Lauryn Hill is setting the record straight when it comes to why she never dropped another solo album following The Miseducation of Lauryn Hill in 1998.

Fraim World made a post to Instagram on Thursday (May 14) laying out possible reasons why Hill chose not to release another LP, pointing to label issues, pressures that came with fame and her being a perfectionist.

The Grammy-winning artist hopped into the comments section Friday, which saw Hill share that she disagreed with the post’s assessment and went on to deliver a detailed explanation of the decades-long gap between Miseducation to now.

“When you’re inspired and desire to be principled, what doesn’t get talked about enough is the drain… nor the challenge to find safety so that you can create with integrity,” she began. “Most see opportunity as dollars only and often exclude the ‘sense’.”

Lauryn Hill continued: “The Score nor the Miseducation were made because we were ‘allowed’ to represent what we did, we fought for every inch. Wild success can cause greed that begins to denegrate the art for the money. We’re people living through all this. These conversations should allow for more nuance. Artists go through phases, creativity requires expression, exploration and experimentation. There were people who hated the Unplugged album and yet some today swear by its significance.”

The 50-year-old compared herself to abolitionist Harriet Tubman when it came to not being empowered to express her truths to the fullest extent and having her creative freedom limited.

“I was like a Harriet Tubman figure in some respects running to speak difficult truths to power before certain forces tried to close those doors,” she added. “If it was so easy to do, where is that expression now on the world stage? Systems fear what they can’t control. Creativity is most potent when it’s free. If I did nothing else, I introduced standards and possibilities to a generation that didn’t know they could operate on that level before then.”

Hill concluded: “I am often doing things outside the support of the system before people can even realize what I’ve done. Another artist who values inspiration then recognizes IT’S value and re-presents it to an audience then ready to receive it.”

The Miseducation of Lauryn Hill arrived in August 1998 and debuted atop the Billboard 200 with over 422,000 albums sold in its first week, according to Nielsen, now known as Luminate. The LP won album of the year at the Grammy Awards in 1999 — making her the first rapper to achieve the feat — and was powered by hits such as her Billboard Hot 100 No. 1 “Doo Wop (That Thing).”

Lauryn Hill is set to reunite with Fugees cofounder Wyclef Jean on June 6 for an exclusive concert at Global Citizen Live: Rio De Janeiro in Brazil to celebrate the 30th anniversary of the group’s The Score album.


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More than 43 years after its release, Michael Jackson’s “Billie Jean” is the biggest song in the world, rising two spots to No. 1 on the Billboard Global 200 chart. The song has surged from No. 65 three weeks earlier as the biopic Michael continues to draw moviegoers, topping the latest box office over its fourth weekend of release.

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Meanwhile, BTS’ “Swim” adds a sixth week atop the Billboard Global Excl. U.S. chart.

“Billie Jean” totaled 51.5 million streams (up 7% week over week) and 3,000 sold (down 3%) worldwide May 8-14, according to Luminate.

Jackson, who died in 2009, is No. 1 on the Global 200 for the first time. Meanwhile, “Billie Jean” shatters the record for the longest rise to the top, reigning in its 144th week. (The chart began in September 2020.) It bests Djo’s “End of Beginning,” which led at last in its 94th week in January, boosted by related buzz for Netflix’s Stranger Things.

“Billie Jean” also dates back the furthest among all Global 200 No. 1s, having been released on Jackson’s album Thriller in November 1982; it dominated the U.S.-based Billboard Hot 100 for seven weeks in March-April 1983.

The next-oldest songs to have led the Global 200: Wham!’s “Last Christmas,” from 1984; Kate Bush’s “Running Up That Hill (A Deal With God),” from 1985, driven by its own Stranger Things tie-in; Mariah Carey’s “All I Want for Christmas Is You,” from 1994 (for a record 20 weeks); and Justin Bieber’s “Beauty and a Beat,” featuring Nicki Minaj — the No. 1 song the past two weeks. Bieber played Coachella in Indio, Calif., on both April 11 and April 18, with the song, a No. 5 hit on the Hot 100 in 2013, part of his April 11 set.

Fellow Thriller classic “Beat It” hits the Global 200’s top five (7-5), up 7% to 39.6 million streams worldwide. (It topped the Hot 100 for three weeks in April-May 1983.)

Elsewhere in the top five of the Global 200, BTS’ “Swim” holds at No. 2 after leading in its first four weeks on the chart in April and Tame Impala and JENNIE’s “Dracula” keeps at No. 4 after reaching No. 2.

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“Swim” continues at No. 1 on Global Excl. U.S. with 46.9 million streams (down 6%) and 3,000 sold (down 8%) outside the U.S.

“Beauty and a Beat” repeats at No. 2 after two weeks atop Global Excl. U.S. earlier this month; “Billie Jean” is steady at its No. 3 best; “Dracula” is a non-mover at No. 4 after hitting No. 2; and “Beat It” remains at its No. 5 high.

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

The latest charts, dated May 23, 2026, will update on Billboard.com tomorrow, May 19. For both tallies, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.


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The Tecate Emblema festival, known for its eclectic lineup aimed at a multigenerational audience, held its fifth edition this past weekend (May 16-17) in Mexico City, featuring a star-studded lineup that brought together pop superstars like the Jonas Brothers and Louis Tomlinson, as well as Latin icons like the legendary Gloria Trevi and trap queens Cazzu and Lola Indigo.

The musical celebration also welcomed American businesswoman and socialite Paris Hilton with a DJ set that closed the festival, as well as Swedish pop sensation Zara Larsson, Mexican artist Kenia Os and HYBE’s Latin boyband Santos Bravos, who joined Tecate Emblema following performances at Tecate Pa’l Norte in Monterrey, Mexico, and Colombia’s Estéreo Picnic festival back in March.

The lineup was rounded out by other major names in pop, rock, urban and electronic music, including Ha*Ash, LP, Mika, Sech, RuPaul, NSQK, Bruses, Christian Chávez (former member of RBD), Hercules and Love Affair, Emjay and a special appearance by Manuel Medrano.

This edition particularly highlighted female artists, with standout performances from Joaquina, Alanis Yuki and Juliana. Multiple tributes to the Queen of Tex-Mex, Selena, also stood out: Argentine artist Cazzu performed her famous rendition of “Si Una Vez” on Saturday (May 16), while the Mexican-American pop-country duo Ha*Ash surprised the audience the next day (May 17) with covers of “Como La Flor,” “Si Una Vez” and “Bidi Bidi Bom Bom.”

In total, Tecate Emblema 2026 brought together more than 91,000 attendees across its two days, according to promoter Ocesa.

Below, we rank the top 10 best moments from Tecate Emblema 2026, counting down to our absolute favorite.


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Stop us if you’ve heard this before: Soulja Boy is claiming he has another first to add to his rapper résumé. After seeing Drake drop a trio of albums on Friday (May 15), Big Draco claimed he was actually the first to do it after releasing three mixtapes on the same day on Halloween in 2009.

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“I was the first rapper to drop three projects in the same day. Btw,” he wrote to X on Sunday (May 17).

The “Crank That” rapper drew backlash as fans poked fun at not remembering anything from the trio of 2009 mixtapes.

An X Community Note fact-checked Soulja Boy, explaining that Gucci Mane actually dropped three projects two weeks prior to him in celebration of 1017 Day. The trilogy of mixtapes came courtesy of Guwop’s Cold War series.

Drake and Soulja Boy’s relationship dates back to the early portion of both of their careers, as they also collaborated on “We Made It” in 2014. Big Draco admitted he enjoys trolling Drizzy in an interview with Nick Cannon earlier this year.

“I just think it’s funnier ‘cause it’s like you stole my s–t, so now I can just troll you,” he said. “I think he was trying to shout me out. But it’s like, man, you did too much.”

As a pioneer of the internet infiltrating rap in the later aughts, Soulja Boy’s claims tie back to his frustrations with Drake interpolating his “What’s Hannenin” track on 2010’s “Miss Me” featuring Lil Wayne, which landed on his Thank Me Later debut. Big Draco famously went off on Drake about this during his 2018 interview with The Breakfast Club.

Drake made his return on Friday (May 15) with three new album. Iceman serves as the rap-heavy main attraction, which was joined by surprise projects Habibti and Maid of Honour.


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Ella Langley adds her latest week of chart history as “Choosin’ Texas” tallies a 10th week at No. 1 on the Billboard Hot 100. Only 4% of all leaders over the survey’s 67-year archives have reached the milestone — and the achievement is even rarer among country hits.

The song, which tops multimetric Hot Country Songs chart for a 25th week, is one of just four songs to have ruled the Hot 100 for 10 or more weeks and made the Hot Country Songs top five; notably, three have done so in the last three-plus years. Shaboozey’s “A Bar Song (Tipsy)” led the lists for 19 and 45 weeks, respectively, in 2024-25, following Morgan Wallen’s “Last Night” (16 and 25 weeks in 2023). Debby Boone’s “You Light Up My Life” became the first song ever to dominate the Hot 100 for double-digit weeks (10) and hit No. 4 on Hot Country Songs in 1977.

(Honorable mention: Dolly Parton wrote “ I Will Always Love You,” which Whitney Houston took to No. 1 on the Hot 100 for 14 weeks in 1992-93. Parton sent two versions of the beloved ballad to the top of Hot Country Songs, in 1974 and 1982.)

Langley sets another mark on the latest Hot 100: “Be Her” holds at its No. 2 high, making her the first artist known for primarily recording country music ever to claim chart’s the top two spots simultaneously for multiple weeks. Among all core-country acts, she passes Wallen, who doubled up for a week last year.

Among other highlights in the Hot 100’s top 10, Bruno Mars hits a new career radio high with “I Just Might” and Olivia Dean becomes the first British woman ever to chart her first two top five hits in the region together — a feat that among all artists was first earned by The Beatles.

Read on for details of the entire top 10 on this week’s Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated May 23, 2026, will update on Billboard.com tomorrow, May 19. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.


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Ariana Grande‘s lead Petal single is days away from blooming, with the pop star giving fans their first taste of “Hate That I Made You Love Me” with a teaser posted on Monday (May 18).

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Paired with a black-and-white visual piecing together words from the song’s title and photographs of Grande, the ethereal clip sounds almost like falling drops of water, but pitched and processed to sound both musical and off-putting. The teaser does not feature any audible vocals or lyrics from the song.

The snippet comes about 11 days ahead of the release of “Hate That I Made You Love Me” on May 29. The track will be one of 12 on Petal, Grande’s eighth studio album coming July 31.

The Wicked actress coproduced “Hate That I Made You Love Me” with Max Martin and ILYA. When she first announced the track, she called it “one of my favorite songs I’ll ever write.”

Though the entirety of Petal won’t arrive until most of the way through Grande’s fast-approaching Eternal Sunshine Tour, the lead single will drop with plenty of time before the Grammy winner’s first trek in six years kicks off on June 6. She has 41 shows total planned for the outing, which will also feature stops in Los Angeles, New York City, Montreal, Chicago and more North American cities before wrapping with 10 shows at the O2 Arena in London.

Check out Grande’s new teaser for “Hate That I Made You Love Me” below.


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On Friday (May 15), Drake’s discography grew by three entries when he unleashed his trifecta of albums, led by ICEMAN. The 18-track effort serves as a haymaker aimed at his adversaries while arguably delivering some of the sharpest raps of his career. The icy offering was immediately followed by Habibti and Maid of Honour, as Drake looked to blitz streaming services with a calculated three-peat.

Say what you want about Drake: He’s too emotional, too passive, too R&B. The criticism has always been deafening for the 39-year-old, yet he’s somehow always found a home in our playlists and speakers. Whether it was his mixtape classic So Far Gone getting you through your college years, his head-in-the-clouds, f—k-everybody demeanor on Nothing Was the Same, or the surprise-from-the-heavens arrival of If You’re Reading This It’s Too Late, Drake — with over 20 projects to his name — has become synonymous with prolificacy.

The all-world talent has amassed nearly 400 Hot 100 hits — the most of all time — while sitting days away from surpassing his one-time hero and idol, Jay-Z, for the most No. 1 albums among male solo artists. While his public perception may be hazy because of perceived on-record defeats at the hands of Pusha T and Kendrick Lamar — along with his much-criticized lawsuit against Universal Music Group — when you strip everything down to the music, it’s hard to ignore Drizzy’s omnipresence. After all, a wise man once said: “Men lie, women lie, numbers don’t.”

Billboard compiled and ranked Drake’s discography — excluding Care Package — dating back to his debut project, Room for Improvement. Take in the history lesson below.


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Donald Trump’s White House is getting in on Iceman season. While Drake operates north of the border, the Trump administration posted a TikTok on Saturday (May 16) crowning President Trump as the Iceman.

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The clip is soundtracked by the outro to Drizzy’s “Make Them Know,” which also finds various reporters shouting out “Iceman” and features Trump walking down a snowy red carpet, fresh out of a chopper. “Iceman baby, freeze the world,” the vocals repeat.

It all ties back to the U.S. Immigration and Customs Enforcement, which is also known as ICE. Portions of the clip showcase ICE agents in action, tracking down various individuals. It’s seemingly trying to add the president to the list of those nicknamed Iceman, which includes NBA great George Gervin, Drake and Chicago Bears quarterback Caleb Williams.

OVO fans flocked to the comment section. “Drake literally dissed yall in the album omg,” one person wrote. Another added: “Whole government is a joke!” Others implored Drake to launch another lawsuit.

Billboard has reached out to Drake’s team for comment.

This wasn’t the only social media post made by the White House inspired by Drake’s Iceman album, which arrived Friday (May 15). The Trump Administration posted a MAGA version of Drizzy’s Iceman artwork, except that edition finds the sparkling Michael Jackson glove holding a diamond-encrusted MAGA chain pendant. The post drew heavy backlash from Drake fans in the White House’s comment section.

It wasn’t a surprising move by the White House, which has made a habit of capitalizing on popular music and incorporating hits into its social media posts. In the past, artists such as Sabrina Carpenter and Olivia Rodrigo have slammed the administration for using their music to support clips of ICE’s practices.

The 6 God returned on Friday with a trio of new albums, as Iceman was joined by shorter efforts Habibti and Maid of Honour. Iceman serves as Drake’s first solo LP since 2023’s For All the Dogs, and features Future, 21 Savage and Molly Santana.


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As the world gears up for this summer’s soccer World Cup, the lineup for the FIFA Fan Festival 2026 in Monterrey — one of the three Mexican host cities for the tournament — has been revealed.

International stars such as Chayanne, Enrique Iglesias, Grupo Firme and Imagine Dragons, along with more than a dozen prominent local talents in pop, rock, norteño music, rap and ska, will perform at Parque Fundidora from June 11 to July 19, coinciding with the tournament dates. All artists have been announced except for the closing act, which is currently listed as a “surprise artist.”

The venue, which hosts major events such as the renowned Pa’l Norte Festival, will feature giant screens, hospitality zones and interactive game areas. Like Pa’l Norte, it will be organized by Apodaca Music Group, a company known for its expertise in large-scale events.

“We’ll have 21 days of celebration, proud to welcome visitors from abroad and, of course, our local community,” Samuel García, governor of the state of Nuevo León, said in a press conference on Friday (May 15).

Monterrey will host matches featuring national teams such as Sweden, Tunisia, Japan, South Korea and South Africa. The 2026 FIFA Fan Festival in Monterrey will include free admission zones, as well as preferred access and VIP tickets, which will go on sale starting May 21 via ticketmaster.com.mx.

Lineups for the FIFA Fan Festival events in Mexico City and Guadalajara will be announced later.

Check out Monterrey’s full schedule of shows below:

  • June 11 – La Leyenda 
  • June 12 – De Parranda 
  • June 13 – Chayanne 
  • June 14 – Caballo Dorado 
  • June 18 – Genitallica
  • June 19 – La Costumbre 
  • June 20 – El Gran Silencio 
  • June 21 – Imagine Dragons
  • June 23 – Toy Selectah
  • June 24 – Grupo Firme
  • June 27 – Los Cadetes de Linares 
  • June 28 – Enrique Iglesias
  • June 29 – The CLSSX
  • June 30 – 3 Ball Mty
  • July 3 – Jumbo
  • July 4 – El Malilla
  • July 5 – Payasónicos
  • July 10 – Mc Davo
  • July 11 – La Sonora Dinamita 
  • July 18 – Kevis y Maiky
  • July 19 – Surprise Artist


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Barbra Streisand has sent her regrets about attending the Closing Ceremony of the 79th Festival de Cannes on Saturday (May 23), where she is being honored. The global star suffered a knee injury that has made the trip from her Malibu, Calif., home to France inadvisable.

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“On the advice of my doctors, as I continue recovering from a knee injury, I am sadly unable to attend the Festival de Cannes this year,” Streisand said in a statement. “But I am deeply honored to receive the Honorary Palme d’Or and had so been looking forward to celebrating the remarkable films of the 79th edition. I was also very much looking forward to spending time with colleagues whom I so admire – and, of course, returning to France, a place I have always loved. While I regret that I can’t be there in person, I want to extend my warmest congratulations to all of the filmmakers from around the world whose extraordinary talent and creative vision are being celebrated this year. My heartfelt thanks to the festival, and to everyone who continues to support and champion the art of cinema.”

Despite the disappointing news, The Festival de Cannes plans to proceed with the tribute to celebrate Streisand. The singer-actress is one of three people to receive an Honorary Palme d’Or this year, along with filmmaker Peter Jackson, best known for his work on The Lord of the Rings trilogy, and actor John Travolta, a two-time Oscar nominee for best actor.

Streisand, the ultimate multihyphenate (actress, director, producer, screenwriter, singer and songwriter) has long been a major star in France. Her 1966 album, Je m’appelle Barbra, was largely sung in French. It reached No. 5 on the Billboard 200. She has received two prestigious awards from the French government: Officer of the Legion of Honor (Légion d’honneur) and Commander of the Order of Arts and Letters (Ordre des Arts et des Lettres).

The Cannes Film Festival kicked off on May 12 and runs through May 23. The awards ceremony at the Grand Théâtre Lumière, hosted by actress Eye Haïdara, will be broadcast live on France Télévisions from the Palais des Festivals on Saturday, May 23, at 8:15 p.m.

“Unfortunately, the festival has just been informed that Ms. Barbra Streisand will be unable to attend the ceremony at the Grand Théâtre Lumière in Cannes,” the festival said in a statement.  “Iris Knobloch, Thierry Frémaux and the entire Festival team send Barbra Streisand their warmest wishes for a prompt recovery.”

“This year, we were keen to pay tribute to an artist who made her mark through the power of her art and her uncompromising pursuit of freedom,” Cannes festival president Iris Knobloch said in a statement when announcing Streisand’s honor in March. “As a woman, I am delighted to be able to express our admiration for this consummate creator and courageous citizen, whose example stands the test of time and continues to inspire.”

“A global star, Barbra Streisand is above all an artist, initiating projects that reflect who she is, that are her own and that she shares with the whole world,” said Cannes festival director Thierry Frémaux in a statement. “She is the legendary synthesis between Broadway and Hollywood, between the music hall stage and the big screen. Hearing her sing and seeing her perform are part of our best years.”


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