The Great Escape has announced a raft of new names for its 2026 edition, including Bella Kay, Bimini, PVA, Charlotte Plank and more. The annual festival previews emerging music newcomers in Brighton, England. This year is the festival’s 20th anniversary edition and it will take place between May 14-17.
On Tuesday (March 31) over a hundred new names were added to the lineup, including Arxx, Bella Kay, Ben Ellis, Bimini, Ceebo, Chase Icon, Do Nothing Gans, Girl In The Year Above, Girl Scout, Kerr Mercer, Madmadmad, Max Winter, My First Time, PVA, Sassy 009, Sunday Mourners, The Orchestra (For Now), The Skinner Brothers, Tom Rasmussen, Tommy Barlow, Tsatsamis, Xanadu, Y + More.
Bella Kay’s inclusion will be her first live performances in the U.K. since the success of her song “iloveitiloveitiloveit,” which peaked at No. 2 on the U.K.’s Official Singles Chart and at No. 18 on Billboard’s Hot 100 earlier this month. Rising star Nectar Woode will also appear on the bill, as well Ben Willis, The Haunted Youth and more. See the full lineup for the festival so far below.
Previously-announced names for the festival include The Kooks, Peaches and more. For the second year running, Billboard U.K. will host a stage at the Deep End venue on the Brighton seafront; rising indie-rockers KEO will headline the programming on May 15. Mercury Prize winners English Teacher headlined the Billboard U.K. Live event in 2025.
Since its inception, the festival has hosted early performances from Stormzy, Sam Fender, Dua Lipa, Fontaines D.C., Adele, George Ezra, Lewis Capaldi and more.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-31 11:25:342026-03-31 11:25:34The Great Escape’s 2026 Lineup Expands with Bella Kay, Sassy 009 & More
Saturday Night Live UK is set to continue its debut season momentum with Tuesday’s (March 31) announcement of its latest musical guest, British soul singer Jorja Smith. The 28-year-old, who is gearing up for a huge co-headline show at All Points East this summer (Aug. 16) with Tems, will grace the SNL UK stage next weekend (Apr. 11) alongside host Jack Whitehall.
Sky’s U.K. iteration of the iconic live sketch show first hit screens earlier this month (March 21), with the first episode featuring indie-rockers Wet Leg and SNL alum Tina Fey. The following week welcomed appearances from host Jamie Dornan and a set from Wolf Alice.
Smith rose to prominence with her 2018 debut album Lost & Found, which earned her a BRIT Award for British female solo artist and a Mercury Prize nomination. She followed up with second LP Falling Or Flying in 2023, reaching No. 3 on the Official U.K. Albums Chart. Since then, she has remained a fixture on major festival stages, including a performance at Glastonbury Festival in 2025. Smith also recently released a standalone track, “Price Of It All,” which features in the Amazon Prime original series Bait.
London-raised comedian Whitehall, meanwhile, is best known for his work on the sitcom Bad Education and travel-based stand-up series Travels With My Father. He has also hosted The BRIT Awards six times – more than any other presenter– including this year’s edition at the Co-op Live in Manchester.
SNL UK shares many of the components of its famous American counterpart, with each 75 minute episode including an opening monologue, topical sketches, live music and a British take on SNL’s satirical news segment, Weekend Update. It has premiered to mixed reviews from critics in the U.K., though its first series was recently extended to eight episodes from six.
This weekend (Apr. 4), British rock band Kasabian will hit the SNL UK studios for a performance, while actor Riz Ahmed is lined up for hosting duties. Viewers can watch the episode live on Sky One at 10 p.m. GMT before it drops in the U.S. the following day at 9 p.m. ET/PT on Peacock.
SNL UK features a cast of up-and-coming British comedy actors and comedians, including Hammed Animashaun, Ayoade Bamgboye, Jack Shep, Emma Sidi, Paddy Young and more.
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American Idol made history on Monday (March 30) when host Ryan Seacrest announced that no elimination would take place at the end of the season’s first live show — the first time in the competition’s history that a result could not be delivered on the night.
“We will not be announcing the elimination tonight,” Seacrest told the audience. “First time it’s ever happened. Believe me, I’ve been here every night. We want to make sure we get every vote counted.”
The unprecedented development occurred after a high volume of viewer votes flooded in during the Top 14’s live performances, making it impossible to accurately tally them in time.
The night had opened with Seacrest revealing which 14 artists had advanced from the Top 20 Hawaii performances, where America voted for the first time this season. Moving forward are Jordan McCullough, Chris Tungseth, Rae, Daniel Stallworth, Brooks, Philmon Lee, Braden Rumfelt, Keyla Richardson, Lucas Leon, Jake Thistle, Hannah Harper, Kyndal Inskeep, Julián Kalel and Jesse Findling.
Eliminated ahead of the live shows were Ruby Rae, Madison Moon, Makiyah, Abayomi, Kutter Bradley and Genevieve Heyward.
The theme for the first live show was songs of faith, with each contestant choosing a performance to match. Richardson, last week’s standout after her Beatles cover drew comparisons to Fantasia Barrino from guest judge Keke Palmer, opened the night with “Jireh” and delivered again.
“You have that star look, that star sound, and more importantly, that star strut,” Lionel Richie said. Carrie Underwood called it the right “way to kick off the show,” while Luke Bryan praised Richardson for how she “commanded the stage.”
Several other performances drew particularly strong reactions from the panel. Jordan McCullough’s rendition of “I Can Only Imagine” brought the judges to their feet, with Underwood simply saying “Thank you. That’s all I have to say. Thank you,” and Richie closing with “May the congregation say amen? AMEN!” Kyndal Inskeep’s performance of “Nothing But the Blood” left Underwood stunned — “I don’t know for the life of me how you are not super duper famous already” — while Rae’s take on Patty Griffin’s “Up to the Mountain” earned a rare “perfect performance” from Richie. Bryan told Philmon Lee, who chose Lynyrd Skynyrd’s “Simple Man,” simply: “I’m like, where has this guy been?”
The eliminated contestants will be revealed on the next episode. American Idol airs Mondays at 8/7c on ABC.
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A U.S. federal judge has ruled largely in favour of Amyl and the Sniffers frontwoman Amy Taylor in her ongoing copyright dispute with photographer Jamie Nelson.
Judge George Wu denied Nelson’s anti-SLAPP motion, ordered the parties to mediate within three weeks, and warned the photographer that “things are only going to get worse” if the matter proceeds to trial.
At a hearing before district court Judge George Wu in the U.S. District Court for the Central District of California on Monday (March 31), Taylor’s lawyer Jonathan Pink described the outcome as a near-total victory.
“The U.S. district court today ruled almost entirely in favour of plaintiff, Amy Taylor, giving her the right to amend her federal court action, keeping alive her state-based claims, and leaning on defendant, Jamie Nelson, to settle this lawsuit,” Pink said in a statement. “In summary, today’s hearing was a near-complete victory for Amy Taylor and nearly the complete opposite for Ms. Nelson.”
Judge Wu set a mediation deadline of April 23, ahead of an April 27 hearing, and issued a stark warning to Nelson. Absent a course-correction, Wu indicated he would enter a default judgment against Nelson’s company, Jamie Nelson Studios LLC, on April 29.
He also dismissed Nelson’s attempts to question the legal expertise of Taylor’s counsel — a 30-year copyright attorney — and declined to assist Nelson with her claims, noting that such assistance was not the role of the federal judiciary. In comments from the bench, the judge told Nelson directly: “Settlement is worth it even if you have to pay more than you want. Things are only going to get worse for you if you go forward.”
Nelson, for her part, maintained that her own copyright claims remained active. “My copyright counterclaims remain active and will continue to move forward against Amy Taylor, Amyl and the Sniffers, John Angus Stewart, and PHC Films,” she told Rolling Stone AU/NZ on Tuesday. “This case highlights the realities independent artists face when navigating disputes against well-funded and highly aggressive legal pressure, and I will continue to assert my rights as an artist as this matter proceeds.”
The dispute stems from a 2025 photo shoot for Vogue Portugal, for which Nelson photographed Taylor in a series she later titled Champagne Problems.
Taylor’s side maintains she agreed to the shoot on the understanding the images would be used exclusively for the magazine. Nelson subsequently proposed selling a selection of the photographs as fine art prints — priced at $3,600 each — and a limited-edition zine, both of which Taylor’s management rejected. Taylor’s lawsuit, filed in California district court in late 2025, alleges Nelson proceeded to list the prints for sale anyway and continued using the images across her website and social media without authorisation.
The dispute had escalated sharply at the end of last year. In December 2025, Nelson filed a civil harassment restraining order petition against Taylor in Los Angeles Superior Court, which the court declined to grant.
Nelson has since filed copyright counterclaims of her own, alleging a third party connected to Taylor posted her images without permission. The latest hearing marks the most significant legal development yet, with the court firmly signalling that settlement is the preferred path forward.
Formed in Melbourne in 2016, Amyl and the Sniffers have become one of Australia’s most prominent rock exports. Their 2022 album Comfort to Me debuted at No. 1 on the ARIA Albums Chart and earned widespread international acclaim, including nominations at the Brit Awards and Australian of the Year recognition for Taylor.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-31 05:45:342026-03-31 05:45:34Amyl and the Sniffers’ Amy Taylor Wins Major Court Victory in Photographer Copyright Dispute
The U.S. Army has launched an investigation after two AH-64 Apache attack helicopters conducted low-altitude maneuvers near the Nashville home of Kid Rock on Saturday — the same day as nationwide No Kings protests against the Trump administration.
The singer, a prominent Trump supporter, shared footage to his X account on Saturday (March 28) showing the two helicopters hovering close to his 27,000-square-foot Nashville-area estate, which he refers to as the “Southern White House.”
In one video, one of the Apaches appeared to rotate into what looked like an attack position facing the entertainer as he stood poolside saluting.
“This is a level of respect that s— for brains Governor of California will never know,” he wrote, taking aim at Democratic Governor Gavin Newsom. “God Bless America and all those who have made the ultimate sacrifice to defend her.”
This is a level of respect that shit for brains Governor of California will never know. God Bless America and all those who have made the ultimate sacrifice to defend her. 🇺🇸 🙏 pic.twitter.com/iD5mmkaXv1
The Army’s 101st Airborne Division confirmed Monday it was reviewing the incident. “Army aviators must adhere to strict safety standards, professionalism and established flight regulations,” said Maj. Jonathon Bless, public affairs officer for the 101st Airborne Division, in a statement.
“An administrative review is underway to assess the mission and verify compliance with regulations and airspace requirements. Appropriate action will be taken if any violations are found.”
The Army said the helicopters had been on a training route in the Nashville area, and maintained that any connection to the No Kings rally happening in Nashville that day was “entirely coincidental.”
But 101st Airborne leaders acknowledged to local outlet NewsChannel5 Investigates that they were still unclear whether the overflight at Kid Rock’s property was incidental or deliberate. “Our pilots do regularly fly routes outside the Fort Campbell area,” Bless said. “We just don’t know if it was incidental or if it was deliberate.”
The timing of the flyby drew immediate scrutiny. The videos were posted on the same day that millions of Americans participated in nationwide No Kings demonstrations against the Trump administration — the third such round of protests — including a rally in downtown Nashville. The optics of military aircraft conducting low-altitude maneuvers at the home of a well-known Trump ally on the day of those protests drew widespread attention online.
Kid Rock has maintained a close relationship with Trump throughout his political career. Last year he appeared alongside the president at the White House when Trump signed an executive order targeting ticket scalping in the live entertainment industry.
Newsom’s X account had previously mocked Kid Rock in February after a video surfaced of the singer working out shirtless with Health and Human Services Secretary Robert F. Kennedy Jr.
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Rosalía opened her four-night residency at Madrid’s Movistar Arena on Monday (March 30) — the first stop of her Lux Tour in Spain — just days after being forced to cut short her concert in Milan due to what she described as “food poisoning.” The Catalan superstar appeared fully recovered and completely committed to her audience in a large-scale show sustained by constant emotional tension.
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“How are we feeling tonight? I’m so happy to be here,” she said at the beginning of the concert. “Last week, I wasn’t feeling too well, but I’m much better now,” she added, earning the first round of applause from a crowd that responded with unusually focused attention for a venue of this scale — respectful silences, measured reactions, and occasional eruptions during the most demanding moments of the setlist.
The show maintains the structure debuted at its premiere in Lyon on March 16, featuring a setlist of more than 20 songs divided into four acts. At the center of the venue, an orchestra of about 20 musicians sets the pulse of the concert, while Rosalía moves seamlessly between theatrical moments and more electronic ones.
The connection with Madrid was palpable throughout the evening. “Madrid, tonight is special… it’s the first night in the capital with all my ‘chulapos’ and ‘chulapas,’” Rosalía said. “I’ve been coming here for more than a decade… it’s a city I love deeply and one that holds so many memories for me.”
She also reminisced about one of her first performances at Casa Patas, a historic flamenco venue in the city. “I remember feeling the magic there like nowhere else. Who would have thought that a decade later I’d be here, filling this arena? It’s incredible… life really comes full circle,” she added, visibly emotional.
One of the most celebrated moments came with “Mio Cristo,” one of the most challenging pieces in the repertoire. “Who here knows it, even if it’s in Italian?” she asked. The response was immediate: the audience sang it along with her.
The concert also had lighter moments, such as her rendition of “Can’t Take My Eyes Off You,” during which Rosalía posed as a contemporary Mona Lisa before stepping off the stage to join her fans, smiling all the while. In the same segment, she invited several audience members onto the stage and sang to them face-to-face.
The interaction was constant and, at times, intimate despite the size of the venue. Before performing “Sauvignon Blanc,” seated at a piano, Rosalía addressed a fan in the audience in a brief exchange that broke down the distance between the stage and the crowd. The concert balanced monumental production with moments of closeness throughout. Humor made an appearance with the participation of content creator Soy Una Pringada (Esty) in an onstage confessional, where she humorously confessed her “sins” before Rosalía performed “La Perla,” one of the most enthusiastically sung along numbers of the night.
Later, she brought the arena to life with “Despechá.” “Madrid loves mambo. Long live Dominican mambo, and long live flamenco too!” she exclaimed during one of the evening’s most euphoric moments.
The show closed with “Magnolias” in a scene evoking her own funeral, taking the performance to its most minimalist point. Without theatrics, the artist disappeared in a single beam of light after the final note.
Following this first show, the Lux Tour will continue with three more dates in Madrid (April 1, 3, and 4), before heading to Lisbon, Portugal (April 8 and 9) and wrapping up the Spanish leg in Barcelona (April 13, 15, 17, and 18). The tour will arrive in the U.S. in the summer, kicking off on June 4 in Miami and stopping in cities like Boston, New York, Chicago and Las Vegas.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-31 01:15:492026-03-31 01:15:49Feeling ‘Much Better Now,’ Rosalía Opens Four-Night Residency in Madrid as Part of Her Lux Tour
ARMY aren’t the only ones celebrating BTS topping multiple Billboard charts with their newest album.
RM took to Instagram Stories on Monday (March 30) to thank fans for helping the K-pop group reach No. 1 on both the Billboard Hot 100 and Billboard 200 charts.
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“Sendin my luv and gratitude” the rapper wrote over a repost of a Billboard Instagram post sharing the news that “SWIM,” the lead single from BTS’ new album ARIRANG, debuted at No. 1 on the Hot 100. In a second, captionless Instagram story, RM also shared Billboard‘s post on ARIRANG topping the Billboard 200.
“SWIM” is BTS’ seventh Hot 100 chart topper, and their first since 2021 — the year before they announced a hiatus. Seven must be BTS’ lucky number right now: ARIRANG is also the seven-piece’s seventh No. 1 on the Billboard 200.
Released on March 20, ARIRANG is BTS’ comeback album after a four-year hiatus. The album debuted with 641,000 equivalent album units earned, marking the largest week for an album by a group since the chart began measuring by units in December 2014. 532,000 of these units were in pure sales, giving BTS the biggest sales week for an album by a group in more than a decade.
With these new chart-toppers, BTS continues its lead as the group with the most No. 1s since it made the achievement in October 2020. The K-pop act also has the most No. 1 among groups since the Bee Gees topped the charts nine times between 1971 and 79. BTS is the group with the fourth most No. 1s in total, following behind the Beatles with 20, the Supremes (12) and the Bee Gees.
Along with their new No. 1, BTS also currently claims the top nine spots on the Global 200 — tying the group with Taylor Swift for both the most top 10s in a single week. With ARIRANG, BTS has also become the first act to take over all of the top 10 spots on the Global Excl. U.S. chart.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-31 00:15:302026-03-31 00:15:30RM Expresses ‘Luv and Gratitude’ as BTS Tops the Billboard 200 & Hot 100 Charts
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Although the PlayStation 5 was released a few years ago in Nov. 2020, Sony has recently announced an upcoming price increase to the company’s flagship gaming console line, including the PS5 with Disc Drive, PS5 Digital Edition, PS5 Pro and PlayStation Portal. Starting on April 2, each product will see at least a $100 price rise due to global economic pressures, so if you’ve been on the fence about upgrading to the current PS5 generation, there’s no better time to buy the gaming console before it gets even more expensive.
With most video game console generations, prices usually decrease over time, but because of issues with global markets due to U.S. tariffs and an an unprecedented surge in RAM memory prices, Sony has decided to increase prices for their gaming products across the board. Sony is not alone in raising the price of consoles, Nintendo already increased the price of the original Nintendo Switch last year with fans speculating that the same will happen with the Switch 2. Microsoft also raised the prices of Xbox consoles, controllers, and headsets in May last year.
As of April 2, the base line PS5 will jump $100 from its current retail rate at $550 to $650, the digital edition will rise from $499 to $599 ($100 increase) and the PlayStation 5 Pro will have an even larger increase jumping from $750 to $900 ($150 increase). The PlayStation Portal remote player will also see a $50 increase from $200 to $250.
“With continued pressures in the global economic landscape, we’ve made the decision to increase the prices of PS5, PS5 Pro, and PlayStation Portal remote player globally,” Isabelle Tomatis, Sony Interactive Entertainment’s vice president of global marketing said in a PlayStation blog post published Friday. “We know that price changes impact our community, and after careful evaluation, we found this was a necessary step to ensure we can continue delivering innovative, high-quality gaming experiences to players worldwide.”
With juggernaut video game titles likeGrand Theft Auto VI, Wolverine and 007: First Light releasing later in 2026, this is the best time to upgrade to PlayStation’s current generation console. Fans only have a couple more days before each console gets even more expensive. Shop the family of PS5 consoles below.
Experience the current generation of video gaming with lightning fast loading with an ultra-high speed SSD, deeper immersion with support for haptic feedback, adaptive triggers, and 3D audio, and an all-new lineup of PlayStation games.
The PS5 Pro is a powerhouse console deliver 4K graphics with next gen ray-tracing alongside high-end performance up to 120Hz refresh rate. The PS5 Pro is also an all-digital console with no disc drive.
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Cardi B has won a court order throwing out a lawsuit that claimed her hit 2024 single “Enough (Miami)” copied an earlier track called “Greasy Frybread.”
A Texas federal judge ruled on Monday (March 30) that there are fatal deficiencies in the litigation brought two years ago by Joshua Fraustro and Miguel Aguilar, who produced “Greasy Frybread” for rapper Sten Joddi. The duo alleges Cardi (Belcalis Almanzar) lifted the song’s melody and bassline for “Enough (Miami),” which hit No. 9 on the Billboard Hot 100 and remained on the chart for 14 weeks.
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As is typical in these sorts of song-theft cases, Fraustro and Aguilar initially sued Cardi for federal copyright infringement. But they dropped those allegations after Cardi’s lawyers pointed out that “Greasy Frybread” was not actually registered with the U.S. Copyright Office; they later retooled the lawsuit with a series of related claims under Texas state law.
U.S. District Judge Fernando Rodriguez Jr. said Monday that these state-law claims fail because Cardi does not have any significant ties to Texas. Fraustro and Aguilar argued that she did business in the state via live shows there, but the judge was not swayed.
“Plaintiffs do not demonstrate that Almanzar targeted Texas for concert performances, rather than simply including Texas venues within a broader concert tour in numerous states,” wrote Judge Rodriguez. “Almanzar’s performances in Texas are not distinct from her performances in those other states, rendering the concerts in Texas insufficient to establish general jurisdiction.”
Judge Rodriguez said he would have tossed the lawsuit even without these jurisdictional issues. He ruled that each part of Fraustro and Aguilar’s lawsuit was missing key pleading elements — writing, for example, that their claim for business interference contained “no factual support.”
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Fraustro and Aguilar had also brought claims for third-party copyright infringement against Cardi’s label, Atlantic Records, and its parent company, Warner Music Group (WMG). The judge disposed of these as well on Monday, saying the duo’s failure to register a copyright “renders the claims defective.”
Cardi’s lawyer declined to comment on the decision on Monday. Fraustro and Aguilar’s attorney did not immediately return a request for comment, nor did a rep for WMG.
“Enough (Miami)” was recently re-released on a deluxe version of Cardi’s sophomore album, Am I the Drama?, which debuted at No. 1 on the Billboard 200 in October. The song is on the setlist for her ongoing Little Miss Drama arena tour.
Megan, who plays a divorced mailcarrier named Denise, posted a teaser from Monday night’s episode, which finds her getting flirty with Daniel Radcliffe. The Harry Potter star portrays an acclaimed filmmaker named Arthur Tobin, and he definitely seems into Denise.
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“Hey Denise, I thought I might run into you,” Tobin excitedly says, before continuing to make some small talk. “I mean, this is my mail route,” she replies.
“I am just making art, you know me,” he continues to keep the conversation going. “Not really, but it’s nice to see you,” Denise responds, and makes Tobin hit a 360 to see his entire fit. “OK, keeping it tight.”
She goes on to drop a hint to Tobin: “I wish we both weren’t at work right now ’cause I got keys to a lot of package rooms, but holler at me some time.”
To whch Tobin fires back with a hilarious reply: “And at you should be hollered!”
Boxer Franchón Crews-Dezurn had a laugh at the clip, hopping into Megan’s comment section. “Harry Potter dropped the broom & tryna ride a stallion,” she joked.
Titled “The World Is Full of Beaks,” episode 7 is co-written by Mamoudou N’Diaye and Evan Susser. The Fall & Rise of Reggie Dinkins stars Tracy Morgan as Reggie Dinkins, a former football player looking to revitalize his career, along with cast members Erika Alexander, Jalyn Hall, Precious Way and Bobby Moynihan.
Even outside of music, 2026 has been a busy year for Megan Thee Stallion. The Houston Hottie made her Broadway debut on March 24, where she stars as Zidler in Moulin Rouge!
Watch the clip below and the full episode at 8:30 p.m. ET on NBC.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-30 22:15:292026-03-30 22:15:29Megan Thee Stallion & Daniel Radcliffe Continue Flirting in ‘The Fall & Rise of Reggie Dinkins’: ‘I Got Keys to A Lot of Package Rooms’
