Illenium will become the second electronic artist to have a residency at Sphere in Las Vegas when he launches a six-show run called Odyssey in March 2026.

In tandem with this news, the future bass producer born Nick Miller is announcing a new album, also called Odyssey. The project will mark his first new album since his 2023 self-titled LP and his first since signing to Republic Records in May.

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A release date for the album has not yet been announced, though dates for the Sphere run were revealed: March 5, 6, 7, 12, 13 and 14. Presale tickets for Odyssey at Sphere go on sale next week, on Sept. 23, with the general on sale starting Sept. 26.

A press release about the project notes that Sphere “will be the only place fans will be able to experience Illenium’s forthcoming sixth studio album live.” The artist posted a teaser video of the project earlier this week on his social media.

Odyssey is a journey of self discovery and acceptance,” Illenium says in a statement. “It’s a moment where fans feel understood, a space where we’re all together and present for that same emotional escape. I’m looking forward to welcoming everyone to this experience, especially at Sphere.”

The news also comes alongside a new Illenium track called “Forever,” which will show up in the Odyssey show along with Illenium’s recently released single “In My Arms,” a collaboration with Hayla.

Illenium’s residency further carves out a space for dance music at Sphere. In late 2024 and early 2025, Anyma became the first electronic act to headline the venue, with his residency featuring an A list of support acts including Peggy Gou, John Summit, Solomun, Mike Dean and Layla Benitez.

Unity, a collaborative show from dance festival brands Tomorrowland and Insomniac Events, also recently opened its Sphere run, with each night featuring a different artist that over the run have included Kaskade, Chase & Status and Alan Walker. The Unity run continues later this month and into October with Meduza and James Hype, Slander, Sara Landry and Subtronics.

Puerto Rican superstar Bad Bunny tops the list of nominees for the 2025 Latin Grammys, announced on Wednesday (Sept. 17). The artist received 12 nods for the awards ceremony, including for album of the year with DeBÍ TiRAR MáS FOToS and double mentions in record of the year and song of the year, in both cases for “BAILE INoLVIDABLE” and “DTmF.”

These nominations add to the 40 he has received in the past, of which he has won 12 over the years. He is closely followed by acclaimed Mexican musician Edgar Barrera and Argentine duo CA7RIEL & Paco Amoroso, each with 10 nominations.

Barrera, who led the list of nominees the last two years, is once again competing for songwriter of the year and producer of the year, and appears in multiple categories for his work with artists such as Karol G, Shakira, Maluma, Fuerza Regida, and Grupo Frontera. Similarly to Bad Bunny, CA7RIEL & Paco Amoroso are also nominated for album of the year, for Papota, and got double nominations in the record of the year and song of the year categories, for “El Día Del Amigo” and “#Tetas.”

As in previous years, the album of the year category includes artists from a variety of genres, reflecting the diversity within Latin music. In addition to Bad Bunny and CA7RIEL & Paco Amoroso, they include Rauw Alejandro, Gloria Estefan, Vicente García, Joaquina, Natalia Lafourcade, Carín León, Liniker, Elena Rose and Alejandro Sanz.

Additionally, this year a new field for Visual Media has been added along with two new categories: best music for visual media and best roots song.

The best new artist award will be contested by Alleh, Annasofia, Yerai Cortés, Juliane Gamboa, Camila Guevara, Isadora, Alex Luna, Paloma Morphy, Sued Nunes, and Ruzzi.

“We’re pleased to present this year’s nominees for the 26th Annual Latin Grammys,” Manuel Abud, CEO of the Latin Recording Academy, said in a statement. “The impact of Latin music continues to grow on a global level, and all the nominated artists encompass its diversity and richness while continuing to preserve the iconic sounds that make our music unique.”

Other contenders with multiple nominations include Rafa Arcaute, Natalia Lafourcade, Roberto Rosado, and Federico Vindver, with eight each; MAG, with seven; Liniker and Lewis Picket with six each; and Gino Borri and Vicente Jiménez with five. Artists with four nominations include Antonio Caraballo, Joaquina, Elena Rose, and Alejandro Sanz. Among those with three are Andrés Cepeda, Karol G, and Carín León. Two-time nominees include Akapellah, Rauw Alejandro, Rubén Blades, Gloria Estefan, Mon Laferte, Maluma, Fito Páez, and more.

The 26th Annual Latin Grammy Awards will be broadcast live from Las Vegas on Thursday, Nov. 13, at 8 p.m. ET/PT in the U.S. on TelevisaUnivision platforms. Prior to the live broadcast, the Latin Grammy Premiere, a non-televised event where the majority of winners are announced, will take place.

Check out the full list of nominees for the 2025 Latin Grammys below:

GENERAL FIELD

Record of the Year

“Baile Inolvidable,” Bad Bunny; Big Jay, Elikai, Julito Gaston, La Paciencia & Mag, record producers; Antonio Caraballo, Luis Amed Irizarry, Armando López & Roberto Rosado, recording engineers; Josh Gudwin, mixer; Colin Leonard, mastering engineer

“DTmF,” Bad Bunny; Scotty Dittrich, Hydra Hitz, La Paciencia, Julia Lewis, Mag & Tyler Spry, record producers; Antonio Caraballo, Roberto Rosado & Tyler Spry, recording engineers; Josh Gudwin, mixer; Colin Leonard, mastering engineer

“El Día Del Amigo,” CA7RIEL & Paco Amoroso; Rafa Arcaute & Federico Vindver, record producers; Rafa Arcaute, Luis Tomás La Madrid & Federico Vindver, recording engineers; Rafa Arcaute, Felipe Bernal, Lewis Pickett & Federico Vindver, mixers; Lewis Pickett, mastering engineer

“#Tetas,” CA7RIEL & Paco Amoroso; Rafa Arcaute & Federico Vindver, record producers; Rafa Arcaute, Luis Tomás La Madrid & Federico Vindver, recording engineers; Rafa Arcaute, Felipe Bernal, Lewis Pickett & Federico Vindver, mixers; Lewis Pickett, mastering engineer

“Desastres Fabulosos,” Jorge Drexler & Conociendo Rusia; Nico Cotton, record producer; Nico Cotton & Julio Gómez Núñez, recording engineers; Nico Cotton, mixer; Fred Kevorkian, mastering engineer

“Lara,” Zoe Gotusso; Cachorro López & Diego Mema, record producers; Demián Nava, recording engineer; César Sogbe, mixer; Javier Fracchia, mastering engineer

“Si Antes Te Hubiera Conocido,” Karol G; Edgar Barrera, Karol G & Sky Rompiendo, record producers; Joel Iglesias, recording engineer; Luis Barrera Jr., mixer; Luis Barrera Jr., mastering engineer

“Cancionera,” Natalia Lafourcade; Adán Jodorowsky & Natalia Lafourcade, record producers; Jack Lahana, recording engineer; Jack Lahana, mixer; Bernie Grundman, mastering engineer

“Ao Teu Lado,” (Liniker); Julio César Gonçalves De Souza, Liniker & Gustavo Ruiz Chagas, record producers; Ricado Camera, Adonias Farias De Souza Júnior, Daniel Mariano Gonçalves, Julio César Gonçalves De Souza, André Malaquias, João Milliet, Gabriel Pinheiro Machado Milliet & Gustavo Ruiz Chagas, recording engineers; João Milliet, mixer; Felipe Tichauer, mastering engineer

“Palmeras En El Jardín,” Alejandro Sanz; Luis Miguel Gómez Castaño, Alfonso Pérez Arias & Spread Lof, record producers; Frank Lozano, Alfonso Pérez & Felipe Trujillo, recording engineers; Lewis Pickett, mixer; David Kutch, mastering engineer

Album of the Year

Cosa Nuestra, Rauw Alejandro; Rauw Alejandro, Jorge Pizarro & Nino Karlo Segarra, album producers; Jorge Pizarro, album recording engineer; Josh Gudwin, album mixer; Rauw Alejandro, Christhian Daniel Mojica, Jorge Pizarro & Nino Karlo Segarra, songwriters

DeBÍ TiRAR MáS FOToS, Bad Bunny; La Paciencia, Mag & Tainy, album producers; Antonio Caraballo & Roberto José Rosado Torres, album recording engineers; Josh Gudwin, album mixer; Bad Bunny, Marco Daniel Borrero, Marcos Efraín Masis & Roberto José Rosado Torres, songwriters

Papota, CA7RIEL & Paco Amoroso; Rafa Arcaute, Ignacio Cruz, Danny Flores, Jean Rodriguez & Federico Vindver, album producers; Rafa Arcaute, Luis Tomás La Madrid, Josh Newell & Federico Vindver, album recording engineers; Rafa Arcaute, Felipe Bernal, Josh Newell, Lewis Pickett & Federico Vindver, album mixers; Rafa Arcaute, Gino Borri, CA7RIEL, Ulises Guerriero, Vicente Jiménez & Federico Vindver, songwriters

Raíces, Gloria Estefan; Emilio Estefan, Jr., album producer; Carlos Alvarez, Dave Poler & Andres Varona, album recording engineers; Carlos Alvarez, album mixer; Emilio Estefan, Jr., songwriter; Mike Fuller, album mastering engineer

Puñito De Yocahú, Vicente García; Eduardo Cabra & Vicente García, album producers; Eduardo Cabra, Vicente García & Harbey Marín, album recording engineers; Harold Wendell Sanders, album mixer; Vicente García, songwriter

al romper la burbuja, Joaquina; Joaquina & Julio Reyes Copello, album producers; Santiago Borja, Joaquina, Natalia Ramirez, Robin Reumers, Julio Reyes Copello, Daniel Riaño Restrepo & Natalia Schesinger, album recording engineers; Lee Smith, album mixer; Joaquina, songwriter; Ted Jensen, album mastering engineer

Cancionera, Natalia Lafourcade; Adán Jodorowsky & Natalia Lafourcade, album producers; Jack Lahana, album recording engineer; Jack Lahana, album mixer; Natalia Lafourcade, songwriter; Bernie Grundman, album mastering engineer

Palabra De To’s (Seca), Carín León; Alberto De Jesús Medina Velásquez & Antonio De Jesús Zepeda Rivera, album producers; Alberto De Jesús Medina Velásquez, album recording engineer; Alberto De Jesús Medina Velásquez, album mixer; Carín León, songwriter; Alberto Medina, mastering engineer

Caju, Liniker; Marcio Arantes, José Henrique Castanho De Godoy Pinheiro, Julio Fejuca, Liniker, André Murilo Da Silva, Nave Beats, Filipe Pampuri, Iuri Rio Branco, Gustavo Ruiz, Seko Bass & Joel Souza Silva, album producers; Marcio Arantes, Ricado Camera, Julio Fejuca, Adonias Junior, André Malaquias, Dani Mariano, Gabriel Milliet, João Milliet, Nave Beats, Pedro Quiriku, Iuri Rio Branco, Gustavo Ruiz, Vitor Vaughan & Dalton Luiz Vicente, album recording engineers; Rafael Fadul de Assumpção & João Milliet, album mixers; Marcio Arantes, Roberto Dalcom Bastos Barreto, Henrique Castanho De Godoy Pinheiro, Amaro João De Freitas Neto, Julio Fejuca, Liniker, Vinicius Leonard Moreira, André Murilo Da Silva, Roosevelt Ribeiro De Carvalho, Iuri Rio Branco & Gustavo Ruiz, songwriters; Mike Bozzi & Felipe Tichauer, album mastering engineers

En Las Nubes – Con Mis Panas, Elena Rose; Héctor Mazzarri & Rafael Rodriguez, album producers; Rafferty Santiago, album mixer; Hector Mazzarri, Daniel Rondon & Elena Rose, songwriters; Orlando Ferrer, mastering engineer

¿Y Ahora Qué?, Alejandro Sanz; Luis Miguel Gómez Castaño & Richi López, album producers; Richi López, Frank Lozano, Alfonso Pérez & Felipe Trujillo, album recording engineers; Lewis Pickett, album mixer; Manuel Lorente Freire, Luis Miguel Gómez Castaño, Ricardo López & Alejandro Sanz, songwriters

Song of the Year

“Baile Inolvidable,” Marco Daniel Borrero, Antonio Caraballo, Kaled Elikai Rivera Cordova, Julio Gaston, Armando Josue Lopez, Jay Anthony Nuñez, Benito Antonio Martínez Ocasio & Roberto Jose Rosado Torres, songwriters (Bad Bunny)

“Bogotá,” Andres Cepeda, Mauricio Rengifo & Andres Torres, songwriters (Andrés Cepeda)

“Cancionera,” Natalia Lafourcade, songwriter (Natalia Lafourcade)

“DtMF,” Bad Bunny, Marco Daniel Borrero, Scott Dittrich, Benjamin Falik, Roberto José Rosado Torres, Hugo René Sención Sanabria & Tyler Spry, songwriters (Bad Bunny)

“El Día Del Amigo,” Rafa Arcaute, Gino Borri, Catriel Guerreiro, Ulises Guerriero, Amanda Ibanez, Vicente Jiménez & Federico Vindver, songwriters (Ca7riel & Paco Amoroso)

“Otra Noche De Llorar,” Mon Laferte, songwriter (Mon Laferte)

“Palmeras En El Jardín,” Manuel Lorente Freire, Luis Miguel Gómez Castaño, Elena Rose & Alejandro Sanz, songwriters (Alejandro Sanz)

“Si Antes Te Hubiera Conocido,” Edgar Barrera, Andres Jael Correa Rios & Karol G, songwriters (Karol G)

“#Tetas,” Rafa Arcaute, Gino Borri, CA7RIEL, Gale, Ulises Guerriero, Vicente Jiménez & Federico Vindver, songwriters (CA7RIEL & Paco Amoroso)

“Veludo Marrom,” Liniker, songwriter (Liniker)

Best New Artist

Alleh

Annasofia

Yerai Cortés

Juliane Gamboa

Camila Guevara

Isadora

Alex Luna

Paloma Morphy

Sued Nunes

Ruzzi

POP

Best Contemporary Pop Album

Cuarto Azul, Aitana

Palacio, Elsa y Elmar

al romper la burbuja, Joaquina

En Las Nubes – Con Mis Panas, Elena Rose

¿Y Ahora Qué?, Alejandro Sanz

Best Traditional Pop Album

Bogotá, Andrés Cepeda

Cursi, Zoe Gotusso

Lo Que Nos Falto Decir, Jesse & Joy

Natalia Lafourcade Live At Carnegie Hall, Natalia Lafourcade

Después De Los 30, Raquel Sofía

Best Pop Song

“Bogotá,” Andres Cepeda, Mauricio Rengifo & Andres Torres, songwriters (Andrés Cepeda)

“El Día Del Amigo,” Rafa Arcaute, Gino Borri, CA7RIEL, Ulises Guerriero, Amanda Ibanez, Vicente Jiménez & Federico Vindver, songwriters (CA7RIEL & Paco Amoroso)

“Querida Yo,” Camilo Echeverry, Gonzalo Ferreyra, Nicolas Ramirez & Yamila Safdie, songwriters (Yami Safdie Featuring Camilo)

“Soltera,” Edgar Barrera, Bizarrap, Kevyn Mauricio Cruz Moreno & Shakira, songwriters (Shakira)

“Te Quiero,” Juan Ariza, Covi Quintana & Nicole Zignago, songwriters (Nicole Zignago)

ELECTRONIC

Best Latin Electronic Music Performance

“Orión”, Sistek Remix Boza, Elena Rose, Sistek

“Ella Quiere Techno”, Imanbek & Taichu

“Qqqq”, Ela Minus

“Rulay En Dubai (Extended)”, Mr. Pauer, Villa Electronika & Dj Polin

“Veneka”, Rawayana Featuring Akapellah

URBAN

Best Urban/Urban Fusion Performance

“Capaz (Merenguetón),” Alleh, Yorghaki

“DtMF,” Bad Bunny

“De Maravisha,” Tokischa Featuring Nathy Peluso

“La Plena – W Sound 05,” W Sound Featuring Beele & Ovy On The Drums

“Roma,” Jay Wheeler

Best Reggaeton Performance

“Baja Pa’ Acá,” Rauw Alejandro Featuring Alexis & Fido

“Voy A Llevarte Pa Pr,” Bad Bunny

“Dile A Él,” Nicky Jam

“Brillar,” Lenny Tavárez

“Reggaetón Malandro,” Yandel Featuring Tego Calderón

Best Urban Music Album

DeBí TiRAR MáS FOToS, Bad Bunny

Underwater, Fariana

Nicki, Nicki Nicole

MPC (Música Popular Carioca), Papatinho

Elyte, Yandel

Best Rap/Hip Hop Song

“El Favorito De Mami,” Noah Assad, José Carabaño, Eladio Carrión, Gustavo Rafael Guerrero Soto, Samuel David Jiménez, Adam Moralejo & Albert Packness, songwriters (Big Soto Featuring Eladio Carrion)

“Fresh,” Trueno, songwriter (Trueno)

“Parriba,” Pedro Elias Aquino, Jesus Fuenmayor & Mateo Palacios Corazzina, songwriters (Akapellah Featuring Trueno)

“Sudor y Tinta,” Samuel Wilfredo Dilone Castillo, Nohelys Jimenez “J Noa” & Manuel Varet “Vakero”, songwriters (J Noa & Vakero)

“Thc,” Arcángel, songwriter (Arcángel)

Best Urban Song

“Cosas Pendientes,” Édgar Barrera, Kevyn Mauricio Cruz Moreno, Luis Miguel Gómez Castaño, Manuel Lorente Freire & Maluma, songwriters (Maluma)

“DtMF,” Bad Bunny, Marco Daniel Borrero, Scott Dittrich, Benjamin Falik, Roberto Jose Rosado Torres, Hugo Rene Sencion Sanabria & Tyler Spry, songwriters (Bad Bunny)

“En La City,” Young Miko & Trueno, songwriters (Trueno Featuring Young Miko)

“LA MuDANZA,” Luis Amed Irizarry, Marcos Efrain Masis, Jay Anthony Nuñez, Benito Antonio Martinez Ocasio & Roberto Jose Rosado Torres, songwriters (Bad Bunny)

“Xq Eres Así,” Alejandro Avila, Jorge Alvaro Díaz, Manuel Lara, Nathy Peluso & Joyce Francue Santana Febres, songwriters (Alvaro Diaz Featuring Nathy Peluso)

ROCK

Best Rock Album

Legado, A.N.I.M.A.L

Luna En Obras (En Vivo), Marilina Bertoldi

A TRES DÍAS DE LA TIERRA, Eruca Sativa

Gigante, Leiva

Novela, Fito Páez

Best Rock Song

“La Torre,” RENEE, songwriter (RENEE)

“Legado,” Andrés Giménez, songwriter (A.N.I.M.A.L)

“Sale El Sol,” Fito Páez, songwriter (Fito Páez)

“TRNA,” Ali Stone, songwriter (Ali Stone)

“VOLARTE,” Eruca Sativa, songwriters (Eruca Sativa)

Best Pop/Rock Album

Vándalos, Bandalos Chinos

Malhablado, Diamante Eléctrico

Malcriado, Lasso

El Último Día De Nuestras Vidas, Dani Martín

Ya Es Mañana, Morat

R, RENEE

Best Pop/Rock Song

“Ángulo Muerto,” Leiva, songwriter (Leiva)

“Desastres Fabulosos,” Conociendo Rusia, Jorge Drexler & Pablo Drexler, songwriters (Jorge Drexler & Conociendo Rusia)

“Lucifer,” Renzo Bravo, Lasso & Orlando Vitto, songwriters (Lasso)

“no llames lo mio nuestro,” Joaquina & Andry Kiddos, songwriters (Joaquina)

“Tu Manera De Amar,” Julián Bernal & Debi Nova, songwriters (Debi Nova)

“Un último vals,” Leiva, Benjamín Prado & Joaquín Sabina, songwriters (Joaquín Sabina)

ALTERNATIVE

Best Alternative Music Album

PARA QUIEN TRABAJAS Vol. I, Marilina Bertoldi

Papota, CA7RIEL & Paco Amoroso

Bodhiria, Judeline

TODOS LOS DÍAS TODO EL DÍA, Latin Mafia

DAISY, Rusowsky

Best Alternative Song

“El Ritmo,” Salvador Colombo, songwriter (Bandalos Chinos)

“Joropo,” Javier Fernández Blanco, Pablo Gómez Cano, Roberto Gutierrez Acosta, Andrés De Las Heras, Judeline & Pablo López García, songwriters (Judeline)

“Siento Que Merezco Más,” Latin Mafia, songwriters (Latin Mafia)

“(Sola),” Paloma Morphy, songwriter (Paloma Morphy)

“#Tetas,” Paco Amoroso, Rafa Arcaute, Gino Borri, CA7RIEL, Gale, Vicente Jiménez “Vibarco” & Federico Vindver, songwriters (CA7RIEL & Paco Amoroso)

TROPICAL

Best Salsa Album

Big Swing, José Alberto “El Canario”

Fotografías, Rubén Blades y Roberto Delgado & Orquesta

Mira Como Vengo, Issac Delgado

Infinito Positivo, Los Hermanos Rosario

Debut y Segunda Tanda, Vol. II Gilberto Santa Rosa

Best Cumbia/Vallenato Album

SON 30, Checo Acosta

El Último Baile, Silvestre Dangond & Juancho De La Espriella

De Amor Nadie Se Muere, Karen Lizarazo

Baila Kolombia, Los Cumbia Stars

La Jerarquía, Peter Manjarrés & Luis José Villa

Best Merengue/Bachata Album

El Más Completo, Alex Bueno

Novato Apostador, Eddy Herrera

Milly Quezada – Live Vol. 1 Desde El Teatro Nacional De República Dominicana, Milly Quezada

Best Traditional Tropical Album

Malena Burke Canta A Meme Solís, Vol. 1, Malena Burke & Meme Solís

Raíces, Gloria Estefan

Caminando Piango Piango, Orquesta Failde

Best Contemporary Tropical Album

Calidosa, Mike Bahía

Puñito De Yocahú, Vicente García

Ilusión Óptica, Pedrito Martínez

Bingo, Alain Pérez

Fiesta Candelaria, Puerto Candelaria

Best Tropical Song

“Ahora O Nunca,” Juan José Hernandez, songwriter (Gilberto Santa Rosa)

“Cariñito,” Techy Fatule, songwriter (Techy Fatule)

“La Foto,” Larry Coll, Luis Enrique & Marcos Sánchez, songwriters (Luis Enrique)

“Nunca Me Fui,” Rubén Blades, Andy Clay, Fonseca, Felipe González Abad & Yoel Henríquez, songwriters (Fonseca & Rubén Blades)

“Si Antes Te Hubiera Conocido,” Edgar Barrera, Andres Jael Correa Rios & Karol G, songwriters (Karol G)

“Si Volviera Jesús,” Jorge Luis Piloto, songwriter (Víctor Manuelle)

“Venga Lo Que Venga,” Andy Clay, Fonseca & Alberto Montenegro, songwriters (Fonseca, Rawayana)

SINGER-SONGWRITER

Best Singer-Songwriter Album

Dos Hemisferios, Alejandro y María Laura

el cuerpo después de todo, Valeria Castro

Cancionera, Natalia Lafourcade

Cosas Que Sorprenden A La Audiencia, Vivir Quintana

Relatos, Ale Zéguer

Best Singer-Songwriter Song

“aeropuerto”, Joaquina, songwriter (Joaquina)

“Amarte sin que quieras irte”, Camilú, songwriter (Camilú)

“Cancionera”, Natalia Lafourcade, songwriter (Natalia Lafourcade)

“Como Un Pájaro”, Silvana Estrada, songwriter (Silvana Estrada)

“Quisqueya”, Vicente García, songwriter (Vicente García)

REGIONAL MEXICAN


Best Ranchero/Mariachi Album

Mi Suerte Es Ser Mexicano, Pepe Aguilar

Alma De Reyna 30 Aniversario, Mariachi Reyna De Los Ángeles

¿Quién + Como Yo?, Christian Nodal

Best Banda Album

4218, Julión Álvarez y su Norteño Banda

25 Aniversario (Deluxe), Luis Ángel “El Flaco”

Edición Limitada, Banda Ms De Sergio Lizárraga

Best Tejano Album

Imperfecto, Vol. 2, El Plan

Yo No Te Perdí, Gabriella

Reflexiones, Grupo Cultura

El Siguiente Paso (Live Session), Marian y Mariel

Bobby Pulido & Friends Una Tuya y Una Mía (Vol.1/En Vivo), Bobby Pulido

6, Juan Treviño

Best Norteño Album

El Plan & Manuel Alejandro, El Plan & Manuel Alejandro

Pasado, Presente, Futuro, La Energía Norteña

La Lotería, Los Tigres Del Norte

“V1V0”, Alfredo Olivas

Frente A Frente, Pesado

Best Contemporary Mexican Music Album

Mirada, Ivan Cornejo

Leyenda, DannyLux

Evolución, Grupo Firme

Palabra De To’s (Seca), Carín León

Incómodo, Tito Double P

Best Regional Song

“Hecha Pa’ Mí,” Edgar Barrera, Iván Gamez, Alex Hernandez & Adelaido Solis, songwriters (Grupo Frontera)

“La Lotería,” Luciano Luna, songwriter (Los Tigres Del Norte)

“Me Jalo,” Miguel Armenta, Edgar Barrera & Jesús Ortiz Paz, songwriters (Fuerza Regida, Grupo Frontera)

“¿Seguimos o No?,” Fernanda Díaz, Daniela García Rosso, Lupita Infante & Mauro Muñoz, songwriters (Lupita Infante)

“Si Tú Me Vieras,” Edgar Barrera, Kevin Mauricio Cruz Moreno, Carín León & Maluma, songwriters (Carín León, Maluma)

“Tierra Trágame,” César Gonzales & Kakalo, songwriters (Kakalo, Carín León)

INSTRUMENTAL

Best Instrumental Album

Alma En Cuba, Ariel Brínguez & Iván “Melon” Lewis

Saga, Yamandu Costa, Martín Sued e Orquestra Assintomática

Ida e Volta, Yamandu Costa

Havana Meets Harlem, Harlem Quartet Featuring Aldo López Gavilán

Y El Canto De Todas, Rafael Serrallet Featuring Lviv Philharmonic

TRADITIONAL

Best Folk Album

Conjuros, Susana Baca

Joropango, Kerreke, Daniela Padrón

Lentamente, Sílvia Pérez Cruz & Juan Falú

Candombe, Julieta Rada

#Anonimas&Resilientes, Voces del Bullerengue

Best Tango Album

Colángelo… Tango, José Colángelo

Piazzolla Para Orquesta Típica, Orquesta Típica Daniel Ruggiero

Milonguín, Giovanni Parra Quinteto

Shin-Urayasu, Richard Scofano, Alfredo Minetti

La Inevitable Tentación De Ir A Contramano, Sexteto Fantasma

En Vivo 20 Años, Tanghetto

Best Flamenco Album

KM.0, Andrés Barrios

Flamencas, Las Migas

Azabache, Kiki Morente

Sangre Sucia, Ángeles Toledano

Best Roots Song

“Aguacero,” Luis Enrique Mejía, Fernando Osorio & Rodner Padilla, songwriters (Luis Enrique, C4 Trío)

“Cómo Quisiera Quererte,” El David Aguilar & Natalia Lafourcade, songwriters (Natalia Lafourcade Featuring El David Aguilar)

“El Palomo y La Negra,” El David Aguilar & Natalia Lafourcade, songwriters (Natalia Lafourcade)

“Ella,” Tato Marenco, songwriter (Anita Vergara, Tato Marenco)

“Jardín del Paraíso,” Catalina García Barahona, William Martínez, Juan Carlos Mindinero Satizabal & Julio Reyes Copello, songwriters (Monsieur Periné Featuring Bejuco)

“Lo Que Le Pasó A Hawaii,” Bad Bunny, Marco Daniel Borrero, Luis Amed Irizarry, Marcos Efrain Masis, Flor Morales Ramos, Jay Anthony Nuñez & Roberto Jose Rosado Torres, songwriters (Bad Bunny)

JAZZ

Best Latin Jazz/Jazz Album

Hamilton De Holanda Trio – Live In NYC, Hamilton De Holanda

La Fleur De Cayenne, Paquito D’Rivera & Madrid-New York Connection Band

Luces y Sombras, Iván “Melon” Lewis Trio

Cuba & Beyond, Chucho Valdés & Royal Quartet

Golden City, Miguel Zenón

CHRISTIAN

Best Christian Album (Spanish Language)

Exaltado, Marco Barrientos

La Novia, Christine D’clario

Coritos Vol. 1, (Israel & New Breed)

Aquí Estamos, Marcos Vidal

Legado, Marcos Witt

Best Portuguese Language Christian Album

Ton Carfi 20 Anos (Ao Vivo), Ton Carfi

Razão Da Esperança, Paloma Possi

Onde Guardamos As Flores?, Resgate

Memóri4s (Ao Vivo), Eli Soares

A Maior Honra, Julliany Souza

PORTUGUESE LANGUAGE


Best Portuguese Language Contemporary Pop Album

No Escuro, Quem É Você?, Carol Biazin

Fugacidade, Janeiro

Caju, Liniker

Maravilhosamente Bem, Julia Mestre

Coisas Naturais, Marina Sena

Best Portuguese Language Rock or Alternative Album

O Mundo Dá Voltas, Baianasystem

Colinho, Maria Beraldo

Reações Adversas / Ao Persistirem Os Sintomas, Tó Brandileone

Quanto Mais Eu Como, Mais Fome Eu Sinto!, Djonga

Big Buraco, Jadsa

Best Portuguese Language Urban Performance

“Só Quero Ver,” BK’ & Evinha

“Demoro A Dormir,” Djonga Featuring Milton Nascimento

“Caju,” Liniker

“A Dança (Ao Vivo),” Mc Hariel & Gilberto Gil

“Barbie,” Mc Tuto Featuring Dj Glenner

Best Samba/Pagode Album

Alcione, Alcione

Manual Prático Do Novo Samba Tradicional, Vol. 2: Tia Darci, Marcelo D2

Pagode Da Mart’nália, Mart’nália

Zeca Pagodinho – 40 Anos (Ao Vivo), Zeca Pagodinho

Sorriso Eu Gosto No Pagode Vol.3 – Homenagem Ao Fundo De Quintal (Gravado Em Londres), Sorriso Maroto

Best MPB (Musica Popular Brasileira)/MAPB (Música Afro Portuguesa Brasileira) Album

Sentido, 5 A Seco

Um Mar Pra Cada Um, Luedji Luna

Pique, Dora Morelenbaum

Divina Casca, Rachel Reis

Beleza. Mas Agora A Gente Faz O Que Com Isso?, Rubel

Best Sertaneja Music Album

Let’s Go Rodeo, Ana Castela

José & Durval, Chitãozinho & Xororó

Obrigado Deus, Léo Foguete

Transcende (Ao Vivo / Deluxe), Lauana Prado

Do Velho Testamento, Tierry

Best Portuguese Language Roots Album

Casa Coração, Joyce Alane

Ao Vivo No Ccb: Homenagem A José Mário Branco, Camané

Universo De Paixão, Natascha Falcão

Transespacial, Fitti

Dominguinho, João Gomes, Mestrinho e Jota.pê

Best Portuguese Language Song

“Maravilhosamente Bem,” Julia Mestre, songwriter (Julia Mestre)

“Ouro De Tolo,” Marina Sena, songwriter (Marina Sena)

“Transe,” Zé Ibarra, songwriter (Zé Ibarra)

“Um Vento Passou (Para Paul Simon),” Marcio Borges & Milton Nascimento, songwriters (Milton Nascimento & Esperanza Spalding Featuring Paul Simon)

“Veludo Marrom,” Liniker, songwriter (Liniker)

CHILDREN’S

Best Children’s Album

Los Nuevos Canticuentos, (Canticuentos, Coro de Ríogrande)

Aventuras De Caramelo, Antonio Caramelo, Malibu

Cenas Infantis, Palavra Cantada

Buscapié, Luis Pescetti, Juan Quintero

Jirafas, Rita Rosa

CLASSICAL

Best Classical Album

Brouwer, Erena & Others: Guitar Works, Ausiàs Parejo; José Luis Ruiz Del Puerto, album producer

Gabriela Ortiz: Revolución Diamantina, María Dueñas; Gustavo Dudamel, conductor; Dmitry Lipay, album producer (Los Angeles Philharmonic; Los Angeles Master Chorale)

Kaleidoscope – Contemporary Piano Music By Female Composers From Around The World, Isabel Dobarro; Javier Monteverde, album producer

Radamés, São Paulo Chamber Soloists; São Paulo Chamber Soloists, producer

Sisters Of The Moon, Susana Gómez Vázquez; Gonzalo Noqué, album producer

Best Classical Contemporary Composition

“Guitar Concerto. I: The Spirit Within, II. Le Tombeau de Viola Liuzzo, III. Devil’s Rag,” Giovanni Piacentini, composer (Eduardo García Barrios, Eliot Fisk, Orquesta Escuela Carlos Chávez)

“I Movimiento: La Visita, II Movimiento: Ritual Chamánico, III Movimiento: Introspección, IV Movimiento: Federico Alma Gitana,” Marvin Camacho, composer (Marvin Camacho & Orquesta Sinfónica De La Universidad De Costa Rica)

“Revolución Diamantina – Act I: The Sounds Cats Make, Act II: We Don’t Love Each Other, Act III: Borders And Bodies, Act IV: Speaking The Unspeakable,” Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale)

VISUAL MEDIA

Best Music for Visual Media

“Cada Minuto Cuenta (Banda Sonora De La Serie Original De Prime Video),” Pedro Osuna (Pedro Osuna, artist); Pedro Osuna, composer

“Cien Años De Soledad (Banda Sonora De La Serie De Netflix),” Camilo Sanabria (Camilo Sanabria, artist); Camilo Sanabria, composer

“El Eternauta (Banda Sonora De La Serie De Netflix),” Federico Jusid (Federico Jusid, artist); Federico Jusid, composer

“In The Summers,” Cabra (Eduardo Cabra, artist); Eduardo Cabra, composer

“Pedro Páramo (Banda Sonora De La Serie De Netflix),” Gustavo Santaolalla (Gustavo Santaolalla, artist); Gustavo Santaolalla, composer

ARRANGING

Best Arrangement

“Sapato Velho”, Rafael Beck & Felipe Montanaro, arrangers (Rafael Beck e Felipe Montanaro)

“Te Deseo Muy Felices Fiestas (Have Yourself A Merry Little Christmas)”, Cheche Alara, arranger (David Bisbal)

“Procuro Olvidarte – Versión Sinfónica”, Edy Lan, arranger (Brava Featuring Yaneth Sandoval)

“Bach’s Cuban Concerto For Piano And Tres”, Joachim Horsley, arranger (Joachim Horsley Featuring Olivia Soler & Boston Public Quartet And Friends)

“Camaleón Cesar”, Orozco, arranger (Cesar Orozco & Son Ahead)

“Flight 962”, Cassio Vianna, arranger (Cassio Vianna Jazz Orchestra)

RECORDING PACKAGE

Best Recording Package

Cuarto Azul, Christian Molina, art director (Aitana)

Cuba And Beyond, Ana Gonzalez, Patricia Nunez, Francisco Pinero, Chucho Valdés & Jourdan Villarroel, art directors (Chucho Valdés, Royal Quartet)

Gigante, Boa Mistura, art director (Leiva)

Masters Of Our Roots, Ana Gonzalez, Patricia Nunez, Francisco Pinero & Jourdan Villarroel, art directors (Albita & Chucho Valdés)

Por Esas Trenzas, Daniela Tomas, art director (Lourdes Carhuas)

SONGWRITER

Songwriter of the Year

Edgar Barrera

João Ferreira

Pablo Preciado

Mónica Vélez

Ale Zéguer

PRODUCTION

Best Engineered Album

Bodhiria, Isidro Acedo, Rob Bisel, Pablo Gómez Cano & Pablo López García, engineers; Lewis Pickett, mixer; Lewis Pickett, mastering engineer (Judeline)

Caju, Marcio Arantes, Iuri Rio Branco, Ricardo Camera, Júlio Fejuca, Pedro Henrique Ferreira Rodrigues, André Malaquias, Daniel Mariano, João Milliet, Vinicius Leonard Moreira, Gabriel Pinheiro, Gustavo Ruiz, Adonias Souza Júnior, Vitor Vaughan & Dalton Luiz Vicente, engineers; Mike Bozzi, Rafael Fadul de Assumpção & João Milliet, mixers; Felipe Tichauer, mastering engineer (Liniker)

Cancionera, Jack Lahana, engineer; Jack Lahana, mixer; Bernie Grundman, mastering engineer (Natalia Lafourcade)

Enquanto Os Distraídos Amam, Tó Brandileone & Matheus Stiirmer, engineers; Pedro Peixoto, mixer; Fili Filizzola, mastering engineer (Pedro Emílio)

Love Cole Porter, Leo Alcantara & Marcelo Saboia, engineers; Marcelo Saboia, mixer; Andre Dias, mastering engineer (Antonio Adolfo)

Producer of the Year

Rafa Arcaute, Federico Vindver

Edgar Barrera

Nico Cotton

Mauricio Rengifo, Andres Torres

Matheus Stiirmer

MUSIC VIDEO

Best Short Form Music Video

“Diamantes, Lágrimas e Rostos Para Esquecer (Dlre),” Bk’; Felipe Vellas, video director; Renata Dumont, video producer

“EL CLúB,” Bad Bunny; Matias Vasquez, video director; Noah Assad, Sigfredo Bellaflores, Juan Vasquez & Esteban Zuluaga, video producers

“#Tetas,” CA7RIEL & Paco Amoroso; Martin Piroyansky, video director; Pío Filgueira Risso & Lula Meliche, video producers

“Cura Pa Mi Alma,” Vera Grv; Willy Rodriguez, video director; Grayskull, video producer

“Full Time Papi,” Guitarricadelafuente; Albert Moya, video director; Philipp Ramhofer, video producer

Best Long Form Music Video

Papota (Short Film), CA7RIEL & Paco Amoroso; Martin Piroyansky, video director; Federico Ameglio, Chino Fernández & Lula Meliche, video producers

Iradoh – 3 Atos De Irmandade: A Música, O Crime E A Justiça, Hodari; Kaique Alves & Thiago Eva, video directors; Marcelo Campana, Konrad Dantas, Thiago Freire, Kako & Bruno Pappa, video producers

Mon Laferte, Te Amo, Mon Laferte; Camila Grandi & Joanna Reposi Garibaldi, video directors; José Antonio San Miguel García, Diana Rodríguez, Simran Singh & Jaime Villarreal, video producers

Lamento (Extended Cut), Gaby Moreno; Diego Contreras, video director; Andrew Petersen, video producer

Milton Bituca Nascimento, Varios Artistas; Flavia Moraes, video director; Ricardo Aidar, Caio Gullane, Fabiano Gullane, Rafael Langoni, Flávia Moraes, Augusto Nascimento, Andre Novis, Victor Pozas & Larissa Prado, video producers

Cardi B shared some exciting news on CBS Mornings on Wednesday (Sept. 17): she’s expecting a baby with boyfriend Stefon Diggs. The “WAP” rapper revealed to co-host Gayle King that she and the New England Patriots wide receiver are gearing up to welcome their little one before she is slated to kick off her just-announced Little Miss Drama tour in February.

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“Yes, I am [pregnant]. I’m having a baby with my boyfriend, Stefon Diggs,” Cardi, 32, said with a smile. “I’m excited. I’m happy. I feel like I’m in a good space. I feel very strong. I feel very powerful that I’m doing all this work. But I’m doing all this work while I’m creating a baby, and me and my man, we’re very supportive of each other.” The baby news comes just as Cardi — already a mother of three young ones with ex-husband rapper Offset — is gearing up for the release of her long-awaited sophomore studio LP, Am I the Drama?, which drops on Friday (Sept. 19).

Cardi said she and Diggs, 31, are in the “same space” in their careers, with both arguably “great” at what they respectively do. “Yeah, we’re one of the greatest, but what’s next? What are we doing again?” she said of their mutual ambition. “We’re never comfortable, we just want to keep doing it.”

King asked about the new album track “Safe” and if Diggs makes Cardi feel that way. “Very safe, in both ways, physically — I mean, like you see how big he is — and he just makes me feel safe and very confident and very, like, strong.” She described having a panic attack a few weeks ago, during which she was “crying and crying and crying” over her nerves surrounding the LP’s release.

“People were coming at me very hard. You know, sometimes people love you, people hate you. And people was just saying very mean things about me,” she said. “And I’m like, see, this is why I don’t put music out, because it’s like, this is my art and this is something that I put a lotta love and time to. And it’s just like, sometimes, when people just rip it apart it just hurts you and it crushes you.”

But, she added, Diggs’ support has made her feel “very confident” and like she can take on the world.

She then sent a direct message to all the haters and talkers who’ve been speculating about her for the past few weeks. “Ya’ll wanted to know, right? Now y’all know. Now y’all could buy my album so I could buy Pampers and diapers and all that type of stuff,” she said with a sassy head finger shake. “Now go support my album because I’m a mother of four now.”

Cardi has been in full promo mode this week, interrupting Jimmy Fallon’s Tonight Show monologue on Tuesday night (Sept. 16) to plug the album and dipping into TODAY With Jenna & Friends earlier in the day to announce her 30-date Little Miss Drama tour, slated to kick off on Feb. 11.

She also told host Jenna Bush Hager that despite her testy split with Migos rapper Offset she’s a “hopeless romantic” who would definitely get married again. “I believe in love,” she said.

Am I the Drama? will feature eight guest artistsCash CobainJanet JacksonKehlaniLizzoMegan Thee StallionSelena GomezSummer Walker and Tyla. So far, Cardi’s released two singles from the collection, the Hot 100 top 10 “Outside” and the Jay Z-sampling “Imaginary Playerz.

Watch Cardi on CBS Mornings below.


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Epidemic Sound, a giant in the production music library space, has launched Adapt, the company’s new AI-powered feature that lets users — whether it’s a filmmaker, advertiser or content creator — easily edit and customize songs from the Epidemic catalog to fit their specific needs. As a company press release puts it: “This launch signals the beginning of Epidemic Sound’s next era of soundtracking, which is focused on using AI to amplify creativity and empower creators while keeping musicians’ human artistry at the center.”

The announcement comes at a time when AI music start-ups are on the rise, often citing the same use-cases for their models that Epidemic Sound and its competitors already serve with their catalogs of millions of human-made songs. Often, the pitch is that AI models can allow for more flexibility and customization than human-made works. For example, according to a recent email about Eleven Labs’ new music model, obtained by Billboard, the company’s goal is “to help power a scalable, AI-driven production music library that creates custom audio for studios, brands and creators.” In the same email, uses for the Eleven Music model were listed as “background music for brands, agencies and studios,” “novelty songs” and “UGC-safe content for social platforms.”

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With Adapt, Epidemic Sound aims to adapt to the AI age while not giving up on its belief in its library of quality-controlled, human-made music. As CEO Oscar Höglund put it: “While many companies race to flood the market with AI-generated tracks, Epidemic Sound is charting a different path towards a future where human creativity is enhanced, not replaced, by AI.” Epidemic Sound’s chief product officer, Sam Hall, added: “Adapt is the first in a series of releases rolling out in the coming weeks, designed to give creators tools to use the music that inspires them, adapt it in real time, and align it seamlessly with their vision.”

Artists who have created music for Epidemic are given the ability to choose whether or not their music is eligible for adaptation, and as part of the announcement, Epidemic Sound also says it is raising the price tag of its bonuses. According to the company’s website, Epidemic pays artists a fixed fee of $1,775 to $8,000 per track, gives a 50/50 split on all streaming royalties, and provides “Soundtrack Bonuses” based on the track’s popularity. Now, that bonus payment will increase by 43%, starting in 2026. This includes a new $1 million pool dedicated to AI usage and an increase in the Soundtrack Bonus fund from $3.7 million to $4.2 million.

In the age of generative AI, some production libraries have embraced the emerging technology and its short-term economic benefits by licensing their catalogs for training the new music models. Others have expressed fear about its threat to those business models in the long run. “Musicians making production music are hugely at risk,” Ed Newton-Rex, a former vp of audio for Stability AI and founder of non-profit Fairly Trained, once warned Billboard. “Ultimately, generative AI is faster, cheaper and the quality is already very good.”

In a May 2025 interview with Billboard, Höglund explained his thoughts on AI. While he doesn’t license out the company’s music for AI training (and does not plan to in the future), he does want to harness its capabilities to enhance his pre-existing catalog. “[Now,] you can edit it — not replace it,” he said. “This helps create more use cases for the same songs. Where there might have previously been 10 content creators who can use your track, now with adaptation maybe 20 or 30 or 100 creators will use it. That means the track is going to get played more and it’s going to earn more royalties [on streaming services]. And so ultimately, the human who made that track is going to make much more money, because AI has augmented the use cases.”

In a statement about Adapt, Höglund adds: “At Epidemic Sound, we strive to use technology to do right by both creators and artists, and AI is no different. With Adapt, we are giving creators a powerful new way to customize music, while ensuring artists are rewarded every time their tracks are used. More freedom for creators, more visibility and income for artists, and stronger meaningful human connections — this is what a human-first approach to AI looks like, and it is the future of AI soundtracking.”

Attendees of the Americana Music Conference who might have expected a heated debate during a fitting conversation on political activism instead encountered an impressive calm on Sept. 11, as a decidedly progressive panel called for a respectful response to the assassination of a controversial conservative personality.

America was dazed, confused and angry following the Sept. 10 shooting of Charlie Kirk, with people on both sides of the political aisle engaging in familiar verbal attacks online.

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But Americana artists Allison Russell and Margo Price avoided outrage, as Russell expressed empathy for Kirk and other members of the conservative movement responsible for taking rights away from women and immigrants.

“The news was devastating,” Russell said. “The reaction I found, in some ways, even more devastating. When we lose our moral compass — out of anger, out of vengeance, out of grief — we become that which we repudiate. We become it. So when people say things like, ‘He deserved it,’ that’s not it. We can forgive… We cannot operate from a place of vengeance, of violence, of shame and blame. It just doesn’t work.”

The Americana Music Association announced the panel “Art & Activism” weeks before the convention’s start. Even if Kirk had not been shot, the discussion would still have been appropriate. It was moderated by Tennessee state Rep. Justin Jones, D-District 52, who gained national attention as a member of the so-called Tennessee Three, legislators who were punished by the Republican majority for their animated demonstrations in favor of gun regulation following a shooting at Nashville’s Covenant School in 2023. Lawmakers declined to enact any meaningful reform at the time.

Jones has modeled his efforts as an activist and reformer on the work of Civil Rights leaders such as Martin Luther King Jr. and John Lewis, who was among the demonstrators at Nashville lunch counters when sit-ins broke out across the South in 1960.

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The city now boasts the National Museum of African-American Music, located on the same block where Lewis boarded a bus for Alabama in 1961 to join the Freedom Rides, employing nonviolent strategies in a key milestone of the movement. While much of mainstream country’s audience, and many of its artists — most of them based in Nashville — are squarely conservative, a good portion of the industry’s executives are determined to expand the genre’s reach among minority populations, including Blacks, Hispanics and the LGBTQ+ community.

“Being in this country music space has been so challenging for me,” Price said. “People tell me that I can’t say things or to tone it down. [But] I think that we are at such a crucial time in the loss of our democracy. You’ve got to be able to sing truth to power. Let’s dream of a better world.”

Russell, an openly gay Black artist adopted by a white supremacist family in Montreal, recalled a visit with extended relatives in Edmonton, Alberta, when she heard Tracy Chapman’s a cappella “Behind the Wall,” a song about domestic abuse featured on the same album as breakthrough hit “Fast Car.” It was the first time that Russell realized she could change the trajectory of her life, and it informed her passion for songs that make a difference in the world.

“Anytime you’re singing a message, it’s kind of like that ‘spoonful of sugar helps the medicine go down,’ ” she said, referencing a song from Mary Poppins. “It opens people up to receive, maybe, news that they would not otherwise take into their system.”


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Russell referenced Bloody Sunday — a moment in 1965 when Lewis and others were beaten by state troopers while peacefully marching for civil rights in Selma, Ala. — and mentioned meeting an activist from that era who talked about extending forgiveness to his oppressors. Russell said that same spirit is required while progressive forces fight against the erosion of rights that’s taken place in America over the past decade.

“We have to learn to forgive the unforgivable in order to liberate ourselves from these endless cycles of harm and violence,” she said. “It’s the only way.”

Joan Baez, Bob Dylan, John Lennon, Woody Guthrie and folk singer Odetta — artists who opposed the Vietnam War, racism and fascists in previous eras — were among those mentioned as inspirations for Price and Russell. Their support of blue-collar communities set an example that the “Art & Activism” panel encouraged today’s musicmakers to follow.

“These are very difficult times,” Jones said. “The saying that ‘democracy dies in darkness’ — I say that creativity dies in isolation, and fascism thrives in both. We are connected for a reason, and I know that we shall overcome.”

Phish will once again ring in the new year with 20,000 of their closest friends during their traditional run of New Year’s Eve shows at New York’s Madison Square Garden. The venerated jam band announced on Tuesday (Sept. 16) that they will kick off the four-show series on Dec. 28 and take the stage again on the 29th, 30th and 31st.

The upcoming gigs will bring the band’s total number of shows at the Garden to 91.

Phans can put in their ticket request now here, with the window ending on Monday (Sept. 22) at noon ET Tickets will go on sale to the general public beginning Sept. 26 at noon ET.

The band are currently in the midst of their summer tour, including their recent headlining gig at the Bourbon & Beyond Festival in Louisville, Ky. They will play the second of two shows at Ameris Bank Amphitheatre in Alpharetta, Ga. on Wednesday (Sept. 17), followed by a three-night stand (Sept. 19-21) at Hampton Coliseum in Hampton, Va. to close out the run.

In January they will travel to Riviera Maya in Cancún, Mexico for a four-show stand (Jan. 28-31) at the Moon Palace Cancún where nightly performances will be enhanced by daily offerings of wellness programming, daily yoga classes, workshops, daytime pool parties and late-night DJ sets.

In addition, lead singer/guitarist Trey Anastasio’s solo band has a few shows lined up for the fall, including two nights at the Mission Ballroom in Denver (Nov. 14-15), followed by gigs in Nebraska, Iowa, Missouri, Ohio, Michigan and New York, winding down with a two-fer at the Beacon Theater in New York City on Nov. 29 and 30.


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MGK has conquered the worlds of hip-hop, emo punk and pop, not to mention building a budding acting resumé. But this week the multi-hyphenate landed a new notch on his experience belt that no one saw coming: he lectured at Harvard Business School.

Colson Baker chronicled the unexpected visit on his Instagram, where he posted a series of pictures of his visit to the venerated Boston university, including a shot of him standing next to the school’s sign wearing his version of professor chic: baggy grey dress pants, a brown bomber jacket, a button down shirt, two different ties (one tied, the other loose around his neck) and, of course, a white baseball hat promoting his Lost Americana album.

“Harvard has a new professor,” he captioned the series, which also featured a snap of him poring over a thick textbook on a train, seemingly in preparation for the visit, standing on steps with a group of students (and not-so-subtly flipping the bird), chilling on the quad and posing in a classroom with more students.

A close-up showed off his official Harvard crimson tie with the school’s motto “Veritas” (truth) and a short video of MGK at a chalkboard writing the words “Water Fire Air Earth” ended with him breaking the chalk and feigning frustration to the laughs of students.

In an Instagram Story, Kelly captioned the snap in front of the biz school sign with “hi class, my name is mr. machine,” followed by a short video of him taking off his college tie drag, writing “class dismissed” underneath as Fisher and AATIG’s “Take It Off” played in the background.

It was quite a trip for the rapper, who in a 2011 interview said he graduated from high school in Cleveland, but had “not a damn” plan to attend college. “But I always plan on being educated… college particularly, do I believe in it?,” said MGK, who was 21 at the time. “For certain people, yes… does a degree make you or break you to be viewed as an intelligent American citizen? Not at all.”

At press time spokespeople for MGK and Harvard Business School had not returned Billboard‘s request for comment on the visit or the details of the lecture.

Last week, Kelly was dressed up for a different reason. He received the Style Icon award at the 12th Fashion Media Awards, where he was accompanied by his teenage daughter Casie and BFF comedian Pete Davidson, with the latter presenting him with the prize. “Pound-for-pound I think he’s maybe the most talented person I’ve ever met,”Davidson said. “He can rap, he can play guitar, he can rock, he can act. He’s a great dad. He always leads by example for me, I look up to him.”

MGK released his seventh studio album, Lost Americana, in August, which featured his No. 62 Billboard Hot 100 single “Cliché.”


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The U.K’s Girl Group, Swedish musician Isak Benjamin, and Nigeria-born singer-songwriter Tommy WÁ are among the showcasing artists confirmed for The Great Escape 2026.

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The new music extravaganza returns to Brighton, England next summer (May 13-16), spotlighting a wealth of emerging talent from across the globe.

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The first 50 artists who will grace its stages were announced on Wednesday morning (Sept. 17), including French multi-instrumentalist Max Baby, Irish indie-pop musician Annie-Dog, Australia’s Teenage Joans, electronic duo SISTRA and Toronto songwriter Clothesline from Hell. The full list will feature 450 acts, according to a statement.

Ahead of next year’s festival, The Great Escape will host its First Fifty showcase at venues across east London in November. The live launch will see a number of those acts announced today hit stages at eight different venues in the capital, including Moth Club, Oslo, and The George Tavern.

Tickets for each First Fifty show start at £8 ($10.91) and are available now via an exclusive presale accessible via The Great Escape’s mailing list. General sale for all shows will open at 10 a.m. (BST) this Friday (Sept. 19) through the festival’s official website.

Additionally, suicide prevention charity Campaign Against Living Miserably (CALM) is announced as the lead charity partner for The Great Escape 2026. Attendees will have the option to donate to the charity when they purchase their tickets. 

In a press statement, Simon Gunning, CEO of CALM said: “Music is part of the DNA of CALM – right from the time Tony Wilson helped us launch. We use it to reach more people who need us. To make some noise about suicide and help save lives. That’s why it’s so brilliant to be The Great Escape’s lead charity partner.”

The 2025 edition of The Great Escape welcomed sets from the likes of English Teacher, Daffo, RabbitFoot, Courting, My First Time, Westside Cowboy and RIP Magic, all of whom performed as part of the Billboard U.K. Live experience. The takeover marked the inaugural Billboard U.K. Live event.

For tickets and more information for The Great Escape 2026, visit the festival’s official website.

The Tonight Show is Jimmy Fallon’s vehicle, sure. But only when Cardi B doesn’t stop by.

The “Bodak Yellow” rapper made a classic entrance on Fallon’s late night show Tuesday, Sept. 16, as he was delivering his monologue.

First, Cardi Facetimed the talkshow host. Then — voila! — she strolled onto the set, to share some important information.

Carrying the vinyl of her forthcoming album Am I The Drama?, Cardi showed off the artwork, announced a tour, and urged viewers to get off their armchairs and buy a copy of her long-awaited collection.

“Tell people on your show to get my album. Thank you.” She quipped, “tell your audience or I’m gonna be homeless.”

As previously reported, Cardi B’s second album, Am I The Drama?, is due out this Friday, Sept. 19, and is the followup to her 2018 debut, Invasion of Privacy.

Her Miss Drama Tour will play 30 arenas up and down North America and will go on sale the following Friday, Sept. 25, Fallon announced. Those dates will get underway Feb. 11, 2026 at Palm Desert, CA and will wrap up April 17 in Atlanta, GA.

Earlier this week, Cardi revealed that the new LP will feature eight guest artistsCash CobainJanet JacksonKehlaniLizzoMegan Thee StallionSelena GomezSummer Walker and Tyla. So far, she’s released two singles from the collection, the Hot 100 top 10 “Outside” and the Jay Z-sampling “Imaginary Playerz.

Watch Cardi’s Tonight Show spot below.

Jessica Sanchez is living proof that parenthood is no obstacle.

Sanchez has cruised into the Semifinals of America’s Got Talent, doing so while nine months pregnant with a baby girl.

On Tuesday night’s (Sept. 16) episode of AGT, Sanchez did her chances of winning absolutely no harm with a soulful performance of “Golden Hour” by JVKE, hitting high notes and exercising vocal control like a pro.

“I’m so proud that you’re my Golden Buzzer,” judge Sofía Vergara remarked. “Jessica, you get better and better. It’s perfection, your voice, your little belly, your story. I mean, there’s nothing I would change about you or how you do your singing. You’re amazing. I’m so happy for you.”

Howie Mandel was happy for her too, but he questioned her song choice. America will decide. “Hopefully they love that song more than me,” he remarked, as boos rung out in the audience.

Mel B said the singing hopefuls vocals were “just magical,” but also questioned the choice of song. “I could see that it affected you and that’s the most important thing,” she noted. “It was beautiful.”

Simon Cowell, as he so often does, went last with his critique. He loved the song, praising her choice and declaring the performance a “moment.” Not only is she talented, but she has “never given up over all of these years,” he remarked. And importantly, she is “very very likeable.”

Cowell’s comments refer to Sanchez’s decades-long pursuit of a career in music. She auditioned for the first season of America’s Got Talent back in 2006, when she herself was a child.

Sanchez returned to AGT for its 20th season, where she auditioned by singing Benson Boone’s “Beautiful Things.” The judges were so impressed that Sanchez wound up earning a golden buzzer from Vergara, sending her immediately to the live round of the competition.

Gazing into his crystal ball, Cowell predicts that we’ll be seeing Sanchez next week, when the Finals get underway, and, with it, a chance at claiming the $1 million grand prize.

Now America votes, and Sanchez hopes fortune shines on her. “I just keep telling my baby, please just stay in there another week,” she told AGT host Terry Crews.

Six spots are available for the final round. Whoever America sends through will compete with the Golden Buzzer acts from the Quarterfinals: Mama Duke, Micah Palace, Steve Ray Ladson, and Team Recycled. We’ll find out who gets the nod during Wednesday’s hour-long live results show on NBC. The Final will air next Wednesday, Sept. 24.

Watch Sanchez’s performance below.