Live Nation plans to offer $1.3 billion of convertible senior notes with 2031 due dates that will repay existing debt and possibly fund concert venues, the company announced Wednesday (Oct. 8).

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The offering’s proceeds, along with borrowings under a new credit facility, will be used to redeem all of the $300 million of 5.625% notes due in 2026. The notes will also pay the full amounts outstanding in a term B loan facility and the revolving credit facility, which amounted to $823.8 million as of June 30. The company also intends to use some of the proceeds for general corporate purposes, which may include funding concert venues or repaying or purchasing some of its outstanding debt.

Initial buyers will have the right to purchase up to an additional $100 million of convertible notes. The net proceeds from these additional notes are expected to be used for general corporate purposes. 

As of June 30, Live Nation had total debt of $6.48 billion on its balance sheet, with $4.99 billion being long-term and $1.49 billion classified as current (including $1.1 billion of senior convertible notes due 2029 that holders could have exchanged in the third quarter). Live Nation also has a $135 million euro-denominated note due this year and $275 million of debt due in 2026 related to the acquisition of a U.S. venue. After next year’s maturities, the company will have $1.2 billion of 6.5% senior secured notes and $950 million of 4.75% senior notes, both due in 2027, and $500 million of 3.75% senior secured notes due 2028.

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Tyler, the Creator says he’s not an actor, but that will change on Christmas Day when he makes his feature film debut alongside Timothée Chalamet in the Josh Safdie-directed Marty Supreme.

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Marty Supreme had a surprise premiere on Monday night (Oct. 6) at NYC’s Lincoln Center for the New York Film Festival, and much of the cast hit the stage to speak about the A24 movie, which has drawn critical acclaim.

“Thank you to you, Josh. Please make the biggest noise for this man,” Tyler said while nodding to the director, Josh Safdie. “I’m so grateful, beyond grateful. I play piano and put on cool clothes. I do not act at all.”

The multi-hyphenate creative explained that he had so much trust in Safdie that he would’ve shown up for any role he had carved out for him in the film and he was overcome with emotion after seeing it all come together.

“This man is so good that I trusted him and said, ‘Anything you need. I don’t want to read this script. I will show up and be there.’ Because I trust this man and the way he curated and handled every detail,” he gushed. “And the team, working with y’all, it was so wonderful. I got emotional up there because you gave me a chance, so I thank you, I love you, and thank you. Please give it up.”

Starring opposite Gwyneth Paltrow, Chalamet is slated to play Marty Mauser (a role seemingly inspired by professional ping pong player Marty Reisman), who’s an aspiring ping-pong player with dreams of stardom. Set in the 1950s, Mauser won’t stop until he makes his dream a reality.

The Dune star began taking ping pong lessons in 2018, and made sure he could practice with a ping pong table nearby throughout many of his recent acting projects.

Tyler makes a few cameos in the film’s trailer, which finds him driving around Chalamet, as he pursues his dream and even screams at him during a contentious scene.

It’s Josh Safdie’s first time directing since 2019’s Uncut Gems. The rest of the cast is rounded out by Shark Tank‘s Kevin O’Leary, Fran Drescher, magician Penn Jillette, Abel Ferrara and Odessa A’zion. Tyler, the Creator has made appearances in the Jackass series and Pharrell’s Piece by Piece, but Marty Supreme will serve as his first feature film acting role.

Watch Tyler’s speech below.

In most cases, The Dude abides — but the recent actions of ICE are definitely an exception. While appearing on Jimmy Kimmel Live! on Tuesday (Oct. 7), Jeff Bridges snapped back into his iconic Big Lebowski character to condemn the “aggression” he says is happening in immigrant communities across the United States.

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The idea to briefly reprise The Dude was Kimmel’s, with the late-night host pulling out a patterned cardigan and White Russian — the character’s signature cocktail — for Bridges. The Oscar winner didn’t need much to get back into The Dude’s headspace, though, immediately launching into a drawling address to the world at Kimmel’s request.

“Hey, world! The Dude here,” Bridges began. “Can we just all calm the f–k down? I mean, come on. I’m talking about all the wars, the fighting, the cancelling. I mean, let’s just chill out man, come on.”

Noting that he thinks everyone is operating at a “9” when they should be at a “Zero and a half” at most, the actor went on to call out ICE specifically. “ICE! Let’s get ICE off our streets and into our beverages,” he said, earning applause. “This aggression will not stand, right?”

Bridges added, “So let’s just abide together. We can do this.”

The Hollywood icon’s remarks come as the Donald Trump administration is continuing to crack down on immigration by way of ICE raids targeting vulnerable communities. The raids have especially affected the Los Angeles area, where Jimmy Kimmel Live! tapes.

Bridges also isn’t the only big star who’s spoken up about ICE recently. Zach Bryan joined numerous other musicians in calling out the agency by posting the unreleased song lyrics, “I heard the cops came/ Cocky motherf–kers, ain’t they? … And ICE is gonna come bust down your door,” on Instagram.

After getting backlash from the White House and DHS, however, the country singer walked back somewhat on his remarks. “This song is about how much I love this country and everyone in it more than anything,” he wrote in a statement. “When you hear the rest of the song, you will understand the full context that hits on both sides of the aisle … Left wing or right wing, we’re all one bird and American.”

Watch Jeff Bridges bring back The Dude to condemn ICE below.

Boosie Badazz is looking to get Donald Trump’s attention when it comes to the rapper’s federal gun case, and the Baton Rouge artist has reportedly hired lobbyists with hopes of a presidential pardon may be in his future.

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According to public affairs information platform LegiStorm and as reiterated by Complex, Boosie has hired J.M. Burkman & Associates to look into his case after taking a plea deal in his federal gun possession case in San Diego. The pair of lobbyists listed on lobbying registration form filed with the U.S. Senate are Jack Burkman and Jacob Wohl.

Billboard has reached out to Boosie’s rep and attorney, as well as J.M. Burkman & Associates for comment.

Boosie was arrested in May 2023 while visiting San Diego, where he was slated to shoot a music video and make a club appearance. Officers found two weapons on the rapper during a traffic stop after tracking his vehicle with a helicopter.

The 42-year-old originally faced state charges before the feds stepped in to take on the case. Though an appeals court dismissed the case, but federal prosecutors refiled and had the ruling overturned.

The “Wipe Me Down” rapper (real name Torence Hatch Jr.) told fans that he was taking a deal because he was “tired” of pursuing the case and is now awaiting sentencing on Nov. 21. Federal prosecutors have recommended a two-year prison bid after facing a maximum of 15 years.

“JUST ACCEPTED A PLEA FROM THE FEDERAL GOVERNMENT ON MY GUN CASE,” Boosie posted on X at the time. “I THOUGHT THIS CASE WAS OVER N I WAS GOING TO GET ON WITH MY LIFE BUT ‘GOD DONT MAKE MISTAKES’ N IM TIRED OF FIGHTING!!”

Under the Trump administration, there has been no straightforward process for pardoning. Clemency attorney Mark Olser says lawyers had to file applications to the Department of Justice’s Pardon Attorney in the past, which would need several approvals before reaching the White House.

Now, pardons can come straight from the desk of Trump. “The mechanism is falling apart,” Osler told Billboard. “It’s fair to say many people are confused about what the process is now. Some people are filling out the form, some people are trying to appeal directly to [Trump’s so-called pardon czar] Alice Marie Johnson, some people are trying to talk to Trump at Mar-a-Lago, some people are trying to get on Fox News to pitch their case. It’s hard to tell what will work and for who.”

It’s not the first time Boosie turned to Donald Trump for help. Back in January, he took to X with a message for the president.

“Trump CHECK MY CASE OUT MY CASE WAS DISMISSED BUT BIDENS DOJ RECHARGED ME WITH THE SAME GUN CHARGE BIDEN PARDON HIS SON OF .I WAS TOLD I AM THE ONLY PERSON IN THE COUNTRY FACING THAT CHARGE NOW,” Boosie wrote. “PRESIDENT TRUMP , I ALREADY WAS GIVEN A 10 YEAR SENTENCE N STATE N 2009 FOR 3 rd offense MARIJUANA ( grams ,grams,grams ) I NEVER WAS EVEN OFFERED REHAB STRAIGHT TO PRISON.”

He continued to make quite the introduction: “N TRUMP IM BOOSIE IM A RAPPER/ FILMMAKER FROM BATON ROUGE .I WAS TARGETED.. MY MOUTH N THINGS I STAND ON GET ME N ALOT S—T BUT IM REAL!”


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Dyson is taking another shot at headphones, and they just might rival that of Apple, Bose and Sony. Dyson OnTrac headphones feature up to 55-hours of battery power, high-fidelity sound and customizable ear cushions and ear outer caps. The wireless headphones are officially available on Amazon and on sale for half off for Prime Day.

The latest edition to Dyson’s growing lineup of luxury headphones are equipped with two, high-capacity lithium-ion batteries centered in the headband to even the distribution of weight. The battery takes up to three hours to fully charge and lasts up to two weeks, even with ANC (active noise cancelation) enabled. You can switch the ANC setting on and off by tapping on either ear cap, or on the top of the headband.

$249.99 $499.00 50% off

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For Prime Day, the Dyson OnTrac headphones are on sale for $249.99 (reg. $499) on Amazon, while they’re cheaper than the Dyson Zone headphones. No air filter needed this time around, OnTrac offers a more traditional design with a custom ANC algorithm that utilizes eight microphones and cancels up to 40dB of unwanted noise along with 40mm drivers with “advanced audio signal processing,” and a speaker tilted at 13-degrees to “ensure that every note or word is delivered with precision,” according to Dyson.

Dyson On Trac Headphones

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The Dyson OnTrac wireless headphones come in a few colorways, such as CNC Aluminum, while the headphones’ removable ear cushions and ear caps retail for $49.99 per pair. They come in several colors, including dark iron, ceramic blue and others.

“Dyson’s audio engineering mission is to preserve the integrity of the artist’s sound wave, free from interference,” Jake Dyson, the brand’s chief engineer, said in a statement. “We also wanted to create a set of headphones that people would cherish, be excited by, and be proud of. With over 30 years of experience in aeroacoustics, we’ve mastered sound physics. By reducing noise through in-house anechoic chambers and expert engineers, we’ve applied and further expanded our audio knowledge to develop the Dyson OnTrac headphones. Our first over-ear audio only headphones deliver best-in-class ANC, exceptional sound quality, and all-day comfort through unique materials, design and customization.”

ShopBillboard had the chance to test the Dyson OnTrac wireless headphones during a press preview in London and one of the most appealing features are the customizable ear cuffs, and the one-touch ANC feature. The headphones are incredibly comfortable — the cuffs are made from “ultra-soft microfiber and high-grade foam” per Dyson — and easy to use, but they can get sweaty when it’s hot, so I would recommend getting darker color ear cushions, if you’re going to be wearing them in the heat or during a workout.

$249.99 $499.00 50% off

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With more than 2,000 customizable color combinations, you can mix and match the OnTrac design to your liking. The outer caps and ear cushions are made from “ultra-soft microfiber” with “high-grade foam for superior comfort and acoustic seal,” per Dyson. Another feature that caught our interest was the multi- pivot gimbal arm design. We also like the idea of the battery being in the headband, which ensures balanced weight distribution.

The wireless headphones delivers from a sound perspective and comfort level, and even though we haven’t had a chance to test out the 55 hour battery (yet), but we have gone more than a week without wearing them and the battery is still charged, plus it’s easily one of the headphone’s most appealing features. For comparison, the battery on Apple’s AirPods Max lasts up to 20 hours, Bose Quiet Comfort Ultra Headphones offer up to 24 hours of battery life and Sony’s WH-100XM6 Wireless Noise Canceling Headphones lasts up to 30 hours.

On sale for $249.99 (reg. $499), the Dyson.com OnTrac wireless headphones are available on Amazon and Dyson — a 50% saving.

$249.99 $499.00 50% off

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Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

Ashlee Simpson lit up the Voltaire at the Venetian in Las Vegas in September, and she’s breaking down why she decided to get back on stage, celebrating her first album after 20 years, what fans experienced at her residency and more!

Did you go to Ashlee Simpson Ross’ residency? Let us know in the comments.

Ashlee Simpson: Hey, Billboard, it’s Ashlee Simpson Ross, and you are here with me on stage at Voltaire at the Venetian in Las Vegas.

Tetris Kelly: Ashlee Simpson was a shining star in Vegas during her highly acclaimed I Am Me residency. We take you to the strip on stage with the pop star in Billboard All Access.

Ashlee Simpson: I felt like it was time for me to come back to stage. I feel like this was a love story for my fans and a love story to myself. You know, my kids have always not really seen this part of me, and it was something I really wanted to share with the world and kind of just relive. It’s been 20 years since my first album, and after celebrating that, I just had this itch to get back on stage and have this moment with my fans, and it’s so beautiful and so vulnerable, and it’s just lovely venue. And to relive these songs has been incredible.

Tetris Kelly: The Voltaire at the Venetian in Las Vegas was the home of this magical night where every night of the residency, fans lined up in excitement for the show, and they also lined up for the merch, as they grab swag for their best night ever.

Ashlee Simpson: There has truly been nothing better than the first show and just seeing my fans’ faces and getting to interact and seeing the excitement of these songs, you know, 20 years later, and everyone’s energy — it just felt so incredible. I mean, I could feel their energy. They could feel mine, and we were all feeding off of each other. 

Tetris Kelly: And she meant that. I literally ended up on stage. I will cherish these photos forever. Thank you, Ashlee. 

Keep watching for more!

One of the co-founders of Maverick City Music is vehemently denying the claims in former member Chandler Moore’s explosive new lawsuit, saying Moore is just trying to “strong-arm” his way out of legitimate contracts with the Grammy-winning worship collective.

A lengthy Instagram statement shared Wednesday (Oct. 8) by Maverick City’s Jonathan Jay is the group’s first public statement since Moore announced his abrupt exit and filed a lawsuit alleging millions of dollars’ worth of royalties had been stolen from him.

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The primary target of Moore’s lawsuit is Maverick City executive Norman Gyamfi, though he also names the collective and its label, TRIBL Records, as defendants. Moore claims Gyamfi, who was his manager before joining Maverick City as a part owner, orchestrated secret deals and forged his signature on contracts to siphon off the singer-songwriter’s publishing royalties.

Jay is now defending Gyamfi and Maverick City overall, writing on Instagram that he cannot “let a series of lies go unchecked.” Jay said the lawsuit’s false allegations are “calculated attempts to strong-arm a way out of agreements Chandler made freely and later breached.”

“To be clear: the claims being made against me, against Norman and against our companies are categorically false,” wrote Jay. “Our business dealings with Chandler were forthright, generous and above reproach. We acted in good faith, gave more than what was required and consistently extended grace. Any allegations of misdeeds are simply not true, and we welcome a full and honest examination, because the truth will speak for itself.”

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“It saddens me deeply to see Chandler publicly allege something so wildly untrue,” Jay added. “There’s a pattern of avoided accountability, unresolved conflicts passed off to others, and a history of others being forced to carry the weight of consequences never owned. That pattern ends here.”

Jay ended the Instagram statement by affirming that Maverick City will continue making music while the legal dispute plays out: “I refuse to let a false narrative undo what so many people have labored, sacrifice and prayed for over the years.”

“The mission of Maverick City is bigger than any one person,” wrote Jay. “We will keep building. We will keep creating. We will keep lifting the name of Jesus in every room He opens until the Lord Himself says our time is up. We stand on truth. We stand on integrity. And we will not be moved.”

Moore’s legal team did not immediately return a request for comment regarding the Instagram post on Wednesday (Oct. 8). In a previous statement, Moore’s attorney Sam Lipshie said, “We are fully committed to helping Chandler recover what is rightfully his, resolve outstanding legal matters and assist him in moving forward freely to continue building the even-brighter impactful career that lies ahead for him.”

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Billboard Latin Music Week 2025 is right around the corner. Ahead of the weeklong event — kicking off Oct. 20 at Miami’s The Filmore, with three days dedicated to panels, fireside chats, roundtables and Q&As — we’re breaking down five panels that are key specifically for emerging artists to attend.

Educational conversations, which only take place at Latin Music Week, can offer an insight to how the industry works, and tools and resources for rising artists who want to take their music careers to the next level. Whether you are Latin U.S.-based or coming from different parts of the world, these panels — featuring music executives, established and emerging Latin acts alike — will not only give you an insider perspective, but are catered to mainly help you understand the industry better.

Spanning 30 years, Latin Music Week is the most important and largest annual gathering of Latin artists and industry executives in the world. This year, the roster includes a number of Latin stars confirmed to speak, including Carín León, Ivy Queen, Kali Uchis, Laura Pausini, Gloria Estefan, Danny Ocean, Ozuna, Olga Tañón, Pablo Alborán and Xavi, to name a few.

The full programming schedule and ticket sales are available at BillboardLatinMusicWeek.com. Latin Music Week also coincides with the 2025 Billboard Latin Music Awards, set to air Thursday, Oct. 23, on Telemundo and Peacock.

From The Power of Independence (presented by Platoon) to finding out How to Be Heard Beyond the Stage (presented by Rimas Publishing) and Breaking a New Artist (presented by SONAR), below are five key panels for emerging artists to attend at Latin Music Week this year:


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Leading up to his halftime performance at next year’s Super Bowl, Bad Bunny spent some time studying the original American pastime by attending Tuesday night’s (Oct. 7) game three of the American League Division Series between the New York Yankees vs. Toronto Blue Jays — where he just so happened to snag a foul ball.

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In a clip posted by the MLB on X, Benito sits with friends just behind home plate at Yankee Stadium. As the Blue Jays’ Anthony Santander hits a foul ball straight up into the air, the Puerto Rican singer-rapper follows its trajectory with his eyes and attempts to catch it as it falls into his section.

Though the ball ends up bouncing off of Bad Bunny’s shoulder and dropping to the floor, the clip cuts to him holding up his new keepsake with a big smile on his face.

The game would later end with the Yankees defeating the Blue Jays 9-6, though you could argue that Benito was the real winner of the night. The small victory comes four months before he’s slated to set up shop in an even bigger stadium to perform at the 2026 Super Bowl, which will go down on Feb. 8 in Santa Clara, Calif.

But while countless fans couldn’t be more excited for Bad Bunny’s showcase, other people — including the president of the United States — aren’t as keen that a primarily Spanish-speaking artist got the gig. “I never heard of him,” Donald Trump recently said. “I don’t know why they’re doing it. It’s, like, crazy. And then they blame it on some promoter [Jay-Z’s Roc Nation] that they hired to pick up entertainment. I think it’s absolutely ridiculous.”

Republican House Speaker Mike Johnson also called Bad Bunny’s appointment a “terrible decision” and suggested that 82-year-old Lee Greenwood should have been chosen instead. But in the replies to the MLB’s video of Benito catching the foul, one person quipped at Johnson’s expense, “I can’t believe they didn’t let a country artist or Lee Greenwood get it.”

See the moment Bad Bunny got a foul ball at a Yankees game below.

Kenshi Yonezu’s “IRIS OUT” stays atop the Billboard Japan Hot 100, on the chart dated Oct. 8, marking its third consecutive week at No. 1.

Across individual metrics, the song dominates downloads, streaming, and video, while coming in at No. 3 for physical sales and No. 4 for both karaoke and radio airplay. Streaming remains particularly strong, with 26.3 million streams this week, pushing the cumulative total to 78.98 million. If it surpasses 22 million streams next week, “IRIS OUT” would become the fastest song in history to reach 100 million streams in Japan.

Fastest to 100 Million Streams in Japan

(Weeks to reach the milestone in parentheses)

1. YOASOBI “Idol” (5 weeks)
2. BTS “Butter” / Official Hige Dandism “Subtitle” (6 weeks)
3. LiSA “Homura” / Kenshi Yonezu “KICK BACK” / Creepy Nuts “Bling-Bang-Bang-Born” (7 weeks)

Kenshi Yonezu and Hikaru Utada’s “JANE DOE” also holds at No. 2 this week. So far, only two acts have maintained No. 1 and No. 2 for two consecutive weeks: Official Hige Dandism with “I LOVE…” and “Pretender,” and LiSA with “Homura” and “Gurenge,” both in 2020.

Mrs. GREEN APPLE’s “GOOD DAY” jumps to No. 3 from No. 41. Written as the theme song for Kirin Beer’s new brand “KIRIN GOOD ALE,” the track was released digitally on Sept. 28. Because the release fell on a Sunday, the previous week’s tracking period included just a single day of data, contributing to a 465% surge in streaming this week. The music video, which premiered on Oct. 2, also helped the song reach No. 3 for video.

OWV’s “BLACK CROWN” debuts at No. 4. The four-man group’s 11th single tops sales with 74,029 copies sold. Meanwhile, Neguse. scores its first top 10 entry with “Orihime & BABY feat. Reira Ushio.” The track by the four-member band bowed at No. 84 in August and gradually climbed over ten weeks to reach No. 9. Also debuting on the chart is Humbert Humbert’s “Warattari Korondari,” the theme song for NHK’s morning drama Bakebake, The song hits No. 72 on the Japan Hot 100, coming in at No. 7 for video and No. 8 for radio.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Sept. 29 to Oct. 5, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.