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Samsung’s Frame TV has become a luxurious piece of home decor, offering up entertainment and style to upgrade the regular television set (it even snagged a partnership with Disney). For those not looking to spend $1,000+ on a new TV though, TikTok has discovered the ultimate dupe that’s small-space friendly — and it’s currently back in stock online.

Amazon’s new Echo Show 15 is the latest in the brand’s Echo Show series, bringing a compact yet elegant way to watch TV and gather information at the touch of a button. TikTok has deemed the smart device to be the ultimate dupe, labelling it a “mini Frame TV” as it offers that framed photo aesthetic with all the benefits of a smart home device.

@sarah.pollman

They make a MINI FRAME TV?! 😍 Ok so it’s actually the @amazon Alexa Show 15 AND it’s even better than a frame tv IMO. It’s so aesthetically pleasing 🤗 choose a frame and swap out artwork (aka photos) any time you please! But also watch a movie, add to your calendar, play a game, make a grocery list, and literally anything else you can imagine. It will easily be the best thing you add to any room. We already had multiple Alexa devices, but when Amazon released this version, I immediately wanted it because 1) it’s beautiful and 2) it wouldn’t take up counter space in the kitchen. Now that I have it, I’M OBSESSED 🤩 Want to add this to your home? Here’s how! ⬇️⬇️⬇️ Tap the link in my bio Click on my Amazon Storefront or LTK Tap the image of this space Add the items to your cart & checkout! To install: @Amazon’s Alexa and @DataCommElectronics’ outlet both come with instructions AND templates that make mounting super easy. Seriously, it’s beginner level easy! You know you want it. Are you checking out yet? 😜 #fyp #homedecor #diyhome #amazonfinds #homeinspo #frametv #amazonalexa #amazonstorefront #ltkhome @Amazon Home @Amazon Influencer Program

♬ original sound – ray marco

Similar to the Frame TV, TikTok users have show multiple ways to hang the Echo Show on the wall or use the included mount to rest it on your countertop. From there, the TikToker lists all the different advantages of the device, including its low price tag of $299.

Of course, at 15.6 inches, the Echo Show won’t completely replace a big-screen TV. And its HD screen won’t be the same as a 4K TV set. Still, for a mini Frame TV alternative, this is a solid bet.

Amazon Echo Show 15 Review: Buy Mini Frame TV Dupe on Sale Online

SMART HOME TECH

Echo Show 15


As the latest release for Echo Show devices, the Echo Show 15 acts as an in-home hub for all your entertainment and daily needs. Just like with other Echo Show devices, you can play music, download streaming platforms including Paramount+, Hulu and Peacock, check your calendar, make a grocery list and even display artwork when the device isn’t in use.

Similar to the Frame TV, you can choose from a selection of frames to border the device and give it a more elegant touch.

Amazon’s Echo Show 15 has earned a 4.5 star rating (out of five) for its newest model, with almost 80% of shoppers giving it a full, five-star review. Reviewers rave about the device’s features and how easy it is to setup and use. Case in point: in addition to acting as a smart home hub, you can watch TV or call your friends with just one device as well as create a to-do list to keep yourself productive.

One reviewer even raved over how “it doesn’t look off in our kitchen and can be mounted to the wall like a picture frame.” A great Frame TV alternative indeed.

For more product recommendations, check out ShopBillboard‘s roundups of the best home projectors, laptop deals and tablet stands.

After rewatching Glee in its entirety, Kevin McHale and Jenna Ushkowitz are sharing what it was like to see their late costars, Cory Monteith and Naya Rivera, on screen again.

While guesting on a recent episode of How Rude, Tanneritos! hosted by Full House stars Jodie Sweetin and Andrea Barber, McHale and Ushkowitz — who played Artie and Tina on Glee, respectively — agreed that rewatching Ryan Murphy’s musical dramedy series for their own And That’s What You REALLY Missed podcast was unexpectedly “healing and therapeutic” when it came to revisiting their friends’ performances. Monteith died from an overdose in 2013 in the middle of filming for season 4, while Rivera died seven years afterward in an accidental drowning.

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“I just appreciate their talent more in addition to loving the humans that they were,” Ushkowitz said of the pair. “For Cory, especially, we had to mourn all of that in the show, while we were filming it, and move on without him in the show.”

“Some moments it’s hard, especially with the storylines or the songs they’re singing,” added McHale. “It really is a gift that we get to watch this, and we got so many moments of how great they are as people [that] shine through.”

The actor also explained that he and Ushkowitz had previously decided to rewatch Glee years ago on a different podcast called Showmance, but they scrapped the project after Rivera died at the age of 33 while on a boating trip with then-4-year-old son Josey. Shortly afterward, authorities concluded that the vocalist, who played Santana Lopez on Glee, likely used her last moments to get Josey safely back on their boat after taking a swim before she disappeared beneath the water.

Even before that happened, however, McHale said it was difficult to take in Monteith’s scenes as lovable jock-turned-show-choir-geek Finn Hudson. “It was hard for me to even watch Cory,” he recalled. “Up to that point, I couldn’t really listen to the songs he was singing on, but watching it really helped [us] get through it.”

“When Naya passed away, we were like, ‘We can’t do this anymore,’” McHale added. “We just ended the show.”

When it came time to revisit the idea of a Glee rewatch podcast, McHale noted that he and Ushkowitz decided that they wanted And That’s What You REALLY Missed — which premiered in September 2022 — to be a “celebration” of their friends’ lives and talents. The actress also noted that going back through the episodes allowed her to give their cast and crew more “grace” when it came to how “off the rails” the show’s plot went almost immediately after losing Monteith, to whom they paid tribute in a season 4 episode titled “The Quarterback.”

Listen to McHale and Ushkowitz’s full How Rude, Tanneritos! episode below.

Drake is hard at work finishing his ninth solo album Iceman — even if everyone around him isn’t working at all.

During a Kick stream with Adin Ross, the Toronto rapper said he planned to burn the midnight oil to work on his upcoming project while there was some sort of party outside of where he was recording.

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“I’ll stay up all night f—ing recording for Iceman,” he told Ross. “They’re having a full-blown party outside. I can hear a thousand people, them having a street festival all day. I’ll f—ing run out there. I’ll turn up with them, do shots, come back — like, I just want a little, you know, I wanna feel it.”

Elsewhere on the stream, Adin revealed he’s had the privilege of already listening to the highly anticipated project, but Drake wasn’t exactly enamored with the way he delivered the news.

“I’ve already listened to the whole Iceman album. I already listened to everything, he sent me the whole album early… Great album,” the popular streamer told the chat before Drake responded with, “Now people are gonna say that you’re underwhelmed by it when you f—ing talking about it like that.”

“It was f—ing amazing,” Adin then answered.

This wasn’t the first time Drake worked on new music while a party was happening near where he was recording. A few months back, OVO signee Smiley said he noticed his label boss working on new music during parties and while filming the “Nokia” music video.

“We’re at a party and he was in the other room by himself eating pasta with wired headphones writing music while we have a whole f—ing party going on,” Smiley said in a clip shared on social media. “He’s on a different mode right now. Even at the ‘Nokia’ video shoot…in the breaks, he had a bunch of producers and was just recording. So, he’s in that crazy mode right now. You see his captions…the man’s talkin’ his sh– because he’s in that mode right now.”

Iceman does not have an official release date yet.

Whether you’re a house head or prefer bass in your face, all this and much more was on offer at HARD Summer 2025.

Taking place Aug. 2-3 at Hollywood Park at SoFi Stadium in Los Angeles, the festival drew tens of thousands of fans to see A-listers including Sara Landry, The Blessed Madonna, Kaytranada, Dom Dolla, Four Tet and Gesaffelstein, all of whom drew giant crowds across the festival’s four stages.

During his own massive set, Gordo nodded to the ongoing beef between Kendrick Lamar and Drake, declaring into the mic that “you know I lived in L.A. for about six years so you guys know how hard I ride with you, but you guys also know which side I’m on,” before dropping “What Did I Miss?” by Drake, an artist Gordo has worked extensively with.

To wit, per HARD tradition, the lineup wove in a heavy doses of hip-hop, with performances from legends like Busta Rhymes and Juvenile, the latter of whom had a giant crowd backing dat azz up on command. Latin was also on the menu with a performance by genre powerhouse Feid.

Elsewhere, HARD Summer 2025 featured stars like rising German powerhouse Marlon Hoffstadt, French industrial techno producer Nico Moreno, a b2b from rising Dutch star KI/KI playing b2b with Berlin’s DJ Gigola, hometown hero Deorro, Italian duo 999999999 and many more.

Produced by Insomniac Events, HARD Summer is a longstanding Los Angeles tradition, with the festival happening at locations around Southern California since 2008. The HARD brand also encompasses a label, HARD Records.

See exclusive photos from HARD Summer 2025 below.

After a decade with the iconic fashion brand, BFRND — the music director at Balenciaga — gives Billboard his exit interview. See what the artist had to say about his work on the brand’s campaigns above.

BFRND: I had to rework something that defines sexy for a majority of people, and no one else than Britney can do that, but what I do with Balenciaga is also pushing boundaries. So, how do we do that? How do we merge both into one and create something that no one has heard before. When I arrived in fashion industry eight years ago, and there was not a lot of music composer really writing music specifically for the show. It was more curators choosing existing tracks for the show, and so when I arrived, I had to hammer that idea of bespoke music, but also building an identity for the brand. ‘One day, I will work with this guy at this skill.’ But then, I didn’t even try to reach out because I felt not famous enough. I’m still considered an underground artist. I’m fully independent. He’s my only team. When two artists meet, doesn’t matter fame level of those, when two worlds collide, a third world comes out.

Damien Quintard: I love so much Loïk’s sensitivity of music and production in general. It’s not just about music. It’s about understanding the collection, understanding everything from A to Z, with his specific world, and with them as specific worlds.

BFRND: nd I also see myself almost like what a translator is for language. I consider myself a translator for Demna’s vision, for Demna’s clothes. It’s almost like, show me clothes and I’ll tell you what they sound like. I’m an artist who never uses major chords. The challenge for me was like, how do I make this BFRND? How do I make this sound more evil, darker than the original?

Watch the full video above!

No matter whose fan army is victorious in the 2025 Billboard Fan Army Face-Off, history will be made. If SB19’s fan army, A’TIN, wins, it will be their third victory, tying T-ara’s Queens for the most wins since the nearly annual competition originated in 2014. (The competition wasn’t held in 2019 or 2021).

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If Sabrina Carpenter’s Carpenters, Selena Gomez’s Selenators or Miley Cyrus’s Smilers prevail, it will be the first time that the fan army for an American artist – or for an artist from anywhere other than Southeast Asia – has won. (SB19 is a Filipino group. All the previous winners hailed from South Korea.) It would also be the first time that the fan army for a solo artist has won. All the previous winners were fan armies for groups.

All four artists have had notable chart success. SB19’s “Dam” reached No. 4 on the Billboard Philippines Hot 100 in March. Carpenter, Gomez and Cyrus have each landed No. 1 hits on the Billboard Hot 100 during their careers.

The number of fan armies in this competition (which was 64 at the outset on July 14) narrowed from eight to four on Monday Aug. 11 at noon ET. Semifinals voting is now live and wraps on Friday, Aug. 15, at noon ET – at which point the number of fan armies still standing will drop from four to two for the finals.

Here’s a complete list of previous winners of the Billboard Fan Army Face-Off:

2014: BIGBANG’s VIPs
2015: T-ara’s Queens
2016: T-ara’s Queens
2017: T-ara’s Queens
2018: Super Junior’s E.L.F
2019: not held
2020: Super Junior’s E.L.F
2021: not held
2022: Stray Kids’ STAY
2023: SB19’s A’TIN
2024: SB19’s A’TIN

Amid Warner Music Group’s stated efforts to cut annual costs by $300 million, several veteran promotion executives at Atlantic Records were laid off at the label last week after decades in the trenches, Billboard has confirmed.

They include Greg Dorfman, executive vp of promotion; John McMann, executive vp of pop and rhythmic promotion; Tim Dalbec, vp of promotion; and Mark Chotiner, regional director of West Coast promotion. All four executives spent decades with either Atlantic or the larger Warner Music Group (WMG). The layoffs were first reported by RAMP.

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Dorfman is a 30-year WMG veteran, having started in radio promotion at Warner before joining Elektra Records in 1994; he was named executive vp of promotion at Elektra Music Group in 2020. McMann, who worked at Atlantic Records for 25 years, joined the label as vp of rhythmic promotion in 2000; prior to that, he worked at Jive Records after beginning his career in radio. Dalbec was at Atlantic for 35 years after starting at the label in 1989 in Northwest promotions, while 35-year industry vet Chotiner had been with Atlantic for roughly 17 years.

Representatives at Atlantic were not reachable at press time.

In July, WMG CEO Robert Kyncl announced the $300 million in annual cost cuts in a staff memo, stating the savings would be achieved through a combination of layoffs and slashing administration and real estate expenses. Kyncl noted that the staff cuts would account for $170 million of the total amount. In the memo, he contextualized the cuts as “the remaining steps in our plan to help future-proof the company and unlock the next era of growth,” adding that the money would be reinvested in the company’s A&R and mergers and acquisitions (M&A) efforts.

Kyncl added that the current wave of layoffs would be the end of a series of staff reductions that began early in 2023, when he assumed the CEO role. A September 2024 round saw significant staff cuts at Atlantic Music Group, with sources estimating that a total of 150 to 175 employees would lose their jobs. The job cuts followed a substantial restructuring at Atlantic Music Group in August 2024, which saw 10K Projects founder Elliot Grainge taking over as CEO and longtime Atlantic leader Julie Greenwald exiting the company. Layoffs have also hit Warner Records and Warner Music Nashville, most recently via a realignment of the Warner Records marketing department.

Doja Cat defended her position as a rapper over the weekend when someone on social media sparked a debate of what she should be classified as.

X user @playeration wrote on Saturday (Aug. 9), “Hopefully after Doja drops pop disco album of the century her fans can stop trying to force her into female rap conversations.” Doja said in her recent V Magazine cover story that Vie, her upcoming fifth studio album, is a “pop-driven project,” while the publication also pointed out that she’s still rapping on much of the album. The same X user doubled down in a subsequent post by writing, “Sorry to inform you guys but you can’t be taken seriously as a rapper without ever prioritizing bars, punchlines, wordplay, and storytelling: the very things that make rap what it is.” They later claimed they asked four different members from Doja’s Kittenz fanbase to share “their best Doja bar and it’s CRICKETS.”

“You don’t listen to or read enough of my writing to be able to make this claim. I’m alright at what I do and sometimes I’m incredible,” Doja replied in the same thread. Please stop trying to downplay my ability it feels like you’re doling out criticism with no constructiveness based on something that’s deeper than just the topic of music.”

The X user @playeration continued emphasizing how examples of Doja’s punchlines and wordplay would justify her position as an MC, but the Grammy-winning artist was purposefully resistant to providing such because “part of me feels like you will immediately shoot it down. What I intend with my work is for the listener to choose what they rock with and what they don’t,” she wrote back. “You have to give me a chance if you’re going to make criticisms about the entirety of my raps. You have to listen. You have to read. If you don’t read or listen how will you know. I shouldn’t have to sit here on twitter and give you a simplified, snipped, deconstructed, and without insulting you, DUMBED down version of my writing for you to be able to hear what hundreds of thousands and lets be honest, millions of people are recognizing as adequate rap bars. You aren’t stupid. Listen to my music.”

The same X user claimed they’ve listened to Doja’s full catalog and are excited about her upcoming Vie tracks “Jealous Type” and “Take Me Dancing,” the latter of which she previewed over the weekend at an after party at the San Francisco drag nightclub Oasis following her headlining set at Outside Lands on Friday night, Aug. 8. Doja debuted the former track during her festival performance. X user @playeration later cited Rakim, Jay-Z and Jeezy as their “frame of reference” when it comes to rappers, which Doja understood and respected.

“Jay Z is a great writer and so is Rakim and Jeezy you have great taste. 😉 Thank you for opening up about that,” she wrote. “If you’ve listened to every single song off of every single album I’ve made I appreciate that. If you’ve haven’t been able to find a bar that you can connect with, thats more than okay, that’s your right. Thank you.”

Jennifer Lopez wasn’t buggin’ when a creepy crawler interrupted one of her recent shows.

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In a bada– moment from a concert posted to an official JLo fan account’s Instagram Sunday (Aug. 10), the singer-actress keeps totally calm while singing a tender ballad, even as a large cricket crawls up her chest and onto her neck. Right as the song finishes, Lopez grabs the cricket and whisks it aside in perfect time with the percussion fading away. “It was tickling me!” she tells the crowd, laughing.

In the caption, her fan account wrote, “Plot twist: @JLo just started rehearsals for Kiss of the Cricket Woman… on stage… in real time,” referencing the upcoming Lopez-led film Kiss of the Spider Woman.

The cricket cameo comes on the tail end of the performer’s Up All Night tour, which kicked off in Spain in July. Following a penultimate show in Kazakhstan on Sunday, Lopez is set to close out the trek on Tuesday (Aug. 12) in Italy. After the tour, she’ll play a handful of dates at The Colosseum at Caesars Palace in Las Vegas with shows planned for this December as well as January and March of next year.

And while her run-in with the cricket is certainly memorable, it’s not the first time Lopez has handled an onstage snafu with style. When she suffered a wardrobe malfunction at a recent performance, for instance, the musician — whose skirt inexplicably fell off her body mid-show — shrugged it off like a pro.

“I’m glad I had underwear on,” she joked with the crowd. “I don’t usually wear underwear.”

The dog days of summer have brought record highs from the swamps of Florida to the peaks of Denver. So why not combat the swelter of reality with some air-conditioned couch time and laughter?

Veteran podcaster and actor Marc Maron returns to HBO with Panicked, hewing closer to the rhythms of straight-up standup than he has in a while but still exploring the depths of his amygdala. Hulu continues its monthly Hularious roll-outs with a special from Atsuko Okatsuka directed by her husband, Ryan Harper Gray, who makes a cameo at the end (and also features in a bit about his vasectomy). On his second Netflix special, Wet Heat, Dusty Slay defends the Southern humidity he grew up in from desert dwellers who tend to crow about the superiority of dry air: “I like to sweat in places I didn’t even know I could sweat in. I like to go, ‘Why is that wet?’”

Fellow Southerner Katherine Blanford — who’s opened for Jeff Foxworthy and David Spade — begins her debut special, Catholic Cowgirl, by noting that most audiences who see her perform for the first time remark on two things: she’s a woman (true) and she’s not very dirty (open for debate): “Even my dirty talk with my boyfriend, I’m like, ‘Hey, you better . . . hurry up.”

And James Acaster tries to change the shape of both his comedy and himself by setting rules for audience engagement in Hecklers Welcome. One of the best bits comes after a heckler interrupts to deliver a joke Acaster kicks himself for not having thought of — after which the comedian tries to get back on course only to find himself stuck in an audience feedback time loop.