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If HUNTR/X and the Saja Boys have gone triple Platinum in your child’s bedroom, it’s likely they’re going to go crazy over this new Yoto offering.

The parent-owned and operated children’s audio tech company just dropped a KPop Demon Hunters official soundtrack card, giving your kids the freedom to listen to top tracks such as “How It’s Done,” “Golden,” “Soda Pop” and “Your Idol” without a screen. The product is available to shop now on Yoto’s website. All you need is the newly launched soundtrack card, retailing for $14.99, and one of Yoto’s audio players to tune into the hit film’s full soundtrack.

The soundtrack card is 37 minutes long, spanning the Netflix original’s full soundtrack from start to finish. Kids can dance or sing along with the power to press play all on their own, no ads or screentime included, fixing their full focus on the music.

‘KPop Demon Hunters’ Yoto Card

Buy Now at yoto $14.99 $14.99

A physical card that allows Yoto users to play songs from the film.

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The Yoto Player is sort of like a boombox, made for tiny hands and ears ages 3 to 12+. It comes in two sizes, Yoto Player (3rd Generation) for $109.99, and the more compact Yoto Mini for $79.99. While there are some differences in the sizes, the biggest thing to note is that the 3rd Generation produces acoustically engineered stereo sound, while the mini produces mono sound, meaning a single-channel audio format. Stereo uses two channels to create a room-filling kind of sound, giving your audio a more dynamic feel. If you or your child are a stickler for good audio, go for the 3rd Gen Yoto Player.

In general, both are perfect for listening to music, audiobooks and so much more. The 3rd Gen is best for listening around the home, while the mini is best for listening on the go. The 3rd Gen is equipped with more features than its tiny companion, including a nightlight, clock and a room thermistor. The battery life on the bigger Yoto is also larger, lasting up to 24 hours on a single charge, while the mini will last up to 14 hours. Both products can be hooked up to wired headphones. You can also choose the color of your Yoto device on the website.

Yoto Player

Buy Now at yoto $109.99 $109.99

A Yoto audio player.

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The beauty of this product is giving your children independence to press play all on their own, while limiting the amount of screen time they consume in a day. It keeps your child occupied with an interactive physical card element that can also be a sort of collection if you gather enough.

VIBE is joining forces with Rolling Stone, Billboard can exclusively announce on Thursday (Oct. 16).

VIBE will bolster Rolling Stone‘s hip-hop coverage and allow the brand to go deeper in the genre. VIBE will also print special collector’s editions of the magazine and launch a new interview series that spotlights in-depth conversations with the most important figures, ranging from musicians to superstar athletes and fashion icons.

“We are thrilled to announce that VIBE is joining forces with Rolling Stone,” said Julian Holguin, CEO of Rolling Stone. “This historic team-up will enable Rolling Stone to level up the publication’s hip-hop and R&B coverage, allowing RS to dive deeper into the culture. As part of this move, Rolling Stone will invest in VIBE across video, podcasts, long-form journalism, social media and experiential opportunities – all areas where Rolling Stone is a market leader. VIBE will continue to power cultural conversations and reestablish itself as a driving force for commentary and reporting. Our goal is to continue the mission VIBE was founded on while leveraging Rolling Stone to amplify its presence across all platforms.”

Datwon Thomas, VIBE’s longtime editor-in-chief, is being brought in as Strategic Advisor to help with the transition. “Coming back to VIBE in this role is deeply meaningful to me and I am proud to remain connected to such an iconic brand that has been such a big part of my life,” he says. “The opportunity to help guide VIBE into the next phase of its growth and continued legacy is an honor.”

VIBE and Rolling Stone are actively looking to fill positions, including a new head of the VIBE brand, a video/podcast host and an events producer.

Both Rolling Stone and VIBE are part of Penske Media Corporation, which is also Billboard‘s parent company.

With just a few weeks left on what Garbage say is their final headlining North American tour, singer Shirley Manson is saying the loud part even louder. During a show in Denver on Sunday (Oct. 12), the outspoken vocalist explained to the crowd why the long-running group does not plan to mount such a tour again, telling fans at the Mission Ballroom, “It has become entirely unsustainable for a band like us to come and tour anywhere except the coasts.”

Manson then laid out why the group feel that way in a broadside against what she described as the wild inequality in streaming payments to non-superstar working musicians, at a time when she said some pop stars are making “billions and billions and billions of dollars,” while the majority are just getting by.

“Most of the music industry is not made of these big pop stars. They’re made of working musicians,” Manson said. “And this is not a pity party for us. This is an alarm call for all the young generations of musicians who are in our wake and we feel duty bound to speak up for because there’s nobody speaking up for them,” she added to loud applause from the audience.

“The average musician makes $12 a month on Spotify,” she said, noting she has brought the matter up “every night” on the tour as a way to point out that there is no governmental body or union for musicians fighting to help young acts get paid.

“They’re sleeping in their vans. They’re holding down numerous jobs. And they’re playing their guts out every night,” Manson said of road dog touring acts. “The fact that they are not even able to sell a record and it’s taken from them by rich motherf–ers on streaming platforms who get paid royally by record labels, who get paid royally by Ticketmaster, who get paid royally by merch companies, who get paid royally — the list goes on and on and on. There’s accountants, there’s lawyers, they’re all f–king getting paid, except for the musician.”

At press time a spokesperson for Spotify had not returned Billboard‘s request for comment. In 2024, Billboard reported that Spotify paid out nearly $4.5 billion to independent rights holders in 2023, making up almost half of the more than $9 billion the streaming service paid to all labels and publishers that year.

After 30 years of road work, Garbage — which released its eighth studio album, Let All That We Imagine Be the Light in May on BMG — are in the midst of their Happy Endings Tour, which will play the Knitting Factory in Boise, Idaho on Friday (Oct. 17) and wind down its North American run on Nov. 14 at the Corona Capital festival in Mexico City.

Manson said she brings up the inequity every night, because “you are the ones who will lose out on a generation of esoteric, risk-taking, creative, adventurous weirdos, rebels, agitators, provocateurs. You’re gonna get f–king white bread.”

Billboard’s Live Music Summit will be held in Los Angeles on Nov. 3. For tickets and more information, click here.

Jon M. Chu showed a lot of courage when reaching out to the person who voices the Cowardly Lion in Wicked: For Good, with the director revealing that he simply slid into the famous actor’s DMs.

In an interview with Deadline published Thursday (Oct. 16), Chu teased that fans can expect a very familiar voice when Lion first speaks in the November-slated sequel to 2024’s Wicked. According to the filmmaker, he had a particular performer in mind — so he sent him a message on Instagram.

“I was like, ‘It’s not a ton of lines, but maybe you have a little time,’” Chu told the publication. “‘I know you’re busy. I’ll come to you.’ He was like, ‘Why the f–k not? Let’s go!’ And then we went ahead and recorded the lines.”

While playing coy about whose voice will be featured, Chu added, “Man, wait until the red carpet when the actor who gave us the Cowardly Lion’s voice steps foot on it. It’ll be wild.”

Released in November 2024, the first Wicked film was a major box-office success. It quickly became the highest grossing adaptation of a Broadway musical in history, and its soundtrack scored a historic debut at No. 2 on the Billboard 200.

The epic saga will conclude on Nov. 21, when Part 2 arrives in theaters. The second film will feature two new tracks, with leading ladies Ariana Grande and Cynthia Erivo each singing one of them.

Of Grande’s, which is titled “Girl in the Bubble,” Chu told Deadline, “This movie had to be about the courage of someone popping their own bubble, a bubble of privilege or their bubble of safety. … How are the decisions each of them made affecting the other in their journey?”

Kali Uchis has never been one to follow the rules. From the start of her career, the Colombian-American singer/songwriter has carved her own path, unabashedly blending and bending musical genres — all while rejecting the notion that she had to conform to a single language or style to succeed. Her unrelenting commitment to individuality, however, hasn’t always been embraced, but it has ultimately cemented her as one of music’s most compelling innovators.

“I had a lot of doors closed in my face, and I had a lot of opportunities missed because I feel like nobody ever thought that this would get to this point,” Uchis says in her Billboard cover story. “A word that people used a lot was ‘unique.’ At the time, those aesthetics weren’t really popular. … I don’t think that people were ready for what I was doing.”

She reflects on those early struggles with a sense of pride and clarity, knowing that her refusal to compromise has brought her to the top of the Billboard charts and sold-out arenas.

“People kept telling me to stick to English, that it was easier to sell music that way,” she admits. “I always felt that [not] utilizing everything that God gave me into my art is the same as spitting in God’s face. … Why would God have made me with this duality if I wasn’t meant to project it into my art and use it to inspire other people and to create with all of this that I have?”

The hitmaker graces Billboard‘s latest cover story, revealed on Thursday (Oct. 16). The candid interview serves as a preview of her upcoming Superstar Q&A at Billboard Latin Music Week 2025, set to kick off Oct. 20 at The Fillmore Miami Beach. Her one-on-one conversation with Billboard Español‘s Isabela Raygoza is set for Tuesday, Oct. 21.

The full programming schedule and ticket sales are available at BillboardLatinMusicWeek.com.