Authorities say a former North Carolina law enforcement officer planned to kill Black people in a mass shooting at a major New Orleans festival but was arrested at a Florida hotel with a handgun and hundreds of rounds of ammunition.

Authorities in several states did not name the event, but the New Orleans Jazz & Heritage Festival, commonly known as Jazz Fest, runs from Thursday (April 23) through May 3. The gathering attracted about 460,000 people last year, organizers said.

Related

Christopher Gillum of Chapel Hill, North Carolina, was wanted for “terroristic threats,” the Okaloosa County Sheriff’s Office in Florida posted online Thursday. Federal authorities told the sheriffs office that Gillum was in the Florida Panhandle “heading to do a mass shooting at a large festival in Louisiana.” The sheriffs office did not name the federal agency, and the FBI office in New Orleans did not immediately respond to a request for comment.

The Okaloosa sheriff’s office said Gillum was arrested without incident Wednesday night at a hotel in Destin, and posted a photo of him being led away in handcuffs. Deputies recovered a handgun and about 200 rounds of ammunition from the hotel room, the statement said.

Gillum was arrested as a fugitive from justice and will be extradited to Louisiana to face charges there, the sheriff’s office said. It was not immediately known if he had a lawyer. The Associated Press left a message at phone numbers listed for him.

Gillum’s family reported him missing on Tuesday and he had a history of self-harm, according to Lt. Clint Lyons of the Alamance County Sheriff’s Office in North Carolina. Gillum’s family told law enforcement he had a gun and “expressed recent threats to harm ‘Black people,’” according to a bulletin from police in Burlington, North Carolina.

Lyons said Gillum crossed state lines before his agency could prepare the paperwork to involuntarily commit him to psychiatric treatment. Lyons said that there were no criminal grounds to detain Gillum despite his comments about Black people “because there was no victim.”

“But we felt that there was definitely something there that needed to be shared, so that’s what we did,” Lyons said.

Gillum was located and stopped by law enforcement in Oklaloosa County on Wednesday, according to Lyons and the Burlington police bulletin.

However, Gillum “did not present any grounds for involuntary commitment or criminal charges” and was allowed to continue on his way, the bulletin stated. Gillum told officers that he was “en route to New Orleans,” the report added.

Okaloosa deputies were initially asked to make a “welfare check” on Gillum on Wednesday morning and were “not aware” of any threats he had made, sheriff spokesperson Michele Nicholson said. Later that day, after the sheriff’s office learned Gillum was being investigated, deputies surveilled him until a signed warrant arrived from Louisiana, she added.

Gillum had been hired as a detention officer by the sheriff’s office in Orange County, North Carolina, in October 2023 but he left in July 2024, department spokesperson Alicia L. Stemper said.

“We hired him again as a deputy on Jan. 13, 2025,” she said in an email. “He resigned his position on Sept. 21, 2025, and we terminated him accordingly.”

Gillum also served as a sworn police officer for Chapel Hill from 2004 until his resignation in 2019, town communications manager Alex Carrasquillo said.

“He returned as a non-sworn employee in 2024 before leaving for another job by the end of that year,” Carrasquillo said in an email.

Louisiana State Police spokesperson Trooper Danny Berrincha said the agency is still investigating the episode with the FBI.

“At this time, there are no known direct threats to any festivals in Louisiana,” he added.

In a statement, the New Orleans Jazz & Heritage Festival said it works closely with law enforcement and applauded their efforts, saying ”we look forward to another safe and joyful Jazz Fest.”

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Standup comedian Nikki Glaser has grown in popularity, thanks to touring, comedy specials and hosting appearances during back-to-back Golden Globe Awards ceremonies (with a third coming in 2027). And now, Glaser’s newest comedy special Good Girl, her fifth since 2016, drops this weekend.

How to Watch ‘Nikki Glaser: Good Girl’ Online for Free

Nikki Glaser: Good Girl streams exclusively on Hulu at no additional charge for subscribers only, which means you won’t be able to watch it on network or cable TV. The comedy special drops Friday, April 24, at 3 a.m. ET/midnight PT.

If you’re not already subscribed, Hulu offers a free 30-day trial, so you can stream the special for free. Hulu’s most popular plan is ad-supported and goes for $11.99 per month (or $119.99 per year). Meanwhile, Hulu (No Ads) provides ad-free streaming for $18.99 per month.

Looking for more streaming deals? Get the ad-supported versions of Hulu and Disney+ for $12.99 per month in one bundle.

With Hulu, subscribers can stream thousands of episodes of TV shows and movies, such as Love Island UK, Only Murders in the Building, The Handmaid’s Tale and other Hulu exclusives, as well as network and cable TV shows, like Abbott Elementary and The Masked Singer.

Subscribers can also create up to six profiles under one account and stream from up to two different screens at once and from compatible devices, including a smart TV, phone or computer.

If you’re looking for a streaming plan with live television, join Hulu + Live TV for access to more than 95 live channels, plus everything on Hulu and Disney+, starting at $89.99 per month.

Starting on Friday, Apr. 24 at 3 a.m. ET/12 a.m. PT, you can watch Nikki Glaser: Good Girl on Hulu for free, if you’re a subscriber. In the meantime, watch the trailer for the comedy special below.

Want more? For more product recommendations, check out our coverage of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

If Taylor Swift still has a “bucket list” at this point, one thing that’s probably on it is to win a Grammy for song of the year.

You may be surprised that she hasn’t won it yet. She has received eight nominations in the category, which puts it in a tie with her former (and perhaps future) collaborator Jack Antonoff for the most song of the year nods by any songwriter in Grammy history. But whereas Antonoff won once (for co-writing “We Are Young,” his breakthrough smash with the indie pop trio fun.), Swift has run up an 0-8 record in the category.

Swift and Lady Gaga (who has gone 0-5 in the category) are the only songwriters with five or more song of the year nominations who have yet to win. (Gaga has won a songwriting Oscar, though, which makes up for it.)

Swift’s not having won a Grammy for song of the year (at least so far) is notable, because more than a few people regard her as the songwriter of her generation. She’s entering the Songwriters Hall of Fame at their annual Induction and Awards Gala on June 11. At 36, she’ll be the second-youngest inductee in SHOF history, behind Stevie Wonder. (Come to think of it, he never won a Grammy for song of the year, either! The Motown legend was nominated in 1974 for the masterful “You Are the Sunshine of My Life” and in 1985 for the warm, if overly sentimental, “I Just Called to Say I Love You.”)

Related

Swift has a good chance to be nominated for song of the year later this year for one of the hits from The Life of a Showgirl – “The Fate of Ophelia,” “Opalite” or “Elizabeth Taylor.” She cowrote all three of those songs with Max Martin and Shellback, with whom she cowrote two previous song of the year nominees, “Shake It Off” and “Blank Space.” If one of these songs is nominated, it would mark the first time Swift has teamed with a given collaborator on three song of the year nominees. She also teamed with Liz Rose and Antonoff on two each.

Moreover, if one of those songs were to win, it would be the first song of the year victory for all three co-writers. Martin was also nominated for co-writing the Backstreet Boys’ “I Want It That Way” and Katy Perry’s “Roar.” These Swift collabs represent Shellback’s only nominations in the category to date.

Here are all of Swift’s song of the year nominations to date. We’ll update this post later this year if she is nominated again, and again next February if she (finally) wins.


Billboard VIP Pass

A Los Angeles judge has dismissed Smokey Robinson’s defamation counterclaims against former employees suing the Motown legend for sexual abuse.

In a ruling on Thursday (April 23), Judge Kevin C. Brazile said there isn’t sufficient evidence to hold Robinson’s former anonymous housekeepers and their lawyers liable for calling the singer a rapist at a press conference last year.  The decision is not a ruling on the veracity of the women’s underlying sexual assault allegations; it’s focused only on the defamation claims, which are subject to a higher pleading standard due to free speech laws.       

Related

In California, a public figure can only move forward with defamation claims if they provide evidence showing that their adversary acted with “actual malice,” meaning that this person knew a statement was false when they said it. Here, Judge Brazile said Robinson did not meet that standard after deposing the housekeepers.

“There is evidence supporting the Robinsons, including inconsistencies and unusual circumstances, like encouraging a sister to work after the assaults,” wrote the judge. “However, the evidence of actual malice does not approach the clear and convincing standard. A jury could credit the testimony of the plaintiffs, including recalling that they reminded Smokey to stop the assaults because he had a wife. Because cross-complainants failed to show actual malice, they did not show a reasonable probability of prevailing on their defamation claims.”

Robinson still has separate counterclaims pending against the housekeepers for allegedly deleting evidence and stealing from his family. Those claims are moving forward through discovery alongside the women’s core sexual assault allegations, with a trial scheduled for 2027.

A lawyer for the accusers, John Harris, said in a statement that Thursday’s ruling “stands as a powerful and unequivocal victory for our clients and for survivors everywhere who refuse to be silenced.”

Related

“The court saw this $500 million countersuit for what it is — a blatant, retaliatory attempt to intimidate, discredit and punish women for speaking out about sexual assault,” added Harris. “California’s anti-SLAPP law exists to stop exactly this kind of abuse of the legal system, where wealth and power are used as weapons against those seeking accountability. Today, the court made clear that such tactics will not be tolerated.”

Robinson’s attorney, Christopher Frost, said in his own statement on Thursday, “Obviously we believe the court’s ruling is incorrect in the claims it did dismiss. There is plenty of evidence of actual malice on the part of the attorneys.”

“More fundamentally, our focus remains on showing that the Jane Does’ claims are untrue and fabricated,” Frost continued. “Even the court, in its ruling, recognized the numerous inconsistencies in their testimony. Even though some of our claims were dismissed on a technicality today, it remains true that the Jane Does have a lot of trouble with their stories. You can expect our continued focus on getting to the bottom of those stories.”

The legal battle began last May, when the four unnamed women filed a $50 million lawsuit alleging the 85-year-old artist had sexually abused them between 2007 and 2024. Later on, another female housekeeper and a male car mechanic joined the lawsuit anonymously with additional assault claims.

Robinson vehemently denied all wrongdoing, saying the “vile, false allegations” were merely “an ugly method of trying to extract money.” He countersued the accusers within weeks.

The plaintiffs also filed police reports after they sued Robinson, leading the Los Angeles County Sheriff’s Department to open a criminal investigation. No charges have been brought to date.


Billboard VIP Pass

It only took 20 years, but Trixie Mattel is finally a Swiftie. On the latest episode of Takes Us Out, the drag icon and DJ revealed to Billboard that she’s now a Taylor Swift fan thanks to the pop superstar’s most recent album, The Life of a Showgirl.

Chatting with Tetris Kelly over sweets at California Donuts on Hollywood Boulevard, Mattel shouted out Swift’s 12-week Billboard 200-topper as an album she’s been loving lately. “I’m a new Swiftie,” the RuPaul’s Drag Race All Stars winner began.

“I don’t want to be like an uncultured swine, but I think this album that everyone said wasn’t good is the first one I responded to,” she continued of Showgirl before calling out the LP’s Billboard Hot 100 No. 1 hits. “I really like it. ‘Fate of Ophelia,’ ‘Opalite,’ these singles — I was like, ‘This is amazing.’”

Elsewhere in the segment, Mattel revealed which Gen Z pop stars she’d like to see portray her in a biopic someday — “Dove Cameron and Sabrina Carpenter, I saw her on The Muppets” — and joked about the recent controversy surrounding Chappell Roan and soccer star Jorginho. “I was in Dollywood last weekend,” the musician said. “Imagine Disney with less kids — they have Chappell Roan come in and just kick everyone out. ‘All the kids gotta go!’”

Mattel’s remark pokes fun at the backlash Roan faced after Jorginho accused her of sending a bodyguard to scold his stepdaughter at a hotel breakfast, leading the Grammy winner to post a video clarifying that she didn’t even know the security personnel. “I do not hate people who are fans of my music,” Roan added at the time. “I do not hate children.”

In all seriousness, Mattel pointed out on Takes Us Out, “They never talk about men not being nice to kids.”

Fresh off the release of her new single “Hella Good” featuring Bonnie McKee, Mattel first started DJing during the COVID-19 pandemic. She’s now a regular at major music festivals, and she’s currently gearing up to play Lightning in a Bottle in California this May. After that, she’ll perform at Bonnaroo, Lollapalooza, Osheaga, Capitol Hill Block Party and Outside Lands.

Before launching her career in dance music, Mattel said she worried that people might not see her as a legitimate musician due to her drag artistry. “When I first started making music, playing my guitar and stuff, I was desperately interested in everybody taking me seriously,” she told Billboard. “I used to be like, ‘It’s not a drag show, I’m a musician.’ Now I’m like, ‘It’s a drag show.’ Because the truth is: It’s all a drag show!”

Check out Mattel’s full episode of Takes Us Out above.


Billboard VIP Pass

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The Swiftie fandom is a family, deeply connected via inside jokes, glitter, music and a love of all things Taylor Swift.

No one has lived the life of a Swiftie more loudly and proudly than Olivia Levin, a self-proclaimed superfan with a profound love for the chart-topping singer. Levin’s love for the musician was funneled into a Tumblr account, which then morphed into an Instagram account aptly titled @SwiftiesForEternity, which now boasts more than 630,000 followers.

From her days spent poring over all things Swift via her social media, Levin decided to pen a book about her time in the fandom since the early days, titled The Story of Us. The book, which launched via Simon & Schuster on April 14, is now a New York Times best-seller and is available to purchase online on Amazon in hardcover for $20.30 or on Kindle for $14.99.

Where to buy 'The Story of Us' by Olivia Levin online.

The Story of Us: How the Taylor Swift Fandom Changed Our Lives

$20.30 $29.00 30% off

Buy Now On Amazon

This is a book about the Swiftie fandom written by a die-hard Swiftie. The book is available for purchase on Amazon.


Simply put, this book is really about capturing the evolution of the Swiftie fandom and how it has changed over the years since Swift burst onto the scene in 2006. Through 13 chapters — yes, Swift’s lucky number — readers are taken through all the most impactful moments in the fandom via Levin’s lens, from the early days of Swifties calling radio stations to request Swift’s debut single “Tim McGraw” to surviving the Eras Tour ticket war.

The Story of Us also shares the importance of how fandoms bring people together, allowing for connection, something everyone in a fandom can relate to on some level. The book also offers readers 13 life lessons Levin has gleaned from being a Swiftie.

“Olivia takes readers behind the curtain and into the crowd, capturing the glitter, devotion, and emotional resonance that have made Swifties one of the most influential fan communities of all time,” reads an excerpt from a press release about the book. “More than a book about music or celebrity, The Story of Us explores how a shared love became a shared language—and, for many, a lifeline.”

To promote her book, Levin embarked on a book tour April 13-16 in New York, Kansas City and Nashville. The tour was meant to bring Swifties together, as the book intends to do.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The NASCAR schedule heads to the famed Talladega Superspeedway this weekend, and it’s once again expected to be one of the biggest parties of the year down South.

Zac Brown has been announced as this year’s grand marshal, and the country star — who recently finished a Las Vegas run with his band at the Sphere — will give the command for the Jack Link’s 500 on Sunday in Alabama. Kip Moore, meantime, is set to perform at the Saturday Night Infield Concert at the track, ahead of his new albumReason to Believe, due May 29.

Last-minute tickets to catch the action in person are still available on sites like StubHub. But there are also a few ways for racing fans to catch the action on TV and online.

NASCAR Cup Jack Link’s 500 at Talladega: Date, Start Time

NASCAR Cup Series drivers will navigate the 2.66-mile track — the biggest oval on the NASCAR circuit — at the Jack Link’s 500 on Sunday, April 26. Start time in Alabama is set for 3 p.m. ET / noon PT, and this year’s race is being broadcast on FOX. You can watch the NASCAR Talladega race on TV through your local FOX affiliate.

How to Stream NASCAR Talladega Races Online

Don’t have cable? You can watch the race online with any livestreaming service that includes FOX in its channel offerings. We like DIRECTV, which offers a five-day free trial for new users that you can use to stream the Talladega NASCAR race online free.

You can also use DIRECTV to livestream the O’Reilly Auto Parts Series race online. That race takes place Saturday at 4 p.m. ET and is airing on The CW, but if you don’t have cable, you can find a CW live feed through DIRECTV. Both FOX and The CW are included in the free trial offer.

DIRECTV’s “MySports” package starts at just $44.99/month for your first two months after your free trial is up. Part of the streaming service’s “Genre Packs,” the deal gets you more than 20 live sports networks like ESPN and FS1 and all your local channels, plus a subscription to ESPN Unlimited.

You can also watch the O’Reilly Auto Parts Series (airing on The CW) and the Cup Series Talladega race (on FOX) online through Fubo, which offers a live feed as part of its “Sports + News” plan. Start with a free trial this weekend to watch the NASCAR races online for free, then choose to cancel or continue on with plans from $45.99 and up.

The cheapest way to watch the Talladega Superspeedway races online without cable is through Sling. The streaming service carries a live feed of FOX as part of its “Select” package, which starts at just $19.99/month. While Sling doesn’t offer a free trial, it offers the most flexibility when it comes to live streaming options, with dozens of channels and package deals to suit what you want to watch on TV. See more details here.

Famously spoofed in the 2006 Will Farrell film, Talladega Nights: The Ballad of Ricky Bobby, races at Talladega are some of the most competitive and exciting ones to watch, thanks to the tightly packed lineup of cars, the highest-banked track on the circuit (at 33 degrees) and the longest distance covered (at 2.66 miles per lap).

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Amid whisperings of her upcoming 2026 album, reportedly titled Westside Whimsy, Jhené Aiko dropped a collection of fine jewelry in collaboration with Awe Inspired.

While we patiently wait for more information on her new music, fans and followers can browse the singer’s new collection, all inspired by the whimsy that Aiko finds from her birthplace of Los Angeles. “This collection is all about the magical history and undeniable whimsy of the place I’ve been honored to call my home since birth — California,” said Aiko in a press release from Awe Inspired.

A quick browse through the jewelry offerings and you’ll see what Aiko is talking about when it comes to whimsy. The line, which is available to purchase on Awe Inspired’s website, features around 24 pieces, including a few Damselfly-themed pearl items along with saber-tooth-inspired pendants and rings with evil eye motifs. You’ll see this blending of spirituality with unique and almost fairytale-like aesthetic.

Some of our favorites from the multi-piece collection include the Evil Eye Scent Diffuser Ring for $245. The ring looks pretty standard on the outside, a sterling silver construction with a carved evil eye motif on the top, but a secret is hidden inside. For those who aren’t too tapped into the spiritual world, an evil eye is meant to protect the wearer from negative energy, jealousy or bad luck. When you open up the ring, you’ll find a porous black volcanic rock inside. Users are encouraged to dab a bit of essential oils or perfume on the rock. The rock’s porous nature will allow whatever you put on it to soak in, meaning the scent you choose will linger for hours on end. Jewelry that also functions as a diffuser? We can get behind that 100%.

Another favorite is the Metamorphic Damselfly Pearl Earrings for $165. You can choose to buy a single earring for stacking or a pair for $325. Aiko is wearing the pink/lavender style throughout the campaign images. The earrings are comprised of a string of lavender pearls with a damselfly motif on top, where you’d put the earring in your ear. The insect is meant to symbolize transformation, purity and protection for spiritual folks. That’s likely why the damselfly can be seen throughout the collection. That would also explain the “metamorphic” moniker. We like this style because of how well it dangles and moves, especially when worn with other studs or hoops. We’d wear these with other earrings rather than solo for a fun textural moment.

Aiko released new music in 2025, including the single “Break” and her EP i am not afraid (creation mantra). Fans have been eagerly awaiting more music from the star, which is why Westside Whimsy is such a big deal. Aiko first teased the 2026 album via her Instagram Story in January. Additionally, the R&B singer partnered with Erewhon Market to launch “The Westside Whimsy” smoothie, a limited-time beverage that was also launched in January of this year at the brand’s Tonic Bar.

Shop Our Favorites from the Jhené Aiko x Awe Inspired Jewelry Collection

Where to buy Jhené Aiko x Awe Inspired jewelry collection online.

Metamorphic Damselfly Pearl Earrings

Aiko wears the pink pearl style with gold damselfly detailing. This is the singular earring, but you can purchase a pair for $325.


Where to buy Jhené Aiko x Awe Inspired jewelry collection online.

Jhené’s Aquamarine Moon Wave Necklace

This is a gold chain necklace affixed with a moon and stars pendant similar to a coin. This is an all-gold model, but if you’d prefer, the style also comes in sterling silver.


Where to buy Jhené Aiko x Awe Inspired jewelry collection online.

Evil Eye Scent Diffuser Ring

Not your average jewelry, this ring doubles as a scent diffuser. The top of the ring opens up to a stone that you can dab a few drops of essential oil or perfume onto.


Where to buy Jhené Aiko x Awe Inspired jewelry collection online.

Damselfly Drop Pearl Lariat

Via the campaign images, Aiko is styled in the pink pearl version of this Damselfly necklace, layered with other styles. The length of this piece makes it great for stacking.


Where to buy Jhené Aiko x Awe Inspired jewelry collection online.

Gemstone Saber-Tooth Collector Earrings

These saber-tooth earrings come as a set, but you can purchase a singular saber tooth to stack the charm on a bracelet or attach it to your favorite necklace. The tooth charm is carved out of a Rainbow Moonstone, giving it that holographic look.


Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 

This week: Justin Bieber’s post-Coachella streams keep going up, while a couple artists experience their first big viral moments — one with a newer song, one with an older one.

Justin Bieber Gets His Best Streaming Day of 2026 Following Coachella Weekend Two

Following his extremely buzzy headlining appearance at the Coachella Valley Music & Arts Festival two Saturdays ago (April 11), Justin Bieber experienced the biggest non-Super Bowl catalog bump we’ve seen this year, with his discography essentially tripling in streams in the days following his performance. But unlike Bad Bunny’s performance on the most watched television event of the year, Justin Bieber got to go back and do it all over again a weekend later — and his streams climbed even higher as a result.

Bieber returned last Saturday (April 18) for his weekend two set, a performance generally better-received by fans than his weekend one show. The Bieb was praised for seeming more comfortable both with the stage and with his audience, as well as for bringing out even starrier guests like Billie Eilish and SZA. He also played an entirely different set of early-career classics and forgotten gems during the YouTube portion of the set. Consequently, the set drew similar attention to his weekend one performance, keeping his streaming momentum pointing in the right direction.

On Monday (April 20), Bieber’s streams reached a new high for 2026, as the pop superstar racked up a stunning 32.4 million official on-demand U.S. streams, according to Luminate — a 12% gain from his total the previous Monday (just over 29 million), and a 5% gain from the previous Tuesday (30.9 million), his prior high-water mark for the year. Since getting his initial Coachella bump, he’s now had six days of at least 30 million streams — compared to only four such days in all of 2025, a year when he released both a 21-track new album (Swag) and a deluxe reissue with an additional 23 tracks (Swag II).

Clearly, Bieber’s Coachella headlining appearance has turned into an absolute game-changer for him — and will undoubtedly be studied by both fellow star artists and by the folks at Goldenvoice themselves as, evidence of what such a set can mean to even a long-established veteran artist’s career. – ANDREW UNTERBERGER


People Are Really Missing Frank Ocean — And F3mii’s “Noble” Is Filling the Void

Dublin-based Nigerian-Irish singer-songwriter F3miii doesn’t hide his influence — and that’s exactly why his catchy new “Noble” single has taken over TikTok and debut on the official U.K. Singles Chart.

He first teased “Noble” in a Dec. 16, 2025, TikTok post, pairing a snippet of the track with the onscreen caption, “I was really missing 2013 Frank Ocean and Childish Gambino, so I made this demo, let me know what you think.” Less than a day later, F3miii shared that he had completed the song and would share it once the attached TikTok sound reached 500 posts. By Christmas Day (Dec. 25), F3miii announced (again via TikTok) that “Noble” was officially available on streaming (in Ireland/U.K. time), with the rest of the world receiving the track the following day. Now, those three posts boast a combined 5.8 million views, mostly thanks to similarly Frank Ocean-starved music lovers.

According to Luminate, “Noble” earned 335,000 official on-demand U.S. streams during the week of Feb. 27-March 5. Three weeks later (March 20-26), “Noble” jumped 276% to over 1.26 million official streams, and by April 10-16, that number leapt another 116% to over 2.74 million official streams. Over the past six weeks, “Noble” has vaulted a whopping 716% in official on-demand U.S. streams. On the U.K. Official Singles Chart dated April 22, “Noble” debuted at No. 81, marking F3miii’s first career entry.

The official “Noble” TikTok sound plays in over 25,000 posts, while the unofficial sound attached to F3miii’s initial snippet plays in an additional 11,300. Most of these posts fall into three main categories: fans heralding the return of Ocean’s electronic-infused R&B sound, comedic clips timed to the “she has composure” lyric in the chorus and steamy fancams for fictional characters, namely those on the newest season of HBO’s Euphoria.

Already proving to be a multipurpose song that can bridge different generations of R&B lovers, “Noble” is just getting started. — KYLE DENIS


Sweet Sibling Trend, Basketball Edits & Furries Revive 2017 Sidney Gish Deep Cut

The most enduring songs tend to resonate with seemingly disparate communities, and Sidney Gish’s “Imposter Syndrome” is headed down that path.

Over the past few years, very different groups of listeners (although there’s bound to be some overlap) have latched on to “Imposter Syndrome,” the penultimate song from Gish’s 2017 No Dogs Allowed album. The acoustic pop song describes feelings of discomfort, as if its protagonist were a dog pretending to sit at a table with humans. Those sentiments struck a chord with the neurodivergent community, who have used an unofficial TikTok sound (nearly 100,000 posts) to soundtrack depression room clean-ups and reflect on living with autism.

Separately, in September 2025, producer and DJ Russel Buck dropped his RAVEPOP album, which housed an “Imposter” remix titled, “Just Be Competent.” Buck, who associates with the furry community, earned a TikTok hit with his remix, which can be heard in over 50,000 clips. Back in 2018, Gish, via her official X account, addressed fans thinking her song was about being a furry, writing, “No, but it can be.” Finally, a more recent trend of younger siblings using “Imposter Syndrome” to admit their admiration of their older siblings has helped further propel the song on social media, as has the litany of acoustic covers the track inspired. A few users have also used the song to highlight athletes they deem underrated or underappreciated.The official “Imposter Syndrome” TikTok sound currently plays in over 76,000 clips.

At the top of the year (Jan. 16-22), “Imposter Syndrome” earned just over 335,000 weekly official on-demand U.S. streams, with that number jumping 80% to 1.33 million by Feb. 27-March 5. By the week of April 10-16, the song jumped another 68% to over 2.23 million streams. Over the past 12 weeks, streams for “Imposter Syndrome” have exploded over 203%.

Seven years after opening for Mitski, Sidney Gish is still very much in the conversation. — KD


Billboard VIP Pass


 
 

The fifth annual Las Culturistas Culture Awards are set to simulcast on Bravo and Peacock on Wednesday, June 17 from 9-11 p.m. ET/PT. Hosted by comedians Bowen Yang and Matt Rogers, the comedy variety special will include more than 100 unique award categories, live musical performances and unexpected celebrity encounters.

Related

Last year marked the first time the show was televised. Former Billboard Pride editor Stephen Daw wrote of the show: “What started as a bit on the pair’s hit podcast Las Culturistas, in which Yang and Rogers would spontaneously make up ridiculous awards categories for their audience’s entertainment, was transformed into a high-production-value send-up of the glitz, glamour and self-seriousness of shows like the Grammys, Oscars and Emmys.

“ … Yang and Rogers wasted no time in skewering the award show format, proving definitively that ‘every podcast should also be TV,’ and that ‘everything on TV should be a gay fever dream,’ as they pointed out in their opening monologue.”

Guests on last year’s show included Oscar-winning actors Allison Janney and Jamie Lee Curtis, as well as the main cast of The Real Housewives of Salt Lake City, an indication of the show’s signature mix of high and low culture. Other guests on last year’s show were Jeff Goldblum and pop stars Reneé Rapp, Jensen McRae and Lucy Dacus.

This year’s show will tape on May 30 at the United Theater in downtown Los Angeles. Promoted by Live Nation, tickets will be available beginning with presales on Friday (April 24) ahead of the general on-sale Monday (April 27) at 10:00 a.m. local time. For tickets, click here.

The Las Culturistas Culture Awards is produced and distributed internationally by Lionsgate Alternative Television. Rogers and Yang serve as executive producers, alongside Lauren LeMieux, Jonah McMichael and 3 Arts’ Olivia Gerke and showrunner Jane Mun.


Billboard VIP Pass