Bonnie Raitt‘s political and social leanings are no secret, and she’s certainly rankled by what’s transpired during the first nearly nine months of the current administration in Washington, D.C.

But as the 15-time Grammy Award winner and 2024 Kennedy Center Honoree continues touring to support her 2022 album Just Like That…, Raitt says she’s doing her best to make her concerts something of an antithesis to the turmoil.

“I never proselytize on stage about my positions, politically, but I do acknowledge the suffering and cruelty and anxiety that we’re feeling,” says Raitt, who routinely contributes lobby space at her concerts to non-profits involved in social and environmental causes.

“I don’t assume that everybody in the audience is politically aligned with me, but I think we all agree there’s a lot more discord and dissension and unhappiness and stress, to put it mildly.”

Raitt spoke with Billboard ahead of a recent Detroit concert, where she had a warm reunion with Nick of Time producer Don Was, in town rehearsing with his Pan-Detroit Ensemble, on his 73rd birthday.

“We’re all suffering, I think,” she continues. “But aside from announcing which grassroots groups have a table in the front lobby — it’s clear I like to support the environmental and voter registration and humanitarian kind of efforts — I keep it pretty general.

“And it’s a great uplift for the audience, and for me, in tricky and very stressful, anxious and upsetting times to have this time to come together and celebrate our great history in these songs, and these songwriters and our affection for each other. I can’t think of a better place to be during these difficult times.”

The topic does come up during points of the show, Raitt allowed. She generally precedes Oliver Mtukudzi’s spiritual “Hear Me Lord,” which she recorded for 2002’s Silver Lining by “saying I know we’re all feeling a lot of anxiety,. and some of us are more depressed than others, but let’s just sort of all on…we need all the help we can get.’ And that’s just very uplifting.” Raitt does acknowledge, however, that it’s probably a good thing she received the Kennedy Center Honor when she did.

“The chances of me and the Grateful Dead getting honored with this current situation would’ve been impossible,” she acknowledged, “so I’m really glad…Not only was it a wonderful event, but it was really timely.”

Raitt is currently winding down her latest North American tour, which wraps Sept. 24 at Red Rocks Amphitheatre in Colorado. On tap after that, she said, “I don’t have plans for anything other than a serious break.”

“This is our fourth year of touring; we’ve been pretty steady on the road since the record came out,” she says. And breaks have been used to appear at benefit concerts and appearing at awards shows — with three Grammys for Just Like That…, including song of the year, and an Icon Award at the 2022 Billboard Women In Music Awards. She’s also filmed appearances for a number of documentaries about “at least nine people I really love.”

“I’m glad I got to know them, and to be able to talk about them from having known them for 40 or 50 years, and what their music means to me,” Raitt says. “I’m happy to be an elder that’s been around and do that, but it really cuts into the time thinking about my own new music. Other requests can be overwhelming, to put it mildly.”

Raitt says she’s looking forward to “having more than five weeks at home for the first time in five years,” and she won’t hazard a guess about when she’ll start approaching a follow-up to Just Like That… “I’m not that motivated to suit up for a whole new album and promotion cycle because I haven’t had a break,” Raitt explains. “We don’t usually do four years of touring like we have on this (album). I don’t know how people write whole new albums while they’re out there. I can’t…so I’m trying to leave time free so that my own project and my own downtime can be fit in. I always have a little bit of a stash of songs I love so much that I’ll have to (record) them.

“So I’ll have to get in the studio — but not before there’s been some time off.”

Billboard awarded GELO, Ravyn Lenae and Odeal as Rookies of the Year and named Leon Thomas the Breakthrough Artist of the Year for Billboard‘s 2025 R&B/Hip-Hop Power Players. We’re breaking down how these artists represent the future of Black music. Billboard staffers share why they believe each singer is transforming their respective genre, how their hits—“Mutt,” “Love Me Not” and “Tweaker”—resonated with fans, and more!

Carl Lamarre:

Billboard is always about chart success, but not only to have a cultural impact and see the buzz and how they’re resonating, not just online, but the streets as well. The kids are talking about you. Most likely we’re gonna cover y’all and see what’s up.

Fan 1:

Tonight, I’m most excited to see Leon Thomas and Odeal. 

Fan 2:

Gag it, Odeal. What? Ravyn Lenae too. 

Fan 3:

I’m most excited to see GELO, for sure. 

Fan 4:

Leon as well. It’s gonna be my third time seeing him, and I’m gonna see him again on my birthday, so.

Interviewer:

Who are you most excited to see? 

Fan 5:

Leon Thomas, plain and simple. You don’t have to finish the question. You don’t have to finish it. 

Heran Mamo:

Leon Thomas had such a breakthrough moment. “Mutt” went No. 1 on Hot R&B/Hip Hop Songs and three different radio formats.

Leon Thomas:

I think “Mutt” definitely resonated with the culture so much because it has a lot of essence of P-Funk, Bootsy Collins. I feel like post-pandemic everybody got into their little toxic energy, so it’s like, perfectly toxic.

Fan 6:

I’m definitely excited to see Ravyn, I love her music. It’s a very, like, chill, soulful vibe, and she just always puts me in a good mood. 

Fan 7:

I’m absolutely excited to see Ravyn Lenae. I’ve loved her forever. I got onto her train when she came out with “Candy.”

Gail Mitchell:

She’s just the total package. In terms of her songwriting, the lyrics, very relatable lyrics, like her hot song, “Love Me Not.” Kind of a play on the whole daisy thing — he loves me, he loves me not.

Keep watching for more!

Ozuna adds his 33rd chart-topper on Billboard’s Latin Rhythm Airplay chart as “Sirenita” lifts 4-1 on the Sept. 20-dated chart.

“Sirenita” was released June 5 on Nibiru/Sony Music Latin and takes the lead on its ninth week, with six of those in the top 10. For the tracking week of Sept. 5-11, the steady gainer enjoyed a 10% growth in audience impressions in the United States, registering 7.2 million, according to Luminate.

With his newest Latin Rhythm Airplay No. 1, Ozuna continues to hold the third-highest number of chart-toppers since the list launched in 2005, surpassed only by J Balvin with 38 and Daddy Yankee with 35. Here’s a recap of those winners:

38, J Balvin
35, Daddy Yankee
33, Ozuna
29, Bad Bunny
20, Maluma
20, Wisin
20, Wisin & Yandel

The radio increase across Latin rhythm stations in the U.S. aligns with the song’s 6-3 lift on the overall Latin Airplay chart, adding to Ozuna’s robust catalog of 37 career songs which reached No. 3 or higher — 35 of those have hit No. 1. So far, “Sirenita” and “Te Boté” (his collab with Casper Mágico, Nio García, Darell, Nicky Jam, and Bad Bunny) are Ozuna’s only two songs, of his 37 top three-charted songs, that have not reached No. 1. “Te Boté” peaked at No. 2 in 2018.

Elsewhere, “Sirenita” becomes the Hot Shot Debut of the week on the Hot Latin Songs chart, arriving at No. 42. In addition to its 7 million impressions during the tracking period, the song generated a 7% gain streaming activity.

“Sirenita” also makes its entrance on the Hot Latin Rhythm Songs chart, at No. 22, Ozuna’s third entry since its launch in April. The list combines streaming data, digital sales and radio audience into its formula.

Carín León and Alejandro Fernández team up for a second No. 1 with “Me Está Doliendo,” as the song tops Billboard’s Latin Airplay chart (dated Sept. 20) almost a month after the pair claimed the top spot on the Regional Mexican Airplay ranking with the same track.

“Me Está Doliendo” surges 8-1 on overall Latin Airplay chart with a 10 million audience impressions earned in the United Stated in the week ending Sept. 11, according to Luminate: that’s a 58% gain from the week prior. Plus, it takes over with the Greatest Gainer honors, awarded weekly to the song with the largest impressions among the 50 songs on the tally.

With a 58% growth, León replaces himself at No. 1 on Latin Airplay as “Me Está Doliendo” ejects “Vivir Sin Aire,” his collab with Maná, out of the top 10. The song drops to No. 11 after a 38% decline in audience (to 5.8 million). León becomes the second artist to replace himself at the summit in 2025. Colombian Kapo’s “Más Que Tú,” with Ozuna, ceded the throne to “Imagínate,” with Danny Ocean, on the April 26-dated ranking, both crowned Latin Airplay for one week.

“Me Está Doliendo” becomes León’s fourth chart-topper on Latin Airplay in 2025 –he’s placed six overall. In addition to the above-mentioned coronations, the singer ruled through one-week champs, “El Amor De Mi Herida” and “Ahí Estabas Tú” in March and May, respectively.

For Fernández, “Doliendo” marks his 12th No. 1, breaking his tie with Marco Antonio Solis for the most chart-topping songs by a regional Mexican artist since Latin Airplay began in 1994. Among all, J Balvin continues to lead with 38 No. 1s.

Beyond its Latin Airplay coronation, “Doliendo” adds a second week atop Regional Mexican Airplay with 8.9 million impressions (up 58%) during the tracking period.

Thanks to its radio haul, the song soars from No. 49 to No. 20 on the multi-metric Hot Latin Songs chart, claiming a new peak. This marks Fernández’s highest position this decade, matching the success of “Caballero” in 2020. The chart blends radio airplay, streaming data and digital sales to determine its ranking.

Producer Sidney “Omen” Brown has died at age 49. According to NBC News, Omen was found in his Harlem apartment on Saturday by his sister, Nicole Iris Brown.

“He was holistic and healthy. So we don’t know of him being sick, so this is all pretty sudden,” Omen’s sister said in a statement to NBC News. “I hope people will remember that he was willing to help the younger generation.”

Brown continued: “He was always big on helping younger people start their careers and get themselves into the game. It was about just the music, no matter who the artist was.”

Omen began making a name for himself in hip-hop around the turn of the century as he aligned with Roc-A-Fella. He earned production credits on Memphis Bleek’s Coming of Age debut as well as Fabolous’ Street Dreams album cuts “Change You or Change Me” and “Why Wouldn’t I” in 2003.

Brown crafted the score behind Roc-A-Fella’s Paper Soldiers movie in 2002, which served as Kevin Hart’s acting debut and saw a cameo from Jay-Z.

He produced “Tell It Like It Is” for LudacrisRelease Therapy, which won best rap album at the 2007 Grammy Awards.

Omen floated into the Young Money orbit when teaming up with OVO’s Noah “40” Shebib to produce “Shut It Down” featuring The-Dream on Drake’s Thank Me Later debut in 2010. He collaborated with Shebib again to co-produce Lil Wayne’s “I’m Single,” which reached No. 82 on the Billboard Hot 100.

Continuing his work with 40, Omen is credited as a songwriter on Beyoncé’s 2013 hit “Mine,” which also peaked at No. 82 on the Hot 100.

Omen went on to compile a talented list of collaborators, as he earned production credits with Mya, Redman and Action Bronson over the years.

Billboard has reached out to the New York Police Department and the Medical Examiner’s Office for comment.

A suspect has been arrested in the case of Beyoncé‘s stolen unreleased music.

Back on July 8, dancer Diandre Blue and choreographer Christopher Grant were in Atlanta touring with the superstar and called the police to report that their car had been broken into. Blue and Grant told authorities that their rental car had a smashed window and that two suitcases “carrying some personal sensitive information” had been taken.

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The police report said that two Apple laptops and five thumb drives were in the stolen luggage and they included “unreleased music” and other digital files related to Beyoncé’s tour.

Atlanta Police confirmed in a press release that none of the items had been recovered yet.

Billboard obtained legal documents and can confirm that Kelvin Evans was charged with one felony count of Entering Automobile or Other Motor Vehicle With Intent to Commit Theft or Felony. Evans’ bond is set at $20,000 and a preliminary hearing will be held on Wednesday.

The Atlanta Police website says Evans was taken into custody last month, on Aug. 26, by the nearby Hapeville Police Department and booked into the Fulton County Jail.

On the day Evans was arrested, Billboard Boxscore reported that the Cowboy Carter Tour grossed $102.3 million and sold 392,000 tickets over eight shows during the month of July, making it the third consecutive month that the tour hit the $100 million threshold.

On Tuesday (Sept. 16), concert promotion company Goldenvoice released the lineup for the 2026 Coachella festival, with headliners Sabrina Carpenter, Karol G and Justin Bieber topping a packed bill that also includes Turnstile, Teddy Swims, Devo, David Bryne, Young Thug, Iggy Pop and a set by electronic artist Anyma.

The lineup for this year’s festival was announced far earlier than in past years and reflects a growing trend in the festival business to get on sale early — passes for next year’s edition go on sale Friday (Sept. 19) — and sell as many tickets as possible. Like Electric Daisy Carnival in Las Vegas, Coachella is essentially on sale year-round. Less than two weeks after the 2025 festival wrapped on April 20, early bird tickets went on sale for Coachella 2026.

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Many fans buy Coachella tickets in advance, knowing they’ll attend no matter who plays the festival. But sales for the event, for which GA tickets are priced at $549 per person, really ramp up after the lineup is announced. For most of the 2010s, the festival’s lineup wasn’t announced until the first week of January. That forced other festivals with artists on their lineup who were also playing Coachella to hold back their lineup announcements until Coachella organizers announced theirs.

That began to change after the pandemic, beginning in 2024, when the lineup was announced one week later than normal, on Jan. 16. Unfortunately, the lineup — which featured headliners Tyler, the Creator, Lana Del Rey and Doja Cat — didn’t click with fans and tickets to the first weekend, which had previously sold out in hours, took weeks to sell through. Ultimately, approximately 160,000 tickets were sold for Coachella in 2024, or 80,000 per weekend, according to a report from government officials in Indio.

For the 2025 festival, headlined by Lady Gaga, Green Day and Travis Scott, Coachella organizers put tickets on sale in mid-November and came far closer to reaching capacity, with sales of 120,000 tickets per weekend, sources tell Billboard.

This year, Coachella organizers are doubling down on their ticketing strategy for the 2025 festival — when tickets went on sale six weeks ahead of New Year’s — by putting them on sale nearly three and a half months earlier than previous years. One booking agent who has booked several acts to play Coachella says the longer lead time is just a reflection of today’s consumer landscape.

“Coachella is still the biggest festival in the world and a massive platform for the biggest artists in the world, but there’s just a lot more competition for consumer dollars,” the booking agent source, speaking on background, tells Billboard. “The sooner festivals like Coachella can go on sale to consumers, the sooner they can start ticket sales and work towards selling the tens of thousands of tickets it takes for each weekend to sell out.”

Last week, a team of record-label executives took a Zoom meeting with a little-known R&B artist releasing music under the name Xania Monet, whose album has been climbing fast up the charts, drawing interest and potential bidders from around the music business.

But it quickly became clear that this was no ordinary rising star when she joined the call without video, explaining she wasn’t “camera ready” and declining to sing.

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That’s because the artist, a poet whose real name is Talisha Jones and who goes by Nikki, has used AI to craft her image and Suno to craft her music. Given her use of Suno, which was sued for copyright infringement by the major record companies last year, labels backed by the majors abstained from making offers, though one major label put a top offer on the table anyway. The bidding reached $3 million to sign her, sources say, and Hallwood Media, the entertainment company led by former Interscope executive Neil Jacobson, ultimately added her to its roster with a multimillion-dollar agreement.

Xania is the brainchild of 31-year-old Jones, who owns a design studio and lives in OIive Branch, Miss. She comes from humble beginnings, says her manager Romel Murphy, a veteran music marketing executive who has worked with gospel acts like Cheneta Jones and K. Michelle as well as Memphis newcomer IME Casino and considers Jones family.  

“She’s been writing poetry for a long time,” Murphy tells Billboard, noting that 90% of her lyrics are her own true stories, and the other 10% are inspired by the stories of her friends and community. What’s making the songs catch is “not a hook and a bridge and a catchy chant — It’s just the lyrics, and they are pure.”

While Jones grew up singing herself in church, she’s not the “vocal beast” that Xania is, Murphy says. Jones used a combination of Suno’s platform and live elements to create her album, and claims full ownership of the songwriting and production credits, he says, but she plans to work with additional human producers on her upcoming project. Murphy says he’s now fielding publishing deal offers, and is in the midst of planning Xania’s first live performance.

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“This is real music — it’s real R&B,” says Murphy. “There’s an artist behind it.”

Notably, Monet appeared on the Billboard charts for this first time this week (dated Sept. 20, 2025), debuting at No. 25 on the Emerging Artists tally and at No. 21 on Hot Gospel Songs with “Let Go, Let God.” Additionally, her song “How Was I Supposed to Know” hit No. 1 on R&B Digital Song Sales, No. 3 on R&B/Hip-Hop Digital Song Sales and No. 22 on Digital Song Sales. Her catalog has earned 9.8 million on-demand official U.S. streams, 5.4 million of those in the most recent tracking week (Sept. 5-11), according to Luminate.

Jacobson is betting big on AI-powered music: In July, Hallwood announced a recording agreement with imoliver, the top-streaming “music designer” on Suno, marking the first signing of a Suno creator to a record label. “Stone,” the breakout single, racked up more than 3 million streams on the Suno platform before it was released on all streaming services on Aug. 8. It has now earned 4,000 on-demand official U.S. streams, according to Luminate.

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With the WNBA Finals almost here, the 2025 WNBA Playoffs is here and going strong with the first round of games already under way. The Minnesota Lynx, Atlanta Dream and Las Vegas Aces all took 1-0 leads in their respective series with decisive victories during Sunday’s quadruple-header. With things heating up, here’s how to tune into all the post-season action on Sling TV.

When Is the WNBA Playoffs?

The WNBA Playoffs kicked off on Sunday, September 14 and will continue until October 17 (depending on a Finals Game 7). All post-season games will broadcast live on ABC, ESPN and ESPN2.

How to Watch the WNBA Playoffs on Sling TV

For cord-cutters, Sling TV is a great option to stream the WNBA playoffs online. Although Sling TV doesn’t offer a free trial, new subscribers can join for as low as $4.99 Sling’s latest Day Pass to access Sling Orange. However, to watch most of WNBA games online, Sling Orange + Blue lets you access more than 50 channels including ESPN, Fox, NBC, ABC and NFL Network and others (DVR storage included). Please note: Sling TV’s pricing and channel availability varies from location to location.

Sling’s newly introduced day and week passes are also great options to stream WNBA games for an affordable price. The new passes have three subscription offerings: day, week and weekend, giving fans the ultimate flexibility to watch what they want, when they want, and then opt out. The day pass offers an instant 24-hour access period to Sling TV for $4.99, the weekend pass grants you access for $9.99 and the week pass offers access for an entire week of your choosing for $14.99

What Teams Are In the WNBA Playoffs?

Here are the four first-round WNBA playoffs matchups:

  • Minnesota Lynx (1) vs. Golden State Valkyries (8)
  • Las Vegas Aces (2) vs. Seattle Storm (7)
  • Atlanta Dream (3) vs. Indiana Fever (6)
  • Phoenix Mercury (4) vs. New York Liberty (5)

Teams will play a best-of-three series in the first round, a best-of-five series in the semifinals, and — in a new change this year — a best-of-seven affair in the Finals, similar to the NBA.

What happens when fate, music and a game of chance collide? Rauw Alejandro has the answer.

The Puerto Rican superstar has officially revealed the release date for his forthcoming deluxe album, Cosa Nuestra: Capitulo 0. In a cleverly crafted 30-second video shared on social media — that you have to enter the secret code to watch (which we reveal below) — the Latin hitmaker reveals the album drop date.

“It’s my way of showing that the Caribbean is not the past, but a living present that continues to ignite the world,” he wrote on Instagram on Tuesday (September 16).

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Once you enter the code, the visual showcases the artist in a desolate game room, donning a slick polka-dot, West Side Story-inspired pachuco outfit complete with a fedora. While he takes part in a game of las picas — a traditional Puerto Rican card-based gambling game of chance and destiny — the tension builds until the final reveal. As the game concludes, the date “9/26” appears on a carousel of horses, signaling the arrival of his forthcoming musical project on September 26.

In tandem, Rauw teases the Capitulo 0 track list via Billboard, revealing 14 songs in total — a mix of already-released singles and cryptic titles that hint at the songs’ actual names.

1. “Carita Linda”
2. pa’ enorgullecerse (to be proud)
3. “GuabanSexxx”
4. “Buenos Términos”
5. pa’ arreglar la situación (to make things up)
6. pa’ Las maldades (for the block)
7. pa’ la callosa  (for the rock chick)
8. pa’ llorar bellak@ (for crying naughty)
9. pa’ perderse (to get lost)
10. pa’ siempre (for always)
11. “Santa”
12. pa’ arrepentirse bailando (for regretting on the dance floor)
13. pa’ desenmascarar (to call out)
14. pa’ agradecer (to show gratitude)

Earlier Tuesday (Sep. 16), it was also announced that Rauw Alejandro will be a featured spotlight speaker at Billboard’s Live Music Summit Presented by VENU, returning this fall.

Watch the video below by entering the secret code — ELCARIBE — exclusively revealed here on Billboard.