Fred again.. has announced that he’ll play 10 shows in 10 cities over 10 weeks as part of the rollout of the next edition of his USB releases.

In the British producer’s characteristic hype-building style, the location for each show will be revealed only the weekend before it happens, with the first show announcement coming Sunday, Sept. 28.

Shows are set to feature 10 new tracks that are part of USB002, the second segment of project that started in 2022 and featured tracks including Fred’s collab with with Four Tet and Skrillex, “Baby Again”; “Rumble” with Skrillex and Flowdan; his solo heater “Jungle”; “leavemealone” with Baby Keem; and “stayinit” with Lil Yachty. The project also included remixes from Nia Archives, HAAi and Rico Nasty.

Fred’s most recent releases include June’s “Victory Lap” with Skepta and PlaqueBoyMax, with four remixes of the song featuring Denzel Curry, Hanumankind, That Mexican OT and more subsequently getting released. The producer also recently released the recording of a live performance done on a roof in Naples, Italy, overlooking the Piazza del Plebiscito.

Of this performance, Fred wrote in the video’s YouTube description: “After a show I never quite know what to do. Like you go from being filled with the most adreneline [sic] ever, to suddenly being like alone or basically alone. Often I just play songs I’m working on and jam on my keyboard to try ideas out to try n calm down and stuff, cos I cant really be social often.

“So when I saw fedde commenting on a post that he had a rooftop that overlooked the show I thought wow this could be like my dream afters. Just going straight up there and get [sic] to play songs on my ones and still get to see and feel the energy of the show as everyone leaves! I played this whole set just to Fedde and the beautiful nonna who also lives in this building. It was a lovely sight to look up occasionally and see them both there. Him dancing her sitting. Me a bit of both.”

Watch that performance below:

In the seven years since Cardi B left an indelible mark on hip-hop and pop culture with her Billboard 200-topping, Grammy-winning debut studio album, Invasion of Privacy, two U.S. presidential administrations passed, Taylor Swift’s re-recordings project began and presumably ended, and Cardi went from expecting her first child to awaiting the arrival of her fourth. In this era of instant gratification and constant consumption, each passing year without Cardi’s sophomore album felt more mind-boggling than the last.  

The interim between her two studio LPs, of course, was anything but quiet: She added two more Hot 100 No.1s to her collection with “Up” and the Megan Thee Stallion-assisted “WAP,” dropped several singles that bricked by her standards (remember “Hot S—t?”) and cemented her near-incomparable cultural pull with film cameos (Hustlers), buzzy co-signs via ace guest verses (GloRilla’s “Tomorrow 2”; Latto’s “Put It On Da Floor Again”), successful product lines (Whipshots), and, most notably, her major moves in the fashion world. 

Invasion of Privacy had been a perfect storm. Cardi and her team harnessed the momentum of her “Bodak Yellow” breakthrough into a succinct 13-song set that introduced a new leading voice in the rap arena, one who prioritized slick-mouthed humor, trademark Bronx bravado and the urgency and drive of a person whose survival instincts evolve with each new chapter of life. Following up a beloved modern classic and a near-flawless rollout was always going to be a daunting task, especially seven years later. While Cardi’s position in the rap game was hardly questioned in earnest, questions abounded. Should Cardi pull a Lauryn Hill and never drop another studio album? Is her position really secured off of one album? Could a second album actually hurt the legacy that Invasion has accrued?

Now, just as the first autumn breezes sweep through her New York City hometown, Cardi has put every question to bed with her behemoth of a sophomore album, Am I the Drama? Housing 23 tracks and clocking in at over 70 minutes, Drama arrived on Sept. 19 after a blitz of an album campaign that truly kicked off in July around Paris Fashion Week. Armed with a half-baked crow aesthetic and stacked with A-list features including Selena Gomez, Janet Jackson and Summer Walker, Drama attempts to synthesize the past seven years of Cardi’s marriage, industry tiffs and emotional maturation into a coherent narrative arc. An overstuffed tracklist and slightly sloppy sequencing prevent the record from fully realizing its potential, but over the course of an hour-plus, Cardi sufficiently reminds us why the crown was hers to return for in the first place. 

“Dead,” on which Summer Walker delivers a surprisingly solid SZA impression, opens Drama with a smattering of fictional, Makaveli-era 2Pac news reports quickly giving way to a single, fiery verse from Cardi. When she spits, “Tell a b—h, ‘You better use your head ‘fore I come there, put a hole in it’/ Like, baow, baow, baow, now she can bowl with it,” Cardi spins the ferocious ambition of Invasion of Privacy opener “Get Up 10” into a snarling, more vicious tone. She’s almost annoyed that she has to take time out of just her second album to remind people who exactly she is. If “Dead” has one shortcoming, it’s the lack of real news snippets; if we’re going to get into all of Cardi’s Drama, let’s really do it and immediately root the album in that reality.

The ominous feel of “Dead” continues on “Hello,” whose whirring Halloween-evoking synths and foreboding hook herald the biting JT-aimed disses littered throughout “Magnet,” one of Drama’s instant standouts. Confusingly, Cardi gives us three songs to settle into her Drama persona before calling Selena Gomez for a pop number that’s either ridiculously catchy or immediately forgettable, depending on your mood. Perhaps slotting it closer to the other pop girl collabs — like the atrocious, Lizzo-assisted “What’s Going On” and the smooth Tyla-featuring “Nice Guy” — near the end of the record would have worked better instead of stunting the momentum of the first three songs.  

When contextualized with the following two New York-tributing tracks, pre-single “Imaginary Playerz” and smash-in-waiting “Bodega Baddie,” the placement of “Pick It Up” is even more befuddling. Although “Playerz” arrived to mixed reception and a soft Hot 100 debut (No. 70), it plays much smoother as an album track, working as a foil to the Cash Cobain-assisted “Better Than You” on the album’s second half. If the Jay-Z-sampling “Imaginary Playerz” is Cardi nodding to the storied past of New York hip-hop, then “Better Than You” is her wink at the region’s present and near future. Am I the Drama? may not always play as a traditional New York rap album, but Cardi makes sure to situate herself in both the city’s history and its present hip-hop ecosystem, which she doubles down on with the celebratory, El Prodigio-sampling “Bodega Baddie.” Even though its sub-two-minute runtime is frustrating, the inevitable “Bodega Baddie” remix is sure to dominate whatever season it arrives in. 

The TM88-produced “Salute” brings the Drama from the Uptown clubs and into Cardi’s diary. She enters a stank face-inducing pocket on the track, reminding us that she’s always shone brightest when she’s on a track by herself. As she raps in the first verse, “I am the reference, yeah, I am the vision board/ I put that shit on these bitches, they can’t ignore.” After making a pit stop to inspect everyone’s salutes, Cardi kicks off a four-track run (“Man of Your Word,” “Safe,” “What’s Going On” and “Shower Tears”) that serves as the emotional crux of Am I the Drama? 

Plainly put, it’s a shame someone who allegedly treated Cardi as awfully as Offset did is the subject of a career-best song like “Man of Your Word,” but that’s what turning pain into power is all about. Built around a somber hook, courtesy of prominent R&B/hip-hop songwriter Dougie F, “Man of Your Word” finds Cardi taking stock of her tumultuous marriage, its heart-shattering demise and the harsh realities she’s had to confront while rebuilding her life. “But since I had a ring, I never wanted no Ring cam/ And now I got a ring on every finger but the one on my ring hand,” she spits over the eerie, drumless Jeff Kleiman-produced beat, offering us a peek into the real-life drama that we consumed as tabloid fodder.  

With parts of her flow recalling the lovey-dovey warning shot that was “Be Careful,” “Man of Your Word” is another Drama moment that explicitly nods to Invasion of Privacy, ensuring continuity between the two LPs, even if Drama itself isn’t as coherent as it could be. Two R&B-steeped collaborations — new single “Safe” (with Kehlani) and the Summer Walker-assisted “Shower Tears” — bookend “Man of Your Word,” and they both recall the slower, more introspective moments that gave Invasion of Privacy so much range. While “Dead” pushed Walker slightly out of her comfort zone vocally, “Tears” is a much better mélange of the two artists’ energies.

Lead single “Outside” still feels a bit limp, but solo cuts like “Check Please,” “Trophies” and the Jeezy-evoking “ErrTime” pick up the slack. In that trio of songs lies Cardi’s secret weapon for whatever follows Drama: DJ SwanQo. Between producing “Get Up 10” and most Drama standouts, the Grammy-winning producer-songwriter understands Cardi’s voice better than any of her other current behind-the-boards collaborators. He crafts her deliciously menacing beats that pair perfectly with her ability to flip from a tongue-in-cheek punchline to a searing jab in a single line. The back half of Drama also houses the aforementioned “Better Than You,” which suffers from a Cash Cobain verse that plays like an afterthought, and the Lourdiz-assisted “On My Back,” which unavoidably feels like the result of Bardi and Doja Cat being unable to sync schedules in time for Drama’s release. 

“On My Back” also features one of two Control-era Janet Jackson samples on Drama, which would be overkill if they weren’t so well-done. The “Funny How Times Flies” flip on “Back” is undeniably sexy, while the “Pleasure Principle” sample on “Principal” makes for one of the most infectious beats on the album. (Why Cardi decided to title her song “Principal” despite exactly zero lyrical nods to any of that word’s definitions, the world may never know — homophones really can trip up anybody!) Of course, there’s also a post-“Not Like Us” diss called “Pretty & Petty,” where Cardi empties several clips on “Whole Lotta Money” rapper BIA, while still delivering a hook sticky enough to live outside of its hyper-specific context. And, for what it’s worth, any song with the line, “I hate when a b—h think she cute ’cause she lightskin,” is an instant winner.  

“Killin You Hoes” is the album’s proper closer — although the midweek release of bonus track “Doing Too Much” begs to differ — and it’s a surprisingly laid-back conclusion to Drama. In fact, it almost sounds like a Nothing Was the Same-era Drake outro. Cardi sounds truly settled in her status and herself on “Killin”; she no longer feels the need to convince anybody that she deserves what she’s accomplished, and that she’s earned and secured her spot. It’s that calm, collected confidence that allows established modern rap classics “Up” and “WAP” to play like a highlight reel at the album’s end instead of their inclusion remaining a cheap numbers-boosting ploy.  

Am I the Drama? is an exhausting listen. There’s a terrific 15-16 track album buried in here, but, at the end of the day, nobody enjoys digging for the jewels — especially after waiting to see them for seven years. Instead of several mini pockets of proper narrative flow, the whole album could have (and should have) been more streamlined. But the Drama is also equally thrilling and edifying, much like the experience of witnessing Cardi’s rise and watching her maneuver celebrity, heartbreak and beef at the highest level. A triumphant rebuke of the sophomore slump and a project that genuinely feels like a reflection of Cardi’s life — and not a hits-chasing collection of tracks — Am I the Drama? reaffirms that eight years after her initial Invasion, Cardi B remains one of the most vital rappers in the game.