Members JISOO and MOMOKA of the septet took part in writing the lyrics for this song, which arrived on digital platforms Sept. 8. The breakout girl group performed this number live for the first time at ROCK IN JAPAN FESTIVAL 2025 on Sept. 13, and it launches at No. 1 for downloads, streaming, and video views, while coming in at No. 16 for radio airplay. “BAD LOVE” is the group’s third No. 1 on the Japan Hot 100, following “Blue Jeans” in July and “ROSE” in April. Both of the latter are still charting in the top 10 this week, with “Blue Jeans” at No. 3 and “ROSE” at No. 6. “ROSE” has gained 102% in points compared to the week before.
SixTONES’ “Stargaze” is at No. 2. The six-member boy band’s 16th single is featured as the pep song for this year’s long-running All Japan High School Quiz Championship show on the Nippon Television Network. The track sold 339,953 CDs in its first week to top sales and comes in at No. 20 for radio.
While, AiNA THE END’s “On the Way” rises a notch to No. 4, Fujii Kaze’s “Prema” breaks into the top 10, soaring 43-5 this week. The title track off his third studio album released Sept. 5 hits No. 2 for radio, No. 6 for video, No. 7 for streaming, and No. 10 for downloads, gaining in points for all metrics of the chart’s methodology. The lead single off this album, “Hachikō,” had also entered the top 10, hitting No. 9 on the chart released June 25. All nine tracks on this project are currently charting on the Japan Hot 100.
Snow Man’s “Charismax” slips to No. 7 but continues to chart in the top 10 for the third straight week. Mrs. GREEN APPLE’s “Summer Shadow” rises 9-8 and “KUSUSHIKI” 12-9. TREASURE’s “PARADISE” holds at No. 10, where it debuted last week, rising 3-1 for radio.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Sept. 8 to 14, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-17 19:05:412025-09-17 19:05:41HANA’s ‘BAD LOVE’ Debuts at No. 1, SixTONES’ ‘Stargaze’ at No. 2 on Japan Hot 100
Kristen Burke is stepping down as president of Warner Music Canada. She will be succeeded by Eric Wong, president of East West Records and head of global A&R at Warner Music Group.
Burke announced the news in a letter to staff obtained by Billboard Canada today (Sept. 17).
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“My time at Warner Music Canada has been one of the most meaningful chapters of my career — a chance to work with extraordinary artists, build an amazing team, and help shape the future of music in this country,” she wrote. “Change is never easy, but it is often part of growth. With that in mind, I want to let you know that I will be stepping down from my role as President of Warner Music Canada.
“As Warner Music Group strengthens its alignment across territories, Warner Music Canada will now be connected more directly to the U.S. team, with Eric Wong, President of East West and Head of Global A&R, stepping in to oversee the business. Eric brings extensive experience from across the company and has cultivated a strong understanding of the Canadian market and meaningful relationships with many of our artists, managers, and teams, which will be invaluable during this transition.
“It has been an incredible privilege to work alongside all of you. I am immensely proud of what we’ve accomplished together — the growth we’ve achieved, the culture we’ve built, and the resilience we’ve shown through every challenge. None of it would have been possible without your dedication, creativity, and passion.”
Kristen Burke
Courtesy Photo
Wong, who is based in New York City, is a supporter of Canadian artists through his work with Punjabi star Karan Aujla and up-and-coming Vancouver songwriter Jade LeMac. East West Records was instrumental in the recent release of Aujla’s new album P-Pop Culture, which recently made history after debuting at No. 3 on the Billboard Canadian Albums chart.
Wong’s hiring brings the Canadian label closer with Warner’s U.S. team and underscores the label’s global initiatives like the Canada-India collaborative label 91 North Records.
Simon Robson, president, EMEA, recorded music, WMG, praises Burke for her time leading Warner Music Canada.
“The successes out of Canada are a testament to your leadership and your belief in what could be accomplished,” he says. “With big innovative swings, like leading the Punjabi Wave with 91 North Records in a first-of-its-kind partnership with our India team; championing unconventional, creative talent such as Crash Adams and Jade LeMac; and overseeing the move into a state-of-the-art Toronto headquarters, you’ve helped lead the company into bold new territory. I’m confident that your impact will carry forward in meaningful ways.
“I’m also confident in Eric’s ability to lead our Canadian label forward and create closer ties with our U.S. teams. As the above examples demonstrate, Canada is an important player in our global company ecosystem. Eric understands its deep cultural diversity and globally savvy audiences, as a springboard for music that resonates far beyond its borders.”
Burke became President of the label in 2021, and was at the time the only woman leading a major label in Canada (before Julie Adam took the helm at Universal Music Canada this year). Burke was No. 4 on Billboard Canada‘s 2025 Power Players list and accepted the Executive of the Year award at Billboard Canada Women in Music 2024.
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Beéle has been hit with a lawsuit from his ex-girlfriend, Venezuelan influencer Isabella Ladera, claiming the Colombian pop star is responsible for leaking their sex tape and that this illegal conduct caused her serious emotional harm.
The lawsuit, filed by Ladera on Monday (Sept. 15) and obtained by Billboard, is the latest in a messy feud between the influencer and Beéle (Brandon de Jesús López Orozco) since a video of the now-exes having sex went viral on Sept. 7. Ladera publicly accused Beéle of leaking the tape, while Beéle’s reps denied that he was the source of the leak and said the singer is “also a victim” in this situation.
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Ladera is now doubling down on blaming Beéle for the leak, saying in the lawsuit that he either intentionally published the video online or shared it with someone else who did the same.
“Only two people had the videos, and Ladera had already erased them almost a year and a half before,” wrote Ladera’s lawyers from the Miami firm Hachar Law Group. “The only other person who Ladera knew had the videos, Beéle, had made his intentions clear when he refused to erase them when Ladera requested that he do so.”
Ladera is suing Beéle for invasion of privacy, sexual cyberharassment, intentional infliction of emotional distress and negligence. She’s seeking damages that “far exceed” the minimum threshold of $50,000, writing that she suffered “shame, humiliation and mental anguish as a result of the public disclosure of her private affairs and activities.”
Beéle’s reps did not immediately return a request for comment on Wednesday (Sept. 17).
The nine-page lawsuit chronicles Ladera and Beéle’s relationship, which began as an Instagram friendship in 2023 and later turned romantic. Ladera says she felt “a sense of security and comfort that she had met someone who actually could be the proverbial ‘One.’”
According to Ladera, it was Beéle who requested that they record their sexual interactions. Ladera says she “never thought that these videos would ever be shared with anyone, let alone be published to the world, as they ultimately were.”
Ladera claims that in 2024, she deleted all the videos in her possession and asked Beéle to do the same. Beéle refused, Ladera says, and “instead questioned her trust in him.”
“Little did she know that the trust she had would one day be broken,” the lawsuit reads.
The couple split this past March, the lawsuit says, “after numerous controversies and rumors” that were “mostly fueled by non-credible internet parasites.”
Ladera claims the issue of the sex tape first arose in June, when two people named Melany Fernandez and Osvaldo Villalobos approached her with screenshots from one of the couple’s videos. These individuals allegedly told Ladera that the screenshots had been shared with them and warned that the full video would be released soon.
Ladera says her management team contacted Beéle’s management about this, and she believed the problem had been resolved. But it was just beginning.
“Shockingly, on September 7, 2025, one of the videos was leaked through a WhatsApp account,” reads the lawsuit. “The video went viral, and for Ladera the earth stood still.”
Ladera took to Instagram to address the issue on Sept. 8, writing in a lengthy post that Beéle was the source of the leak and that it was “one of the cruelest betrayals” she has ever experienced. Ladera wrote that she and Beéle were the only two people with access to the tape, and that the publication “constitutes a form of violence against women.”
On Sept. 9, Beéle shared a statement of his own on Instagram denying that he was the source and saying the leak had also harmed him. That post, which has since been deleted, said Beéle’s lawyers were taking steps to get the videos taken down.
“Beéle is also a victim of the non-consensual exposure of his private life,” read the now-deleted statement from law firms Víctor Mosquera Marín Abogados and DMR Law LLC. “We reject all forms of violence and will continue to pursue legal channels to ensure the comprehensive defense of his rights.”
Over the past few years, as European societies have competed more intensely for affiliates, they have cut the amount of money they hold back for online royalties. GEMA, the German PRO, is the last of the big three to do so, after PRS for Music (U.K.) and SACEM (France). But on Monday (Sept. 15), it announced plans to reduce its commission on online royalties to 7% by 2027, compared to the 8% charged by PRS and SACEM.
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The exact specifics of the royalties being cut vary, but the lower rate applies to revenue from the giant on-demand music streaming services, including Spotify and Apple Music. And while the new rates are competitive, they also reflect the lower cost of collecting and distributing this revenue, especially as compared with money coming in from radio stations or restaurants. In some cases, much of this online revenue comes through other societies.
All of this is relatively recent. SACEM and PRS both moved to 8% this year — down from 9% and 10%, respectively. In the case of GEMA, the plan is to lower the percentage it holds back from the current 10% to 9% in 2026, then to 7% in 2027. (Some societies also apply lower fees to certain foreign revenue, often according to the originating society.) The competition here is complicated by the role of ICE, a hub that operates as a joint venture of GEMA, PRS and the Swedish society STIM. SACEM, the biggest society in Europe, could be seen as a hub of sorts as well.
The new rates will have a significant impact on GEMA. Right now, this revenue accounts for just under a quarter of the organization’s total revenue, so by 2027, the change will increase the royalties it pays out by 6 million euros ($7.1 million) a year. “The measure of a successful collecting society is the amount of money it pays out to its members,” Thomas Theune, the GEMA executive who oversees online licensing, said in a statement. “Thanks to our digital processes and fully automated IT systems, we’re already able to license and distribute more efficiently than ever. In turn, this means we can pass on even more money to our members.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-17 18:40:462025-09-17 18:40:46GEMA Cuts Its Online Rate to 7%, Amid Society Competition for Songwriters in Europe
In partnership with Billboard, Ralph Lauren brought the Ralph’s Club New York fragrance and the vibes to Billboard’s Hip-Hop/R&B Live in New York City. Attendees experienced an exclusive scent sampling and captured unforgettable moments at our interactive photo activation — all before the night lit up with captivating headliners.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-17 18:37:222025-09-17 18:37:22A Night of Scent & Sound for Billboard’s Hip-Hop/R&B Live Brought to You by Ralph Lauren’s Ralph Club New York
Cardi B‘s announcement that she and boyfriend Stefon Diggs are expecting a baby came as a big shock to fans, especially because the rapper had revealed plans to embark on a rigorous tour just one day prior.
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But in an X post on Wednesday (Sept. 17) — just hours after her pregnancy reveal on CBS Mornings — Cardi assured her fans that her pregnancy won’t affect her performance abilities when it comes time to hit the road in February. “Thank you everybody for the love and support,” the musician began.
“By the time tour comes I’ll be doing splits, somersaults backflips and handstands,” she continued. “I want this really bad and I’m on a very strict plan … trust me I’m determined to give my fans the best album AND tour experience!!”
The message comes one day after Cardi revealed the route for her trek slated for 2026, which will find the hitmaker playing 30 dates across North America. Before that, she teased the tour on The Jennifer Hudson Show, sharing, “I’m already preparing for it. I’m at the gym, and I’m taking dance classes already.”
Her comments about the physicality of her upcoming tour plans made it extra surprising when, Wednesday morning, she told Gayle King that she and a certain NFL star were starting a family together. “Yes, I am [pregnant],” she said on the ABC morning show. “I’m having a baby with my boyfriend, Stefon Diggs … I’m doing all this work while I’m creating a baby, and me and my man, we’re very supportive of each other.”
Cardi — who also shares three kids with estranged husband Offset — is also gearing up to release a new album. Titled Am I the Drama?, the follow-up to her debut LP Invasion of Privacy will arrive Friday (Sept. 19).
See Cardi’s post below.
Album drops Friday! Thank you everybody for the love and support…by the time tour comes I’ll be doing splits, somersaults backflips and handstands I want this really bad and I’m on a very strict plan.. trust me I’m determined to give my fans the best album AND tour experience!!
The body found in the 2023 Tesla registered to D4vd (real name David Anthony Burke) on Sept. 8 has been identified as a 15-year-old girl named Celeste Rivas.
According to NBC News Los Angeles, Rivas’ decomposed body was identified through forensics. She was last seen in April 2024 in Riverside County, and had been reported missing. Her remains were discovered when police were alerted to a “foul odor” coming from the impounded Tesla’s trunk in the Hollywood Tow lot in Los Angeles.
Officials relayed to NBC News that her remains weren’t intact and she had been dead for an “extended period of time.” The Los Angeles County Medical Examiner’s Office described Rivas as having “wavy black hair,” and she weighed about 71 pounds with a “Shhh…” tattoo on her right index finger.
The 20-year-old singer has reportedly been “fully cooperating” with authorities throughout the investigation.
Billboard has reached out to reps for D4vd, the medical examiner’s office and LAPD for comment.
D4vd is currently trekking across North America on his Withered World Tour, and he’s slated to perform on Wednesday night (Sept. 17) in Seattle at the Showbox SoDo, but it’s unclear if the show will still take place.
The Houston singer had additional tour dates lined up in San Francisco and Los Angeles to wrap up the North American leg, before heading over to Europe in October, where he’s scheduled to hit Norway, Denmark, Sweden, Germany, the Netherlands, Belgium, Ireland, the U.K., France, Switzerland, Austria and Poland.
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We heard you’re in the market for products that’ll help your vinyl records run like a dream.
Vinyl records are a delcate piece of media that, much like any physical media, needs to be handled with care in order to work properly. Fingerprints, dust and scratches can damage the surface of the record, which, in turn diminish the sound, creating unwanted noise. Natural oils from your hands can also erode the surface of your vinyl records.
If you’re looking to clean up and preserve your latest vinyl aqcusitions, there are plenty of cleaning kits available out there on Amazon that’ll make cleaning your records at home a breeze. Our top pick? The Vinyl Buddy record cleaning kit for $19.99. The kit comes equipped with five pieces including a velvet brush, microfiber brush, stylus brush, cleaning solution and a storage pouch. The Groove Washer Walnut Record Cleaning Kit ($44.95) is another favorite of ours that comes with similar equipment like a G2 Fluid Mist Spray and a fancy cleaning-wipe with a wood handle & microfiber pad that can be replaced for endless use.
Vinyl Buddy Ultimate 5-Piece Vinyl Record Cleaning Kit
For something easier and possibly cheaper, depending on what you already have around the house, you can always go for Simple Green All-Purpose Cleaner and water. Not familiar with Simple Green? The product is an natural, all-purpose cleaning solution that works on just about every surface. It remove direct grease and stains from countertops, floors, fabric, equipment, tech, vehicles and so much more. It’s also gentle enough that you can use it on your precious vinyl records. Simple Green retails for about $2-$5 for a 32-ounce spray bottle and around $10 for a gallon. You can get it at Amazon, Walmart, Home Depot, Lowe’s and other retailers. A three pack from Amazon currently retails for $15.39.
Simple Green All-Purpose Cleaner, 32 Fl Oz (Pack of 3)
To clean your vinyl records, you’ll want to grab a microfiber cleaning cloth to remove the dust and static from the record. Next, you should wet a clean microfiber cloth (preferably with distilled water) and lightly wipe the record surface in a circular motion, making sure to avoid the middle of the record. Next, add a splash of Simple Green (the company recommends a 1:30 ratio) to a bowl of water and clean the record following the same circular motion as the earlier steps. Lastly, grab a dry microfiber cloth to dry the vinyl record (you can also use compressed air to blow away any residual dust).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-17 17:36:312025-09-17 17:36:31These Products on Amazon will Help You Clean Your Vinyl Records Without Damaging Them
From acting together on Barney & Friends to settling down with their respective partners, Selena Gomez and Demi Lovato have come a long way.
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On the Tuesday night (Sept. 16) episode of Watch What Happens Live With Andy Cohen, the Camp Rock alum had only kind things to say about her childhood friend and former costar. When asked whether they had listened to the Rare Beauty founder’s joint LP with fiancé Benny Blanco, I Said I Love You First, Lovato replied, “I have listened to the album — really, really great job.”
“I loved the songs on it,” she continued. “‘Bluest Flame’ was my song.”
Lovato also brought up Gomez’s upcoming nuptials to the producer. “I couldn’t be happier for her — she’s engaged,” the vocalist told Cohen. “I just wish her the best.”
The well wishes come after the two former child stars have been in each other’s lives for more than two decades. Originally meeting as kids on Barney and becoming best friends, the pair would go on to costar in Disney Channel movie Princess Protection Program.
Their relationship hasn’t been without its bumps in the road, though. In 2010, Lovato revealed to Girl’s Life that they weren’t besties with Gomez anymore, saying, “True friends don’t let their friends or family be mean to you. If you can’t trust somebody, you can’t be friends with them.”
The pair reconciled for a period after Lovato’s rehab stay in 2011, but in 2015, the Sonny With a Chance star curtly told Complexthat they were no longer on speaking terms. In the past few years, however, they’ve supported each other’s projects and performances, indicating that their past conflicts are now water under the bridge.
And while Gomez is now on her way to becoming a bride, Lovato is already a wife, marrying husband Jordan “Jutes” Lutes in May. Also on Watch What Happens Live, the performer opened up about collaborating with her partner, who is also a musician, on 2022’s Holy Fvck and October-slated LP It’s Not That Deep.
“It’s so great,” Lovato gushed. “We wrote a lot of songs on my last album. With this project, he actually wrote a song of mine called ‘In My Head.’ He’s just so talented, and I’m really proud of him.”
The vocalist also shared which of their own songs are the best and worst to perform. “I love performing ‘Stone Cold,’ because I get to sing my a– off,” she said. “The song … I don’t love performing would be ‘Solo,’ because it’s not really a vocal performance.”
See clips of Lovato on Watch What Happens Live below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-17 17:25:432025-09-17 17:25:43Demi Lovato Congratulates Selena Gomez on Benny Blanco Engagement: ‘I Just Wish Her the Best’
Willie Nelson’s Farm Aid is unlike any other festival. It has always been about more than the music.
Launched by Nelson and fellow musicians in 1985 to respond to the economic crisis that was devastating family farmers and their communities, Farm Aid this year marks its 40th anniversary as music’s longest running concert for a cause.
This year’s Farm Aid takes place Saturday (Sept. 20) at Huntington Bank Stadium in Minneapolis with a bill headlined by Farm Aid’s guiding board members—Nelson, John Mellencamp, Neil Young, Dave Matthews and Margo Price—along with Kenny Chesney, Billy Strings, Nathaniel Rateliff & the Night Sweats, Lukas Nelson, Trampled by Turtles, Wynonna Judd, Steve Earle, Waxahatchee, Eric Burton of Black Pumas, Jesse Wells, Madeline Edwards and the Wisdom Indian Dancers.
Like all the artists who have appeared at Farm Aid before them, these performers will donate their time, expenses and fees to help the family farmers who feed the nation.
Farm Aid fans know that, once a year, Nelson and friends have taken to stages across the country for a high-profile show to benefit America’s independent family farmers.
What they may not realize, even after 40 years, is that Farm Aid has helped influence a profound shift in the cultural landscape of the country. The organization deserves credit for promoting many of the most important changes in food culture in the United States: the growth of farmers’ markets, the spread of farm-to-table restaurants, and the rise of sustainable farming methods that are helping to address climate change. Through the years, with days of sessions preceding the concert itself, Farm Aid has evolved as an impassioned annual gathering for activists involved in environmental, racial and social justice issues, as well as farming.
“It’s the combination of the music and the message that is so important,” Farm Aid’s former executive director Carolyn Mugar once said. “What happens at a Farm Aid concert opens up people’s hearts.”
Farm Aid, of course, is part of a great chain of musicians leveraging their songs for society — from the singers who joined Martin Luther King Jr. for the March on Washington in 1963, to Pete Seeger’s pass-the-basket concerts in the late 1960s to launch the Hudson River Sloop Clearwater, to George Harrison’s Concerts for Bangladesh at Madison Square Garden in 1971, to Bob Geldof’s Live Aid mega benefit for Africa famine relief in1985, to the poverty-fighting Global Citizen Festival launched in 2012, to the FireAid benefits earlier this year, and countless other initiatives through the decades.
Musicians have often offered their talents to meet the needs of the moment— and then moved on. The focus and longevity of Farm Aid is unique.
What also sets Farm Aid apart is the inclusive, charitable and tough spirit of founder Willie Nelson. “Farming was my first job,” he once told Billboard. “I picked cotton. I pulled corn. I knew firsthand what it meant to farm. I knew damn well how tough it was. My farm roots are deep-seated in the soil of my personal story.”
And in his small hometown of Abbott, Texas, where he attended the United Methodist Church, Nelson recalled, “we had a collection box, and even though we were struggling financially, I knew there were folks with far greater struggles. As part of a loving community, I was taught the moral responsibility of helping those in need.”
Farm Aid’s guiding board members “are just like farmers, they never give up,” Mugar has said. “They’re stubborn, they’re clever, they’re strategic and it’s because of them that this organization has been effective.”
So this look back at 40 great moments from 40 years of Farm Aid is about more than just the music. Drawn from Farm Aid’s own timeline and Billboard’s many years of coverage of the festival, this list highlights not just great onstage moments, but also the activism, the artist voices — and the joy of late summer tomatoes from an urban farm. Find it all below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-17 17:18:282025-09-17 17:18:2840 Great Moments From 40 Years of Willie Nelson’s Farm Aid: ‘It’s the Music and the Message That Opens Up People’s Hearts’