SXSW London has confirmed on Monday (Sept. 22) it will return to the English capital in 2026 and announced ticket details for the upcoming event.

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The European edition of SXSW will run from June 1 to 6 in east London for a second consecutive year. The 2025 edition took place throughout venues and locations in Shoreditch in June. Tickets for the event are set to launch on Oct. 20 from the festival’s website.

2025’s program saw a live performance from Tems as part of Billboard’s The Stage, a European premiere of Eminem documentary Stans, and a visit from King Charles.

Submissions for session proposals across the 2026 conference, music and screen verticals are also now open. The winning selections for the conference are reviewed by the public before being considered by an advisory group and editorial team for inclusion in the festival. The music festival and screen festival public submissions are managed by industry jury votes. 

The submissions period for the conference program will close on Dec. 7, and from the following day, the public will be able to view and vote for their favorites. Submissions for the music vertical will close on Nov. 24, and close for screen on Dec. 31.

SXSW London has also announced 15 “forward-thinking” conference tracks, which include topics such as artificial intelligence, startup innovation and immersive realities. In 2025, 9,868 submissions were made across its three verticals (screen, conference, music), with the conference strand attracting 40,000 public votes. The festival featured 400 talks, 1067 speakers, 562 music performances and 114 film and TV screenings.

Katy Arnander, director of programming for SXSW London said in a statement, “Bringing SXSW to London has always been about creating a platform for convergence across technology, business and creativity. Now in our second year, that mission is more alive than ever, and the SXSW London open submissions allows us to build the festival around what is most current and vital in these sectors.

“SXSW London 2026 will build on the momentum of our debut, expanding the scope of ideas, voices and disciplines we convene,” she continued. “We want our attendees to encounter unexpected perspectives and foster bold conversations, and we’re creating an environment for groundbreaking ideas to flourish in one of the most important capital cities in the world.”

Fifty years after Earth, Wind & Fire broke through to the top tier of pop and R&B bands, they were subjects of a two-hour Grammy salute that aired on Sunday (Sept. 21). The airdate was a clever touch – “the 21st night of September” is line from one of their most famous hits, “September.”

Unlike past Grammy Salute specials where other artists cover the subject’s songs, this special was built around a filmed EWF concert at the Hollywood Bowl, where the band was backed by the LA Philharmonic. But there were also inserts of performances of EWF classics by Jonas BrothersJon Batiste and Janelle Monáe and a warm, mostly spoken, tribute by Stevie Wonder.

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EWF have been showered with awards and honors in this century. The band was voted into the Rock & Roll Hall of Fame in 2000. Five members of the group were voted into the Songwriters Hall of Fame in 2010. They received a lifetime achievement award from the Recording Academy in 2016 and the Kennedy Center Honors in 2019.

Fulwell Entertainment and Grammy Studios produced A Grammy Salute to Earth, Wind & Fire Live: The 21st Night of September. Ben Winston (who is an executive producer of the annual Grammy telecast), Patrick Menton (a co-executive producer of that show) and Harvey Mason jr. (CEO of the Recording Academy) served as executive producers.

Fans of these Grammy Salutes specials won’t have long to wait for the next one. A Grammy Salute to Cyndi Lauper: Live From the Hollywood Bowl will air on Sunday, Oct. 5 (8-10 p.m., ET/PT). Guests include Joni Mitchell, Cher, Angelique Kidjo, John Legend, SZA, Mickey Guyton, Trombone Shorty and Jake Wesley Rogers, with a video tribute from Brandi Carlile.

Here are the five best moments from A Grammy Salute to Earth, Wind & Fire Live: The 21st Night of September.

A Grammy Salute to Earth Wind & Fire

A Grammy Salute to Earth Wind & Fire

©2025 CBS Broadcasting Inc. All

Farm Aid 40, held Saturday (Sept. 20) in Minneapolis and headlined by founding musicians Willie Nelson, John Mellencamp and Neil Young, is expected to be the most successful benefit for family farmers by the organization in many years, as sales of 36,232 tickets at Huntington Bank Stadium are added to contributions solicited on air during a five-plus-hour broadcast of the event on CNN. 

But for Neil Young, it won’t be enough.

“It’s one of the highlights of my life to have been part of this,” said Young, flanked by Nelson and Mellencamp, and joined by fellow Farm Aid board members Dave Matthews and Margo Price, at Farm Aid’s morning press conference. 

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“That said, there’s one thing that really strikes me about this day. And what I would like to say is, we need money so we can give it to the farmers and support the farmers. And we need to get it from these big corporations and billionaires that have taken all the farmers’ land or a great portion of it.”

“We want donations from them,” said Young. “Huge donations to Farm Aid. We don’t want to give them favors. They bought hundreds and thousands of acres of farmland in this country as investments. And they’re living the good life. They need to stand up and pay a conscience tax to the farmers of America!”

The 40th anniversary of Farm Aid and its mission — to build and strengthen a family farm-centered agricultural system in America that values family farmers, good food, soil, water, climate and strong communities — was celebrated Saturday with more than 12 hours of music. 

In addition to Farm Aid’s board members, the remarkable bill included: Bob Dylan, Kenny Chesney, Billy Strings, Nathaniel Rateliff & the Night Sweats, Lukas Nelson, Trampled by Turtles, Wynonna Judd, Steve Earle, Waxahatchee, Eric Burton of Black Pumas, Jesse Welles, Madeline Edwards and the Wisdom Indian Dancers.

When Willie Nelson launched Farm Aid in 1985, amid an economic crisis that was forcing family farms into bankruptcy, the organization recognized that the nation’s agriculture system was suffering from the consolidation of economic power and rise of corporate control. Forty years on, the same corporate forces affect almost every aspect of American life, from health care to housing to its news media. 

Farmers, growing the nation’s food, saw the storm clouds first.

“We were kids when we started this thing,” said Mellencamp at the press conference. “We were young kids and we had ideals. We were so naive that we thought we would do one show and they’d pay attention to us.”

“Willie and I went to Washington, in front of the Senate subcommittee on farming. Willie talked and I talked and some f—ing senator stood up and goes, ‘Where’s your guys’ guitars?’ I looked at Willie and I said, ‘Let’s get the hell outta here.’”

The tone in Washington, D.C., has hardly improved over Farm Aid’s 40 years. It weighed on Margo Price’s mind before her performance.

“It’s so important for us to come together, right now, in America,” she said. “We’re being divided. We’re being distracted. Our voices are being silenced. And apathy isn’t it. They want us to be overwhelmed. They want us to be fighting with each other so we don’t realize that it’s the people in power that are making all of these things terrible. We have to use our voice while we still have it. Shared struggle builds solidarity and hope is an act of resistance. Keep fighting.”

“Shared struggle” is the perfect way to describe Farm Aid’s forty years of activism to support family farmers. With fans traveling from cities or farms, red states or blue states, Farm Aid on Saturday night in Minneapolis may well have been the most politically diverse — yet unified — place in America.

Here are best things we saw and heard at Farm Aid 40:

Harry Styles ran the Berlin Marathon in under three hours on Sunday (Sept. 21).

Organizers confirmed to news agency dpa that Styles took part. Local newspaper Der Tagesspiegel was the first to report his participation.

The 31-year-old former member of boy band One Direction was among some 55,000 runners taking part in the race on what is widely regarded as the fastest marathon track in the world.

Styles — reportedly using the pseudonym Sted Sarandos and wearing a headband and sunglasses — completed the route in two hours, 59 minutes, 13 seconds. A sub-3 hour marathon is a coveted mark for many marathon runners.

Der Tagesspiegel reported that Styles was already spotted running in Berlin in preparation for Sunday’s race.

Styles was in a photo at the finish with Richard Whitehead, a two-time gold medal winner over 200 meters at the Paralympic Games. Whitehead, who is on a quest to run 20 marathons this year, posted the photo on Instagram.

Last month he was spotted training in London, jogging through Hyde Park.

The star previously completed the Tokyo Marathon, finishing 6,010th overall. According to online records, his net time came in around three hours and 24 minutes, with an average pace of about 7:47 per mile — meaning he bested his marathon run time in Berlin.

Styles’ debut album, Harry Styles, topped the Billboard 200 in the U.S., and album charts in Britain and several other countries. His second album, Fine Line, appeared in 2019, became his second solo No. 1 album, and included the Grammy-winning “Watermelon Sugar.”

“Gala,” the new single from XG, tops this week’s fan-voted music poll.

Music fans voted in a poll published Friday (Sept. 19) on Billboard, choosing the septet’s fresh track as their favorite new release.

“Gala” made its grand entrance during a week that also saw new releases streaming in from Cardi B, RAYE, Miley Cyrus, Lola Young and more, with the fashion-focused tune bringing in 65% of the vote.

“Gala” is the pre-release single from JURIN, CHISA, HINATA, HARVEY, JURIA, MAYA and COCONA’s long-awaited debut studio album, which arrives on Jan. 23, 2026. The group first teased the album release date in early September.

“This song was mainly inspired by the iconic Met Gala,” XG’s MAYA recently told The Hollywood Reporter, adding, “We tried so many new things, choreography wise, music wise and fashion wise, so we’re really excited to showcase that. I feel like this song is really XG.”

HARVEY explained to THR, “I think it’s fair to say that we’ve grown a lot since we first debuted, but personally I think we became a lot more fearless when it comes to challenging ourselves to new things. Especially with ‘Gala,’ I think we can see that come into play fully. We’ve challenged ourselves to try many different dances and a new sense of fashion that we haven’t done before to become bolder. In that sense, I think we’ve seen ourselves come a long way.”

“We tried voguing, break dancing and some acrobatics this time,” COCONA added in the group’s chat. “It was very, very hard to learn, but a great experience for us, and we wanted to make ‘Gala’ feel more like a show.”

Among the new releases trailing behind “Gala” on this week’s poll are Cardi B’s Am I the Drama?, with 4% of the vote, followed by RAYE’s “Where Is My Husband?” and Miley Cyrus’ “Secrets.”

See the final results of this week’s poll below.

Dua Lipa is continuing her streak of teaming up with iconic artists on her Radical Optimism World Tour.

On Saturday night (Sept. 20), the 30-year-old British pop star delivered the third show of her four-night run at New York’s Madison Square Garden, where she surprised fans by bringing out legendary musician Nile Rodgers for an electrifying performance of Chic’s 1978 disco classic “Le Freak.” Watch it here.

Lipa has become known for performing a locally inspired cover at stops on her Radical Optimism tour, which launched its U.S. leg at Chicago’s United Center earlier this month.

During her previous MSG shows, the “Dance the Night” singer paid tribute to the city with covers of New York staples, including Alicia Keys’ “No One” and Blondie’s “One Way or Another.”

“Here in New York, I’m actually spoiled with the choice,” Lipa told the crowd before her Blondie cover.

At the tour’s U.S. kickoff in Chicago, Lipa brought out hometown legend Chaka Khan to perform a powerful rendition of the 1983 hit “Ain’t Nobody.”

The tradition of regional covers began earlier in the year during her stops in Australia and New Zealand, where she performed songs by artists such as AC/DC, Lorde and Kylie Minogue. She also welcomed special guests including Troye Sivan, Tame Impala and Crowded House’s Neil Finn.

While the trend continued less frequently during the European leg, she did perform Enrique Iglesias’ “Hero” in Madrid. In London, she brought out Jamiroquai’s Jay Kay for “Virtual Insanity” at Wembley Stadium, followed the next night by a guest appearance from Charli XCX for her hit “360.”

Other notable tributes included The Zutons’ “Valerie” with frontman Dave McCabe in Liverpool, The Beatles’ “Hey Jude,” and a heartfelt performance of “Nothing Compares 2 U” in Dublin in honor of late Irish singer Sinéad O’Connor.

Lipa is set to wrap up her four-night MSG stint on Sunday (Sept. 21) before continuing the North American leg with stops in Miami, Dallas, Los Angeles, San Francisco and Seattle, followed by a run of dates through South America and Mexico.

After a brief break in August following two months of shows across Europe, Lipa resumed touring in North America with back-to-back shows in Toronto on Sept. 1–2.

The Radical Optimism World Tour supports Lipa’s third studio album, Radical Optimism, which debuted at No. 2 on the Billboard 200 in 2024. The album produced several hits, including lead single “Houdini,” which spent 17 weeks at No. 1 on Billboard’s Hot Dance/Electronic Songs chart.

Twenty One Pilots land the year’s biggest week for any rock album — and the largest in six years — as the duo’s new studio effort, Breach, bows at No. 1 on the Billboard 200 dated Sept. 27.

The set is the act’s second leader and launches with 200,000 equivalent album units earned in the United States in the week ending Sept. 18, according to Luminate. That marks Twenty One Pilots’ best week ever and the biggest week for a rock album since Tool’s Fear Inoculum launched at No. 1 with 270,000 on the Sept. 14, 2019-dated chart. (Rock albums are defined as those that are eligible for, or have charted on, Billboard’s Top Rock Albums chart.)

The majority of Breach’s opening week was powered by traditional album sales, numbering 169,000 sold, which lands Twenty One Pilots its biggest sales week ever, and the biggest for any rock album in six years. The last rock set to sell more copies in a single week was Fear Inoculum, which sold 248,000 in its opening stanza.

Breach is Twenty One Pilots’ first No. 1 on the Billboard 200 in a little more than a decade, since Blurryface bowed at No. 1 on the June 6, 2015 chart. All told, Breach is the band’s fifth top 10, following Clancy (No. 3 in 2024), Scaled and Icy (No. 3, 2021), Trench (No. 2, 2018) and Blurryface.

Also in the top 10 of the latest Billboard 200, Ed Sheeran scores his eighth top 10 album as Play premieres at No. 5.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 27, 2025-dated chart will be posted in full on Billboard‘s website on Sept. 23. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Breach’s 200,000 first-week equivalent album units, album sales comprise 169,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 31,000 (equaling 40.68 million on-demand official streams of the set’s songs — the act’s best streaming week yet; it also debuts at No. 8 on Top Streaming Albums) and TEA units comprise a negligible sum.

Breach’s opening-week sales were bolstered by its availability across more than 15 vinyl variants, which sold a combined 72,000. That marks Twenty One Pilots’ best week ever on vinyl and the largest vinyl sales week for a rock album in the modern era (since Luminate began electronically tracking sales in 1991).

Breach was also issued on three deluxe CD editions in lavish packaging containing collectible ephemera, a standard widely available CD and digital download, along with a widely available deluxe digital download edition with the bonus track “Drag Path,” alternative cover art and a PDF booklet.

Breach was preceded by its first single, “The Contract,” which hit No. 1 on the Alternative Airplay chart dated Aug. 2, marking Twenty One Pilots’ 12th leader. The band kicked off its The Clancy Tour: Breach 2025 on Sept. 18 in Cincinnati, and the trek continues with dates in the U.S. and Canada through Oct. 26 in Los Angeles.

The KPop Demon Hunters soundtrack falls to No. 2 on the Billboard with 112,000 equivalent album units earned (down 12%) after reaching No. 1 for the first time a week ago. Morgan Wallen’s chart-topping I’m the Problem is a non-mover at No. 3 (97,000, down 2%) and Sabrina Carpenter’s former leader Man’s Best Friend dips 2-4 (88,000, down 26%).

Ed Sheeran scores his eighth top 10-charting album on the Billboard 200 as Play starts at No. 5 with 71,000 equivalent album units earned. Of that sum, album sales comprise 51,000 (it debuts at No. 2 on the Top Album Sales chart), SEA units comprise 19,000 (equaling 24.26 million on-demand official streams of the set’s songs; it debuts at No. 23 on Top Streaming Albums) and TEA units comprise 1,000.

Play’s opening sales week was aided by its availability across more than 10 vinyl variants (one signed), four standard CD variants (two signed), two deluxe CD editions (with two bonus tracks, one signed), a deluxe CD boxed set containing a T-shirt and a signed CD, a standard streaming and digital download album, and a deluxe streaming and digital download album with five bonus tracks.

Play was previewed by the hit song “Azizam,” which reached the top 10 on Pop Airplay, Adult Pop Airplay and Adult Contemporary, and No. 28 on the Billboard Hot 100 (Sheeran’s 26th top 40-charted hit).

Justin Bieber’s SWAG shifts 4-6 on the Billboard 200 (44,000 equivalent album units, down 45%); Alex Warren’s You’ll Be Alright, Kid falls 5-7 (36,000, down 4%); SZA’s chart-topping SOS is down 6-8 (a little more than 33,000, up less than 1%); Wallen’s former No. 1 One Thing at a Time descends 7-9 (33,000, up 1%); and sombr’s I Barely Know Her is steady at No. 10 (29,000, up less than 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

It’s free Billboard charts month! Through Sept. 30, subscribers to Billboard’s Chart Beat newsletter, emailed each Friday, can unlock access to Billboard’s weekly and historical charts, artist chart histories and all Chart Beat stories simply by visiting the newly redesigned Billboard.com through any story link in the newsletter. Not a Chart Beat subscriber? Sign up for free here.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

It’s race day! The New Hampshire Motor Speedway is set to kick of the Round 12 of the NASCAR Cup Series playoffs on Sunday, Sept. 21. It’s the first playoff race at the “Magic Mile” since 2017, which was the last season that New Hampshire had two annual Cup races.

After last Saturday’s race at the Bristol Motor Speedway, four drivers were knocked out of the playoff round; Austin Dillon, Shane van Gisbergen, Alex Bowman, and Josh Berry all fell below the cut line. On the flip side, Christopher Bell, who won the first-round cutoff race at Bristol Motor Speedway last week, is the defending winner at New Hampshire. The No. 20 Toyota driver won in overtime last year after a red flag of more than two hours for rain. Can lightning strike twice?

Here’s everything you need to know about the NASCAR Cup Series Playoffs and how to watch today’s Mobil 1 301 at New Hampshire Motor Speedway on Sling TV.

How to Watch NASCAR’s Mobil 1 301 at New Hampshire Motor Speedway

  • Date: Sunday, Sept. 21
  • Time: 2 p.m. ET
  • Location: Mobil 1 301 at New Hampshire Motor Speedway, Loudon, NH
  • Channel: USA Network
  • Streaming: Sling TV

How to Watch the NASCAR Cup Series on Sling TV

A subscription to Sling Blue or Orange — which comes with the USA network — gets you access to live TV, local and cable channels, starting at half off for the first month of service.

You can watch local networks such as ABC (in select markets) and Fox, while you can watch many cable networks, including Bravo, Cartoon Network, Discovery Channel, E!, Fox Sports, FX, Fox News, MSNBC, National Geographic, SYFY, TLC, USA Network, A&E, AMC, BBC America, BET, CNN, Comedy Central, Food Network, Fuse, HGTV, History Channel, IFC, Lifetime, Nick Jr., QVC, TBS, TNT, Travel Channel, Vice and many others.

Meanwhile, if you sign up for Sling Blue now, you can get a month of AMC+ for free. The streaming add-on is the home to hit originals, such as Gangs of London, Happy Valley, Kin, Ragdoll, The Walking Dead: Dead City and much more. AMC+ has on-demand episodes of Mad Men, Breaking Bad, Better Call Saul, Halt and Catch Fire and others.

Olivia Rodrigo is making her stance clear on the controversy surrounding Jimmy Kimmel’s recent suspension.

The 22-year-old pop star took to social media on Saturday (Sept. 20) to voice her frustration over the indefinite suspension of Jimmy Kimmel Live! by ABC. The network’s decision came after Kimmel made controversial remarks during a monologue about the assassination of conservative commentator Charlie Kirk.

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“So upset over this blatant censorship and abuse of power,” Rodrigo wrote alongside a previous statement from SAG-AFTRA. “I stand with Jimmy Kimmel and I stand for freedom of speech.”

Rodrigo’s comments align with those of SAG-AFTRA, the union representing around 160,000 actors, dancers, singers, recording artists and other media professionals. Earlier in the week, the organization publicly condemned ABC, a Disney subsidiary, for what it called an attack on free expression.

“Our society depends on freedom of expression,” SAG-AFTRA posted on Instagram on Wednesday (Sept. 17). “Suppression of free speech and retaliation for speaking out on significant issues of public concern run counter to the fundamental rights we all rely on. Democracy thrives when diverse points of view are expressed.”

The statement continued, “The decision to suspend airing Jimmy Kimmel Live! is the type of suppression and retaliation that endangers everyone’s freedoms. SAG-AFTRA stands with all media artists and defends their right to express their diverse points of view, and everyone’s right to hear them.”

Rodrigo isn’t the only musician pushing back against the suspension. Margo Price also voiced her disapproval in a symbolic and emotional post. On Tuesday (Sept. 16), the country singer shared a video clip from her performance that same day on Jimmy Kimmel Live! singing “Don’t Let the Bastards Get You Down.”

Her caption read, “If this was the last word, I’m glad it was mine.” During the performance, she sang, “Keep all them fascists underground,” while strumming her guitar. “Don’t let the bastards get you down.”

ABC announced the indefinite suspension of Jimmy Kimmel Live! one day after the episode featuring Price aired. The decision followed Kimmel’s monologue, where he addressed the assassination of Kirk, who co-founded Turning Point USA.

“We hit some new lows over the weekend with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it,” Kimmel had said on the program.

The backlash was swift. Nexstar, which owns 28 NBC-affiliated local stations, announced it would pull Kimmel from its programming. Around the same time, FCC Chair Brendan Carr publicly condemned the remarks, threatening to revoke the licenses of any affiliates that aired the segment. He labeled Kimmel’s comments as “news distortion” and “the sickest conduct possible.”

Bad Bunny has officially concluded his No Me Quiero Ir de Aquí residency at the Coliseo de Puerto Rico José Miguel Agrelot in San Juan — and he ended the historic run with a night full of surprises.

During Saturday night’s (Sept. 20) “Una Más” show, the Puerto Rican superstar brought out fellow icon Marc Anthony for a powerful and emotional performance of “Preciosa,” a beloved anthem honoring their homeland.

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“I haven’t sung this song in over 20 years,” Bad Bunny told the crowd at El Choli, before inviting Anthony to join him onstage.

Watch the performance on X here.

“Preciosa” was originally composed by Rafael Hernández Marín in 1937 and later recorded by Anthony for his 1999 album, Desde un Principio: From the Beginning.

But the surprises didn’t stop there. Bad Bunny also welcomed an all-star lineup of Puerto Rican talent, including RaiNao, Dei V, Ñengo Flow, Arcángel, De La Ghetto and Jowell & Randy. Chuwi also joined him once again for their track “Welita,” which the pair performed every night during the lengthy residency.

In an emotional speech toward the end of the show, Bad Bunny addressed the crowd with gratitude and love.

“I have always had the same passion, love for what I’m doing. I promise I will never change. I love you, Puerto Rico. I love you, mom and dad,” he said, later adding, “It doesn’t matter what your issue or problem is, love will always be the solution.”

Saturday’s show marked more than just the end of the residency. It also commemorated the eighth anniversary of Hurricane Maria and launched a multiyear initiative between Bad Bunny and Amazon Music focused on education, disaster relief and cultural empowerment. The partnership will include programs aimed at strengthening Puerto Rico’s economy and driving meaningful, long-term change across the island, according to a press release.

Bad Bunny’s historic 30-day No Me Quiero Ir de Aquí residency drew over 250,000 attendees, solidifying Puerto Rico as a premier entertainment destination. The residency also boosted the local economy and supported small businesses. Throughout the run, he was joined by a roster of surprise guests, including Belinda, Residente, Feid, Rauw Alejandro and Ozuna.