Esaú Ortiz’s Discontrol has topped Billboard’s latest new Latin music poll, published on Friday, Oct. 10.

In support of the weekly New Music Latin roundup and playlist, curated by Billboard Latin and Billboard Español editors, music fans voted for the Mexican artist’s new album as their favorite music release of the week. Ortiz came in first place with 60% of the votes for Discontrol. In second place, with nearly 40 percent of the vote, was La Nueva Ola de la Cumbia’s “Lucha Libre.”

Released via Esaú Ortiz Azuara and distributed by Sony Music Latin, the 14-track LP cements Ortiz as a rising force in música mexicana, opening with the title track that is a bona fide party anthem, fusing disco-tinged beats with regional Mexican instrumentation — showcasing the singer-songwriter’s versatility from the get-go. “Discontrol” sets the tone for Ortiz’s experimental essence in the album, dabbling in hip-hop, pop, cumbia and electronica.

The album also includes his global viral hit “Triple Lavada,” which landed in Billboard‘s Best Songs of 2025 (So Far). The song’s remix, featuring Mexican heavy hitters Luis R Conriquez, Oscar Maydon, Alemán and Victor Mendivil, closes Discontrol.

In April, Ortiz signed with Sony Music Latin and said in a statement, “I have the best team to take my music to the next level and to the ears of everyone.” He added, ” I believe we will do great things together, which makes me very happy.”

The poll also included new releases by Nathy Peluso, who teamed up with Rawayana for “Malportada,” Santa Fe Klan’s “Wuare” and Shakira’s “Zoo” for Zootopia 2.

Editor’s Note: The weekly New Music Latin poll results are posted if the poll generates more than 1,000 votes.

An angry Taylor Swift fan has filed a class action lawsuit against StubHub over allegations that the company refuses to honor its “FanProtect Guarantee,” leaving her with clearly “inferior” seats after she dropped $14,000 on Eras Tour tickets.

Despite StubHub’s promise, Alexis Christensen says that her pricy tickets to Swift’s December show in Vancouver were suddenly voided on the day of the concert – and that the platform offered her only a “sharply angled side view of the stage” as a replacement.

Those new tickets were worth only $3,600, Christensen says, and StubHub “pocketed the difference.”

“With less than forty minutes until the once-in-a-lifetime concert began, and with no alternative option or recourse provided by the defendant, Ms. Christensen was forced to use the inferior tickets that StubHub provided,” her attorneys write in the lawsuit, which was obtained by Billboard. “StubHub exploits the consumer’s lack of alternatives and coerces them into using tickets that are significantly less valuable than those they purchased.”

Christensen’s case is the latest legal battle driven by the infamously pricey market for Swift’s tour, which wrapped in December with a record-shattering haul of more than $2 billion in face-value ticket sales over a two-year run. Numerous fans filed class actions against Ticketmaster, and the Federal Trade Commission is suing an Eras re-seller who jacked up prices. Prosecutors in New York even filed criminal cases against a “cybercrime crew” that stole Eras tickets and resold them at a huge profit.

StubHub’s FanProtect Guarantee promises buyers that tickets they buy on the platform are valid; if not, the company promises to “find you comparable or better tickets to the event” or offer a refund or credit. But the fine print is more nuanced: the meaning of “comparable or better” is decided at StubHub’s “sole discretion,” based on “cost, quality, availability and other factors.”

In her complaint, Christensen says her three replacement tickets were hardly “comparable” – and in fact were “significantly worse.” She says her original $14,000 seats were located in BC Place Stadium’s Section 249, directly in front of the stage, while the replacements were located in Section 218, almost parallel with the stage and with a bad view of Swift on the tour’s long catwalk stage.

“In Section 249, the plaintiff would have had a full view of the stage, including the runway reaching from the main stage out onto the concert floor,” her lawyers say, including side-by-side images of the two vantage points. “In Section 218, the plaintiff only had a sharply angled side view of the main stage, and a rear view whenever the runway was in use.”

And Christensen’s lawyers say she’s not the only one to be duped by the FanProtect Guarantee. They say StubHub uses it to convince consumers to use the platform, but “routinely and knowingly provides inferior tickets” or “refuses to offer refunds.” By providing lesser replacements, the lawsuit claims the company is “able to pocket the difference in value and further profit from this fraudulent scheme.”

Filed as a proposed class action, the lawsuit seeks to represent “hundreds of thousands if not millions” people who the attorneys claim have faced similar treatment: “Despite its representations, StubHub regularly declines to honor its FanProtect Guarantee.”

In technical terms, the lawsuit accuses StubHub of violating Washington state’s consumer protection law as well as a variety of other forms of legal wrongdoing, including making intentional misrepresentations to buyers and fraudulently inducing fans to buy tickets.

A spokesperson for StubHub did not immediately return a request for comment on Monday.

Chrissy Teigen is hoping that her honesty about using weight-loss drugs will inspire people to feel more confident in themselves, including the kids she shares with John Legend.

While speaking to People on Saturday (Oct. 11), the model opened up about why she chose to reveal this year that she used Ozempic to help her on her weight-loss journey post-miscarriage. Teigen has previously shared how traumatic it was to experience pregnancy loss in 2020, and this past September, she shared on the Self-Conscious podcast that she’d tried GLP-1 medication after struggling to feel at home in her body after the tragedy.

“Since the beginning of social media, I’ve always wanted people to know that things weren’t as fluffy and beautiful as they may seem,” she told the publication of why she chose to share the information on the podcast. “I knew it would really resonate and make a lot of people feel a lot better about their families, themselves, their own bodies.”

Teigen shares 9-year-old Luna, 7-year-old Miles, 2-year-old Esti and 1-year-old Wren with Legend. Five years ago, she and the EGOT winner had been preparing to welcome a son they’d named Jack into their family, but that October, the couple shared the news that Teigen had suffered a miscarriage.

On Self-Conscious, the cookbook author divulged that she later started taking Ozempic — an insulin-boosting medication that many people have started using for its weight-loss properties — because she’d fallen into a “deep depression of seeing this pregnant belly with no baby in it.”

While speaking to People, Teigen emphasized that she hopes her honesty will make her kids feel safer when it comes to their own health choices in the future. “I would want my daughter — or son, if Miles wants to venture into hair plug territory or something — I would want them to know that it’s not about pretending to be perfect, it’s about being open and honest about what it feels to make you feel better,” she said.

Teigen is just the latest A-lister to be transparent with fans about using Ozempic. Both Lizzo and Fat Joe have been open about their experiences with the drug while on their own health journeys, while Kelly Clarkson has said that she used a similar weight-loss medication while trying to shed some pounds.

But as Teigen pointed out, losing weight will never fix self-confidence issues. “It’s not about striving for perfection, because it doesn’t make anybody else feel emotionally happy at the end of the day,” she added. “It’ll never truly fulfill you. But people are going to make their own decisions about their bodies and what will make them feel healthy and safe and proud of themselves, and everybody has a right to do those things.”