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No, the title isn’t clickbait: You can now buy verified Labubus at Walmart.

Thanks to Walmart’s partnership with online marketplace StockX, the Labubus they have in stock are certified real, and they’re going fast. The trending plushie can be purchased within blind boxes, leaving your purchase up to chance, or solo on Walmart’s website. Created by Hong Kong-born artist Kasing Lung, these little monsters made their first appearance back in 2015.

The figure’s viral moment didn’t happen until way later in April of 2024 when K-Pop star Lisa from the world-renouned girl group BLACKPINK was seen sporting the fluffy figure attached to her Louis Vuitton bag. Since Lisa’s introduction, we’ve seen stars like Rihanna, Dua Lipa, Kim Kardashian, Rosé, David Beckham, Lizzo, Madonna, BTS, Cher and Lady Gaga toting their Labubus with pride, sometimes multiples at once, affixed to bags, keys and even made into birthday cakes.

Here's How You Can Get A Real Labubu Now at Walmart Thanks to StockX

Pop Mart Labubu The Monsters Big into Energy Series

A single Labubu.


Here's How You Can Get A Real Labubu Now at Walmart Thanks to StockX

Pop Mart Labubu The Monsters Big into Energy Series Phone

A Labubu phone charm blind box set of six.


Usually, you’ll be getting a plushie figure with colorful faux-fur and vinyl appendages. The Labubu is affixed to a keyring, so you’ll be able to accessorize your bags to your heart’s content. We’ve also found alternative Labubu styles, including phone charms and displayable figures sans the fluff. Pricing on these Labubu’s oftentimes depends on the demand and series they fall under. To break it down even further, a “series” is a theme that the blind box is based on. Sweet treats like macarons are one of the themes, reflected in the Labubu’s coloring, while the “Big Into Energy” series is themed based on emotions and feelings like happiness, hope, luck and love, among others.

Here's How You Can Get A Real Labubu Now at Walmart Thanks to StockX

Pop Mart Labubu The Monsters Have a Seat Vinyl Plush

A singular Labubu blind box.


Here's How You Can Get A Real Labubu Now at Walmart Thanks to StockX

Pop Mart The Monsters (Labubu) Wacky Mart Series

$27.99 $33.99 18% off

Buy Now at walmart

A single Labubu blinx box.


If you didn’t know, blind boxes are a global phenomenon that centers around cute figures and collectibles. These figures are packaged in a box, usually with images on it depicting all the figures you’re able to get from a specific series. You won’t know what you’ll get until you pop open the box. Upon purchasing your blind box, you’ll usually also have the opportunity to get a secret figure not found on the side of the box. The chances of pulling a secret are rare but not impossible. In fact, I’ve seen it happen with my own eyes. It’s pretty magical.

The blind box world is borderline addicting, like a more fun and less detrimental version of gambling. It’s all about the heart-pounding thrill of not knowing what you’ll get out of a select few items. Labubus weren’t the first blind box items to go mega viral. You’ve also got Sonny Angel, cherub-like figures invented by Toru Soeya, along with little green figures called Smiski, also created by Soeya. Peach Riot, Calico Critters, CryBaby, Smoko, Hirono and Lulu the Piggy are just a few other hit blind box series you can find on the market right now.

Here's How You Can Get A Real Labubu Now at Walmart Thanks to StockX

Pop Mart The Monsters – Tasty Macarons Series

A set of six Labubu blind boxes.


Pop Mart also launched their The Monsters-Cheers! Series, which is a blind box that features a double-walled glass inside. You have the option to pull six different colorful cups featuring a Labubu motif, along with one secret. The innovation is one we haven’t seen from the blind box world until now.

When Jay-Z calls, you pick up the phone. Cash Cobain revealed on Wednesday (Sept. 10) that he received a call from Hov to straighten out the narrative regarding rumors of a new project from the rap mogul being on the horizon, which Cash pushed during his appearance on Billboard Unfiltered Live Sept. 3.

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“When I was on the phone with Hov he said that he is absolutely not dropping an album,” Cash wrote to X, along with six laughing-crying emojis. “that messed me up tho.”

Jay is very aware of what’s being said about him in the culture, and the “This is Hov” text message meme came to life for the Bronx rapper.

It all came about after Cash joined Billboard Unfiltered Live alongside Zeddy Will, during which he named Jay-Z as the king of New York, but teased that he heard that the Roc Nation boss was gearing up to release a new project.

“I heard Jay-Z about to drop some s—t. That’s what I heard,” he said at the time. “That’s about to shake the world.”

It’s been eight years since Jay’s last solo album, 4:44, dropped. Primarily produced by No I.D., the set debuted atop the Billboard 200 with 262,000 album units earned in the first week.

There has been fan speculation about a new Jay-Z project being made somewhere in the world, as 2026 would be 30 years since his Reasonable Doubt debut, and the 55-year-old popped out at a handful of dates on wife Beyoncé’s Cowboy Carter Tour.

Before Tyler Nance released his debut song “Bad News” last fall and eclipsed it this year with his current Billboard Hot Country Songs debut entry “Keeps Me Sane,” he worked as a welder and grew up tending cattle on his family’s farm near Lamar, Missouri, a map dot town northwest of Springfield.

“I thought that was what I’d be doing for the rest of my life,” he tells Billboard.

But the success of his music has put Nance on a different trajectory. “Keeps Me Sane,” released via Santa Anna Label Group, has earned 17.9 million official U.S. on-demand streams since it released in July, according to Luminate, while the song’s success propelled Nance to his current No. 32 position on the Billboard’s Emerging Artists chart. “Keeps Me Sane” earned six million streams within two weeks of its release, and made it onto Spotify’s Viral 50-Global rankings, while Nance’s monthly Spotify listeners have ballooned to over 2 million.

Nance wrote the song this past summer, working with co-writers Brent McCollough and Donnie Napier. “Keeps Me Sane” blends nature imagery of maple leaves and rushing waters, while capturing a sense of the search for relief against heartbreak and anxiety.

“I was sitting in my living room one night and grabbed my guitar and started mumbling out words and wrote the first verse,” Nance recalls. “I had a [writing session] the next day, took it in and they loved it. It was like the song was meant to be, in a way. It’s really seemed to have helped people who deal with anxiety and stress.”

Nance wrote poetry as a child, but spent most of his time working the family farm, a childhood he says, “taught me a lot about respect and hard work.” Nance learned pipe welding from his uncle, who built fencing for corrals. After high school, Nance moved to Kentucky, living in a camper while working as a welder. During a visit to Missouri, he picked up an acoustic guitar he’d purchased during the COVID-19 pandemic and began learning songs by Zach Bryan and Tyler Childers.

“I learned some basic chords and kept writing to those chord patterns. I didn’t take it too seriously, it was just my outlet,” he explains. “Then I shared some music on social media and it started gaining traction.”

In August 2024, he released his first song “Bad News,” which now has over 4 million streams on Spotify. He followed with two EPs (I’m Not Him and Wasted Chances), including songs such as “Sorrows of a Sorry Soul” and vulnerable “I’m Not Him” and “Whiskey Me or the Pain.” But “Keeps Me Sane” reaches a new level.

“I keep saying, ‘It’s insane,’” he says with a laugh.

The Wasserman-booked Nance has opened shows for Bayker Blankenship and Kidd G, and will open for Justin Moore this month. He’s also working on his upcoming full-length project.

Nance, Billboard’s Country Rookie of the Month for September, discussed his upcoming album, his influences, his signature mustache and more.

You have a full album in the works. How is that shaping up?

Hopefully, I will be putting it out next year. A lot of the songs are kind of about my life and my roots, growing up in the Midwest and that story of where I came from.

Can we expect any collabs?

As of now, no. I have one song on there that has a female [vocal] part and I am looking at getting someone on that. There are a couple of other songs that I have artists in mind that I would love to have on those.

Which artists are on your bucket list to collaborate with?

Tyler Childers and Sam Barber. Tyler, his music has influenced me. Sam is also from Missouri, and he’s a proficient writer and has a great voice.

Who were some of your other influences growing up?

I listened to a lot of bluegrass stuff, a lot of Keith Whitley, Ricky Skaggs, Johnny Cash, Elvis, Everly Brothers, anything before the 2000s is what influenced me.

Who was the first concert you went to?

I saw a Zach Bryan concert in Kansas City, when he first started touring. His music has gotten me through a lot and taught me a lot, too, with guitar.

What is your favorite Zach Bryan song to cover?

“Godspeed.” One of my good friends passed away when she was 17 and they played that song at her funeral. That was one of the first songs I ever learned.

When you do get time to yourself, what do you like to do for fun?

I love to see new things and new places. I’m also a foodie, I guess. I like history. I would love to see Devils Tower in Wyoming, or the Statue of Liberty or Yosemite.

Do you have a favorite Nashville restaurant?

A lot of the burger places, like Jack Brown’s [Beer and Burger Joint] is amazing. I love beef, of course, since I came out the womb.

What podcasts or books are you into?

I like the Joe Rogan, Theo Von and Bad Friends podcasts. I read a lot of history stuff and listen to audiobooks, just nerdy stuff.

You are also known for your handlebar mustache. What made you want to grow it out?

I was a senior in high school when I started growing the mustache. I watched the [1993] movie Tombstone with Val Kilmer and Sam Elliott. I loved [Kilmer’s character] Doc Holliday. That wasn’t the only reason [for growing his mustache], but it’s my way to stick out so people would know who I was when I was out on the road.

What’s your favorite mustache product to use?

I use mustache wax called Fisticuffs. If I’m in a bind, I’ll use an Elmer’s Gluestick. You have to have one or the other, or it makes eating lunch or dinner not fun… a mouthful of mustache.

For the past five years, Roc Nation has been fighting to make New York City’s first casino a reality, and this month they’ll learn whether their historical new venture will actually happen. JAY-Z and Roc’s longtime CEO Desiree Perez have been pushing relentlessly to obtain one of three new gaming licenses being given out by the city. The license would allow them to convert Times Square’s 1515 Broadway into a expansive casino and entertainment destination.

As part of the bid, Roc Nation — who is partnering with Caesars Palace and SL Green — has also committed $250 million in community support over the next 10 years. The money will go towards community programs aimed at supporting Broadway, public health, safety and security in Times Square and the surrounding neighborhoods and more. Roc additionally pledged to donate 0.5% percent of the casino’s revenue to the West Side Community Fund, and announced earlier this week that in tandem with Ryan Williams and Cadre will allow local New Yorkers to invest in the casino for a minimum of $500.

With all of this in play, Perez has spent the last five years talking to the Manhattan community about all of these initiatives, some of whom have expressed worry about the congestion and tourism a JAY-Z-helmed casino could bring to an already overstuffed area of the city. Roc Nation will finally learn their fate later this month, with the last public hearing on the project set for Thursday morning (Sept. 11). When asked how Roc Nation is feeling at this precarious moment, Perez tells Billboard over the phone that they’re cautiously optimistic but that, “You just never know.”

“It’s more of trying to make sure that we’re covering all bases and that the right information is out there,” Perez says. Billboard briefly chats with the Roc Nation CEO about the plans for the casino, how they’re handling the pushback and how this will impact the future of New York City.

A pretty consequential decision will made this month in regards to the Times Square casino. What’s the feeling among your team and your collaborators, and what are you hoping to see during the public hearing on September 11?

Well I’m hoping to see between now and September 11 as much as possible from the community and all the work that we’ve done for them to come out and support us.

Roc Nation has always been about cultural influence and community impact. Why did a Times Square casino make sense as the next major project for Roc Nation?

Well, if we go back five years it’s a license that was basically — Albany decided they were gonna approve these three license that was coming to down state New York City. So we knew it was something that was coming to New York and it’s an incredible opportunity. Whomever gets this license ultimately is set to make billions of dollars through the lifetime of the license, and so it’s obviously an incredible financial opportunity.

But then it’s also an opportunity for us when we do any business we always try to touch and impact community as much as we can. So it felt like the right opportunity for us as New Yorkers to go ahead, turn around and say, Ok, well these are the different projects. I mean, imagine if we have access to this kind of capital and this kind of opportunity what we could do for the community.

The amount of money you’re pledging to donate is truly staggering. How did this comprehensive list of initiatives come together?

Through different meetings with the community boards. We went in and did town halls, if you will, and spoke to the community and heard what their needs were. So we took a lot of feedback from them including not just the $250 million that we’re giving back in direct community investment, but also the .5 percent in perpetuity of the license being there.

So that came directly from the people. When they came back with their concerns, we turned around and said, “OK, so who’s the right partner for us to partner with on security? Who’s the right partner for LGBTQ initiatives? Who’s the right partner for mental health?” We found partners throughout and then just bucketed the amounts that we needed by having conversations with the professionals.

On that note, the plan includes over $83 million for cameras, extra patrols, and security upgrades. Times Square already has one of the highest police presences in the city and the country, with mixed results — why will your initiatives work better than what’s already in place?

I don’t know that it’d work better, I think it will enhance what’s there. I think it also is not just for Times Square, we’ve actually expanded this to hit the community in our surrounding areas. So I think we’re going above and beyond. It’s not just where the casino is. We’re gonna be touching most of the Hell’s Kitchen area and it’s designed so that the neighbors, the people living near [the casino] can feel safer. Again, it’s more of an augmentation, we’re working with an ex-NYPD commissioner to come up with these plans. So it’s meant to enhance what already exists.

The partnership with Ryan Williams and Cadre is unique — allowing New Yorkers to invest in the casino for as little as $500. How do you see this shifting the dynamics of wealth and ownership in the city?

It’s just us putting ourselves in our own shoes. We are the people and that’s how we view ourselves. We see ourselves more like community people and what the community needs. In this case, why can’t someone who lives nearby or in The Bronx or somewhere in New York City, they wanna invest in this project, they hear how much money this is gonna make — it stands to make money the minute it opens it’s not like there is a loss here — how do we get that to the people? Think of it as one fund, and whatever money everyone deposits into this goes into the investment of the casino.

So [the Cadre partnership] is something that we thought would be good for what we are about: the people. It doesn’t have to just be wealthy people that are on Wall Street or Blackstone — those are great — and Goldman Sachs or whatever. There are people who don’t have enough money to be part of any type of investment fund, so this is the ability to let just regular New Yorkers be part of this.

There seems to be good handful of New Yorkers against the Casino. You touched on how you spoke to Manhattan residents yourself and that there was overwhelming support for the project. How are you making sure that all the locals know about these opportunities that are in place?

I don’t think that we have community pushback. What we have is honestly one pushback which is Shubert. The Shubert Organization owns 17 of the 41 theaters on Broadway, so he’s had a very nice situation for a while, for over 100 years, and his organization owns the organizations that are protesting against the casino, because they don’t wanna share. They think somehow this is gonna cannibalize their business, which we disagree with totally.

They’re the ones with that kind of movement, but I don’t believe that the actual human beings that live in the buildings — not the rich people that own the theaters — are the ones that are against the casino. We do have our pulse in the community, and we have been talking to the communities, and they’re all very supportive or neutral. They know it’s coming to New York. The way we’ve said it is, “Guys, it’s coming to New York. If we get this license and we’re not talking to you and we don’t know what we want, then we can’t do anything about anything.”

So I think any license that’s granted in New York City should come with the responsibility of making sure they are taking the community into consideration. Public officials they give licenses out, they have so much power but they’re there for a certain term. They go, and then people stay living in the same buildings for 25 years, and they get effected by all of these decisions. So it really should be about knocking on doors and talking to people. Sometimes what that means is you’re hearing things that — I had someone talk to us about things you would normally talk to the mayor about! But it was interesting… It’s about hearing them out and figuring out how much we can allocate to each one of their concerns.

Yeah, I mean you cast a wide net here. You have student debt relief, mental health outreach, arts education opportunities. If you get approved, how will you ensure accountability and transparency in delivering these benefits to the community?

The way we put it in our application is we made our license contingent upon us providing and writing these checks. For example, for the LGBTQ initiative, we’re providing five million dollars to Callen-Lorde. We’re just putting the money in their hands and they’ve agreed with us. We have an agreement with them in writing about what they are going to do with that money. So that’s how we’ve done it with each one of these, and the beauty is, let’s say we get the license tomorrow, the day after we’re paying. We don’t have to build out our casino or be in business in order to pay the money. It would be the quickest money to the ground for the community.

What would you say to residents who are worried about this casino?

If the license is granted to us — and I understand your concerns because I’ve been hearing them for the past four or five years from different people — if anyone has any concerns we are going to be the best partner by far that you could ever have. Because we’re gonna care, not just for today, we’re gonna care for the lifetime that we’re there. Those are the kind of partners that we are. If we do get the license we’d like to work with you and put your concerns at ease as much as we can.

Honestly, one thing I’d like to say is with everything that’s going on with the political climate, I think it’s more important than ever that private business get in touch with the community and work with each other. There’s a lot of these organizations losing grants and losing support because government is just not giving what it was giving. It’s time for private businesses to step up and do what’s right for the community and that’s what we’re going to be.

Two months before the anticipated sequel Wicked: For Good hits theaters on Nov. 21, director Jon M. Chu is giving a preview of two new songs from composer Stephen Schwartz illustrating the tale of Elphaba (Cynthia Erivo) and Glinda (Ariana Grande).

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“They’re questioning, ‘What is home? And what happens when you are fighting for a home that you realize doesn’t even want you there, or was never meant for you? Do you defend it? Do you fight for it? Does anyone else think of home the same as you?’” Chu told EW about the follow-up to the top-grossing film based on a Broadway musical ever. “Those questions are very interesting and relevant to Elphaba’s journey.”

Chu said one of those questions for Glinda the Good is what is her definition of home? “Glinda is the one that has to ultimately pop her own bubble,” Chu said. “She has to leave her privilege to actually see other people’s struggles and fight for justice and equality.”

Chu warned fans of the original that grossed more than $750 million internationally not to look for “contemporary commentary” in Schwartz’s new compositions, describing them as doing what all good “timeless” tales do: “They ask us elemental questions of being human, not just the great parts — the celebratory, joyful parts of being human — but the scary, dark parts that test us. Everybody thinks it’s about this time, and yet it’s about all time. We are a little bit good and we all are a little bit wicked, and how do we navigate that?”

While the original landed best actress and best actress in a supporting role nods for Erivo and Grande, respectively, as well as best original score, Chu said the new songs are not a mere bid to go after more Oscar love, but emotionally key to the second film’s story. “Even after we recorded them, even after we put them in the movie, we kicked the tires on them to make sure that we had to put them in this movie,” he said of the unnamed tracks. “Otherwise, it wasn’t worth it.”

With “home” being such a key factor in the entire extended Oz universe, Chu revealed that the songs amplify that idea with both witches searching for their way home. “Both of these songs are about how to do that, and it’s questions that I’ve always wanted to hear from them in the stage show, but never got to,” he said. “We get to take our time and explore those questions.”

Chu also shared some key story lines of the sequel, revealing that the two witches are reunited sooner than in the Wicked musical, with Erivo and Grande sharing more scenes together after he realized “‘It’s the girls, stupid!’ So, when one’s going through something, there’s something that they’ve learned from the other that affects them, or the fact the other person is not there is part of what can’t get them to their goal. It’s always about them.”

Part 2 is expected to feature some of the fan favorites from the original 2003 Broadway musical, including “No Good Deed Goes Unpunished” and the tear-jerking Elphaba-Glinda duet “For Good.” Erivo teased the new songs in a December interview, saying that she worked with Schwartz on crafting an original Elphaba track. “I don’t know if you’re ready for it,” she said. “I mean, I love the song and I remember when we filmed it, the cast and crew were crying. I don’t know if that’s just because they were emotional that day or that’s what the song does.”

In the sequel, Glinda is no longer a student and has started working for the Wizard (Jeff Goldblum), who employs a large staff “and a lot of infrastructure” to promote her goodness, with help from a team that includes Pfannee (SNL‘s Bowen Yang) and Shenshen (Bronwyn James).

While the misunderstood Elphaba defied gravity at the end of the first film, Chu said that, “if you think she flew in the first movie, she flies” this time for real, but with consequences for the witch who fights for animal rights. “She’s now surrendered to who she is. Is it a blossoming? Absolutely,” Chu said. “But she did not realize how lonely it would be to become who you are meant to be.”

Or as Chu told EW last November, “If Part 1 is about choices, Part 2 is about consequences.”

Goldblum’s Wizard appeared near the end of the original, but he will be a main character in part two, in which he builds his iconic yellow brick road and launches a smear campaign against Elphaba. “He thinks people need a good story. He really believes that it’s for the good of Oz, and his story keeps getting bigger and bigger because it’s what provokes people,” said Chu, or the Wizard who really believes he’s serving the greater good.

The question everyone wants the answer to, though, is what is up with Fiyero (Jonathan Bailey), the hero stuck in the middle of the movie’s two main characters? Though Elphaba catches his eye, and heart, he chooses Glinda. “It’s more than just love. It’s about how you see the world,” he said of the difficult decision that ends up leading to a classic love triangle. “In Wicked, Elphaba breaks his brain when she calls him out in the forest. He has not stopped thinking about it, so much so that it may be driving him a little bit nuts. Yet, he feels so powerless for the first time in his life. He can’t just dance right through it.”

Wicked: For Good will hit theaters on Nov. 21.


  

These days, when she’s not busy casting her spell upon packed Broadway audiences, two-time Drag Race champ Jinkx Monsoon makes playlists. But we’re not talking about a few dozen songs or a couple hours of music — these are Spotify odysseys encompassing hundreds of songs, musical monsoons that you could fall asleep to, wake up and find that you’re not even halfway through.

Unlike most playlists, these weren’t created to be shared with the world, but they do serve a purpose. Monsoon – who recently solidified her status as a Broadway force thanks to a show-stealing turn in Pirates! The Penzance Musical, followed by her taking over the lead role in the Tony-winning smash Oh, Mary! — uses these playlists to prepare for acting roles, spinning them while rehearsing and queuing them up before showtime to get in character.

Her playlist for Oh, Mary! – which she exclusively shared with Billboard and is allowing us to offer a peek into below – has more than 500 songs, clocks in at over 27 hours and is still being updated by the creatively restless star. These songs are informed by how Jinkx sees the stifled, manic Mary Todd Lincoln, how audiences react to the character and how she herself relates to the role.

“What I would say overall about the playlist is that it is volatile,” Monsoon tells Billboard. “Mary is grieving the loss of one relationship while celebrating the beginning of a new relationship, and those are opposite ends of the spectrum. The songs bounce back and forth between heartbreak, breakup songs and falling-in-love for the first time songs.”

While Oh, Mary! takes place in the 1860s, most of the songs on her playlist run from the 1920s to present day. (Aside from the fact that recorded music which could be played back didn’t become a thing until the 1870s, Monsoon quips that listening to songs popular during the American Civil War felt “a little too prescient” given what’s going on now.) Even so, this expansive playlist leapfrogs through decades, genres and zip codes, revealing Monsoon’s staggering knowledge of entertainment over the last 150 years and her intense dedication to doing right by the role, her co-stars and the audience. (Unsurprising, Jinkx kills it as Mary. Her performance, which runs through Sept. 28, is a no-notes masterclass in comedy with empathy. Simply put, Oh, Mary! remains the best thing on Broadway.)

Jinkx Monsoon in OH, MARY! on Broadway.

Jinkx Monsoon in OH, MARY! on Broadway.

MurphyMade

From Chappell Roan to Laufey to Helen Kane to songs from the cinema (Poor Things, Shock Treatment, Phantom of the Paradise, Bugsy Malone and The Lion King), here are 19 songs from Monsoon’s Oh, Mary! playlist, along with her insights into how they help her unpack and inhabit this indelible character.

If country/rock musician Stephen Wilson Jr. wins the Country Music Association Award for new artist of the year on Nov. 19, he’ll make history as the oldest winner in that category to date. Wilson is 46.

The CMA has presented the award for new artist of the year (known as the Horizon Award through 2007) 44 times. As the years have gone by, the winners have gotten appreciably older. Of the first 10 winners (1981-1990), just two were 30 or older (or had a lead singer over 30). Of the last 10 winners (2015-2024), six were 30 or older (or had a lead singer over 30).

It used to be, if an artist was 30, certainly 35, and hadn’t made it yet in country music, their prospects were not looking good. Now, an artist in that age range, or even a bit older, might still break through. Jelly Roll was 38 when he won two years ago. Ashley McBryde and Jimmie Allen were both 36 when they won in 2019 and 2021, respectively.

All but seven of the 44 winners to date are solo artists. One duo, The Judds, has won the award, as have six groups – Sawyer Brown, The Chicks, Rascal Flatts, Lady A, Zac Brown Band and The Band Perry. Of these seven acts, just two – Rascal Flatts and Zac Brown Band – had a lead singer who had reached 30 by the time they won.

Wilson is a long-shot in this year’s best new artist race. The other nominees are Tucker Wetmore, 25; Ella Langley, 26; Zach Top, 27; and Shaboozey, 30 – three of whom have been nominated in marquee categories at the CMA Awards. Top is up for album, single and song of the year. Langley is up for single and song of the year. Shaboozey was up for single of the year last year.

Here, we look back at every solo artist, or lead vocalist for a duo or group, who had reached 30 by the time they won the CMA Award for new artist of the year (or the predecessor Horizon Award). We show their age when they won (rounded off to the nearest month). They are listed in ascending order.

Trisha Yearwood is getting into the holiday spirit this year with an upcoming new album, Christmastime, set to release Nov. 7 on Virgin Music Group and Gwendolyn Records.

The dozen-song album, produced by Grammy winner Don Was and including arrangements by David Campbell, offers a blend of both classic holiday songs and other timeless favorites, such as “You’re a Mean One, Mr. Grinch” and “My Favorite Things” (the latter from the film The Sound of Music). “Christmastime Is Here” from A Charlie Brown Christmas gets an orchestral update, while Yearwood also offers a soulful version of the Elvis Presley classic “Blue Christmas” and gives a sweeping rendition of “Pure Imagination” from the film Willy Wonka and the Chocolate Factory. There is also the original “Merry Christmas, Valentine,” co-written and performed with Garth Brooks.

Christmastime is Yearwood’s first holiday project since her collaborative holiday project with Brooks, Christmas Together, debuted atop Billboard‘s Top Country Albums chart in 2016. Her most recent solo holiday album was 1994’s The Sweetest Gift, which was reissued in 2000.

The singer will celebrate the new project by launching Christmastime With Trisha Yearwood: 12 Days of Christmas Tour, a limited run of shows alongside local symphonies that will begin Dec. 2 with two performances at Nashville’s Schermerhorn Symphony Center. The trek will also include stops in Atlanta, Detroit and Pittsburgh, before wrapping Dec. 20 in Louisville, Ky. Tickets for the tour go on sale Friday (Sept. 12).

“Christmas has always been one of my favorite times of year, and these songs mean so much to me,”
Yearwood said in a statement. “To be able to perform them with a full symphony brings the magic to another level. I can’t wait to share this music and celebrate the season with fans on tour.”

Earlier this year, Yearwood showcased her songwriting talents with her album The Mirror.

See the full list of tour dates for Christmastime with Trisha Yearwood: 12 Days of Christmas Tour below:

  • Dec. 2: Nashville @ Schermerhorn Symphony Center
  • Dec. 3: Nashville @ Schermerhorn Symphony Center
  • Dec. 5: Newark, N.J. @ New Jersey Performing Arts Center
  • Dec. 6: Springfield, Mass. @ MGM Symphony Hall
  • Dec. 10: Atlanta @ Atlanta Symphony Hall
  • Dec. 11: Clearwater, Fla. @ Ruth Eckard Hall
  • Dec. 12: Naples, Fla. @ Hayes Hall
  • Dec. 13: Fort Lauderdale, Fla. @ Broward Center for the Performing Arts
  • Dec. 17: Grand Rapids, Mich. @ DeVos Performance Hall
  • Dec. 18: Pittsburgh @ Heinz Hall
  • Dec. 19: Detroit @ Orchestra Hall
  • Dec. 20: Louisville, Ky. @ Palace Theater

Shaboozey is expanding American Dogwood, his joint venture label with EMPIRE, to sign artists.

His first signee is Kevin Powers, who, like Shaboozey, blends a number of styles, including hip-hop and pop. “Move On,” a collaboration between Powers and Shaboozey, comes out on Sept. 19.

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Powers has a solid track record. His 2020 tune, “Walked In,” went viral, gaining more than 22 million streams on Spotify. That was followed by “How You Been,” which has more than 14.5 million streams.

American Dogwood

American Dogwood

“American Dogwood is a tribute to where we come from, and to the artists, storytellers, and creators who make this life remarkable,” Shaboozey said in a statement. “Our mission is to nurture the next generation of voices and to give them a place to grow, connect, and create. This is the beginning of a new chapter — one I hope always feels like home.”

 “I couldn’t be more excited to join the American Dogwood family,” added Powers. “My first release, “Move On” featuring Shaboozey, is about what happens when a relationship ends — how some people can let go, while others hold on longer than they should. It’s a story I think a lot of people will connect with, and I couldn’t imagine a better way to begin this journey than sharing it with Shaboozey by my side.” 

Powers, who was raised in Raleigh, N.C., moved to Nashville as a songwriter and co-wrote “Amen,” the emotional Shaboozey and Jelly Roll duet featured on the expanded edition of Shaboozey’s Where I’ve Been, Isn’t Where I’m Going album. The song reached No. 16 on Billboard’s Hot Country Songs chart earlier this year. In 2025, Powers also signed with Sony Music Publishing and inked a management deal with Range Media Partners, which also manages Shaboozey.

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Shaboozey will run the label with his managers, Jared Cotter and Abas Pauti, with EMPIRE providing global infrastructure and support.

Up next for Shaboozey is the 12-date Great America Road Show tour, which kicks off Sept. 22 in Indianapolis and includes stops in Detroit, New Orleans and Houston before concluding in Orlando, Fla., on Oct. 16. Powers will serve as the opening act.

The label expansion is the latest move by Shaboozey, whose “Good News” sits atop Billboard’s Country Airplay chart for the tally dated Sept. 13. “Good News” follows the massive success of the eight-times platinum “A Bar Song (Tipsy), which holds the record for the most weeks at No. 1 on the Billboard Hot 100 for a solo act at 19 non-consecutive weeks.


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The 2025 Billboard Latin Music Awards finalists are in for the October show, and we’re breaking them down for you. From Bad Bunny to Rauw Alejandro to Karol G, keep watching to see who’s nominated!

Tune in to the Billboard Latin Music Awards on Telemundo on October 23rd!

Narrator:

Bad Bunny, Fuerza Regida, Rauw Alejandro, Karol G, Tito Double P and Peso Pluma dominate the list of finalists for the 2025 Billboard Latin Music Awards. Bad Bunny leads with a historic, record-breaking 27 entries, including Artist of the Year, Global 200 Artist of the Year and Hot Latin Song of the Year for his smash hit “DtMF.” California’s Fuerza Regida has 15 mentions, including Hot Latin Song of the Year for “Tu Boda” with Óscar Maydon. And Puerto Rican icon Rauw Alejandro’s 14 mentions include top Latin Album of the Year for his opus ‘Cosa Nuestra.’ Colombia’s Karol G follows with 10 mentions, tying Mexico’s Tito Double P, while Peso Pluma comes in with nine. Who will take home an award? Tune into the Billboard Latin Music Awards airing live on Telemundo, October 23 to find out. Dazzling performances, fits, fashions and the biggest names in Latin music. It’s all part of the Billboard Latin Music Awards and Billboard Latin Music Week. Trust me when I say you don’t want to miss this. See you in Miami!