SNL UK broadcast Foo Fighters‘ first live performance of material from their just-released Your Favorite Toy album on Saturday night (April 25).

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The band played the high-energy “Caught in the Echo,” which is the opening number and first single from their twelfth studio album, on the new English offshoot of Saturday Night Live.

Foo Fighters returned for their second performance slot of the night with the earnest “Child Actor,” a track on the second half of their new record that has Grohl ruminating on growing up in a very public way. (Though he was in his early 20s when Nirvana broke through in the beginning of the ’90s, he applies the metaphor of childhood fame here: “I was a child actor, a face on a wall/ Holding my breath as I wait for the curtain to fall/ Was it good enough?/ Was it ever good enough?/ Anything, be the person that you want,” he sings, later pleading on repeat, “Turn the cameras off, turn the cameras off.”)

The April 25 episode of SNL UK was hosted by actress Nicola Coughlan, whose monologue featured a cameo from Grohl in a bit that had her gallivanting backstage with special guest Jimmy Fallon.

Fallon nudged the starstruck host to approach the Foo Fighters frontman and ask him to be her best friend. “We’re live. He has to say yes,” Fallon pointed out.

Your Favorite Toy is the followup to Foo Fighters’ 2023 album, But Here We Are, which cracked the top 10 of the Billboard 200 upon release (landing at No. 8). The rockers hit the road on tour beginning April 28 in Bridgeport, Connecticut.

Watch Foo Fighters perform “Caught in the Echo” and “Child Actor” live in the videos below.

The Michael Jackson film Michael grossed $217.3 million worldwide in its opening weekend, according to boxofficemojo.com.  That already places it at No. 3 on Billboard’s list of music biopics with the highest worldwide grosses. How high will it climb on that list? Jackson has a long history of ranking No. 1 on lists, dating back to The Jackson 5 landing their first No. 1 hit on the Billboard Hot 100 with “I Want You Back” in 1970, but that will be a tough assignment in this case. The all-time top-grossing music biopic, Bohemian Rhapsody, grossed $910.8 million worldwide.

Michael grossed $97 million over the weekend in the U.S. and Canada alone. That’s the highest opening-weekend domestic gross ever for a music biopic, eclipsing the mark set by Straight Outta Compton in 2015 ($60 million).

Michael grossed more than four times as much domestically in its opening weekend as the 2009 concert film/documentary hybrid Michael Jackson’s This Is It, which grossed 23.2 million in its opening weekend in October 2009. That film went on to gross $268 million worldwide.

Of note: Graham King, who co-produced Michael with longtime Jackson associates John Branca and John McClain, also co-produced Bohemian Rhapsody and a third music biopic on this list, Jersey Boys, the story of the Four Seasons.

Here are the highest-grossing biopics of musicians in terms of worldwide box office. We didn’t include a few high-grossing films about real-life music personalities because the subjects are not well-known music stars in their own right. These include The Sound of Music (which tells the story of Maria von Trapp and the Trapp Family Singers); Green Book (which deals with a road trip taken by pianist and composer Don Shirley)Florence Foster Jenkins (about an heiress and hopelessly untalented soprano by that name); and Music of the Heart (about violinist and music educator Roberta Guaspari). Meryl Streep starred in the latter two films.

Here are the 25 biopics of music stars with the highest worldwide grosses.

Ella Langley continues to rule the Billboard 200 albums chart (dated May 2), as Dandelion spends a second week top the list. The set earned 106,000 equivalent album units in the United States in the week ending April 23 (down 37%), according to Luminate. The album premiered atop the tally a week ago with 169,000 units.

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Also in the top 10 of the latest Billboard 200, TOMORROW X TOGETHER debuts in the top three with the 7TH YEAR: A Moment of Stillness in the Thorns, while Justin Bieber’s SWAG returns to the top five and the KPop Demon Hunters soundtrack gets a Record Store Day-assisted boost back into the top 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 2, 2026-dated chart will be posted in full on Billboard‘s website on April 28. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of Dandelion’s 106,000 equivalent album units earned in the latest tracking week, SEA units comprise 97,000 (down 24%, equaling 99.41 million on-demand official streams of the set’s tracks; it spends a second week at No. 1 on Top Streaming Albums), album sales comprise 7,000 (down 81%; it falls 1-15 on Top Album Sales) and TEA units comprise 2,000 (down 33%).

Morgan Wallen’s former No. 1 I’m the Problem is a non-mover at No. 2 on the Billboard 200, with 84,000 equivalent album units earned (up 1%).

TOMORROW X TOGETHER claims its eighth top 10-charted album, as 7TH YEAR: A Moment of Stillness in the Thorns debuts at No. 3. The set starts with 69,000 equivalent album units earned. Of that sum, album sales comprise 67,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 2,000 (equaling 2.67 million on-demand official streams of the set’s songs) and TEA units comprise the remaining sum. The album’s first-week sales were bolstered by its availability across more than 20 CD variants, all containing collectible items such as photocards, stickers and posters, with some items randomized.

BTS’ chart-topping ARIRANG descends 3-4 on the Billboard 200 with 62,000 equivalent album units earned (down 21%). Justin Bieber’s SWAG rises 7-5 with 61,000 units (up 42%) as the set continues to benefit from the singer’s headlining performances at the Coachella Valley Music and Arts Festival April 11 and 18.

Olivia Dean’s The Art of Loving falls 5-6 with 46,000 equivalent album units earned (down 3%). The chart-topping KPop Demon Hunters soundtrack returns to the top 10, climbing 16-7, after two new vinyl variants of the album were released via independent record stores for Record Store Day (April 18). In the latest tracking week, the soundtrack earned 46,000 equivalent album units (up 46%), largely owed to album sales (19,000 sold, a gain of 444%).

A trio of former No. 1s rounds out the latest top 10: Don Toliver’s OCTANE falls 4-8 (42,000 equivalent album units earned, down 12%), Bad Bunny’s DeBÍ TiRAR MáS FOToS descends 6-9 (41,000, down 5%) and Wallen’s One Thing at a Time dips 9-10 (40,000, down 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.


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Megan Thee Stallion got emotional during her Moulin Rouge! The Musical performance following her breakup with Klay Thompson.

In fan-captured footage from her Saturday (April 25) appearance at the Tony Award-winning Broadway show in New York City, the 31-year-old rapper is seen tearing up onstage during the curtain call hours after announcing her split from the NBA star amid cheating allegations.

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Still in costume, the “WAP” hitmaker turned away from the applauding audience to wipe away her tears as she received a standing ovation.

The three-time Billboard Hot 100 chart-topper recently made her Broadway debut in Moulin Rouge! as the first female-identifying performer in the role of Zidler, beginning an eight-week engagement on March 24 that runs through May 17 at New York’s Al Hirschfeld Theatre.

Leading up to Saturday’s show, Megan confirmed her split from Thompson on social media.

“Cheating, had me around your whole family playing house… got ‘cold feet,’” she wrote on her Instagram Stories. “Holding you down through all your HORRIBLE mood swings and treatment towards me during your basketball season now you don’t know if you can be ‘monogamous’????”

The rapper further addressed the breakup with the Dallas Mavericks player in a statement obtained by Billboard.

“I’ve made the decision to end my relationship with Klay,” Megan said. “Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward. I’m taking this time to prioritize myself and move ahead with peace and clarity.”

The hip-hop star and shooting guard began dating in summer 2025, with Megan once describing their first meeting as “a meet cute” and calling her former partner “the nicest person I’ve ever met in my life.” The pair made their red carpet debut in New York City that July.

Last Thanksgiving, Thompson had named his boat after her (“SS Stallion”), and the couple spent the holiday together with his family.

Earlier this year, Megan said that she was “manifesting my engagement” in a video clip filmed in Milan with Olympic athletes Brittany Bowe and Hilary Knight, who are engaged.

See a full timeline of Megan Thee Stallion and Klay Thompson’s relationship here.


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Madonna continues to tease her upcoming Confessions II album.

In the early hours of Saturday morning (April 25), the Queen of Pop made a surprise appearance at the invite-only Club Confessions Los Angeles party at The Abbey in West Hollywood, where she previewed two new songs from the follow-up to her 2005 album Confessions on a Dance Floor.

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As the clock neared 1 a.m., the 67-year-old pop superstar appeared in the DJ booth alongside Stuart Price, the producer behind both Confessions albums.

“Hello, children, mutha is here to save you,” Madonna told the star-studded crowd, according to Variety. “Are you ready to dance for me? Come on meet me on the dance floor. Alright, let’s go gays, come on! Don’t let me down, gays.”

Sporting a pink bustier, Madonna previewed previously unheard tracks “Love Sensation” and “Freedom,” along with the recently released banger “I Feel So Free” and 2005’s “Hung Up.”

The singer’s Confessions II album is slated to arrive July 3 through Warner Records. It marks her first album since 2019’s Madame X and serves as a sequel to the Billboard 200 No. 1 album Confessions on a Dance Floor.

Elsewhere during her set, Madonna shouted, “Don’t wait. Take it. Don’t wait. Take it. Take your freedom! Put your hands up! Put your hands up!” She also urged partygoers to “put your phones down” and be present in the music, according to The Hollywood Reporter.

Saturday’s party also featured DJ sets by Romy and Mez Monty, and doubled as a birthday celebration for Abbey owner Tristan Schukraft.

The star-studded guest list reportedly included Madonna’s daughter Lourdes Leon, her boyfriend Akeem Morris, Cara Delevingne, Tom Daley, Tori Spelling, Lily Allen, Sky Ferreira, Addison Rae, Kali Uchis, Julia Fox, Lola Young, and Vivian Jenna Wilson.

RuPaul’s Drag Race stars Willam, Trinity the Tuck, Morgan McMichaels, Gottmik and Symone were also spotted in the crowd, along with TikTok creator Harry Daniels.

Check out more fan-captured footage from the party here and here.


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Michael is on pace to shatter box office records.

Lionsgate’s Michael Jackson biopic debuted in theaters Friday (April 24) and is tracking for a $94 million–$100 million domestic opening, alongside a global launch north of $200 million, according to The Hollywood Reporter.

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If those projections hold, the Antoine Fuqua-directed film would deliver the biggest opening ever for a music biopic, surpassing Universal’s Straight Outta Compton, which debuted to $60.1 million in 2015.

Fox’s Bohemian Rhapsody opened to $51 million in 2018, ranking as the second-biggest debut for a music biopic. The Queen biopic remains the highest-grossing music biopic of all time, with $910 million worldwide, and earned Rami Malek a best actor Oscar for his portrayal of Freddie Mercury.

“This record-breaking performance is a testament to the incredible filmmaking team of producer Graham King and director Antoine Fuqua, an amazing cast led by Jaafar Jackson’s singular performance, our world-class partners at Universal, the cooperation and support of the Michael Jackson Estate, and our tireless and exceptionally talented Lionsgate team,” Lionsgate Motion Picture Group chair Adam Fogelson said in a statement.

“Above all, it reflects the tremendous outpouring of love and affection from moviegoers around the world, underscoring the strength and vitality of the theatrical box office. If you give audiences what they want, they will come.”

Michael grossed $38.5 million domestically on opening day Friday and is off to a strong start overseas, with an international launch in the $114 million range, THR reports.

Heading into the weekend, the film had been tracking to open between $65 million and $70 million domestically. Nearly 40% of its gross is coming from IMAX and other premium large-format screens. The biopic’s momentum was evident early, earning $12.6 million from Wednesday and Thursday preview screenings.

Michael has drawn strong audience reception, with a 96% audience score on Rotten Tomatoes, PostTrak exit scores in the low 90s, and a definite recommend of 85%. It also earned an A- on CinemaScore. The movie is attracting a broad audience across demographics, led by Black and female moviegoers, according to THR.

The long-anticipated film stars the King of Pop’s nephew Jaafar Jackson in the title role, charting his rise from fronting The Jackson 5 in the 1970s to launching a solo career that reached historic heights. The story culminates with the release of Thriller, the best-selling album in pop music history.

Michael is the first installment of a planned two-part biopic.


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BTS is officially back and breathing U.S. air again. 

On Saturday (April 25), RM, Jin, SUGA, j-hope, Jimin, V and Jung Kook took the stage in front of 60,000 exhilarated fans at Raymond James Stadium in Tampa, Fla. While the concert marked BTS’ long-awaited return to a stadium in the States, it was only the latest stop on their massive ARIRANG world tour, which kicked off April 9 at Goyang Stadium in Seoul, South Korea.

The 85-date, 34-city outing is in support of their tenth studio album — and first post-enlistment release — ARIRANG, which debuted at No. 1 on the Billboard 200 and spawned Billboard Hot 100 No. 1 hit “SWIM.” Preceding the tour was the septet’s historic comeback show in the heart of their home city.

Though BTS’ last concert in the U.S. as a full group was held at Las Vegas’ Allegiant Stadium in April 2022, members have since returned for solo outings — including Jin, who touched down in Tampa last year on his #RUNSEOKJIN_EP.TOUR. “I felt it back then, too, but Tampa is truly No. 1,” the eldest member said on Saturday night. “I remembered that experience and strongly recommended to the members that we should come back.”

After spending two more evenings playing in Jin’s destination of choice, the band will move on to El Paso, Texas; Mexico City, Mexico; Stanford, Calif. and many more on their yearlong trek.

For those still waiting for BTS to roll through a city close by, Billboard has you covered on what to expect. Check out the setlist for the first U.S. stop of the ARIRANG world tour — which includes two surprise songs not performed at any of the previous stops — below.

After Lainey Wilson‘s headlining Saturday night (April 25) set was delayed an hour or so due to the Stagecoach grounds being temporarily evacuated because of strong winds, she made a triumphant performance on Stagecoach’s massive Mane Stage, blending heartfelt ballads, energetic barn burners, and vivid musical spectacle.

“Thank you so much for sticking out the wind,” the five-time Billboard Country Airplay chart-topping artist told the packed crowd of concertgoers who had braved the winds and evacuation to make it to the set. “Hopefully you sat in y’alls cars for a bit and drank some tequila,” she said, adding, “We came to Stagecoach to have a d–n good time, and that’s what we gonna do.”

Back in 2022, Wilson played an early afternoon set on a tiny stage at Stagecoach, when the singer-songwriter had just earned her first hits. But Saturday night, she headlined the country music festival’s biggest stage.

Two-time CMA entertainer of the year winner Wilson, clad in her signature bell bottoms, commanded the stage, playing songs including the funky “Ring Finger” and the tender “Good Horses Come Home,” as well as “Bell Bottoms Up,” “Road Runner,” “Hang Tight Honey” and “Country’s Cool Again.” Her songs touched on love, heartbreak, betrayal, work ethic and ambition. A massive horseshoe was centered on the stage, while large cactuses dotted the perimeter of the stage, which was often drenched in warm, sunny lighting that added a cozy ambience to the evening desert vibe that night in Indio, California.

Her fiddle player offered up an elegant melody of “Somewhere Over The Rainbow,” then Wilson launched into her lovely hit “Somewhere Over Laredo.” She later offered up an older song from her catalog, with the supportive, uplifting 2018 song “Dreamcatcher.”

When the evacuation took place Saturday night, it forced singer-songwriter Riley Green’s set to be nixed. But Wilson surprised the crowd by welcoming Green and Little Big Town (who had performed their own set on the Mane Stage earlier in the evening) to the stage during her own show.

“Y’all like Merle Haggard, right?” Wilson asked. “Oh, yeah!” Green replied before launching into a bit of Haggard’s 1980 Billboard Hot Country Songs chart-topper “I Think I’ll Just Stay Here and Drink,” with Little Big Town lending their own superb vocals to the rendition.

“Good times and good country music,” Wilson said, leading the audience in taking a celebratory drink. As Little Big Town and Green began to exit the stage, Wilson called Green back to center stage.

“I know how excited all of you were to see Riley Green tonight, so I think you need to do a song,” Wilson said. The crowd started chanting Green’s name. With just a guitar, Green performed his 2019 hit “I Wish Grandpas Never Died.”

Green and Little Big Town weren’t the only guests Wilson welcomed that evening. During her rendition of “Things A Man Oughta Know,” she also briefly paused to carry on a tradition her shows are known for, as she honored one young girl in the audience as “cowgirl of the night.” Welcoming the girl to the stage, Wilson told her that being a cowgirl isn’t about boots or a hat, but “about grit, about fire, about independence, about a girl that can be wild and grounded at the same time.”

She wrapped her show with two of her biggest hits, “4x4xU” and a song that embodies that sense of having grit and passion, “Heart Like a Truck.”

“I hope you’ve had the time of your life like we have,” she thanked the crowd as her set came to a close, later adding, “Thank you for making my dreams come true right before my very eyes.”

The Stagecoach Festival was briefly evacuated Saturday night after high winds forced organizers to halt performances and clear the festival grounds.

An “emergency evacuation” message appeared on screens across the site, instructing attendees to “move quickly and calmly to the nearest exit,” while alerts sent via the festival’s official app directed festivalgoers to leave the area and move vehicles outside the venue.

The disruption affected multiple stages at the Empire Polo Club in Indio, California. At the time of the evacuation, the Mane Stage — the festival’s main stage — was between sets, while activity elsewhere was paused as crowds began exiting.

High winds had been building throughout the day, with gusts intensifying into the evening. A wind advisory was in effect for the area, with conditions worsening following earlier performances on the Mane Stage.

Billboard’s Jessica Nicholson, who was on-site, described the situation unfolding at the Palomino Stage, where a performance by Gavin Adcock was interrupted.

“I was at the Palomino Stage when they stopped Gavin Adcock’s show,” Nicholson reported. “The screens on either side of the Palomino stage lit up red and had a message that said ‘Stage Area Closed, please keep away from this area,’ then it later said to evacuate the area.”

Video from attendees showed thousands of festivalgoers moving toward exits, though the atmosphere remained largely calm as crowds filtered out of the venue.

Stagecoach later confirmed via social media that the festival would resume shortly, writing that it was “working to open doors and prep the site for your safety,” before reopening the gates later in the evening.

The shutdown lasted roughly 30 minutes before the festival resumed operations.

Stagecoach, one of the largest country music festivals in the United States, is held annually at the same site as the Coachella Valley Music and Arts Festival and regularly draws tens of thousands of attendees.

Cyndi Lauper is currently headlining The Colosseum at Caesers Palace in Las Vegas over a five-night run — and her show will play out however she wants it to.

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During the artist’s opening-night set Friday (April 24), she was loudly interrupted ahead of singing “Sally’s Pigeons” from 1993’s Hat Full of Stars album. Lauper seemed to be having a storyteller moment — sharing a tidbit about the song with the audience — when someone in the crowd shouted out something unintelligible.

“I don’t know what the f— you’re saying, hun,” Lauper said, as heard in a video recording from the concert posted by TMZ on Saturday. “But please remember where you are, OK? Because if you’re trying to shade me, b—-, I’m gonna come for you. I’m from Brooklyn, and if I wanna f—ing talk, I will do a tap dance if I f—ing want.”

“Sorry, that of course is not part of my people skills,” she joked after that.

Lauper’s Live in Las Vegas show kicked off April 24, with further performances scheduled for April 25, April 29, May 1 and May 2. Though limited to five dates, it marks her career-first Vegas residency; it also gives fans another chance to see her perform live following her Farewell Tour, which wrapped last year.

In 2025, she was inducted into the Rock & Roll Hall of Fame.

“It’s a community of people, rockers that have changed the world,” Lauper — who, besides being a Hall of Famer and Hot 100 chart topper (“Time After Time,” “True Colours”) is also a Grammy, Emmy and Tony winner — told Billboard of the honor last year. “Here’s the thing: I still believe that rock ‘n’ roll can save the world. I just want people to remember that we did make a difference. We can make a difference if we band together. We must come together as a community and make light and bring people together to make change, to do the good work.”