson Cooper, Malcolm Jenkins, as well as Crystal McCrary and Raymond McGuire.
The 2026 gala marks 20 years of celebrating the visionary photographer, Gordon Parks, through The Gordon Parks Foundation.
“Music played such an important role in Gordon’s life — he was a musician and celebrated composer as well as a photographer and filmmaker,” The Gordon Parks Foundation’s executive director Peter W. Kunhardt Jr. said in a statement. “To celebrate our 20th anniversary, we are thrilled that Chance The Rapper and our inaugural Gordon Parks Foundation Music Fellow Jason Moran will each pay tribute to the legacies of Gordon Parks and Muhammad Ali by performing on May 19. They both embody Gordon Parks’ belief that art can change the world.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:00:532026-04-02 15:00:53Chance The Rapper, Jason Moran to Perform at Gordon Parks Foundation Annual Awards Dinner & Auction Honoring Muhammad Ali
TuneCore, the Believe-owned independent distribution service for self-releasing artists, announced Thursday (April 2) that Brian Miller has been appointed as the company’s chief business officer (CBO). Miller served as TuneCore’s chief revenue officer (CRO) for the last two years.
Related
Andreea Gleeson Shifts From TuneCore CEO to Believe Strategic Advisor: ‘My Belief in This Company Is Unwavering’
‘That’s What This Is All About’: Kevin Lyman on 30 Years of Vans Warped Tour and What Comes Next
New Levels Strike Global Partnership With Virgin Music Group, Signs Hooligan Hefs & More
“Brian brings a powerful combination of strategic thinking, operational leadership and partnership expertise,” Romain Vivien, global head of music at Believe, said in a statement. “His experience building and scaling businesses, along with his deep understanding of growth strategy, will play a critical role as we continue to expand TuneCore’s global ecosystem and create new opportunities for independent artists.”
Andreea Gleason announced in January she was stepping aside from her role as CEO of TuneCore and transitioning into a strategic advisor role for parent company Believe. Since then, Miller has been overseeing the company’s operations.
In his new role, Miller will focus on identifying new strategic partnerships, expanding the company’s presence globally and developing initiatives to help with servicing TuneCore’s artists and industry partners.
“Since joining TuneCore two years ago, one thing has been made abundantly clear: independent artists are the central force shaping the future of the music industry,” Miller said in a statement. “TuneCore has built an incredible platform that empowers artists as they begin to build and grow careers on their own terms while retaining ownership of their rights. I’m excited to step into this new role and lead the team as we continue to grow, launch new partnerships and expand our services to keep helping artists build sustainable careers.”
In November, TuneCore announced independent artists have earned more than $5 billion through the company.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 14:56:292026-04-02 14:56:29TuneCore Appoints Brian Miller as Chief Business Officer
Hailee Steinfeld and Josh Allen are parents! The couple announced the birth of their first child on Thursday (April 2).
Related
Hailee Steinfeld Reveals She’s Expecting First Baby With NFL Quarterback Husband Josh Allen in Sweet Home Video
A Timeline of Hailee Steinfeld & Josh Allen’s Relationship
Hailee Steinfeld Returns to Music With ‘Dangerous’ Original Song on ‘Sinners’ Soundtrack
In a post titled “Special delivery” on her Beau Society newsletter, the singer-actress shared the news on Substack. “Our baby girl has arrived!!” she wrote. “We’re feeling incredibly grateful and blessed and savoring these early moments.”
She added, “Thank you so much for the love and well wishes.”
The pair’s first child arrives less than four months after they announced they were expecting in December. At the time, Steinfeld and the Buffalo Bills quarterback shared a joint video on Instagram showing off the Sinners star’s baby bump in the snow. In January, she stepped out at the Golden Globes with her “newest plus one” — as she wrote on Instagram with photos of her pink gown — and in February, she gave followers an update with a photo of herself sitting on a kitchen island with her bump on display, giggling with Allen.
Steinfeld and the football pro first started dating in spring 2023. They tied the knot in May 2025, just a few months after Allen proposed in November of the year prior.
The Pitch Perfect 2 alum has released several batches of music over the years, notching five entries on the Billboard Hot 100 since debut single “Love Myself” reached No. 30 on the chart in 2015. Her EP charted on the Billboard 200 that same year.
She’s also worked on music for a number of her screen projects, including four-time Oscar winner Sinners, for which she contributed the track “Dangerous.” She told Billboard a year ago, “Blending music and acting like this feels like the fullest expression of who I am. It’s rare to have a project that lets you show up completely — and Sinners gave me that.”
The star-studded lineup for the fifth Formula 1 Crypto.com Miami Grand Prix features a mix of dance, country and hip-hop acts topped by Grammy-winning DJ/producer Zedd and rapper Nelly, who will take the stage at the Hard Rock Beach Club to kick-off the action-packed weekend on May 1.
The three-day (May 1-3) party at Miami Gardens will then keep rolling on day two with sets from Marshmello and NBA DJ Diesel (aka Shaquille O’Neal), with house duo Loud Luxury and country singer Kane Brown rounding things out on May 3, with the performances slated to be broadcast throughout the Miami International Autodrome campus.
“This year’s Hard Rock Beach Club lineup is a continued reflection of Hard Rock’s commitment to raising the bar — not just for our guests, but for the entire F1 experience,” Hard Rock International president of entertainment and brand management Keith Sheldon tells Billboard. “The artists we book serve as the ultimate soundtrack to the race, spanning country, hip-hop and EDM, curated to amplify the energy of the weekend and supporting Miami GP’s reputation as one of the most fun, most culturally vibrant races in the world.”
The Hard Rock Beach Club at the Miami International Autodrome has a unique perch just outside of turns 11-13 on the course, with guests able to view the racing action with enjoying cabana-style seating, bars, all-day food options and live outdoor performances. Tickets for the events are available here.
In addition, the nearby Hard Rock Hotel & Casino Hollywood will get in on the Formula 1 Crypto.com Miami Grand Prix action all weekend with a kick-off show by Guns N’ Roses at the 7,000-capacity Hard Rock Live on April 30.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 14:45:512026-04-02 14:45:51Zedd, Nelly, Marshmello, DJ Diesel, Kane Brown, Loud Luxury to Headline Formula 1 Crypto.Com Miami Grand Prix 2026
Saweetie is taking her talents to the IDL. While she won’t be competing in the International Dance League, the Bay Area native is set to perform at the league’s inaugural event in New York City on May 2.
Tickets to the Hammerstein Ballroom competition are available on the IDL website for $44.99 to $64.99 plus taxes and fees. The event will bring six teams from across the globe, boasting various styles, to compete for the top spot.
“Movement is alchemy. You take something you feel, something you can’t even name, and you turn it into something people can see and feel across the world,” Saweetie said in a statement. “That’s what these dancers do. That’s what I try to do with music. IDL is putting both of those things on the same stage and I’m here for it.”
Clashing culture, competition and community, the six dance teams heading to NYC include Brotherhood (Vancouver), Quick Style (Oslo), Jam Republic (Singapore), GRV (Los Angeles), Royal Family (Auckland) and 1Million (Seoul).
“Dancers have been choreographing to Saweetie’s music for years. There’s a reason for that, the music moves,” said Connor Lim, cofounder and CEO of IDL, in a statement. “Having her halftime our first event in New York felt like a natural fit, the music and the moment line up perfectly.”
Following New York City’s season kickoff, the IDL will be making stops in Vancouver, B.C. (May 23), Sydney (June 20), Seoul (Aug. 1) and Los Angeles (Sept. 20).
On the music side, Saweetie hasn’t released a single yet in 2026. Back in August, the “My Type” rapper dropped her Hella Pressure EP.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 14:27:462026-04-02 14:27:46Saweetie to Perform at IDL’s Inaugural Event in NYC
On Wednesday night (Apr 1), Ye made his triumphant return to the stage at Inglewood’s Sofi Stadium. The first of two sold-out nights at the California venue marked the controversial artist’s first major concert Stateside in nearly five years.
Fresh off the release of his tenth studio album, Bully, Ye performed on top of a giant illuminated replica of planet earth while screaming fans of all ages sang along to his esteemed catalog of chart-toppers. Even tracks from his less-than-a-week-old project drew favorable roars, and attendees had no problem belting out the lyrics.
While cameos were minimal, the Chicago superstar was able to wrangle Don Toliver to join him for a rendition of fan favorite “Moon.” Ye’s guest also treated attendees to a performance of his solo track “E85.” And, of course, a Kanye show on the West Coast wouldn’t be complete without an appearance from his daughter, North West, who hit the stage with her dad to perform their collaboration “Miss Westie.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 14:27:462026-04-02 14:27:46Ye’s 2026 ‘Bully’ Concert Setlist: Every Song From Night 1 at Sofi Stadium