Snoop Dogg is going for the gold again. The rapper and NBCUniversal announced on Sunday (Sept. 28) that Snoop will once again be a roving correspondent for its upcoming coverage of the Milan-Cortina Games kicking off in February after charming audiences with his dispatches from the 2024 Paris Games.

In a short Instagram video announcing the news, Snoop is seen with his back to the camera standing on what looks like a snowy mountaintop while the Olympic fanfare blasts out. As the lens pushes in Snoop’s red, white and blue team USA gear comes into focus and he spins around and says, “Guess who’s back?” The clip ends with Snoop doing a snow shuffle to the Olympic theme.

According to the announcement from NBC, Snoop will “explore northern Italy, from the vibrant streets of Milan to the breathtaking Dolomites, providing his unique perspective to viewers during NBCUniversal’s Winter Olympic primetime coverage.”

The opening ceremony of the 2026 Winter Games will take place on Feb. 6 on NBC and Peacock. Throughout the games, Snoop will appear alongside NBC Olympics host Mike Tirico and regale primetime audiences with his unique perspective on the goings on in Northern Italy during the winter games.

“I am excited to be back with my main man Mike Tirico for the 2026 Winter Olympics in Milan Cortina,” said Snoop in a statement. “The D O double G will be on the scene, and I am looking forward to celebrating with the athletes and their families. The Olympics is the biggest stage in the world and, as everyone knows, I’m all about sports, bringing people together, and unifying while bringing the fun. I’ll be bringing my puffy jackets, snow pants, goggles, skates (and will definitely be iced out).”

“He’ll explore the region’s iconic landmarks and culture, attend Olympic competitions, and cheer alongside the athletes, their friends, and families,” NBC said, promising that the popular nightly viral video package “Snoop’s Greatest Hits” will be back for the run of the competition.

Snoop made his Olympics debut in Paris last summer with a series of on-air bits that turned him into an instant summer games go-to, from carrying the Olympic torch before the Opening Ceremony to watching equestrian with old pal Martha Stewart and calling the women’s 200M medalists to congratulate them on their track and field win.

“Our Ambassador of Happiness returns! We can’t wait to see how the kid from Long Beach handles the snow and ice of Italy at his first-ever Winter Olympics,” added NBC Olympics executive producer Molly Solomon in the statement. “In Paris, Snoop amplified the joy of the Summer Olympics: training with the athletes, watching nervously alongside their families, and cheering on their performances. He connected with viewers in a way we’ve never seen before and now he’s primed to return as Team USA’s most effusive supporter. Mike Tirico has the announcer blazer and microphone standing by.”

The Voice coach Snoop’s Paris sojourn wasn’t just fun, he also brought home some of his own gold, winning two sports Emmys as part of NBCUniversal’s Paris Olympics coverage. The 2026 Milan Cortina Winter Olympics will run from Feb. 6-22, followed by the Paralympics from March 6-15.


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Nine Months into Donald Trump’s second presidential term, Ariana Grande wants to know how that’s working out for you. The Wicked: For Good star took to her Instagram Stories on Sunday with a series of poignant questions for Trump’s MAGA followers nearly a year into the president’s second term in office.

The list originally came from makeup artist/activist Matt Bernstein, who posted it on Sunday (Sept. 28), with Grande reposting it hours later. The singer, 32, who supported former Vice President Kamala Harris in the most recent presidential election and backed Vermont independent Bernie Sanders in 2020, shared the list of questions that begins: “I want to check in with trump voters. I have one very genuine question. it’s been 250 days. now that immigrants have been violently torn from their families and communities have been destroyed, now that trans people have been blamed for virtually everything and live in fear, now that free speech is on the brink of collapse for us all — has your life gotten better?”

The post appeared to be referencing some of Trump’s most controversial moves in his second White House run so far, including his promised widespread immigration sweep, which has so far reportedly resulted in at least 500 migrant children living in the U.S. being taken from their homes. And though it does not name Trump specifically, it also appears to reference the Trump administration’s repeated broadsides against the trans community, which have included executive orders banning transgender people from serving in the military and denying the right to used an “X” gender marker on passports.

The latter bit also appeared to be a commentary on Trump and his FCC chair Brendan Carr’s apparent efforts to push late night host Jimmy Kimmel off the air with threats of potential government action against the ABC affiliates who air the show by comedian who is a frequent Trump critic.

Grande’s re-post of Bernstein’s missive continued with a string of questions about the enduring problems facing the nation that Trump vowed to fix on day one in office, but which linger at the moment amid the emerging economic fall-out from the president’s high global tariffs and uncertainty about the financial impact the looming government shutdown may have for some Americans.

“Have your groceries gotten cheaper?” it asks of one of the many issues Trump promised to fix in his first days in office that have lingered, or gotten worse. “has your health insurance premium gone down? has your work/life balance improved? can you take a vacation yet? are you happier? has the widespread suffering of others paid off for you in the way he promised it would, or are you still waiting?”

Back in June, Grande shared a message from New York congresswoman Alexandria Ocasio-Cortez calling for Trump’s impeachment. “The President’s disastrous decision to bomb Iran without authorization is a grave violation of the Constitution and Congressional War Powers. He has impulsively risked launching a war that may ensnare us for generations. It is absolutely and clearly grounds for impeachment,” AOC wrote at the time, a day after the U.S. launched missile strikes on three Iranian nuclear sites, seemingly without asking for the necessary approval from Congress.

After Trump’s inauguration in January, Grande re-posted a message from Advocates for Trans Equality reading “No matter what comes, we will protect each other,” after Trump signed a day-one executive order stating that the U.S. would recognize only the male and female sexes.


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Oasis wrapped the U.K. and Ireland leg of its Live ‘25 reunion tour over the weekend and appeared to tease more shows for 2026.

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The band played two nights at Wembley Stadium on Saturday and Sunday (Sept. 27, 28) as the final shows of the local leg of their reunion tour. They kicked off the tour in Wales, Cardiff on July 4, and played shows in Manchester, London, Edinburgh and Dublin during the initial run, which concluded in mid-August.

The group announced the two final shows in the English capital following outcry from fans regarding the controversial ticket sale process back in August 2024, saying that it was “a small step towards making amends for the situation.”

As Saturday’s show concluded with “Champagne Supernova,” Liam Gallagher thanked the crowd for “keeping the faith” before teasing that he would “see you next year.” Rumours have swirled for months that the band were intending to tour the U.K. once again, with shows set for Knebworth House in honor of their legendary original shows there in 1996. The group performed two shows to 250,000 people at the height of their fame, then the largest U.K. concerts ever held.

The band have kept quiet on the possibility of new shows, and when asked in a rare interview on TalkSport Noel Gallagher declined to comment on the rumors.

The topic of additional shows was raised by one of the band’s co-managers, Alan McKinlay, who told MusicWeek that this was “very much the last time around, as Noel’s made clear in the press,” in an interview in May. “It’s a chance for fans who haven’t seen the band to see them, or at least for some of them to. And no, there’s no plan for any new music.” Liam took to his X/Twitter profile to dispute the comments made by McKinlay: “the only people that will be making any kind of decisions on the future of OASIS will be ME n RKID so let’s just take it one day at a time.”

The two shows at Wembley Stadium this past weekend featured an identical setlist to other shows on this run, with no changes made from the opening night in Cardiff.

The band concluded their North American run in Mexico City on Sept. 13, and followed shows in Toronto, East Rutherford, Chicago, and Los Angeles. The tour will resume in Seoul, South Korea on Oct. 21 before heading to Tokyo, then onto dates in Australia and Latin America. The outing finishes in São Paulo, Brazil on Nov. 23.


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Tame Impala takes another bite from Deadbeat, by unleashing “Dracula”.

Kevin Parker’s psychedelic rock project channels the Prince of Darkness on this funky, electro-pop nugget, the third, wide release from their forthcoming fifth studio album after the epic “End of Summer” and “Loser.”

Another cut, understood to be “Ethereal Connection,” was gifted to the world as an untitled b-side for the 12-inch of “End of Summer”, which was sold on the Aussie artist’s website with a limited number of copies.

Parker actually gave us a dose of “Dracula” earlier this month, using a snippet as the soundbed for a social post revealing the Deadbeat tracklist.

Deadbeat is slated for a global release Oct. 17th, Tame Impala’s first through the Sony Music machine, by way of a new deal with Columbia Records, ending a career-long relationship with Modular Recordings and Universal Music.

Parker will assemble his touring band for a raft of newly-announced pan-European and U.K. concerts next year, starting April 4 at Super Bock Arena in Porto, Portugal and wrapping up May 13 at 3Arena in Dublin, Ireland. The Deadbeat Tour starts in North America, opening with a show Oct. 27, 2025 at Brooklyn’s Barclays Center.

As previously reported, Deadbeat is inspired by the “bush doof” culture of Parker’s native Western Australia rave scene.

A message on the pre-order page for the Deadbeat vinyl reckons “Parker sculpts a collection of wickedly potent club-psych explorations as a vehicle for some of his most direct, brain-wormy songwriting to date, recasting Tame Impala as a kind of future primitive rave act in the process.”

Deadbeat will arrive more than half a decade after The Slow Rush, from February 2020, a record that went to No. 1 on Australia’s ARIA Chart, and earned career peak positions on the Billboard 200 and Official U.K. Albums Chart UK, both at No. 3. Its predecessor, 2015’s Currents, topped the Australian chart and crashed the top 5 in the U.S. (at No. 4) and in the U.K. (No. 3), where Parker and his Tame Impala bandmates collected the Brit Award for best international group.

Stream “Dracula” below.

It’s another chart week, another chart double for KPop Demon Hunters (Republic/Universal) in Australia.

The soundtrack to the hit animal Netflix film is flying at the top of the ARIA leaderboard for a ninth non-consecutive week. Among soundtracks, ARIA reports, that effort equals the nine week run by the 1997 soundtrack for Baz Luhrmann’s Romeo & Juliet.

Since the ARIA Charts were first published in 1983, only four soundtracks have logged more weeks at the top, according to the charts compiler: the Australian cast recording of Jesus Christ Superstar (10 weeks in 1992); plus Titanic (1998), Moulin Rouge (2001) and A Star Is Born (2018), which each led for 11 weeks.

Meanwhile, the top track from KPop Demon Hunters, “Golden,” reigns over the ARIA Singles Chart for a ninth consecutive week. That’s closing in on the all-time mark for a hit from an animated film, currently set at 12 weeks by Pharrell Williams’ 2014 single “Happy” from Despicable Me 2.

Back with the ARIA Albums Chart, Ocean Alley’s Love Balloon (via Community Music) lifts off for a No. 3 debut, the highest start for any new release on the current frame, published Friday, Sept. 26.

Recorded in three stints over about three months, Love Balloon is Ocean Alley’s fifth studio album, and first recorded with legendary American rock producer Nick DiDia (Bruce Springsteen, Rage Against The Machine).

With that bright start, Love Balloon is the Sydney indie-rock outfit’s third consecutive collection to hit No. 3, following 2020’s Lonely Diamond and 2022’s Low Altitude Living. Their breakthrough second album from 2018, Chiaroscuro, which housed the triple j Hottest 100 leader “Confidence,” reached No. 11 on the national survey.

Ocean Alley scores silverware as Love Balloon is crowned on the ARIA Top 20 Australian Albums chart, a feat they celebrated Saturday at London’s Alexandra Palace, with a headline show for more than 8,000 fans.

Also debuting in the top tier is Cardi B‘s sophomore studio album, Am I The Drama? (Atlantic/Warner), new at No. 8. Drama is the followup to the Bronx rapper’s 2018, Invasion Of Privacy, which peaked at No. 5.

Trent Reznor’s Nine Inch Nails bags a top 10 with the soundtrack to TRON: Ares (Interscope/Universal). It’s new at No. 10 for the American industrial rock act’s sixth top tier effort in Australia, a tally that includes a best of No. 2 for 1999’s The Fragile. Daft Punk’s soundtrack to TRON: Legacy reached No. 17 in 2011.

Lola Young just misses out on a top 10 berth with I’m Only F—ing Myself (Island/Universal), her third album. It’s new at No. 12, for the British singer’s first ARIA Albums Chart appearance.

Further down the list, published late Friday, September 26th, Brisbane band Platonic Sex crack the top 40 with their debut album Face To The Flywire (Orchard). It’s new at No. 31.

It’s official: Bad Bunny will headline the 2026 Apple Music Super Bowl LX Halftime Show on Feb. 8, 2026, at Levi’s Stadium in Santa Clara, Calif.

“What I’m feeling goes beyond myself,” Bad Bunny said in a statement about the news. “It’s for those who came before me and ran countless yards so I could come in and score a touchdown… this is for my people, my culture and our history. Ve y dile a tu abuela, que seremos el HALFTIME SHOW DEL SUPER BOWL.”

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This will be the second time that the Puerto Rican megastar has graced the Super Bowl halftime show stage, having been a guest performer during Shakira and Jennifer Lopez’s set back in 2020. And the artist born Benito Antonio Martínez Ocasio has had another monster year: After releasing his sixth solo album, Debí Tirar Más Fotos, in January — which topped the Billboard 200, becoming his fourth No. 1 on the chart, and saw each of its 17 songs reach the Billboard Hot 100, giving him more than 100 Hot 100 hits in his career — he launched an ambitious and hugely successful monthlong residency in Puerto Rico, which was so big that it boosted the island’s economy, and attracted numerous high-profile guests.

Bad Bunny’s appearance will come a year after Kendrick Lamar headlined this past February, at the height of the rapper’s feud with Drake. Prior to Lamar, Usher (2024), Rihanna (2023), Dr. Dre and friends (2022), The Weeknd (2021) and Jennifer Lopez and Shakira (2020) headlined the show, since Jay-Z’s Roc Nation took over booking the event in a deal with the NFL in 2019. Lamar’s halftime show performance set a record as the most-watched of all time, at 133.5 million viewers, reportedly drawing an audience larger than the game itself.

“What Benito has done and continues to do for Puerto Rico is truly inspiring,” Jay-Z said in a statement. “We are honored to have him on the world’s biggest stage.”

Bad Bunny’s career bona fides are undeniable: four No. 1 albums, 113 Hot 100 hits (including 15 top 10s), three Grammys, one No. 1 single and a dizzying array of firsts and records, both with Spanish-language music and overall. He’s collaborated with the likes of Cardi B, The Weeknd, Travis Scott, Dua Lipa, Ricky Martin and J Balvin, among others, and has even had a number of acting cameos, including in Happy Gilmore 2 and Caught Stealing in the past few months alone. He’s widely credited as one of the foremost forces that have given Spanish-language music such a prominent foothold in the United States on a mainstream level, and will be bringing that now to the biggest stage in the world.

“Bad Bunny represents the global energy and cultural vibrancy that define today’s music scene,” said Jon Barker, senior vp of global event production for the NFL, in a statement. “As one of the most influential and streamed artists in the world, his unique ability to bridge genres, languages and audiences makes him an exciting and natural choice to take the Super Bowl halftime stage. We know his dynamic performances, creative vision and deep connection with fans will deliver the kind of unforgettable experience we’ve come to expect from this iconic cultural moment.”

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The Super Bowl will be broadcast Feb. 8 live on NBC, and will be the seventh year that the halftime show will be programmed by Roc Nation, which is executive producing the show alongside Jesse Collins, produced by DPS and directed by Hamish Hamilton; Roc also serves as strategic entertainment advisor for the show. It’s also the fourth year that Apple Music will be the presenting sponsor, having first taken over in 2023 for Rihanna’s performance in Phoenix.

“The halftime show is the ultimate celebration of music and culture, and few artists embody that intersection more perfectly and authentically than Bad Bunny,” Apple vp of music, sports and Beats Oliver Schusser said in a statement. “At Apple Music, we’ve had the privilege of working closely with Bad Bunny over the years and watching his meteoric rise into one of the most influential artists of our time has been truly incredible. His music has not only broken records but has elevated Latin music to the center of pop culture and we are thrilled to once again partner with the NFL and Roc Nation to deliver this historic performance to millions of fans worldwide. We know this show will be unforgettable.”

Vie, the new album from Doja Cat, tops this week’s fan-voted music poll.

Music fans voted in a poll published Friday (Sept. 26) on Billboard, choosing Doja’s latest LP as their favorite new release.

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Vie made its grand entrance during a week that also saw new entries by the likes of Mariah Carey, Tate McRae and more — with Doja’s new collection living large, boasting just about half of the vote (coming in at 49.91%).

A return to Doja’s pop roots, Vie was led by the single “Jealous Type.” The set marks her first time working with producer Jack Antonoff, and features a collab with SZA among its 15 tracks.

Upon revealing new album art just days before the release — a cover that shows the artist suspended in the air by a yellow parachute caught in a tree — she wrote, “Falling in love is putting trust in the hands of yourself and others. The yellow parachute represents curiosity, happiness, and adventure. Flying you towards new experiences and scenes, taking a leap of faith, and holding no bounds. The tree represents life and wisdom. Giving you a sense of safety within its branches, but the pain from the fall teaches you that those scratches can be healed. You don’t have to hit the ground. Love grows upward but more importantly down. It’s the roots that keep you steady.”

Doja is set to perform as the musical guest on Saturday Night Live on Oct. 4 before heading out on tour in November — with dates currently scheduled in New Zealand and Australia, and across Asia.

Among the new releases trailing behind Vie on this week’s poll are Mariah Carey’s Here for It All, with 45% of the vote, followed by Tate McRae’s “Tit for Tat,” Olivia Dean’s The Art of Loving, 5 Seconds of Summer’s “NOT OK,” Young Thug’s UY SCUTI and Rauw Alejandro’s Cosa Nuestra: Capítulo 0.

See the final results of this week’s poll below.


Dolly Parton’s upcoming concert residency in Las Vegas has been postponed. The country icon is undergoing “a few” undisclosed medical procedures to address health concerns, she revealed on Sunday (Sept. 28).

In a statement posted on her social media accounts, Parton explained that she won’t have sufficient rehearsal time ahead of the shows that were scheduled for The Colosseum at Caesars Palace in early December. She announced rescheduled dates set for September 2026.

“I want the fans and public to hear directly from me that, unfortunately, I will need to postpone my upcoming Las Vegas concerts,” Parton wrote. “As many of you know, I have been dealing with some health challenges, and my doctors tell me that I must have a few procedures. As I joked with them, it must be time for my 100,000-mile check-up, although it’s not the usual trip to see my plastic surgeon!”

Her message continued, “In all seriousness, given this, I am not going to be able to rehearse and put together the show that I want you to see, and the show that you deserve to see. You pay good money to see me perform, and I want to be at my best for you. While I’ll still be able to work on all of my projects from here in Nashville, I just need a little time to get show ready, as they say. And don’t worry about me quitting’ the business because God hasn’t said anything about stopping yet. But, I believe He is telling me to slow down right now so I can be ready for more big adventures with all of you. I love you and thank you for understanding.”

Parton was set to perform in Vegas on Dec. 4, 6, 7, 10, 12 and 13. She planned to weave “seven decades of classic hits and fan favorites including ‘9 to 5,’ ‘Jolene,’ ‘I Will Always Love You’ and ‘Coat of Many Colors’” into the limited engagement run at The Colosseum, for which tickets went on sale in June.

The rescheduled dates are: Sept. 17, Sept. 19, Sept. 20, Sept. 23, Sept. 25 and Sept. 26.

Original tickets are valid for the new dates, and refunds will be available. Parton and The Colosseum at Caesars Palace said more instructions will be provided to ticket purchasers via email.

The concert residency is Parton’s first extended run in Las Vegas since a short engagement in the early ’90s — at the then-new, but now-closed, Mirage Hotel, where she performed alongside Kenny Rogers.

Dua Lipa paid tribute to a fellow pop star during her Radical Optimism tour stop in Miami.

On Saturday (Sept. 27), during the second of two nights at the city’s Kaseya Center, the 30-year-old British-Albanian singer delivered a faithful rendition of Ariana Grande’s “One Last Time,” from Grande’s 2014 album, My Everything.

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Fan-captured footage shows Lipa onstage in a fur-lined, sparkly black jacket over a lacy, see-through bodysuit as she belts out the emotional track, which peaked at No. 13 on the Billboard Hot 100 in February 2015.

Grande, a Florida native, quickly took notice, sharing a clip of Lipa’s cover on her Instagram Story and adding a face holding back tears emoji in appreciation.

Lipa has made a habit of delivering locally inspired covers throughout her Radical Optimism World Tour, which kicked off its U.S. leg earlier this month at Chicago’s United Center.

During her first night in Miami on Friday (Sept. 26), the “Houdini” singer paid homage to local legends Gloria Estefan and Miami Sound Machine with a high-energy performance of “Conga.”

Earlier in the tour, Lipa took her tributes to New York, teaming up with Nile Rodgers for a disco-fueled rendition of Chic’s 1978 classic “Le Freak.” She also honored the Big Apple with covers of Alicia Keys’ “No One” and Blondie’s “One Way or Another.” At the U.S. kickoff in Chicago on Sept. 5, Lipa brought out hometown icon Chaka Khan for a powerhouse duet of her 1983 hit “Ain’t Nobody.”

Lipa will continue the North American leg of her tour with upcoming stops in Dallas, Los Angeles, San Francisco, and Seattle, before heading to South America and Mexico.

The Radical Optimism World Tour supports Lipa’s third studio album of the same name, which debuted at No. 2 on the Billboard 200 in 2024. The album spawned multiple hits, including lead single “Houdini,” which spent 17 weeks at No. 1 on Billboard’s Hot Dance/Electronic Songs chart.

Cardi B scores her second No. 1 on the Billboard 200 albums chart as AM I THE DRAMA? debuts atop the tally (dated Oct. 4) with 200,000 equivalent album units earned in the United States in the week ending Sept. 25, according to Luminate. That marks 2025’s biggest week for an R&B/hip-hop album by a woman. AM I THE DRAMA? is Cardi B’s second full-length studio project, and follows her chart-topping debut, Invasion of Privacy, in 2018.

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Also in the top 10 of the latest Billboard 200, Nine Inch Nails’ soundtrack to TRON: Ares debuts at No. 5, marking the first top 10 for the band since 2013.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 4, 2025-dated chart will be posted in full on Billboard‘s website on Sept. 30. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of AM I THE DRAMA?’s 200,000 first-week equivalent album units, SEA units comprise 110,000 (equaling 145.72 million on-demand official streams of the set’s songs during the tracking week — it also debuts at No. 1 on Top Streaming Albums), album sales comprise 88,000 (it debuts at No. 1 on Top Album Sales) and TEA units comprise 2,000.

AM I THE DRAMA?’s opening-week sales were boosted by its availability across an array of permutations. It was issued as a standard 19-song widely available digital download album; 20-song CD and vinyl editions; and a 23-song download and streaming edition. There were also further digital variants: an iTunes Store and Apple Music edition with bonus live video tracks, a 30-track artist webstore-exclusive edition and two widely available expanded editions (with 24 tracks each).

The CD and vinyl variants for AM I THE DRAMA? were largely only available through Cardi B’s webstore and through some independent record stores. AM I THE DRAMA? was issued on two standard CD variants (one signed by the artist), seven additional CD cover variants (four of them signed, inclusive of three versions with cover art showing gone-viral photos of the artist on the stand during her assault trial in August, dubbed the “courtroom edition”) and eight deluxe CD boxed sets containing merchandise and a CD. The album was also issued on two standard vinyl editions (one signed) and nine additional vinyl variants (some with different covers and/or color vinyl, most of them signed, including a “courtroom edition” cover variant).

In addition to a typical promotional press run to raise awareness of the album’s release, the artist also mounted a busy schedule of in-store appearances during release week, doing photo ops and meet-and-greets with fans purchasing the album. During release week, she hit four independent record stores (Looney Tunes in West Babylon, N.Y.; Spin Me Round in Easton, Pa.; DBS Sounds in Riverdale, Ga.; and Fingerprints in Long Beach, Calif.) and a Hot Topic location in Elmhurst, N.Y. and a Walmart in Cypress, Texas.

The widely available editions of AM I THE DRAMA? contain the Billboard Hot 100-charted hits “Outside” (No. 10 peak in July), “Imaginary Playerz” (No. 70 in August), “Up” (No. 1 in March 2021) and “WAP” (featuring Megan Thee Stallion, No. 1 in August 2020).

The chart-topping KPop Demon Hunters soundtrack holds at No. 2 with 104,000 equivalent album units earned (down 7%). The set also notches a 10th week inside the top two on the Billboard 200, marking the most weeks inside the top two for a soundtrack since the Frozen album logged 21 nonconsecutive frames in the top two (13 of them at No. 1) in 2014. KPop surpasses Encanto, which had nine weeks in the top two (all at No. 1) in 2022.

Morgan Wallen’s former No. 1 I’m the Problem is steady at No. 3 (90,000 equivalent album units, down 7%) and Sabrina Carpenter’s chart-topping Man’s Best Friend is stationary at No. 4 (69,000, down 21%).

Nine Inch Nails are back in the Billboard 200’s top 10 for the first time in over a decade, as the band’s soundtrack to the film TRON: Ares debuts at No. 5 (the highest debut of 2025 for a soundtrack) with 45,000 equivalent album units earned. Of that sum, album sales comprise 39,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 6,000 (equaling 8.37 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. Nine Inch Nails have tallied seven top 10 albums on the Billboard 200: TRON: Ares, Hesitation Marks (No. 3 in 2013), Year Zero (No. 2, 2007), With Teeth (No. 1, 2005), The Fragile (No. 1, 1999), The Downward Spiral (No. 2, 1994) and Broken (No. 7, 1992).

The first-week sales of TRON: Ares were aided by its availability across four vinyl variants, a cassette, two CD variants and a download and streaming edition (all containing the same tracklist).

TRON: Ares is the companion soundtrack to the film of the same name, which will be released on Oct. 10 in movie theaters, and is the third in the Tron film series. It follows Tron: Legacy (2010) and Tron (1982). The TRON: Ares soundtrack is the second Tron movie soundtrack to reach the Billboard 200, following Daft Punk’s TRON: Legacy (which peaked at No. 4).

TRON: Ares was preceded by the album’s single “As Alive as You Need Me To Be,” which has reached the top 10 on both Alternative Airplay and Mainstream Rock Airplay.

Also, with KPop Demon Hunters and TRON: Ares at Nos. 2 and 5, there are two soundtracks in the top five simultaneously for the first time in more than six years. It last happened on the March 30, 2019 chart, when Lady Gaga and Bradley Cooper’s chart-topping A Star Is Born was No. 3 and Queen’s Bohemian Rhapsody was No. 5.

Rounding out the rest of the latest top 10 on the Billboard 200: Alex Warren’s You’ll Be Alright, Kid rises 7-6 (35,000 equivalent album units, down 3%); SZA’s chart-topping SOS climbs 8-7 (33,000, down 2%); Wallen’s former leader One Thing at a Time steps 9-8 (32,000, down 3%); Justin Bieber’s SWAG shifts 6-9 (just under 32,000, down 27%); and Bad Bunny’s former No. 1 DeBÍ TiRAR MáS FOToS climbs 13-10 (nearly 32,000, up 21%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here.