The Grammys and the Latin Grammys have a lot in common. The four highest-profile awards are the same at both shows – album, record and song of the year plus best new artist.

Both shows also present several of the same honorary awards – lifetime achievement awards (for artists), trustees awards (for people whose primary contributions are behind-the-scenes), hall of fame awards and person of the year.

And occassionally the nominees overlap. Bad Bunny could be headed for his second album of the year “double” – with nominations in that category at both the Grammys and the Latin Grammys with his latest album, Debí Tirar Más Fotos. He’s already gotten the nod from the Latin Grammys and he has a good chance of landing in that category when the Grammy nominations are announced on Nov. 7. Bunny’s 2022 album, Un Verano Sin Ti, was nominated in that category at both shows.

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But there are differences too, which we’ll explore in this piece. Most obviously, the Grammys are more than 40 years older. The Grammys were first presented in May 1959; the Latin Grammys in September 2000.

Some of the differences are so basic – the number of nominees in each of the Big Four categories, for example, or whether songwriter and producer of the year should be bumped up to the General Field or not – that it’s easy to think the two academies should “get on the same page” and decide together on best practices.

But the awards chiefs at the two academies don’t see it that way. “The Recording Academy and The Latin Recording Academy are separate organizations with different eligibility periods, different categories, and separate voting bodies,” Luis Dousdebes, chief awards, membership & preservation officer for the Latin Recording Academy, and Ruby Marchand, chief awards & global industry officer for the Recording Academy, said in a joint statement to Billboard. “Many of our guidelines are the same but the interpretation of these guidelines can differ. For this reason, drawing a direct comparison between how the two Academies administer and interpret these guidelines doesn’t reflect the spirit in which the two Academies complement each other, rather than mirror each other, since they serve different communities.”

Here are nine ways the two shows differ.


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Everything’s coming up Louis. Less than a day after former One Direction star Louis Tomlinson announced the release date for his upcoming third solo album, How Did I Get Here? and dropped the LP’s lead single, “Lemonade,” the singer announced the dates for the North American portion of his 2026 How Did We Get Here? world tour.

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The 28-date arena run will kick off on June 3 at Pacific Coliseum in Vancouver, before moving on to Seattle, San Francisco, San Diego, Los Angeles, Las Vegas, Phoenix, Austin, Minneapolis, St. Louis, Nashville, Chicago, New York, Pittsburgh, Boston, Montreal, Detroit, Cleveland and Atlanta, winding down on July 24 at the Kaseya Center in Miami.

An artist pre-sale begins on Oct. 8 at 10 a.m. local, followed by a general on-sale beginning on Oct. 10 at 10 a.m. local; click here to register for the presale and here for more ticketing information.

In a statement about the album due out on Jan. 23, Tomlinson said, “I sum up it as ‘The record I always deserved to make.’ My bread and butter is my honesty. I genuinely wear my heart on my sleeve, and I hope it comes through in the music. I’m still learning and getting better as a singer and a songwriter. I find it impossible to be complacent; it’s not in my vocabulary. For the first time now, I’m allowing myself to be the artist I’d always hoped to be.”

Before he hits the road, Tomlinson will oversee this weekend’s Away From Home festival, which will be held in the U.S. for the first time at the Brewery Ommegang in Cooperstown, N.Y. on Saturday (Oct. 4) and Sunday (Oct. 5). It will feature headlining performances by Tomlinson and Lauv, along with sets by Plain White T’s, Daya, Pale Waves and special guest Steve Aoki, among others.

Check out the dates for Tomlinson’s 2026 How Did I Get Here? North American tour below.

  • June 3: Vancouver, BC @ Pacific Coliseum
  • June 4: Seattle, Wash. @ Climate Pledge Arena
  • June 6: San Francisco, Calif. @ Bill Graham Civic Auditorium
  • June 10: San Diego, Calif. @ The Rady Shell at Jacobs Park
  • June 11: Los Angeles, Calif. @ Crypto.com Arena
  • June 13: Las Vegas, Nev. @ Resorts World Theatre
  • June 14: Phoenix, Ariz. @ PHX Arena
  • June 19: Morrison, Colo. @ Red Rocks Amphitheatre
  • June 21: Fort Worth, Texas @ Dickies Arena
  • June 22: Austin, Texas @ Moody Center
  • June 25: Minneapolis, Minn. @ The Armory
  • June 27: St. Louis, Mo. @ Chaifetz Arena
  • June 29: Nashville, Tenn. @ The Pinnacle
  • July 2: Independence, Mo. @ Cable Dahmer Arena
  • July 3: Chicago, Ill. @ Allstate Arena
  • July 5: Charlotte, N.C. @ Spectrum Center
  • July 7: Washington, D.C. @ The Anthem
  • July 8: New York, N.Y. @ Madison Square Garden
  • July 10: Pittsburgh, Pa. @ Stage AE Outdoors
  • July 11: Philadelphia, Pa. @ Highmark Skyline Stage at the Mann
  • July 14: Boston, Mass. @ TD Garden
  • July 16: Montreal, QC @ Bell Centre
  • July 17: Toronto, ON @ Scotiabank Arena
  • July 18: Detroit, Mich. @  Masonic Temple Theatre
  • July 20: Cleveland, Ohio @ Jacobs Pavilion
  • July 22: Atlanta, Ga.@ State Farm Arena
  • July 23: Orlando, Fla. @ Addition Financial Arena
  • July 24: Miami, Fla. @ Kaseya Center


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The trailer for the upcoming posthumous BBC Ozzy Osbourne documentary Ozzy Osbourne: Coming Home is a homecoming on several levels. The film, which is set to debut on the BBC One and iPlayer Oct. 2, chronicles Ozzy and wife/manager Sharon Osbourne’s long-held dream of returning to their native England after years spent living in Los Angeles.

And, in the wake of Ozzy’s death on July 22 at 76-years-old, it’s also the first chance longtime fans will get to see the Prince of Darkness off stage in the years before his passing, hanging with his family and being a jokey cut-up in his inimitable fashion. In a throwback to the warts-and-all silliness of the family’s legendary MTV reality show, The Osbournes, Coming Home appears to lean into the domestic comedy of the Osbourne clan, opening with a jittery Ozzy begging Sharon to stop driving in a herky-jerky manner.

“Stop it! Stop! Don’t Drive!” he begs her as the footage takes viewers from the family’s L.A. home — where Ozzy is seen belching in the kitchen as he gets his blood pressure measured — to a shot of the singer saying he’s “so looking forward” to an English summer.

The next bit is literally one of Ozzy gearing up to take a shot at something with a mounted air rifle as Sharon talks about how the family has always considered their English mansion as their true home. “It looks magnificent, Sharon,” Ozzy says as they drive up to the house. “I always, always told Ozzy, when you’re 70 we say goodbye,” she says as Ozzy adds that he “can’t wait” until they are back on British soil.

The film covering the final three years of Ozzy’s life was originally slated to air on August 18 before the BBC pulled it from its schedule at the last minute per the family’s request. The initial air date would have been less than a month after Ozzy’s death, which came two weeks after the rock icon performed his final show, the all-star Back to the Beginning blow-out, at his home soccer stadium, Villa Park, in his hometown of Birmingham, England.

In between shots of Ozzy recording vocals and laughing on the couch, Sharon claims that despite their hard rock royalty reputation, “We’re quite normal. We’re quite boring.” Ozzy, however, has a different take, grumbling, “I wouldn’t say we’re f–king normal,” as he grins about making a weed cake and taking it to the local pub, where “the vicar came round and ate” some of it.

When Sharon asks Ozzy is he’s ready for a quite life now after 50 years of rocking and road work, he says, “yes… but no,” with daughter Kelly saying she doesn’t think it’s possible for either of her parents to retire. The footage ends with Ozzy saying he finally feels like he’s home again and looking forward to doing “absolutely nothing” as Sharon shows off her framed collection of love notes Ozzy has left for her over the years.

An earlier description of the movie said it will be a “candid and moving portrait” of one of Birmingham’s favorite sons, and his relationship with Sharon as the couple faced a “monumental battle, both on a professional and personal level” due to the effects of Parkinson’s disease on the heavy metal icon, as well as the aftermath of a painful spinal surgery.

The BBC film will air five days before another emotional movie covering Ozzy’s final years, Ozzy: No Escape From Now, premieres on Paramount+ on Oct. 7. That doc will follow Ozzy in the six years before his death and feature Sharon, as well as their children, Aimee, Jack and Kelly, describing the devastating effects of a late-night fall Ozzy suffered in Feb. 2019 that forced the cancellation of his planned two-and-a-half-year farewell tour.

Watch the Coming Home trailer below.


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Lianne La Havas is back: After five years of relative quiet, the British singer-songwriter has returned with new single “Disarray.” 

The emotive song, which La Havas has described in a press release as a “window into a moment of my life,” was recorded live to tape, capturing a tender, passionate vocal performance. “The song felt very intimate, almost like a secret just for me,” she added.

“My memory of this/ Will forever exist/ I have one wish/ That you would be the man you were,” the 36-year-old sings atop finger-plucked electric guitar, poignantly describing the protracted breakdown of a relationship. Listen to the track in full below.

“Disarray” marks the first slice of new material from La Havas since her self-titled LP, which was released in 2020. Written with Matthew Hales, the concept record depicted the stages of dating from early romance to its end, and scooped the best album prize at the Ivor Novello Awards the following year.

Lianne La Havas charted at No. 7 on the Official U.K. Albums Chart upon release and also earned its author a BRIT nomination for best female solo artist. It marked the Londoner’s third top 10 album in the U.K., following 2015’s Blood (No. 2) and the Mercury Prize-nominated Is Your Love Big Enough? (No. 4), released three years prior.

Posting to social media, La Havas has indicated that “Disarray” is the start of a new chapter in her career, though details of an album are yet to be revealed. 

​​”For the last couple of years, my life could have been described as utter disarray,” she wrote in a cryptic post uploaded to Instagram last week (Sept. 24). “Today, I can thankfully say, that is now firmly in the past, so I’d like to share my story with you in the coming months.”


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The Cure will headline a series of massive outdoor shows in the U.K. and Ireland next summer.

The run of dates is scheduled to kick off in Dublin’s Marlay Park on June 26, before continuing on to Belfast’s Belsonic at Ormeau Park (June 28), Wythenshawe Park in Manchester (Aug. 21) and a night at the Royal Highland Showgrounds (Aug. 23) as part of the Edinburgh Summer Sessions. See the full trek below.

Tickets for all shows go on sale this Friday (Oct. 3) at 9 a.m. (BST) via The Cure’s official website, while fans who have previously signed up to the band’s mailing list will be given access to the pre-sale information. 

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Support for each of the shows will alternate between Mogwai, The Twilight Sad, Slowdive, Just Mustard, Stella and the Dreaming, and The Slow Readers Club. 

In addition to the newly-announced gigs, The Cure are set to headline the Isle of Wight Festival next summer, as well as European festivals including Primavera Sound, Nova Rock, and Rock en Seine.

Last fall, The Cure released fourteenth studio album Songs of a Lost World, which topped the Official U.K. Albums Chart and landed at No. 4 on the Billboard 200 – their highest-charting effort in the US since 1992’s Wish. The record reached the summit on five alternate Billboard charts: Top Rock & Alternative Albums, Top Rock Albums, Top Alternative Albums, Vinyl Albums and Indie Store Album Sales.

Frontman Robert Smith told the Official Charts Company at the time: “It is enormously uplifting, genuinely heartwarming to experience such a wonderful reaction to the release of the new Cure album. To everyone who has bought it, listened to it, loved it, believed in us over the years – thank you!”

Songs of a Lost World marked the legendary act’s first full-length record in 16 years. They performed it in full at Troxy in east London on release day, as well as two shows at the BBC Radio Theatre.

In June, meanwhile, Smith joined Olivia Rodrigo on stage during her Glastonbury Festival headline slot. Rodrigo introduced him as “a personal hero” and “perhaps the best songwriter to come out of England” before the pair duetted on two anthems by The Cure: “Friday I’m In Love” and “Just Like Heaven.” 

The Cure U.K. and Ireland 2026 tour dates:

  • June 26: Dublin, Ireland @ Marlay Park
  • June 28: Belfast, Northern Ireland @ Belsonic, Ormeau Park
  • August 21: Manchester, England @ Wythenshawe Park
  • August 23: Edinburgh, Scotland @ Summer Sessions, the Royal Highland Showgrounds


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Sonos continues to build popularity through its array of premium, immersive home audio speakers. The brands lineup ranges from theater-quality soundbars, music-enhancing stereo speakers, compact portable speakers and bass-pounding subwoofers. If you’re diving into the Sonos ecosystem, the best place to start is with the Era 300.

The versatile speaker delivers industry-leading sound quality for music lovers, but for film aficionado’s, this bluetooth speaker can also double as a great home theater surround sound device with seamless connection to other Sonos products. It may have an unusual shape compare to most speakers on the market, but its minimalistic design provides an eye-catching modern feel to enhance the space its in. Featuring Dolby Atmos-enabled speakers, you’ll quickly forget about its unique build and fully be consumed by its impressive surround sound and spatial audio capabilities.

How to Build An Immersive Home Theater Setup With the Sonos Era 300

Sonos Era 300 speaker


Under the hood are six speaker drivers, four tweeters, and a couple of mid/bass drivers—all of which deliver detailed, big, and robust sound. Its most impressive feature, however, is spatial audio. The speakers sound spreads in all directions and for a substantial distance without lacking definition. If you opt for the Sonos companion app, you can adjust EQ, tune the speakers to your environment via the TruePlay feature, and pair other Sonos speakers together.

Pair With a Soundbar

To fully enhance the Era 300, pair it with the brand’s impressive soundbars to really immersive yourself in spatial audio. The brands most premium and most powerful soundbar, the Arc Ultra creates a massive soundstage that fills every inch of the room and precisely places sounds all around you. Featuring their signature Sound Motion technology, this soundbar packs clear, deep and balanced sound into an unbelievably compact design. Add in an Era 300 speaker or two, you’ll never need to go a movie theater again.

How to Build An Immersive Home Theater Setup With the Sonos Era 300

Sonos Arc Ultra


On the more affordable side, the Sonos Ray soundbar offers crisp dialogue and balanced stereo sound with forward-facing acoustics. At a more budget-friendly price point, enhance your shows, movies and video games for only $219. The Ray also pairs seamlessly with the Era 300 for a more premium surround sound experience.

How to Build An Immersive Home Theater Setup With the Sonos Era 300

Sonos Ray


Add in a Subwoofer

The cherry on top of your home theater set up is a subwoofer. If you’re in a smaller place like an apartment the Sonos Sub Mini is a great option. It’s also cheaper than its big brother the Sub 4 coming in at $499. If you’re wanting to add bold bass to your living space, this compact premium subwoofer features advanced processing that helps reproduce the full-toned bass of a much larger subwoofer but at a smaller scale. Its minimal footprint and unique cylindrical design fits nicely all around your home. For the best bass experience, pair it with the Sonos soundbar and the Era 300 speakers.

How to Build An Immersive Home Theater Setup With the Sonos Era 300

Sonos Sub Mini


Ever since Michael Jackson ushered in the blockbuster era of the Super Bowl halftime show when he headlined in 1993, nearly every performer who has graced the stage on sports’ (and TV’s) biggest night has enjoyed sizable boosts in sales and streams. Looking to continue this tradition is Bad Bunny, who is set to hit the midfield stage early next year when he headlines Super Bowl LX

With few exceptions, Super Bowl halftime headliners have seen a sizable commercial uptick over the last 30 years. In 2002,  U2 saw sales for three of the band’s key albums (All That You Can’t Leave Behind, The Joshua Tree and Best of 1980-1990) more than double in the week following the performance. In 2004, Janet Jackson — in spite of, or perhaps because of, the singer’s infamous “Nipplegate” controversy — saw a similar jump. Particularly large sales gains were also seen for Paul McCartney in 2005, Prince in 2007, Tom Petty & The Heartbreakers in 2008, Madonna in 2012, Katy Perry and Missy Elliott in 2015, Coldplay and Bruno Mars in 2016 and, in 2017, Lady Gaga, who saw a whopping 1,000%  gain in digital album and song sales on Super Bowl Sunday alone.

In 2025, the halftime show headlined by Kendrick Lamar averaged 133.5 million viewers across TV and streaming in the U.S., according to Roc Nation, Apple Music and the NFL, making it the most-watched of all time.

Super Bowl halftime performances in the last 30-plus years have spurred some impressive boosts in sales and streams — and on Billboard’s charts. In the wake of the announcement that Bad Bunny will be headlining the 2026 Super Bowl halftime show, here’s a look back at some of the biggest halftime show winners since 1993. (Sales and streaming data for the U.S. only, according to Luminate.)

A federal judge has denied a bid by Sean “Diddy” Combs to overturn his prostitution convictions, clearing the path for sentencing later this week.

In a ruling late Tuesday (Sept. 30), Judge Arun Subramanian rejected Combs’ various arguments for a new trial, including his eyebrow-raising claim that the “freak-off” sex parties at the heart of the case were just porn movie shoots protected by the First Amendment.

“Illegal activity can’t be laundered into constitutionally protected activity just by the desire to watch it,” the judge wrote. “Combs’s conduct goes far beyond that point.”

Judge Subramanian also rejected arguments about the Mann Act, the federal prostitution law Combs violated. His lawyers argued that the star merely hired men for consensual sex with his girlfriend, which they said didn’t meet the definition of “prostitution.” But the judge didn’t buy it.

“That definition would narrow prostitution almost out of existence,” he wrote. “It would exclude any situation in which a person pays a third party (like a brothel) to have sex with an employee.”

The ruling will clear the way for Combs’ sentencing, which is scheduled for Friday (Oct. 3). Prosecutors are seeking 11 years, while defense attorneys say Combs should get just 14 months — a sentence that would see him released almost immediately on time served.

Combs was arrested and charged in September 2024 with racketeering (RICO) and sex trafficking violations over accusations that he ran a sprawling criminal operation aimed at facilitating “freak-offs” — elaborate events which he allegedly forced ex-girlfriend Cassie Ventura and other women to have sex with male escorts while he watched and masturbated.

Following a blockbuster trial this spring, jurors issued a verdict clearing Combs on the RICO and sex trafficking charges that could have seen him sentenced to prison for life. But he was still convicted on two other counts for transporting Ventura and others across state lines for the purposes of prostitution.

In July, Combs’ lawyers asked the judge to overturn those convictions, calling them an “unprecedented” and unconstitutional use of the Mann Act against their client.

“Sean Combs sits in jail based on evidence that he paid adult male escorts and entertainers who engaged in consensual sexual activities with his former girlfriends, which he videotaped and later watched with the girlfriends,” his lawyers wrote. “That is not prostitution, and if it is, his conviction is unconstitutional.”

But in Tuesday’s decision, Judge Subramanian said there were no constitutional issues with the century-old statute or the way the government was now wielding it against Combs.

“Combs is right that the Mann Act’s text and application have changed over the last century,” the judge wrote. “But that has little relevance to his conduct, which sits at the heartland of the Act’s legitimate proscriptions. Unsurprisingly then, his conviction raises no constitutional problem.”

The judge also rejected arguments that there was simply not enough evidence to support the prostitution convictions. He ruled that prosecutors had “presented overwhelming evidence of Combs’s guilt under the Mann Act on many occasions” and that the government “proved its case many times over.”

In addition to clearing the way for sentencing, Tuesday’s ruling also sets the stage for Combs’ certain appeal of his convictions. Procedurally, such post-trial motions must be filed and denied by a trial judge before an appeal can be filed at a circuit court.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The future of smart glasses is here. Meta and Ray-Ban just launched its most advanced wearable tech with the Meta Ray-Ban Display. Releasing with a Meta Neural Band, the device is the world’s first Al display glasses that feature an in-lens display with input control from your wrist. Hidden within Ray-Ban’s timeless wayfarer frames, these tech-savvy spectacles continues to push boundaries in wearable technology without sacrificing style.

Priced at $799, the new Meta Ray-Ban Display & Neural Band package are only available in-store exclusively at Best Buy. Starting on Tuesday, Sept. 30, shoppers can schedule appointments at Best Buy to demo the smart glasses to get hands-on experience. Check appointment times here.

Look Into the Future With New Meta Ray-Ban Smart Glasses: Shop Here

Meta Ray-Ban Display


They may look like a classic pair of Ray-Ban Wayfarer’s but underneath are some impressive tech and smart features. Unlike previous Meta Ray-Ban products, the Display features a 600x600p hi-res full-color augmented reality display built into the right lens. Users can make subtle hand movements to navigate the in-lens display, send and receive messages, get turn-by-turn directions and translate conversations live with Meta Al. The days of pulling out your phone are a thing of the past.

The glasses also feature open-ear speakers with Bluetooth connectivity, a 12MP camera with 3X zoom and even a viewfinder on the in-lens display for more accurate capturing. Users will be able to get up to six hours of continuous battery life per charge and up to 30 total hours of battery life with fully charged case.

The Meta Ray-Ban Display and Neural Band are available starting Tuesday, Sept. 30, exclusively in-store at Best Buy locations. Look into the future by booking a demo appointment here.

John Mayer is heading to India.

The seven-time Grammy-winning singer-songwriter and guitarist will perform his first-ever concert in the country on Jan. 22, 2026, at Mahalaxmi Racecourse in Mumbai. The one-night-only show will be presented and produced by BookMyShow Live, the live entertainment arm of BookMyShow.

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“India has long been on my list of places to play, not just for the vibrancy of its culture but for the way music lives in the everyday lives of people here,” Mayer said in a statement. “To finally perform in Mumbai feels both humbling and exhilarating.”

Tickets will be available through BookMyShow beginning with an exclusive pre-sale for RuPay credit card holders on Oct. 12, 2025, followed by a general on-sale on Oct. 13, 2025.

The announcement underscores the expanding role of BookMyShow Live as a driver of international touring in South Asia. Once a ticketing startup, the company has evolved into a full-service live entertainment player, producing and promoting tours and festivals across India. Past projects have included bringing global superstars like Coldplay, U2, Ed Sheeran, Guns N’ Roses, Maroon 5 and Post Malone to the market, as well as creating large-scale experiences such as Lollapalooza India, Cirque du Soleil’s BAZZAR and NBA exhibition games.

“John Mayer’s debut performance in India represents a significant cultural milestone and reflects how far live music has come in this country,” said Naman Pugalia, chief business officer of live events at BookMyShow, in a statement. “His music has touched millions across the world, weaving its way into some of the most personal and unforgettable moments of our lives. To finally see him on stage in Mumbai transforms that private connection into a collective experience.”

In recent years, India has emerged as a major stop for international acts. Post Malone, Imagine Dragons, and Dua Lipa have all sold out shows across the country, while Lollapalooza India drew 60,000 fans in 2023. According to Live Nation, Lollapalooza India’s 2025 edition — headlined by Green Day and Shawn Mendes — set a new attendance record. And the momentum continues: Cigarettes After Sex sold out two large shows in January, Guns N’ Roses will take the stage at Mahalaxmi Racecourse next month and Travis Scott is slated to perform in Delhi this October.