BTS’ “Swim” splashes into an eighth week at No. 1 on the Billboard Global Excl. U.S. chart. With its continued coronation, it matches “Dynamite,” in 2020, for the group’s longest domination among its eight leaders since the list launched that year.

“Swim” debuted atop Global Excl. U.S. in April, with BTS’ eight No. 1s double the total of its closest competitors; Bad Bunny, BLACKPINK and Taylor Swift each have four.

Plus, Drake’s “Janice STFU” spends a second week at No. 1 on Billboard Global 200, a week after it debuted at the summit. It becomes the first of his four leaders on the ranking to rule for multiple weeks (since the global charts began in 2020).

Elsewhere, Olivia Rodrigo’s “The Cure” enters the top five of both charts.

“Swim” drew 41.8 million streams (down 8%) and sold 2,000 (up 8%) outside the U.S. May 22-28, according to Luminate.

Here’s a rundown of BTS’ Global Excl. U.S. No. 1s and how long they’ve led:

The next three songs on Global Excl. U.S. remain in place: Michael Jackson’s “Billie Jean,” at its No. 2 best; Justin Bieber’s “Beauty and a Beat,” featuring Nicki Minaj, at No. 3 after two weeks at No. 1 in May; and Tame Impala and JENNIE’s “Dracula,” at No. 4 after reaching No. 2.

“Janice STFU” totaled 55.7 million streams (down 20%) and 2,000 sold (down 33%) worldwide in the tracking week.

As Drake songs drop, a week after he claimed the top seven spots on the Global 200, “Billie Jean” bumps 8-3 after a week at No. 1 in May; “Swim” rises 10-4 following four weeks on top in April; and “Dracula” climbs 13-5 after hitting No. 2.

Meanwhile, “The Cure” debuts at No. 2 on the Global 200 and No. 5 on Global Excl. U.S., with 50 million streams and 5,000 sold worldwide following its May 22 release. It’s Rodrigo’s 10th top 10 on the former and seventh on the latter.

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

The latest charts, dated June 6, 2026, will update on Billboard.com tomorrow, June 2. For both tallies, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

For a second straight week, Drake sits atop the Billboard 200 with his record-breaking album, ICEMAN. After flooding the market last month with the triple-album release of Habibti, Maid of Honour, and ICEMAN, the Toronto superstar has reclaimed his place at the center of the music conversation. Following a rocky stretch defined by his loss to Kendrick Lamar, a contentious lawsuit against UMG, and a run of No. 1 hits that often came and went, Drake appears to have found his footing again through a rollout that’s showcasing one of his greatest strengths: staying power.

The biggest sign of that may be “Janice STFU.” The song is Drake’s first multi-week Hot 100 No. 1 hit since 2018’s “In My Feelings,” ending an eight-year stretch where songs like “Toosie Slide,” “Way 2 Sexy,” “Jimmy Cooks” and “First Person Shooter” debuted atop the Hot 100 but failed to stick around for more than a week. For an artist whose dominance has long been measured by longevity as much as sheer volume, that’s a huge win for the 6 God. Drake’s hot streak may even extend beyond “Janice STFU,” as fan favorites including “Shabang” (No. 4 this week) and “Ran 2 Atlanta” (No. 6) have already emerged as early songs-of-the-summer contenders.

From an album perspective, ICEMAN appears well-positioned to maintain its grip on the Billboard 200. After earning 225,000 album-equivalent units in its second week, Drake could realistically fend off challengers until Olivia Rodrigo’s you seem pretty sad for a girl so in love arrives on June 12. If that happens, Drake’s reign would stretch to a full month atop the chart — an impressive feat for someone who spent much of the last two years being picked apart by rap purists, critics and keyboard warriors. Those 2024 blemishes, coupled with the lukewarm reception that greeted some of his recent projects, make Drake’s 2026 resurgence all the more noteworthy.

His recent album runs make the accomplishment even more striking. While 2021’s Certified Lover Boy spent five weeks atop the Billboard 200, 2023’s For All the Dogs managed just two, while last year’s collaborative effort with PARTYNEXTDOOR, $ome $exy $ongs 4 U, lasted only a single week at No. 1. If ICEMAN reaches the one-month mark, it would represent Drake’s most dominant album campaign in years.

Drake’s staying power on the charts, combined with his record-breaking accomplishments — including surpassing Jay-Z for the most No. 1 albums among rappers and Michael Jackson for the most No. 1 songs on the Hot 100 — is what transformed him into a force of nature over the last 16 years. The fact that everything is clicking simultaneously after being dunked on culturally is telling and could signal what many already suspected about Drake: he never really left.

In addition, Drake’s multi-week reign in a year when fellow superstars A$AP Rocky, YE and J. Cole all released albums that quickly faded from the conversation gives further credence to why this current run feels so eye-opening. Before “Janice STFU,” the last hip-hop song to spend time inside the Hot 100’s Top 10 was Drake’s own “What Did I Miss?” which debuted at No. 2 in July 2025. Love him or hate him, people still care about what Drake has to say. So much so that even a semi-retired Jay-Z — who famously downplayed battle rap during his interview with GQ — appeared to send shots Drake’s way during his Roots Picnic performance over the weekend.

That’s ultimately what makes Drake’s 2026 run so fascinating. The charts are thriving, the records keep falling, and the conversation continues to orbit around him. After everything that’s transpired over the last two years — and honestly, since the turn of the decade — Drake isn’t just winning again. He’s commanding attention again.

Soundtracking the World Cup is a career milestone that many artists dream of. Not only can it become a defining moment in their music trajectory, but it can ultimately gain them international success. 

Such was the case in 1998 when Ricky Martin was tapped by Fédération Internationale de Football Association (FIFA) to sing the official World Cup song for the tournament in France. The euphoric “Cup of Life (La Copa de la Vida)” not only peaked at No. 60 on the Billboard Hot 100, but it also earned him a Grammy for best Latin pop performance. 

Moreover, Shakira’s “Waka Waka (This Time for Africa),” featuring Afro-fusion band Freshlyground—which they performed for the 2010 soccer match in South Africa—has become one of her biggest hits to date, peaking No. 38 on the Hot 100 chart dated July 3, 2010 and amassing more than 4.5 billion views on YouTube (at the time of publishing).

Now, 16 years later, the Colombian sensation and Nigerian star Burna Boy are at the forefront of the 2026 Official World Cup song with “Dai Dai”—a catchy reggaetón-tinged, Afrobeat track. 

Although the World Cup inaugurated in 1930, it wasn’t until 1990 that FIFA began to release official songs of the global soccer tournament, which happens every four years. The first official FIFA World Cup song was  “Un’estate italiana (To Be Number One)” performed by Edoardo Bennato and Gianna Nannini for the games in Italy in 1990. 

Below, see all of the official FIFA World Cup songs to date and vote for your favorite one.

Editor’s Note: Results of the Best World Cup Song poll will be posted if the poll generates more than 1,000 votes. This poll closes at noon ET on Thursday, June 11—ahead of the first match of the 2026 World Cup.

Spanish star David Bisbal is returning to the United States this year with his Tour Eternos 2026, Billboard can exclusively announce on Monday (June 1).

Promoted by Live Nation, the trek will kick off on Dec. 9 at The Wiltern in Los Angeles, making stops in cities including Houston and Dallas before concluding on Dec. 19 at the James L. Knight Center in Miami.

“The intimate run of performances marks a turning point in Bisbal’s artistic journey, showcasing a completely reimagined live experience featuring songs from his upcoming album alongside the greatest hits that have defined his career,” according to a press release. “More than just a tour, Tour Eternos 2026 embraces a timeless and sophisticated musical direction, blending classic influences with modern production.”

The show promises a “stunning” stage design and new musical arrangements in a deeply personal performance where the voice, interpretation and connection with the audience will take center stage.

Tickets for the Tour Eternos 2026 will be available this week, starting with a fan presale on Wednesday (June 3). Additional presales will take place throughout the week before the general sale, which starts on Friday (June 5) at 10 a.m. local time on LiveNation.com.

With a 25-year career, the singer of Billboard Hot Latin Songs No. 1 hits like “Quién Me Iba a Decir” and “Esclavo de Sus Besos” — whose most recent single is “Vivir Así Es Morir de Amor” — is preparing to release a new studio album.

“We are simultaneously preparing the album title, the album cover and also the start of the tour, which will not begin in my country but in Latin America,” Bisbal revealed to Billboard in April, when he participated in the 2026 Billboard Latin Women in Music special. “I’m excited because among all these projects, the ones I’ve enjoyed the most, obviously, are the live concerts.”

For now, only the following U.S. dates have been announced: