A new policy report from the U.S. Copyright Office says that songs and other artistic works created with the assistance of artificial intelligence can sometimes be eligible for copyright registration, but only if the ultimate author remains a human being.

The report, released by the federal agency on Wednesday (March 15), comes amid growing interest in the future role that could be played in the creation of music by so-called generative AI tools — similar to the much-discussed ChatGPT.

Related

Copyright protection is strictly limited to content created by humans, leading to heated debate over the status of AI-generated works. In a closely-watched case last month, the Copyright Office decided that a graphic novel featuring AI-generated images was eligible for protection, but that the individual images couldn’t be protected.

In Wednesday’s report, the agency said that the use of AI tools was not an automatic ban on copyright registration, but that it would be closely scrutinized and could not play a dominant role in the creative process.

“If a work’s traditional elements of authorship were produced by a machine, the work lacks human authorship and the Office will not register it,” the agency wrote. “For example, when an AI technology receives solely a prompt from a human and produces complex written, visual, or musical works in response, the traditional elements of authorship are determined and executed by the technology — not the human user.”

The report listed examples of AI-aided works that might still be worthy of protection, like one that creatively combined AI-generated elements into something new, or a work that was AI-generated that an artist then heavily modified after the fact. And it stressed that other technological tools were still fair game.

Related

“A visual artist who uses Adobe Photoshop to edit an image remains the author of the modified image, and a musical artist may use effects such as guitar pedals when creating a sound recording,” the report said. “In each case, what matters is the extent to which the human had creative control over the work’s expression and ‘actually formed’ the traditional elements of authorship.”

Under the rules laid out in the report, the Copyright Office said that anyone submitting such works must disclose which elements were created by AI and which were created by a human. The agency said that any AI-inclusive work that was previously registered without such a disclosure must be updated — and that failure to do so could result in the cancellation of the copyright registration.

Though aimed at providing guidance, Wednesday’s report avoided hard-and-fast rules. It stressed that analyzing copyright protection for AI-assisted works would be “necessarily a case-by-case inquiry,” and that the final outcome would always depend on individual circumstances, including “how the AI tool operates” and “how it was used to create the final work.”

And the report didn’t even touch on a potentially thornier legal question: whether the creators of AI platforms infringe the copyrights of the vast number of earlier works that are used to “train” the platforms to spit out new works. In October, the Recording Industry Association of America (RIAA) warned that such providers were violating copyrights en masse by using existing music to train their machines.

Related

“To the extent these services, or their partners, are training their AI models using our members’ music, that use is unauthorized and infringes our members’ rights by making unauthorized copies of our members works,” the RIAA said at the time.

Though Wednesday’s report did not offer guidance on that question, the Copyright Office said it had plans to weigh in soon.

“[The Office] has launched an agency-wide initiative to delve into a wide range of these issues,” the agency wrote. “Among other things, the Office intends to publish a notice of inquiry later this year seeking public input on additional legal and policy topics, including how the law should apply to the use of copyrighted works in AI training and the resulting treatment of outputs.”

Read the entire report here:

Miami police officers were summoned to the city’s oldest cemetery over the weekend after a volunteer found an open coffin — and a piece of bone next to it. The … Click to Continue »
Gov. Ron DeSantis’ administration is seeking to revoke the Hyatt Regency Miami’s liquor license because one of its facilities hosted a Christmas-themed drag queen show in which the state claimed … Click to Continue »
Twenty early-stage company founders were selected as finalists to compete for bragging rights in the 24th annual Miami Herald Startup Pitch Competition, the region’s oldest entrepreneurship challenge. Ten finalists were … Click to Continue »
NEW YORK — Detectives have identified the three teens who allegedly beat a 15-year-old autistic boy in an upper Manhattan subway station as others yelled the N-word at him in … Click to Continue »
A Florida House panel Tuesday backed a proposal that would expand a controversial 2022 law barring instruction about sexual orientation and gender identity in early grades and restrict the way … Click to Continue »

To celebrate EXO member KAI dropping his latest solo album Rover, nearly all his band members came together for a light-hearted reaction viewing of his new music video.

For the first time together in years — after different members handled their mandatory Southern Korean military service from 2019 to 2023 — EXO’s SuhoBaekhyunChenChanyeolD.O, Xiumin, Sehun and KAI gathered as eight to review KAI’s new single, gain some insight from their bandmate, and tease upcoming EXO music.

Despite being active with solo albums and special releases, EXO has not released music together as a whole group (which includes ninth member Lay, who is currently active in China) since 2018 with their sixth studio album, Don’t Mess Up My Tempo, which became their highest-charting entry on the Billboard 200 when it peaked at No. 23.

Despite the friendly viewing, KAI admitted his nerves and how it was the first time watching one of his solo music videos with his members. “I feel so nervous,” he shared. “It feels like an evaluation session. It feels really odd.”

Yet his band mates showered KAI with compliments on his dancing (Xiumin said, “I love that choreography”), single choice (“The song is so good,” commented D.O), and future success with “Rover” (Chanyeol said, “This should make it to the Billboard charts”).

After applauding at the end, several EXO members shared additional reviews.

“First of all, I really like the style of the song,” youngest member Sehun said. “The choreography is good. I think the producing was great too. Everyone agrees, right?”

Chen added, “From what we’ve seen from KAI before, we know he’s a great performer but from this music video, I was also able to see more of KAI as a person, like his acting, the whole atmosphere. I think it’s fair to say I could feel that he’s matured more. I could see a more manly side.”

“I loved it because it seemed like you relaxed more,” Baekhyun, a member of SuperM with KAI, said. “You went for less. I liked how I could tell you did that.”

Chanyeol even suggested that the guys “make this an EXO song” and “choose this as our next song,” a tease for their highly anticipated comeback album together. KAI shared that he “actually really mentioned that” suggestion before Chanyeol brushed off the idea and countered that “only KAI can pull this off.”

Before the video ends, EXO leader Suho shared a heartfelt message while asking fans to support KAI’s new music: “We, EXO, will always be rooting for him by his side as well.”

Watch the full reaction video for why KAI chose to shorten his new single, different movie and dance inspirations in the visual, and more from the EXO members.

Justin Timberlake is no stranger to a good collaboration. His wide-ranging voice blends seamlessly throughout a number of genres, and his decades-long experience in the music industry has allowed him to make several high-profile, talented friends along the way.

In 2020, the Trolls World Tour soundtrack was unleashed with the help of two new Timberlake duets: “The Other Side” (with SZA) and “Don’t Slack” (with Anderson .Paak). Most recently, in 2022, he teamed up with Calvin Harris, Halsey and Pharrell Williams for “Stay With Me,” featured on Harris’ Funk Wav Bounces Vol. 2.

In honor of his decades of music magic, we’ve compiled a list of our favorite JT collabs, from pop to hip-hop and R&B. See them below.

Lindsay Lohan announced her surprise pregnancy news with husband Badar Shammas on Tuesday (March 14) and her comments have been flooded with well wishes from Paris Hilton, Amanda Seyfried, Lacey Chabert and more.

Related

“Congratulations love! So happy for you…Welcome to the Mommy Club!” wrote Hilton, who recently welcomed her very first child with husband Carter Reum as well via surrogate. The heiress’ aunt, Real Housewives of Beverly Hills star Kyle Richards, added, “OMG… So happy for you!!!!” with a single red heart emoji.

Seyfried, who co-starred with Lohan in 2004’s Mean Girls, commented, “This is WONDERFUL NEWS!!” from her official Instagram account while Chabert, a third member of The Plastics, wrote, “I’m thrilled for you!!!! So exciting.”

Other famous faces to add their heartfelt congratulations to Lohan’s news included Donatella Versace (a trio of sparkle emojis), Bella Thorne (“OMG Congrats!”), Kathy Hilton (“I am so happy for you” with a flurry of emojis), Quinta Brunson (“Omg congrats Lindsay!”), Nancy Meyers (“Lindsay!!!!!! I’m so excited for you!”) and more.

Ahead of the pregnancy announcement, Lohan had commented on the possibility of recording a new album while promoting her Netflix holiday romance Falling for Christmas. “If you hear music from me, it will hopefully be in a movie musical,” she said in an interview with Who What Wear at the time. “I’ve done a ton of songs that are sitting, waiting. Maybe five years down the line, I’ll do another album.”

Though it’s been 18 years since her sophomore studio effort, 2005’s A Little More Personal (Raw), the “Rumors” singer did record a new cover of “Jingle Bell Rock” for the end credits of her latest Christmas movie.

Check out all the comments on Lohan’s exciting baby news below.

Taylor Swift’s Eras Tour might be opening on Friday night, but the best pop concert of this past weekend was Sunday’s Oscars. Both Rihanna and Lady Gaga performed their best original song nominees at Hollywood’s Dolby Theatre for a packed room of movie A-listers — and Billboard was there to see it all.

On the new Billboard Pop Shop Podcast, Keith peppers Katie with questions about her night at the 95th annual Academy Awards, from arriving at the red carpet through toasting the winners at the Governors Ball afterparty and all the movie moments in between.

Related

Austin Butler

Snubs & Surprises at 2023 Oscars

Listen below:

Also on the show, we’ve got chart news on how Morgan Wallen not only has a massive debut atop the Billboard 200 albums chart with One Thing at a Time, but all 36 songs on the album are on the Billboard Hot 100 — setting a new record for the most concurrent songs by a single artist on the chart. One of those songs, “Last Night,” shoots all the way to No. 1 — his first Hot 100 chart-topper. With Miley Cyrus and TWICE on the horizon, can Wallen stay at No. 1 for another week? We talk about all that and more.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)