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Jessica Simpson’s namesake footwear, apparel and accessories brand is turning 20.

While you may know Simpson for her successful music career with hits like “I Wanna Love You Forever” and “A Public Affair,” the musician is also well-known for her fashion prowess. Simpson launched the brand in 2005 with an initial focus on footwear. Since then, it’s grown to include boho-inspired apparel and accessories. To celebrate 20 years, Simpson launched a limited-edition “2.0” line of shoes, apparel and accessories that encapsulate the brand’s legacy and Simpson’s love of boho fashions.

Simpson took to Instagram Sunday (Oct. 12) to celebrate the launch, snapping a photo of herself in the Stevie Flare Jeans in Milton from the 2.0 capsule. “I wore my new 20th anniversary @jessicasimpsonstyle jeans out shoppin’ today and got stopped damn near 20x with a compliment!!!” she wrote in the caption. “Made me smile! Thank y’all for makin’ my day at the mall.”

Below, we’ve compiled a few favorites from the 2.0 capsule that you can shop on Jessica Simpson’s website. Our picks include everyday shoulder bags, Simpson’s Instagrammable denim and head-turning footwear just in time to update your fall wardrobe.

Jessica Simpson's 20th Anniversary Fashion Collection: Shop Online

Jessica Simpson 2.0 Stevie Flare Jeans in Milton

Flared denim with sparkling adornments.


What were those coveted jeans that had people stopping Simpson up to 20 times at the mall? It’s the Stevie Flare Jeans in Milton, currently retailing for $119. The bell-bottom style is extremely boho-inspired with a dark wash, high-rise and embroidered detailing affixed to the seat of the pants. Star hardware litters the hip in bronze and silver hues, making this denim reminiscent of Y2K styles Simpson has worn in the past. If the 2000s-esque adornments didn’t sell you, the denim is also made of a stretch fabric that gives these jeans a comfortable, non-restrictive fit.

Jessica Simpson's 20th Anniversary Fashion Collection: Shop Online

Jessica Simpson 2.0 Zembitti Boot in Black

Black leather cowboy boots with gold accents.


Fall is here, which means it’s time to search for a boot that you’ll want to wear again and again. We think the Zembitti Boot might be your best bet. Retailing for $179, this western bootie is made of durable and glossy black patent leather with gilded accents throughout. The calf-length boot is also affixed with pointed toes and easy to walk in wedge heels standing at 2.6 inches.

Jessica Simpson's 20th Anniversary Fashion Collection: Shop Online

Jessica Simpson 2.0 Palias Charm Pump in Black

A black pump with chain and charm adornments.


According to her website, this style is one of Simpson’s favorites, and it’s easy to see why. The Palias Charm Pump currently retails for $129 and comes with loads of whimsy. The basic black pump was updated with plenty of chains, charms and rhinestones, a maximalist’s dream. The silhouette also includes sleek pointed toes and 3.5 inch stiletto heels. The adornments make this piece a stand-out, and one we can see our readers wearing from the office to date night with ease.

Jessica Simpson's 20th Anniversary Fashion Collection: Shop Online

Jessica Simpson 2.0 Grayson Shoulder Bag in Meteorite

A black east-to-west bag.


The east-to-west bag is an on-trend silhouette as of late and everyone’s taking note, including Simpson. The brand’s Grayson Shoulder Bag in Meteorite is a great example of an east-to-west bag, what with the elongated straps and bowling bag-esque construction. The bag is currently available for $108, on the more affordable side that we’ve seen for this style.

The Grayson is seemingly made out of patent leather, based on the bag’s shine, and comes equipped with a gold chain draped across the front affixed with little charms. Our motto? You can never have too many black bags, especially when fall rolls around. It’s a grungy and playful pick, and one we can see our readers getting lots of mileage out of.

Jessica Simpson's 20th Anniversary Fashion Collection: Shop Online

Jessica Simpson 2.0 Claira Sherpa Moto Jacket in Black

A sherpa jacket in black.


Ready to cozy up? With the weather getting colder, it’s important to have a good jacket in your rotation that will keep you both warm and stylish. We think that the Claira Sherpa Moto Jacket in Black is a great pick for those reasons. The moto style is equipped with ultra-warm sherpa material in an off-white hue that lines the lapel and sleeves. The body of the jacket is made of a black distressed fabric. The jacket’s oversized fit is offset by the cropped composition, making it wearable, not too boxy. For $249, this jacket is an investment, but one worth the price tag to keep you fashionably cozy this fall.

Jessica Simpson's 20th Anniversary Fashion Collection: Shop Online

Jessica Simpson 2.0 Bias Dress in Black

A black lace slip dress.


We’d like to nominate the Bias Dress in Black as our official “going out” dress for 2025. Whether you’re heading to dinner or hitting up the club to dance the night away, this dress is a great starting point. It’s a versatile offering with a flattering form-fit and lace trim. The piece offers endless styling possibilities, making it great for just about every scenario. Grabbing coffee? Dress the Bias down with a sweater layered over it. Celebrating a birthday? Wear it solo with platform pumps for a head-turning moment.

In the franchise “The Stars Behind the Star,” the editors of Billboard Latin and Billboard Español share untold stories about those who are not usually in the spotlight. Think of “everything that happens off-camera” or “everything that happens behind the scenes.” These unsung heroes are essential to an artist’s team and foundation. Today, we highlight Panama City’s Mayor Mayer Mizrachi for hosting the first-ever edition of Premios Juventud in his country.

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“Panama is shining!” That’s a phrase we heard multiple times during the week of Premios Juventud 2025, which took place on September 25 in Panama City. Part of Mayor Mayer Mizrachi’s motto, “The City That Shines,” aims to emphasize its tourism and cultural potential.

Mizrachi, a charismatic figure who became the youngest mayor in his country’s history at 36 in 2024, decided to attend the Latin Grammys ceremony in Miami that year, marking his first experience on the red carpet. During the event, he met the Univision team, which sparked an initial conversation that eventually led to an invitation.

“Panama didn’t know how beautiful it was, how eclectic and differentiated it is from the rest of Central America and the Caribbean,” Mizrachi said with satisfaction. According to a report by the Panamanian newspaper La Estrella de Panamá on the local economic impact, Premios Juventud generated between 2,500 and 3,000 temporary jobs, increased hotel occupancy to approximately 75%, and boosted activity in restaurants and shopping centers.

For TelevisaUnivision, the broadcast — which included acclaimed performances by Panamanian artists like Erika Ender, Los Rabanes and Nando Boom — broke multiplatform records, achieving a year-over-year increase of +58%, with over 450 million total interactions across TV, social media, digital platforms, and ViX.

Via Zoom from his home in Panama City, Mizrachi spoke with Billboard about how the opportunity to host the first-ever edition of Premios Juventud outside the U.S. came to be. (He did so while sitting next to a new box of cereal, with which he planned to do one of his famous “unboxings“—the kind that initially made him popular on social media before becoming mayor, earning him thousands of followers.)

After that first connection at the 2024 Latin Grammys, how did the government respond to the idea of investing in Premios Juventud?

It was a risk for everyone. When the government of President José Raúl Molino — who produced and invested in the event — was presented with the idea and went to the Assembly to request the budget allocation to pay for it, there was a lot of questioning. “Hey, but there are things we could do with that money. There are basic needs, and you want to spend it on a concert?” There were many, many doubts about whether this was a reasonable investment, whether it was a legitimate use of public funds. There was also a clear lack of understanding of the impact this could have.

I knew it was going to be important, but I didn’t know it was going to be so important for so many. I didn’t know it was going to be significant for the foreigners who came. I didn’t know it would stand out compared to other instances where these events have been produced, like in Miami or other cities. And I didn’t know that part of the secret sauce was going to be Panama — Panamanian culture, the people of Panama. And I think that was quite moving.

How has this decision been perceived after seeing the economic impact it had?

No one questions the investment, no one questions the way Mayer went to the [Latin] Grammys. Everyone thanks President Molino, thanks the participants who made this possible — from private companies to the central government. And now they’re asking, “What’s next? What’s coming?” They asked me that yesterday. Where before they said, “Do you think Panama needs this with so many problems?” now they say, “Hey, what’s next?” because they realized this brings significant economic impact and enhances the national talent industry. It motivates local talent to say, “I’m going to step up my game to one day be on that stage.”

In a way, it was like hearing sounds that aren’t always as present in the U.S. How did it feel to you?

Look, that opening act was a tribute to Panamanian culture. It was still a celebration of Latin entertainment. You had salsa, then Sandra Sandoval from Panama, and then you had Panama’s rockstars: Erika Ender, Los Rabanes and then Nando Boom, who was one of the pioneers of reggaetón. Panama shone. That has always been my motto — that Panama is going to shine. After Premios Juventud … what you feel now in Panama is an atmosphere of patriotic renewal.

Why do you think people have connected with you not just as a mayor but as a public figure?

I, regardless of what happens, will continue contributing to my country and to the people. I like helping. But it was never about handing things out either, because I personally see that as a form of populism — “Instagram populism.” And I don’t think it’s about being political. I think in this era of social media, we see people and personas where maybe many stay on the surface. And more than ever, people long to connect with something real, and not necessarily something perfect. On the contrary, it’s precisely because it’s imperfect that it feels real.

What music is playing in your famous Cybertruck?

Do you want to laugh? First of all, I’m in a country phase. One of the songs I have on repeat is “Ordinary” by Alex Warren. [Also] “Holy Water” by Jelly Roll. I love Jelly Roll — he’s the best. And “Last of My Kind” by Shaboozey.


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Clipse has earned just one single Grammy nomination (best rap/sung collaboration for their turn on Justin Timberlake’s 2002 debut solo single, “Like I Love You”) in its two-decade-long career — could the brother duo of Pusha T and Malice take home their first trophy for best rap album at the 2026 ceremony with Let God Sort Em Out?

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Clipse joins Kendrick Lamar (GNX) and Tyler, the Creator (Chromakopia) as the closest things to a lock for a best rap album nomination at next year’s Grammys. While Let God Sort Em Out soundtracked a triumphant comeback for Clipse, GNX cemented Lamar’s post-“Not Like Us” victory lap with additional Billboard Hot 100 No. 1s (“Squabble Up” and the SZA-assisted “Luther”) and the highest-grossing co-headlining tour of all time. As for Tyler, Chromakopia became his third consecutive Billboard 200 No. 1 album, earning him his first two Hot 100 top 10 hits (“Noid” and “Sticky,” both at No. 10) and marking the beginning of his biggest year yet. It’s also worth noting that Lamar has won this category three times, and Tyler has triumphed twice.

Outside of those three near-sure bets, who else is in contention? GloRilla could become the eighth woman to earn a nomination for best rap album thanks to her debut studio album, Glorious. After earning her first Grammy nod in 2023 (best rap performance for “F.N.F.”), Glo earned two more in 2025 with “Yeah Glo!” (best rap performance and song). Armed with a pair of Mainstream R&B/Hip-Hop Airplay No. 1s (“TGIF” and the Sexyy Red-featuring “Whatchu Kno Bout Me”) and a successful headlining tour, Glorilla could very well reap her first Grammy nod for best rap album.

Playboi Carti (Music), Gunna (The Last Wun) and BigXThaPlug (Take Care) are three other rappers who scored sizable radio and streaming hits during the eligibility period. Carti’s idiosyncratic style helped birth a generation of rage rap artists, and his latest studio album, which spent three weeks atop the Billboard 200, could finally convince Grammy voters to give him his due. Notably, Carti will also be on the ballot with “Timeless,” his smash collaboration with The Weeknd, who’s making his Grammy comeback after a five-year boycott.

Meanwhile, Gunna is a four-time nominee who has yet to win, and his infectious Burna Boy collaboration, “WGFT,” is taking off just in time for first-round voting. For what it’s worth, Gunna reaped zero bids in 2024 for A Gift & a Curse, widely considered one of his best LPs, and “Fukumean,” his highest-peaking solo song on the Hot 100 (No. 4). Finally, BigXThaPlug appears across the rap, country and general field ballots this cycle, and his “The Largest” is a song to keep an eye out for in best rap performance. The Dallas MC could leverage his nostalgic sound, current commercial momentum, and cross-genre relationships to a nomination for best rap album.

There are also several contending LPs that thrilled hip-hop circles without launching hit singles. Alfredo 2 (Freddie Gibbs & The Alchemist) and Life Is Beautiful (Larry June, 2 Chainz & The Alchemist) both have solid shots at a nomination. The sequel to the former earned a best rap album nod in 2021, and the latter remains one of the most lauded rap releases of the year. Chance the Rapper won this category in 2017 with Coloring Book, and he hasn’t earned a single Grammy nomination for his own work since then. (He scored nods in 2020 and 2022 for collaborations with Justin Bieber and Cordae, respectively.) Back on the ballot with Star Line, his first studio album since 2019’s The Big Day and a “return to form” according to the streets, Chance could make a proper Grammy comeback this year. There’s also JID‘s God Does Like Ugly, a respectable project that could help the Atlanta MC earn his first Grammy nods for his own releases. Additionally, LL Cool J, a two-time nominee in this category and five-time Grammy telecast host, could snag the fourth or fifth spot with The Force.

Speaking of LL, this wouldn’t be a discussion about the best rap album category without mentioning some more of the veterans. Some of the vets who could pull off a surprise nomination (especially in light of the entries no longer being listed in alphabetical order on the ballot) include Wu-Tang & Mathematics (Black Samson, the Bastard Swordsman), Chuck D (Radio Armageddon), Ghostface Killah (Supreme Clinetele 2), Slick Rick (Victory), Public Enemy (Black Sky Over the Projects: Apartment 2025), Raekwon (The Emperor’s New Clothes) and Ye (Donda 2).

Additional contenders from the contemporary side include Lil Baby (WHAM), Lil Tecca (Dopamine), Key Glock (Glockaveli), Billy Woods (Golliwog), Travis Scott (Jackboys 2), Metro Boomin (A Futuristic Summa), Future (Mixtape Pluto) and Offset (Kiari).

Our Fearless Forecast

Which rap albums will make the final five? Our predictions are: GNX (Kendrick Lamar), Let God Sort Em Out (Clipse), Chromakopia (Tyler, the Creator), Glorious (GloRilla) and The Force (LL Cool J).


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You already know Queen Bey, now here comes King Lou. Louis Tomlinson just dropped the music video for his new song “Lemonade” — not to be confused with Beyoncé’s iconic album of the same name — and it’s truly wacky.

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The visual posted Monday (Oct. 13) opens with Tomlinson leaning against a car as a pesky photographer buzzes around him. He then falls asleep and wakes up inside a fever dream, surrounded by a group of people in full-body yellow suits. The group watches as a sock puppet opens up a lemonade stand for business and frolics around a lemon farm before Tomlinson dives into a swimming pool.

“She’s so bitter, she’s so sweet/ Lemonade, lemonade,” he sings. “A little taste is all I need/ Lemonade, lemonade.”

“Lemonade” serves as the lead single from Tomlinson’s upcoming album, How Did I Get Here? The project — which drops Jan. 23, 2026 — will mark his third solo LP, and he has plans to embark on a North American tour in support of the album. He also will reunite with former One Direction bandmate Zayn Malik for an upcoming roadtrip docuseries on Netflix.

But while there’s much to be excited about on the horizon, How Did I Get Here? will also be the first album Tomlinson has dropped since the death of Liam Payne. In a recent Rolling Stone UK cover story, Tomlinson opened up about how the loss of his former bandmate has been “impossibly difficult.”

“There’s still a level in my head [where it feels] unjust and frustrating that he’s not with us anymore,” he told the publication. “Naively, I thought that because at this point, I’m relatively well versed in grief for my age, that it might soften the blow. [That was] super-naive. It’s very different. I’ve never lost a friend before.”

Watch Tomlinson’s “Lemonade” music video above.

Rod Wave has fired back at a lawsuit over his unfinished Last Lap tour, saying in counterclaims that promoter Grizzly Touring is trying to trap him into working with the company again after massive scheduling and production issues forced him to cancel shows.

The countersuit is Rod’s first response since being sued last month by Grizzly, a joint venture between AG Entertainment, Mammoth Touring and CTS Eventim. Grizzly’s lawsuit claims the singer and rapper is obligated to return $27 million in advances from the Last Lap tour and that he’s under contract to work with the promoter for future tours.

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Rod contends in counterclaims filed Sunday (Oct. 12) that Grizzly’s production failures and routing issues made it “logistically impossible” for him to complete the tour. The singer wants a judge to tear up his contract with Grizzly so he can self-promote a new headlining tour called The Redemption Experience.

“Grizzly is not entitled to this improperly requested specific performance or equivalent injunctive relief, which effectively amounts to an indentured servitude,” writes Rod’s lawyer James Sammataro. “Defendants have lost confidence in Grizzly as their tour promoter and no longer wish to perform services for Grizzly or receive Grizzly’s services.”

The dispute centers on Rod’s tour supporting his Last Lap album, which debuted at No. 2 on the Billboard 200 in October 2024. The arena trek was originally scheduled to run from October to December 2024, but numerous shows were postponed through February 2025. In January, however, Rod announced on social media that he was canceling the remaining dates.

Grizzly claims Rod’s cancellation violated their touring contract and that the singer is now improperly holding onto $27 million worth of advances. But Rod says he’s entitled to keep this money under their deal — and he argues that Grizzly actually breached the contract by failing to properly load his touring equipment in and out of arenas and “making unilateral, onerous and inexplicable routing and booking decisions.”

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“Rod Wave frequently learned only at the last minute that a show had been rescheduled, often only after seeing tickets for these rescheduled shows available online,” reads the countersuit. “Only 12 of the 35 scheduled [shows] occurred at the date and venue originally announced.”

Rod alleges that because of these massive production and scheduling problems, he “was left with no option but to cancel the remaining tour dates.” He wants Grizzly to pay him financial damages for breach of contract, as well as for the reputational harm that arose from his “understandably outraged” fanbase.

The countersuit also claims that Rod’s contract with the promoter is voided by these breaches. The singer wants a judge’s blessing to embark on his new Redemption Experience tour, which is set to begin in December at Los Angeles’ Crypto.com Arena, without any involvement from Grizzly.

“Grizzly’s lawsuit represents an improper effort to force Rod Wave to specifically perform a personal services contract for Grizzly against his will,” writes Rod’s legal team.

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In addition to these core claims, Rod’s countersuit also makes the eyebrow-raising allegation that Grizzly member company AG Entertainment bribed the singer’s former agent, Beau Williams.

Rod says AG gave Williams at least $1.8 million in “under-the-table” payments so that the agent would underhandedly “sneak” a five-tour exclusively clause into the Last Lap tour contract. This plan was unsuccessful, says the countersuit, as Rod identified and rejected this exclusivity language.  

In a statement released on Monday (Oct. 13), Rod’s reps say Grizzly’s “baseless” lawsuit is an “unfortunate extension of its prior failed attempts to trap Rod Wave into an exclusive arrangement.”

“Grizzly Touring has no one to blame but itself,” say the singer’s representatives. “Had it not grossly mismanaged the Last Lap tour, by among other things, repeatedly changing the tour schedule and canceling concerts at the last minute, the tour would have been completed as intended.”

Grizzly’s lawyers did not immediately return a request for comment on Monday, nor did Williams.

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We’ve all heard the old adage: “It all begins with the song.” At SONA (Songwriters of North America), that isn’t just a saying; it’s a mission statement. The organization, now 10 years old, exists to protect and advance songwriters’ rights. At the fifth annual SONA Awards, presented on Sunday (Oct. 12) at the Skirball Cultural Center in Los Angeles, organizers and award recipients named names, both of those who they believe are helping the cause — and hurting it.

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In his fiery acceptance speech, honoree Larry Mestel, Primary Wave founder/CEO, took Spotify to task. “There is no Spotify without songwriters. … Shame on Spotify for trying to screw songwriters; for paying them less than they’re worth.”

People and organizations who got positive shout-outs over the course of the evening included Chappell Roan (also an honoree), who used her Grammy best new artist acceptance speech in February to advocate for a living wage and health insurance for new artists; Amazon Music, which is providing free One Medical subscriptions and cash grants to cover medical costs for SONA members (“It’s not health insurance yet, but it’s a huge step forward” said Michelle Lewis, SONA & SONA Foundation CEO/founder); and Tyler Johnson and Kid Harpoon, who produced Miley Cyrus’ Grammy-winning, Billboard Hot 100-topping “Flowers” without insisting that they be added as songwriters.

Four sitting members of Congress helped present awards: Rep. Jasmine Crockett (D-Texas), Angie Craig (D-Minn.), Eric Swalwell (D-Calif.) and Maxwell Frost (D-Fla.)

The other honorees were Dina LaPolt, founder/CEO of Primary Wave Music; Girls Make Beats, which is seeking to empower the next generation of female music producers, DJs and audio engineers (the award was accepted by founder Tiffany Miranda on behalf of the team); and Grammy-winning producer/songwriters Jimmy Jam and Terry Lewis.

In her opening remarks, SONA’s Lewis called this “the most songwriterly night of the year” — an apt description. The event hit all the right notes — fiery passion, witty remarks, strong performances — though it could have been tightened and better-paced. Desmond Child led a show-capping singalong of Bon Jovi’s classic “Livin’ on a Prayer” (which he co-wrote with Jon Bon Jovi and Richie Sambora) when just about everyone was set to leave after a long night. He deserved an audience that was fully attentive and appreciative.

Songwriters Bonnie McKee and Shane Stevens co-hosted the event and performed Roan’s “Pink Pony Club.” Songwriter Brett James was also remembered one month after he died in a plane crash at age 57.

Here are the seven best moments from the fifth annual SONA Warrior Awards

Linda Perry Performs a Pop Classic

In tribute to honoree Dina LaPolt, Linda Perry performed 4 Non Blondes’ 1993 classic “What’s Up?”, which showed the staying power of a great song. Perry made clear that she wouldn’t do this for just anyone. “I would rather stay home with my dogs. Only for you would I do this,” she said to LaPolt.

Also to honor LaPolt, Morgan Wade performed her 2021 country hit “Wilder Days,” which she co-wrote with Sadler Vaden.

An Awards Mix-Up That Somehow Made Perfect Sense

When the awards were presented to Jam & Lewis, songwriting partners for 50 years, there was a slight mix-up. “Appropriately, I have Terry’s award and he has mine,” Jam said.

Shawn Stockman of Boyz II Men sang several of the pair’s hits, including the Force MDs‘ “Tender Love,” New Edition’s “Can You Stand the Rain” and Boyz II Men’s own “On Bended Knee,” which Jam said was added to the group’s album II when Jam decided “you need a begging song.”

Jam also recalled the moment he first became intrigued by the idea of songwriting, in 1967, when Motown released The Supremes Sing Holland-Dozier-Holland, an album of all-HDH songs, including “You Keep Me Hangin’ On” and “Love Is Here and Now You’re Gone.” The album reached No. 6 on the Billboard 200 and turned a young boy into a future Rock & Roll Hall of Famer.

Paul Anka Sings a Classic and Gets Off a Zinger

In tribute to honoree Mestel, Paul Anka sang special lyrics to “My Way,” the French song for which he wrote English lyrics in 1968 and which became one of Frank Sinatra’s signature hits.

A fit and youthful-appearing Anka was brash and funny at the event. “You’re looking at a guy who’s 84, who has been around for six decades. I take care of myself, as you can see. I’ve been on Jenny Craig more than Mr. Craig.”

Justin Tranter Presents to Chappell Roan

Justin Tranter (a 2023 Warrior Award recipient) was characteristically funny in presenting to Chappell Roan: “I am honored to present my friend, co-writer and fellow homosexual with this award,” they said. Tranter co-wrote Roan’s 2024 smash “Good Luck, Babe!” with Roan and Dan Nigro.

Roan, accepting by video, said, “Songwriters are the backbone of the music world. Change comes from demanding it.”

Janelle Monáe Makes It Personal

In presenting to honoree Girls Make Beats, which helps girls and young women, especially from underrepresented communities, make music, Janelle Monáe told a story of a tearful student who felt she was being left behind — who was then assured by Girls Make Beats founder Tiffany Miranda that this was a safe space. “That student is me,” Monáe, now a 10-time Grammy nominee, said.

Don’t Give It Away

Ross Golan, a 2024 Warrior Award honoree and a SONA board member, told the assembled songwriters that they should be wary of song splits. He reminded them that only the composer and lyricist are songwriters. Producers or musicians on the session have no right to take a share of the publishing.

“We are our own worst enemies,” he said. “A copyright is for music and lyrics. If you didn’t write the song, you’re not a writer. Never agree to splits without talking to your co-writers. Protect your copyrights at all costs.”

47 Is the New 27

When she accepted her award, Dina LaPolt noted that she didn’t achieve real recognition until she was 47, when she made a power list for the first time. Later in the program, Toby Lightman was named the winner of the 2025 Emerging Songwriter award. She noted that she, too, is 47 and receiving her first award. (The other nominees for the emerging songwriter award were Ali Stone, Alna, bülow and Sophie Hintze.)

LaPolt, author of the 2025 book Street Smart: Succeeding in a Man’s World, noted that women are thriving at the bottom and middle levels of the music business, “but at the top, we’re almost entirely absent. This is not a diversity issue. It’s an equity issue,” she said.

SONA Warrior Awards

SONA Warrior Awards

SONA

Drake went all out for his son’s birthday party, with Adonis turning eight years old on Saturday (Oct. 11).

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The 6 God threw a Western-themed bash for Adonis at an arcade over the weekend, as Drizzy reunited with Adonis’ mother, Sophie Brussaux.

“8 Years,” Drake captioned the collage of Polaroid photos from the party. Everyone pulled up to the party in cowboy attire, with Drake rocking denim jeans and a top covered by a black puffer vest.

Drizzy’s parents were both in the building while OVO Sound artists Naomi Sharon and Smiley pulled up for the day of fun celebrating Adonis.

Other photos include a cow-printed cake, Adonis enjoying all of the games at his disposal and a “wanted” poster featuring the birthday boy. Drake’s been known to rent out Dave & Buster’s in the past, so the arcade bash for Adonis checks out.

“The picture of him hugging you is the sweetest,” one fan wrote.

Drake also posted a photo to his Instagram Story of Adonis repping for the 6 while throwing up the hand gesture we’ve seen his father pose with countless times.

Back in 2023, Adonis celebrated his 6th birthday by making his rap debut with the “My Man Freestyle” and an accompanying cute music video.

After wrapping up his European tour, Drake is set to turn 39 later this month and fans are wondering if the 6 God has any special birthday plans when it comes to his rumored Iceman album. Perhaps episode four of the Iceman stream will be surrounding the 6 God’s birthday.


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Carlos Santana is publicly addressing false claims circulating online that suggest he criticized Bad Bunny’s selection as the 2026 Super Bowl halftime headliner. Viral online posts claimed Santana opposed the Puerto Rican superstar’s performance, with some asserting that he petitioned to replace him. Santana firmly denied the rumors and voiced his support for Bad Bunny.

“I congratulate and celebrate Bad Bunny‘s success and his position right now with the world and with the Super Bowl,” said Santana in a statement shared with Billboard. “I feel total oneness with what he’s doing because we are here to utilize art to complement and bring the world closer to harmony and oneness.”

The rumors falsely claimed that the legendary guitarist criticized Bad Bunny for wearing a dress during past performances — an accusation Santana called baseless. His manager, Michael Vrionis, attributed the misinformation to AI-generated trolling. “AI has accelerated the spread of misinformation, making it harder for the truth to break through the noise,” said Vrionis in a statement. “Don’t rely on random or unverified posts — even well-meaning outlets can get misled.”

The Mexican superstar continued, saying that the world was going through “a time of fear, division, separation, superiority and inferiority,” which he says only fuels misinformation online. “Fear is the flavor right now. Fear is what motivates ignorant people to put words in my mouth — saying that I didn’t want Bad Bunny to be represented at the Super Bowl,” he said. “I never said that, nor would I ever. Just to be clear, my heart is in total harmony with Bad Bunny, and I celebrate his success, his triumph and his phenomenal achievement. Anything other than that is coming from people’s ignorance.”

Bad Bunny was announced as the halftime show headliner on September 28. The decision sparked backlash from conservative figures, including President Donald Trump, over cultural and language-related grievances. Additionally, Homeland Security Secretary Kristi Noem recently confirmed an ICE presence at the event, adding to the controversy.

Despite the criticism, Bad Bunny has remained unshaken, hilariously firing back at the criticism during his SNL monologue by encouraging fans to embrace his Spanish-language music. “If you didn’t understand what I just said, you have four months to learn,” he declared on the show after speaking about the importance of representing his culture in Spanish.

Read Santana’s full statement below:

I congratulate and celebrate Bad Bunny’s success and his position right now with the world and with the Super Bowl. I feel total oneness with what he’s doing because we are here to utilize art to complement and bring the world closer to harmony and oneness.

However, we’re living in a time of fear, division, separation, superiority and inferiority. Fear is the flavor right now. Fear is what motivates ignorant people to put words in my mouth – saying that I didn’t want Bad Bunny to be represented at the Super Bowl. I never said that, nor would I ever.

Just to be clear, my heart is in total harmony with Bad Bunny, and I celebrate his success, his triumph and his phenomenal achievement. Anything other than that is coming from people’s ignorance.

We’re living in a time when hostile forces love to create conflict, separation and division, because the hostile forces don’t like unity, harmony, oneness and joy. They want people to be miserable and to spend too much time in their minds. I spend a lot of time in my heart, and in my heart I celebrate Bad Bunny. I can’t stop playing his song “Monaco” — there’s something really magical about it.

Angels gravitate to light. Anybody who believes I could say the fabricated comments about Bad Bunny are not in harmony with themselves. The people who make up such things – I invite them to do something more creative with their energy. If you’re going to create a dialogue, create a dialogue for America of unity, harmony and oneness. Lord knows we need it right now.

In conclusion, let me say this: Santana is all about bringing unity, harmony, oneness, hope, courage, enthusiasm, light, spirit and soul. Peace in your heart, peace in your mind, peace in your family. We are one — peace on Earth!


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Sports fans can catch live games on TBS — but unless you have cable, your viewing options are limited.

Major League Baseball’s National League Championship Series (NLCS) features the Los Angeles Dodgers taking on the Milwaukee Brewers in a best-of-7 series starting on Monday, Oct. 13 with Game 1.

The Brewers have home field advantage, so the series begins at American Family Field in Milwaukee, Wisconsin, with first pitch at 8:08 p.m. ET/5:08 p.m. PT. The NLCS broadcasts live on TBS. Check out a complete NLCS schedule here.

Cord-cutters don’t need to spend hundreds of dollars on a cable package in order to get access to basketball games and other TBS programming — there are affordable streaming options such as live TV streamers that’ll give you instant access and for a fraction of the price.

With current free trials and promos going on, you’ll get access to hundreds of other live TV channels that’ll expand your program options, so you can watch sports, reality TV and the latest dramas live and in real time.

How to Watch TBS Online

You can get access to TBS through live TV streamers, such as DirecTV — which is currently offering a free trial. Below are all the ways to watch TBS online.

DirecTV

A subscription to DirecTV — which comes with TBS for MLB NLCS baseball — gets you access to live TV, local and cable channels, starting at $49.99 for the first month of service ($84.99 per month afterwards). The service even offers a five-day free trial to watch for free, if you sign up now.

You can watch local networks such as NBC, CBS and PBS, while you can also watch many cable networks, including FS1, Lifetime, FX, AMC, A&E, Bravo, BET, MTV, Paramount Network, Cartoon Network, VH1, Fuse, CNN, Food Network, CNBC and many others.

Sling TV

Sling TV offers three packages to choose from, such as Orange, Blue and Orange + Blue, with every option including TBS. The Orange Package is the most affordable and comes with nearly 35 channels and can be streamed on just one device at a time. Included in the Blue Package is nearly 50 channels. Can’t choose? You can combine both packages and get all channels and the ability to stream on up to three devices at once.

Please note: Pricing and channel availability varies from market-to-market.

Hulu + Live TV

For the most content offerings, you can sign up for Hulu + Live TV and get access to the Hulu library in addition to more then 95 live TV channels (including TBS). The streaming platform starts at $64.99 per month for the first three months of service ($82.99 per month afterwards).

And, for even more programming, Hulu + Live TV now comes bundled with Disney+ and ESPN Unlimited, which will give you everything within the Hulu library in addition to exclusive content on ESPN for even more sports coverage.

HBO Max

HBO Max starts at $9.99 per month. It’s streamable on smart TVs, smartphones, tablets and on web browsers. However, you’ll need a subscription to Prime Video (or an Amazon Prime membership) to add HBO Max to your account (no free trial available).

Not a member? Sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Prime Video, Prime Gaming and Amazon Photos; fast free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events — such as Prime Day and Black Friday — and much more. Learn more about Amazon Prime here.

HBO Max even gets you live sports access to the NHL, AEW and more. It features hit movies and TV shows, including The Penguin, Superman, Beetlejuice Beetlejuice, Peacemaker, Sinners, Dune: Part Two and more.

The streaming service is also the home to exclusive Music Box documentaries, such as Yacht Rock: A DOCKumentary, Woodstock ’99: Peace, Love and Rage, Juice WLRD: Into The Abyss, DMX: Don’t Try to Understand and others.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Chappell Roan put on a stunning performance at her final U.S. “Visions of Damsels & Other Dangerous Things” tour stop at Brookside at the Rose Bowl in Pasadena, Calif., on Saturday night (Oct. 11) — and below you can check out a few choice images from the action-packed show.

Taking the roughly 40,000-strong crowd on a sonic journey through all of her hits — from Midwest Princess crowd-pleasers like “Red Wine Supernova” and “Pink Pony Club” to standalone singles like “Good Luck, Babe!” and “The Subway” — Roan was in peak form, delivering standout vocals and a fierce rock star energy (perhaps most notably on her fabulous cover of Heart‘s “Barracuda”). In the process, she made it clear why she’s become one of the biggest, brightest stars in the pop firmament.

Visually, the show featured eye-catching underwater castle-themed stage design with costumes and props to match. Roan entered the stage dressed like the queen of some deep-sea kingdom, wearing a bedazzled greenish-gold gown with a porous, seaweed-like skirt, jagged headdress and knee-high boots, not to mention a sparkly trident (think of a gaudier Mera from Aquaman). Most of these elements, save the boots and a two-piece bikini, were shed over the course of the evening — all the better to give Roan the freedom of movement she needed to kick, strut and hair-twirl her way through the 90-minute set.

Scroll through all the Christopher Polk-shot photos from the concert below, and check out our recap of all of the best moments from Saturday night’s show here.