After a gloomy period, 2025 is looking to be something of a golden year for U.K. and Irish artists: Central Cee’s debut Can’t Rush Greatness achieved U.K. rap’s highest-ever placement on the Billboard 200; Lola Young saw “Messy” become a global smash; and Wet Leg, Fontaines D.C. and Sam Fender all levelled up for their largest-ever live shows.

Olivia Dean is fast becoming the leader of the pack. The London-born musician, who melds pop with a soulful influence, is currently working her way up the Hot 100 with “Man I Need,” (No. 30) the second single from her sophomore LP, The Art of Loving. A U.K. arena tour for spring 2026 is completely sold out, including four dates at London’s 20,000-capacity O2 Arena. A clean sweep at the 2026 BRIT Awards feels somewhat inevitable.

Her story will be a reassuring one for the British industry having hit familiar benchmarks: she attended the BRIT School (famed for producing Adele and Amy Winehouse), and won a devoted audience with Mercury Prize-nominated debut LP, 2023’s Messy. She’s also toured far and wide, including well-earned slots at Glastonbury and, more recently, with collaborator Sam Fender.

But it’s Dean’s talent and personality that shines. Her vocals are perfectly balanced – never overpowering, but unmistakably memorable. She writes succinctly and powerfully on love and relationships, side-stepping clichés and favoring specificity in her songs. The Art of Loving is full of both, a record that looks set to elevate her from rising prospect to a true superstar.

These are the 12 songs from The Art of Loving ranked in order of greatness.

Kneecap had a terror charge thrown out of court on Friday (Sept. 26) in a legal victory for the Irish rap trio.

Rapper Liam Óg Ó hAnnaidh, who performs under the name Mo Chara, had been charged with a terrorism offense for allegedly showing support for Hezbollah, a group proscribed terrorist status by the U.K. government.

But at Woolwich Crown Court on Friday, the judge presiding over the case dismissed the charge due to a technical error in the way the charges were brought by London’s Metropolitan Police (via Sky News). Ó hAnnaidh had always denied any wrongdoing in the case, and had been granted unconditional bail since June.

The incident occurred in November 2024 at a concert at London’s Kentish Town Forum. Video footage from the show appeared to show Ó hAnnaidh displaying a flag associated with Hezbollah, and he was subsequently charged with an terrorism offence in May.

In August, legal arguments by Ó hAnnaidh’s team questioned whether the charge was brought within the six-month time limit. His defense team argued that the case should be thrown out. Ó hAnnaidh claimed that the charges were politically motivated, and linked the case to the band’s longstanding support for the people of Palestine. 

Chief Magistrate Paul Goldspring, the judge presiding over the case, said that “proceedings against the defendant were instituted unlawfully and are null.” Following the ruling, the judge said, “Mr O hAnnaidh, you are free to go,” which was met by cheers and applause in the public gallery. The court was told: “You can do your celebrating outside, but the court now has other business to attend to.” The judge commented that the decision was not a ruling on his innocence or guilt, but the technical error in bringing the case.

Kneecap’s manager Daniel Lambert wrote on social media, “We have won. Liam Óg is a free man. We said we would fight them and win. We did (Twice). Kneecap has NO charges OR convictions in ANY country, EVER. Political policing has failed. Kneecap is on the right side of history. Britain is not.”

The Northern Irish hip-hop trio released their breakthrough album Fine Art in 2024 alongside a self-titled biopic which saw critical acclaim, and was nominated for an Academy Award as well as winning a BAFTA prize.

In April 2025, the group ended their Coachella sets with a message that stated: “Israel is committing genocide against the Palestinian people. It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.” A number of industry names including Sharon Osbourne called for them to be removed from the bill and their work visas to be revoked.

Their set at Glastonbury Festival in June was well-attended and peaceful, and went ahead despite disquiet from the U.K. Prime Minister Keir Starmer who said their performance would not be “appropriate.” 

They have since been banned from a number of countries (Hungary and Canada) and been forced to cancel shows in the U.S., as well as in the U.K. while the court case was ongoing. Earlier this month (Sept. 18), the trio played their largest ever headline show in the U.K. at London’s Wembley Arena and were joined by Massive Attack.


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It’s been nearly 11 months since Young Thug reached a plea deal and was released from jail to wrap up his involvement in the YSL RICO trial, which became the longest-running trial in Georgia’s history (Thug was arrested in May 2022).

Thug’s been on a turbulent ride since regaining his freedom. He’s been laying low on the music side, outside of giving Lil Baby a feature in January and dropping off a pair of singles, one of which was with Future and another that served as an apology tour of sorts, looking to set the record straight.

After his release, Thugger has remained at odds with his once-mentee Gunna and his been hit with snitching allegations of his own.

Jail phone calls with Mariah the Scientist continued to leak one after the next, which found him allegedly calling GloRilla “ugly” and addressing his relationship with Drake, Future, Gucci Mane and Lil Baby.

UY SCUTI (the biggest known star in the universe) has suffered through several delays and Thug has plenty to get off his chest with his first post-prison album.

The LP finally arrived on Friday (Sept. 26) and is loaded with a star-studded cast, as he recruited Future, Cardi B, Travis Scott, Mariah the Scientist, T.I., Ken Carson, Sexyy Red, Lil Baby and former foe YFN Lucci.

No more tweets, no more leaked calls, Thug takes back control of his narrative and looks to reassert his stature within rap’s A-list with the arrival of UY SCUTI. While the jarring cover art is certain to throw fans off initially, here are all 20 tracks from the album ranked below.

It’s been a turbulent ride since Young Thug was released from jail in October 2024. Nearly 11 months later, Thugger finally returns to speak out with his music, as the highly anticipated UY Scuti album arrived on Friday (Sept. 26).

Thugger set the table for UY Scuti with the Future-assisted “Money on Money” in April. He followed up with “Miss My Dogs” earlier in September, which found him apologizing and addressing some major figures in his life, including girlfriend Mariah the Scientist, Drake, Gucci Mane, 21 Savage, Future and Lil Baby.

The Atlanta native’s last album, Business Is Business, was released in June 2023 while Thug was still behind bars. The LP debuted at No. 2 on the Billboard 200 with 89,000 total album units earned.

UY Scuti suffered plenty of delays before arriving, as the project was previously rumored to be released in May and June, before getting pushed to Sept. 19.

Thug pivoted to Sept. 26 out of respect for Cardi B, who dropped her Am I the Drama? album on Sept. 19. “Yall know I wasn’t dropping Friday. It’s a ladies day,” he wrote to X. And Cardi replied, “And you better step next week …you got this, You know this !!”

Thugger explained to GQ in April about why he titled the project UY Scuti. “I just feel big, you know. The name of my album UY Scuti. I feel like I’m one of the biggest stars,” he said. “I did a lot. Founding this culture. The new rap game that’s happening right now. I’m out of this world. Not like God, though.”

Young Thug spent Wednesday (Sept. 24) at the Los Angeles federal courthouse supporting his friend Metro Boomin, who was facing trial in his civil sexual assault lawsuit.

Stream UY Scuti below.


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Doja Cat is back to being a pop star on her new album Vie.

The 15-track project dropped on Friday (Sept. 26) and includes one feature from Doja’s Kiss Me More sister, SZA. The album also includes the lead single “Jealous Type,” which Doja performed at the 2025 VMAs alongside celebrated saxophonist Kenny G. Doja previously said this album would be more pop-lenient compared to her 2023 rap album Scarlet, and will focus on love, romance, and sex. She made good on that promise, as Vie‘s sound never strays away from the 80s-infused pop energy heard on past Doja hits like Say So.” The singer and rapper spoke about working with producer Jack Antonoff for the lighthearted record in an interview with Apple Music, and said crafting the record together became a very personal experience.

“I’m working with Jack Antonoff and working with a person that’s new in my life,” she told Zane Lowe. “And so it’s the grappling with talking about something personal and creating something fresh, and then getting to know someone new, and then all of these things fell together really naturally. He’s been such a wonderful person to work with.”

Now that the project is out, Doja Cat will celebrate the release with her Ma Vie World Tour. While she has only announced shows in Asia, New Zealand, and Australia, she’s set to perform on Saturday Night Live on Oct. 4, so hopefully some North American dates will follow after that.

Listen to Doja Cat’s new album Vie below.

Leading up to the Latin American leg of his Cosa Nuestra World Tour, set to continue on Oct. 13 in Chile, Rauw Alejandro dropped his new studio album Cosa Nuestra: Capítulo 0 — a prequel to his chart-topping Cosa Nuestra released last fall — on Friday (Sept. 26).

A contrast to his 2024 set that was elegant and glamorous, and inspired by New York in the ‘70s and the era of the Sicilian mafia, Cosa Nuestra: Capítulo 0 “is all about the Caribbean, not only Puerto Rico,” he tells Billboard. “There’s so much inspiration in music from Cuba, the Dominican Republic, Jamaica, Haiti — I believe we’re all one nation. The Caribbean shares the same blood — we’re Indian, African and Spanish — that’s our race.” 

Sonically, the 14-track set offers traditional bomba and plena (“Carita Linda,” “Caribeño”); his first-ever bachata called “Silencio,” written and produced by Romeo Santos; and closes with three brand new salsa tunes, including the sultry “Callejón de los Secretos” with Mon Laferte.

Rauw Alejandro

Rauw Alejandro

Marco Perretta

In between, he gives fans his signature perreo and R&B numbers, including “Buenos Términos,” “Nostalgia de Otoño” and “Contrabando,” and is also home to the previously released 2024 banger “Santa” with Rvssian and Ayra Starr.

Cosa Nuestra: Capítulo 0 — which Rauw began working on in 2023 — drops in the midst of this Cosa Nuestra world tour, allowing him to create new music while “staying in the same era and character,” he notes. 

“The meaning of Cosa Nuestra is so big that I have to release 20 albums to explain its concept. There’s no time to do that in just one album,” he laughs. “I’m going to continue to bring my roots to the world. Nowadays I feel so connected with my people and am very proud of where I come from. I don’t have to look outside when I have everything here.” 

Stream and listen to Cosa Nuestra: Capítulo 0 below:


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Mariah Carey‘s sparkle doesn’t dull on her 16th studio album, Here For It All, which was released on Friday (Sept. 26) via gamma.

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The 11-track LP was preceded by two singles, “Type Dangerous” and “Sugar Sweet,” the latter featuring Shenseea and Kehlani. “Type Dangerous” won best R&B at the 2025 MTV Video Music Awards, where Carey received the Michael Jackson Video Vanguard Award, and also became her landmark 50th Billboard Hot 100 hit as well as her first No. 1 on Adult R&B Airplay in nearly 20 years. The project also includes collaborations with Anderson .Paak (“Play This Song”) and The Clark Sisters (“Jesus I Do”).

Although she’s not featured on the album, SZA and MC previewed a snippet of “In Your Feelings” during their Apple Music conversation in NYC Wednesday (Sept. 24). And Mimi told Gayle King in her CBS Mornings interview earlier on release week about the intentionality behind the title track and its sequencing on the project. “The last song on the album I decided first. I was like, ‘The last song is going to be “Here For It All.” And I’m going to make it the title track.’ It’s just something that feels good to me, and I didn’t want people to miss it,” she said.

Here For It All arrives seven years after her last studio album, Caution. The 10-song LP included collaborations with Ty Dolla $ign (“The Distance”), Slick Rick and Blood Orange (“Giving Me Life”) and Gunna (“Stay Long Love You”). It peaked at No. 5 on the Billboard 200 and topped Top R&B/Hip-Hop Albums.

Listen to Here For It All below.


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The 2025 Premios Juventud trophies were handed out Thursday night (Sept. 25) in Panama at a ceremony filled with exciting performances by stars ranging from Marc Anthony and Gloria Trevi to this year’s Agents of Change honorees, Carlos Vives and Myke Towers.

The event started with a powerful tribute to Panama that included a combination of legends, music icons and emerging artists, with Boza, Dímelo Flow, Farruko, Los Rabanes, Nando Boom, Natti Natasha, Samy and Sandra Sandoval, Sech and Willie Colón performing classics such as “La Murga”, “Ellos Benia Dem Bow” and “Gallina Fina”.

Other Latin music stars shone with their vibrant performances at the first-ever edition of the event held outside the United States. Xavi made his Premios Juventud debut, performing his single “Corazón de Piedra”; Maluma took the stage to sing his latest hit “Bronceador,” and Grupo Firme performed “El Beneficio de la Duda.” Additionally, Bad Gyal sang “Da Me,” Camilo and Morat joined forces for their collaboration “Me Toca a Mí,” and Farruko presented “Bandido” along with his new single, “Oe Oe.”

Hosted by Alejandra Espinoza, Clarissa Molina, and Nadia Ferreira, the 22nd edition of Premios Juventud was broadcast live from the Figali Convention Center in Panama City via Univision, UNIMÁS, Galavisión, and ViX.

Bad Bunny and Morat led the winners’ list of winners with three awards each. The Puerto Rican superstar won best urban track (“DTMF”), best urban mix (“Adivino”), and best urban album (Debí Tirar Más Fotos), while the Colombian band got favorite group or duo of the year, best pop/rock song (“Me Toca a Mí”), and best pop album (Ya Es Mañana).

The Premio Juventud artist of the year award went to Karol G, who also won tropical hit of the year (“Si Antes Te Hubiera Conocido”). Carín León also got two trophies: best Mexican music song (“El Amor de Mi Herida”) and best Mexican music album (Boca Chueca, Vol. 1).

But who topped our ranking of the best performances of the night? Keep reading to find out!

A wave of Latin artists took over the 2025 Premios Juventud that were hosted in Panama City on Thursday night (Sept. 25), marking the first time the awards were presented outside the United States. 

Coinciding with Hispanic Heritage Month and under the theme “evolving to the rhythm of music,” this year’s move “reinforces TelevisaUnivision’s commitment to honoring the strength, values and traditions of Latin American communities,” according to a statement shared with Billboard.

Bad Bunny and Danny Ocean lead this year’s nominations with six nods each, followed by the five-time nominees Anitta, Beéle, Carín León, Emilia, Myke Towers, Netón Vega and Peso Pluma. Traditionally, the nominations salute today’s youth in music, television, social media, streaming and pop culture with an eligibility period from May 31, 2024, to June 1, 2025, and the winners are determined by popular vote. 

Meanwhile, Carlos Vives and Myke Towers were recognized as this year’s Agents of Change. Vives for his dedication to cultural and community development through his Tras La Perla Foundation, and Towers for his work with the Young Kingz Foundation, a nonprofit organization focused on empowering vulnerable communities. 

On television, artists such as Maluma, Camilo, Grupo Firme, Marc Anthony, Bad Gyal, Gloria Trevi, and Sech, to name a few, graced the stage with their vibrant performances, and at the same time, Billboard was catching all the action at the blue carpet that fans didn’t watch on TV. 

Below, check out some of the action that happened behind the scenes.

It was an embarrassment of riches at Portola 2025, with a head-spinning lineup that was bursting at the seams with legends, essential acts of the moment and a whole lot of rising stars. The weather more than cooperated, with sunshine and warm winds blowing off San Francisco Bay and onto the approximately 40,000 people gathered for each of the event’s two days.

This year marked the fourth edition of the event, which more or less adopted an if-it’s-not-broke-don’t-fix-it ethos by keeping most every stage in the same position as years past. The only major visible changes were an expanded ultra-VIP viewing area at the main stage and more lights and speakers in the festival’s massive warehouse space, which, despite being built almost entirely from metal, offered a pristine sound experience.

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The Warehouse hosted some of the best sets of the weekend, with Chris Stussy delivering sophisticated yet unpretentious techno for the Sunday evening crowd and Japanese phenom Yousuke Yukimatsu playing an inventive set on Saturday night (and spotted taking photos with fans in the crowd later that evening).

Meanwhile, unstoppable Dutch star Mau P drew a massive crowd to the main stage on Saturday, and Dom Dolla did the same the night after, with the crowd and the producer alike seeming to take special pleasure when he dropped 2019’s “San Frandisco.” Peggy Gou closed out the weekend during a packed set in the warehouse, darkwave duo Boy Harsher cemented their star status with an electric Sunday night show, The Prodigy thrilled a mega-packed audience with their signature brand of hard-edged rave music and Hamdi lit up the Ship Tent (so named because it’s literally in front of a giant ship) during a hyphy golden-hour set that featured hits like his Skrillex collab “Push.”

Toward the end of the weekend, Moby summed it all up when he told the crowd that “in my heart of hearts, I am still a little rave kid, and some of the most joyful, transcendent moments of my life have been at experiences like this, surrounded by tens of thousands of people, everyone happy, everybody celebrating this sort of collectively created utopia, so I would like to dedicate this next song to everyone here who creates utopia for everyone else.”

To wit, in a weekend of much joy and many highlights, these are five of of the standout moments from the Sept. 20-21 festival.