After joining Green Day for their FireAid-opening set at the Kia Forum earlier Thursday night (Jan. 30), Billie Eilish took the stage again at the neighboring Intuit Dome for the benefit concert, this time with her brother Finneas.

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Introduced by Sting, who named himself a “devotee” of the singer’s “exquisite voice,” Eilish and Finneas encouraged fans to sit down if they were tired — which they immediately refused — before delivering a three-song set of stripped-back, acoustic tracks from Hit Me Hard and Soft, including “Wildflower,” “The Greatest” and “Birds of a Feather.”

“Birds of a Feather” reached No. 2 on the Billboard Hot 100 and is nominated for song of the year, record of the year and best pop solo performance at Sunday’s Grammy Awards.

“L.A. is my favorite place in the world and my only home. My brother and I live here and grew up here. It’s my favorite place in the world, and it’s so devastating what’s going on,” Eilish told the crowd of her hometown. “To everyone who’s going through this, I love you and I got you. I will not forget about you and we will keep doing this for you.”

The duo’s fellow performers at Inglewood, California’s Intuit Dome included Earth, Wind & Fire, Gracie Abrams, Jelly Roll, Katy Perry, Lady Gaga, Lil Baby, Olivia Rodrigo, Peso Pluma, Rod Stewart, Stevie Wonder, Sting and Tate McRae. Next door at the Kia Forum, the show kicked off with performances by Stevie Nicks, Anderson. Paak, Alanis Morissette, John Mayer, Dawes, Graham Nash, Green Day, John Fogerty, Joni Mitchell, No Doubt, P!nk, Stephen Stills and The Black Crowes, as well as a surprise reunion of the living members of Nirvana with a revolving door of female vocalists.

Those wanting to donate to Los Angeles wildfire relief funds are encouraged to visit fireaidla.org. For every donation pledge made during the concert, Connie and Steve Ballmer — owner of the NBA’s Los Angeles Clippers and the Intuit Dome — will match it.

The Weeknd doesn’t just perform—he curates experiences.

Hours before the release of Hurry Up Tomorrow, the Canadian artist made a striking appearance on Jimmy Kimmel Live!, delivering a cinematic rendition of “Open Hearts” that blurred the line between live television and a full-scale production.

The performance opened in stark black and white, with Tesfaye cloaked in a shadowy robe, his glowing eyes creating an almost otherworldly presence. The stripped-back visuals felt deliberately unsettling, as if pulled from the surreal worlds of David Lynch, setting the tone for what was to come.

As the song progressed, the atmosphere began to shift. The stage dissolved into an animated, stop-motion dreamscape, with jagged transitions and uncanny imagery. The performance balanced minimalism and surrealism, offering a glimpse into the darker, more introspective aesthetic underpinning Hurry Up Tomorrow.

The surreal aesthetic has only heightened speculation that the upcoming Hurry Up Tomorrow film—arriving in theaters May 16—will explore similarly haunting and imaginative territory.

With Hurry Up Tomorrow now out via XO/Republic Records, the performance stands as a gateway into The Weeknd’s latest (and potentially final) chapter under his longtime moniker.

The album, which serves as the closing installment in his trilogy following After Hours (2020) and Dawn FM (2022), carries a deeply introspective tone. While it boasts high-profile collaborations like Playboi Carti (“Timeless”) (which debuted at No. 3 on the Billboard Hot 100) and Anitta (“São Paulo”), the most talked-about moment is Lana Del Rey’s uncredited feature on “The Abyss.”

Meanwhile, “Dancing in the Flames,” which was previously teased, was left off the final tracklist entirely, leaving fans speculating about its fate.

Originally scheduled for release on Jan. 24, the album was delayed as The Weeknd pledged $1 million to LA wildfire relief efforts, canceling a planned Rose Bowl album release concert in the process. Proceeds from the track “Take Me Back to LA” will also be donated to the LA Regional Food Bank, providing further aid to those affected.

As The Weeknd pivots toward his feature film debut in Hurry Up Tomorrow, directed by Trey Edward Shults and starring Jenna Ortega and Barry Keoghan, performances like his Jimmy Kimmel Live! appearance suggest that his storytelling is only becoming more ambitious.

Whether or not this truly marks the end of The Weeknd, his ability to merge music and visual spectacle continues to evolve, making Hurry Up Tomorrow a fitting conclusion to this phase of his career.

In tandem with his live performance, The Weeknd has launched a series of events to further immerse fans in the world of Hurry Up Tomorrow.

In partnership with Spotify, the Hurry Up Tomorrow Pop-Up Experience will take place in New York City from Friday, Jan. 31, through Sunday, Feb. 2. This interactive art installation will transport fans into Tesfaye’s creative world, offering a glimpse into the final act of his acclaimed trilogy.

Meanwhile, specialty retailer Hot Topic is showcasing an expansive Hurry Up Tomorrow merchandise collection, including tees, hoodies, posters, and the highly anticipated The Weeknd x Frank Miller Hurry Up Tomorrow apparel capsule – available only in Las Vegas at the “takeover”.

From Jan. 31 to Feb. 2, the Downtown Summerlin Hot Topic store in Las Vegas will host a Hurry Up Tomorrow “takeover,” transforming the space into an exclusive retail experience.

Watch his performance on Jimmy Kimmel below.

When Olivia Rodrigo hit the stage at Intuit Dome on Thursday (Jan. 30) night, the FireAid LA Benefit Concert had already been going for four-and-a-half hours between two venues. But based on the crowd’s ecstatic response to the Grammy winner and Billboard Hot 100 topper, you wouldn’t have known it. From the opening lines of her breakout smash “Drivers License,” Rodrigo had the audience eating out of the palm of her hand. It’s a devastating breakup tune, but Rodrigo seemed to be enjoying herself, waving and pointing at fans throughout the verses and rocking out on the chorus.

“It has been so heartbreaking to witness the devastation in this incredible city,” Rodrigo told the crowd after her first song. “I love L.A. so much. I’ve lived here my whole life. I find this place so beautiful and so inspiring.”

Talking about her love for Los Angeles, Rodrigo cited the city as one of her lyrical and musical muses before treating fans to “Déjà Vu,” another hit that she says was inspired by her life in the City of Angels.

Split between the Kia Forum and the Intuit Dome, FireAid also featured appearances and performances from Lady Gaga, Stevie Nicks, Lil Baby, Jelly Roll, Olivia Rodrigo, Katy Perry, Stevie Wonder, Alanis Morissette, Joni Mitchell and many others. All proceeds from the event will go toward rebuilding efforts in Los Angeles and offer aid to displaced families.

Red Hot Chili Peppers were the last to take the stage at the Kia Forum at the FireAid benefit show for Los Angeles wildfire relief on Thursday night (Jan. 30), and the L.A. natives made sure to end the show on a high note.

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Introduced by Stevie Nicks, RHCP fittingly opened their hit-filled set with 2006’s “Dani California,” before delving into another Golden State-themed track, 1999’s “Californication,” complete with a bass line from a near-naked Flea.

The Chili Peppers wrapped their four-song set with 1992’s “Under the Bridge” as well as a more recent song, 2022’s “Black Summer” off 12th studio album Unlimited Love. “Black Summer” marked the band’s 14th No. 1 track on Billboard‘s Alternative Airplay chart. They’ve since notched a 15th chart-topper with “Tippa My Tongue.”

The rest of the Kia Forum performers included Nicks, Anderson. Paak, Alanis Morissette, Dave Matthews and John Mayer, Dawes, Graham Nash, Green Day (with an Eilish duet), John Fogerty, Joni Mitchell, No Doubt, P!nk, Stephen Stills and The Black Crowes. Just across the street at the Intuit Dome, the FireAid show featured performances by Billie Eilish, Earth, Wind & Fire, Gracie Abrams, Jelly Roll, Katy Perry, Lady Gaga, Lil Baby, Olivia Rodrigo, Peso Pluma, Rod Stewart, Stevie Wonder, Sting and Tate McRae.

The show continued on at the Intuit Dome in Inglewood, Calif., which featured performances from Rod Stewart, Gracie Abrams, Jelly Roll, Katy Perry, Olivia Rodrigo, Billie Eilish, Lady Gaga and more.

Those wanting to donate to Los Angeles wildfire relief funds are encouraged to visit fireaidla.org. For every donation pledge made during the concert, Connie and Steve Ballmer — owner of the NBA’s Los Angeles Clippers and the Intuit Dome — will match it.

In 2014, when Nirvana was being inducted into the Rock & Roll Hall of Fame, surviving members Dave Grohl, Krist Novoselic and Pat Smear reunited onstage to perform a raucous selection of the culture-shifting grunge band’s beloved songs. With Kurt Cobain gone, lead vocals fell to an assortment of guest singers – St. Vincent, Joan Jett, Kim Gordon and Lorde. Dubbed “Hervana,” the musical collective delivered what turned out to be one of the most legendary Rock Hall performances of all time.

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On Thursday (Jan. 30) night, Hervana rode again. During the FireAid LA Benefit Concert – which is raising money to rebuild communities and assist people affected by the devastating Los Angeles wildfires – Nirvana once again reunited with three of the aforementioned four vocalists.

The unannounced performance at the Kia Forum ripped open with St. Vincent snarling through the bratty, punky Nevermind classic “Breed,” absolutely ripping it up on her guitar alongside Smear while Grohl pounded on the drums. After that, Kim Gordon – a friend of the band’s during Cobain’s lifetime – shuffled on stage to growl through an uncompromising “School” from the band’s debut album, Bleach. After the former Sonic Youth member’s appearance, Joan Jett took the stage to thunderous applause, singing Nevermind’s “Territorial Pissings” while a sweaty Grohl banged away in the background. (She missed a couple of lyrics, but who cares? If you’re expecting perfection from a Nirvana cover, you’re missing the point.)

Then came what was perhaps the biggest surprise: Violet Grohl, Dave’s 18-year-old daughter, singing lead vocals on Nirvana’s In Utero highlight “All Apologies.” Her vocals were strong and well-suited for the song, and while the magnitude of the Kia Forum’s crowd wasn’t lost on her, she was remarkably comfortable in front of the massive crowd.

Aside from demonstrating promising musical chops, that performance (not to mention the song title) was noteworthy for another reason. Just last fall, Dave Grohl announced that he had fathered a child outside of his marriage and he would do his best to be a father to that baby while simultaneously working to repair his marriage. “I love my wife and my children, and I am doing everything I can to regain their trust and earn their forgiveness,” he wrote on Instagram in September. This performance with Violet Grohl marks his first high-profile public appearance since then.

Although Katy Perry is best-known for frothy, off-the-walls pop music, the Billboard Hot 100 topper opened her Thursday (Jan. 30) night mini-set during the FireAid LA Benefit Concert with a very different type of energy.

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Backed by a somber choir providing harrowing backup vocals, Perry belted out her resilience anthem “Rise,” a hit song featured in coverage of the 2016 Summer Olympics, while haunting images of the devastation from the recent Los Angeles wildfires played on the screen behind her.

“California, we always rise. And we always roar, don’t we?” Perry asked after the powerful performance. And with that, she kicked the energy into overdrive, singing her Hot 100 No. 1 “Roar,” copping a Rosie the Riveter pose at one point and letting the audience join in on the chorus.

“Can we keep this energy going forever?” she asked. “I’ve been so inspired by how quickly our community organized to help those in need. It reminds me that people have the power.”

Before leaving the stage, Perry sang what was an absolutely essential track for the night. “California, you are such a unique state, and I am so proud. Are you so proud to be a California girl?” she asked before jumping into “California Gurls,” which she performed while waving the California state flag and bounding back and forth on the stage.

Proceeds from the FireAid LA Benefit Concert go toward rebuilding efforts in Los Angeles and aid to displaced families.

Jelly Roll didn’t write “I Am Not Okay” specifically about the Los Angeles fires, but like many of the songs performed during the Thursday (Jan. 30) FireAid benefit concert, it took on added meaning given the emotional upheaval Los Angelenos have gone through the past month as fires have ravaged parts of the county.

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Striding out on the Intuit Dome stage sporting an L.A. Dodgers cap, he declared he was “going to bring some country music” to the evening before launching into the song, whose refrain — “I’m not OK, but it’s all going to be all right” — struck the perfect chord for the evening. The song’s message of resilience and Jelly Roll’s confident, sympathetic delivery felt like a reassuring promise.

After he finished the tune, which Jelly took to No. 1 on Billboard’s Country Airplay chart last year, he introduced himself to the audience calling himself Jason “Jelly Roll” Deford, before adding, “I think it’s important while I’m on this stage to sing a song about one of my favorite cities in America, but I can’t do that without someone from Los Angeles. I would like to bring my big brother Travis Barker out to play tonight.”

With that, the Blink-182 drummer settled in behind the drum kit and the band barreled through a propulsive, driving version of Bob Seger & the Silver Bullet Band’s “Hollywood Nights,” Seger’s 1978 classic about a Midwest guy who gets lost in the excesses of the Los Angeles hills and in the allure of one particular woman, as he who wonders after it all goes south, if it’s too late to go back home.

Jelly Roll was one of more than two dozen performers — including Stevie Nicks, John Mayer, Rod Stewart, P!nk and No Doubt — who took over the Intuit Dome and Kia Forum for the benefit, which is raising money for victims of the fires and for future fire prevention.  

Less than a week after inviting the world for a ride in her “Sports Car,” Canadian pop sensation Tate McRae graced the stage at the Intuit Dome in Los Angeles for Thursday (Jan. 30) night’s FireAid Benefit Concert.

Sporting what appeared to be a sweatshirt quirkily tied around her as a makeshift top, McRae delivered a somber rendition of “You Broke Me First,” her 2020 Billboard Hot 100 hit (No. 17). “I moved to Los Angeles four years ago with a dream to become a musician,” she told the crowd. “It’s been a really devastating start to the year, but I think we can all agree that us coming together has been a magical thing to watch.”

Soon after, McRae launched into a wistful cover of Crowded House‘s classic 1986 song “Don’t Dream It’s Over,” a No. 2 hit on the Billboard Hot 100. Known for her high-octane choreography and flashy stage show, McRae kept things toned down for FireAid, highlighting her vocals and providing an air of serenity for the L.A. crowd. Her stripped-down set provided the perfect introduction for Jelly Roll‘s country medley.

McRae’s songs followed lively sets from No Doubt and P!nk, two of the many artists who joined forces for Thursday night’s benefit show. Split between the Kia Forum and the Intuit Dome, FireAid also featured appearances and performances from Anderson. Paak, Green Day, Lady Gaga, Stevie Nicks, Lil Baby, Jelly Roll, Olivia Rodrigo, Katy Perry, Stevie Wonder, Alanis Morissette, Joni Mitchell and many others. All proceeds from the event will go toward rebuilding efforts in Los Angeles and offer aid to displaced families.

Next month (Feb. 21), McRae will release her third studio album, So Close to What. Two of the album’s songs have arrived as Hot 100-charting pre-singles: “It’s OK, I’m OK” (No. 20) and “2 Hands” (No. 41). Last week (Jan. 24), she debuted the Ryan Tedder and Julia Michaels co-penned “Sports Car.”

It’s been almost a year since No Doubt made their long-awaited reunion at Coachella, and the Southern California natives came back together on Thursday night (Jan. 30) to perform at the FireAid benefit concert at Los Angeles’ Kia Forum.

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The band took the stage about halfway through the night, where they kicked off their performance with a rendition of their enduring 1995 hit “Just a Girl.” Showing off her impressive stage presence, frontwoman Gwen Stefani led the crowd in a boys versus girls chant of the “I’m just a girl” line in the chorus. As expected, the girls won.

The three-song performance featured two more classics from 1995, “Don’t Speak” and “Spiderwebs,” both featured on the band’s third studio album, Tragic Kingdom.

Formed in 1986, No Doubt released six albums — including the nine-week Billboard 200 chart-topper Tragic Kingdom — before disbanding in the mid 2010s. As a group, the band won two Grammys and nominated for nine overall, including a nod for Tragic Kingdom in the best rock album category and a best pop performance by a duo or group with vocal nomination for “Don’t Speak.” Stefani released her debut solo album, Love. Angel. Music. Baby., in 2004.

Throughout the FireAid broadcast, those looking to donate to the victims of the devastating Los Angeles fires were urged to visit fireaidla.org. For every pledge made during the show, Connie and Steve Ballmer — owner of the NBA’s Los Angeles Clippers and the Intuit Dome — will match it. The donations “will be distributed under the advisement of the Annenberg Foundation and will be distributed for short-term relief efforts and long-term initiatives to prevent future fire disasters throughout Southern California,” per the website.

Taking the stage at Los Angeles’ Intuit Dome on Thursday night (Jan. 30), breakout singer-songwriter Gracie Abrams shared a sentiment that permeated the crowd at the FireAid benefit concert with a performance of her hit song “I Love You, I’m Sorry.”

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Wearing a floor-length white lace gown, Abrams appeared alongside The National’s Aaron Dessner, each with a guitar in hand to perform a moving acoustic rendition of the Billboard Hot 100 hit off last year’s The Secret of Us. With the audience eagerly singing along, Abrams briefly teared up as she reached the final chorus. “The way life goes/ Joyriding down our road,” she sang. “Lay on the horn to prove that it haunts me/ I love you, I’m sorry.”

Abrams then took a moment to address the crowd directly, sharing that she could relate to those affected by the Palisades Fire. “I grew up in the Palisades, and my heart is with all of my neighbors. We are so grateful and blown away by all the firefighters who put their lives on the line to protect all of us,” she said. “This [concert] is just such a beautiful reflection of what music does to bring us all together.”

Instead of going for another original track, Abrams instead opted to sing “a love song to Los Angeles,” as she called it — Counting Crows’ 1996 hit “A Long December.” Taking on the classic track, Abrams and Dessner found new meaning for the song’s haunting-but-hopeful lyrics. “It’s been a long December and there’s reason to believe/ Maybe this year will be better than the last,” she belted near the end of her performance.

Along with Abrams, the FireAid benefit concerts featured a packed slate of guest performers — including Billie Eilish, Lady Gaga, Katy Perry, Stevie Nicks, Lil Baby, Olivia Rodrigo, Jelly Roll and plenty of others — coming together to raise funds for those affected by the wildfires that decimated the Los Angeles area earlier this month. Split across two venues (L.A.’s Kia Forum and Intuit Dome), the event pledged all proceeds to aiding displaced families and helping rebuild Los Angeles’ infrastructure.