Back in January, in a tearful video posted to Twitter, Adele canceled her original Las Vegas residency dates the night before the Weekends With Adele concerts were set to open. Ten months later, she once again fired up her Twitter account on the night before her rescheduled residency is set to kick off — but this time, it was to marvel at just how excited and anxious she is for her Sin City shows.

“I’m feeling all sorts as I write this,” Adele started a series of four tweets on Thursday night (Nov. 17). “I’m highly emotional, incredibly nervous but can’t sit still because I’m so excited. I feel a million miles away from home, I can’t stop thinking about when I was little and saw Tom Jones in Mars Attacks and thought blimey how did he get from Wales to Las Vegas!?

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“I always get scared before shows, and I take it as a good sign because it means I care and means I just want to do a good job,” she continued. “Maybe it’s because I didn’t start when I was supposed to. Maybe it’s because it’s opening night, maybe it’s because Hyde Park went so great, maybe it’s because I love the show, I don’t know. But it’s safe to say I’ve never been more nervous before a show in my career, but at the same time I wish today was tomorrow! I can’t wait to see you out there x.”

The thread came alongside a photo of the 34-year-old British singer/songwriter inside the Colosseum at Caesars Palace, holding a mic and standing amid the seats that will be filled with 4,000-plus adoring fans come Friday night. Behind her on the stage is a giant video screen projecting images of the star as a little girl and as a baby, similar to the projections that played as she sang “When We Were Young” during her Oprah-hosted Adele One Night Only TV concert special late last year.

It’s a big week for Adele, who also scored seven nominations for the 2023 Grammy Awards on Tuesday, including album of the year for her 2021 project 30 and record and song of the year for lead single “Easy on Me.”

Find Adele’s residency dates here, and see just how excited she is to get this thing started below:

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With the holidays coming up, it’s easy to forget that Valentine’s Day is right around the corner. Thankfully, Warner Bros. gave Magic Mike fans the perfect early gift on Wednesday (Nov. 16) with a new trailer for the third installment of the popular franchise.

In the two-and-a-half minute clip teasing Magic Mike’s Last Dance, Channing Tatum reprises his role as Mike Lane. After a lengthy hiatus, he meets a wealthy socialite played by Salma Hayek Pinault while working as a bartender in Florida. She’s blown away by his talent and gives him an offer to fly with her to London to start their own show. “With everything on the line, once Mike discovers what she truly has in mind, will he—and the roster of hot new dancers he’ll have to whip into shape—be able to pull it off?” the film’s description reads. The teaser is fittingly soundtracked by Donna Summer‘s 1978 track, “Last Dance.”

In the trailer, Hayek Pinaut’s character is heard encouraging Tatum’s Mike, saying, “People are alone, disconnected. We’re going to wake them up with a wave of passion they’ve never felt before.”

She adds, “I want every woman that walks into this theater to feel that a woman can have whatever she wants whenever she wants.” The original Magic Mike film was released back in 2012, and after significant commercial success, the Magic Mike XXL sequel was released in 2015.

The Steven Soderbergh-helmed film is set to hit theaters on Feb. 14, 2023. Watch the full trailer below.

Surrounded by newly designed Elton John tour merch mixed with luxury goods from Fendi and Balenciaga at a special Rocket Man-themed pop-up shop at The Webster in the Beverly Center, David Furnish — husband and business partner to the beloved pop star — joked that everyone thinks his house looks just like this Los Angeles shrine to Elton.

“We do have a Captain Fantastic pinball machine at our home in Windsor,” he conceded to Billboard, sitting in an alcove at The Webster with that very arcade game as “Philadelphia Freedom” played over the speakers. “But we don’t play Elton John music around the clock in our house.”

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For the last near-decade, Furnish has been helping Elton plan his retirement from the road, after 50-plus years of touring the world, and this pop-up shop is one of many special flourishes to send him off. “Elton said he wanted to go out on a high,” Furnish says.

So that’s the plan: He’ll end his U.S. tour dates with a trio of concerts at Los Angeles’ Dodger Stadium, including Sunday’s final show being livestreamed by Disney+ and including special guests Dua Lipa, Kiki Dee and Brandi Carlile. And all along, R.J. Cutler will continue to film the Disney+ documentary Goodbye Yellow Brick Road, along with Furnish as producer under his and Elton’s Rocket Entertainment.

“L.A. has always had that professional resonance,” Furnish says of why Dodger Stadium is the last U.S. tour stop, 47 years after Elton was the first solo artist to play the ballpark. “You know, we have a home here. Our sons were born next-door [to The Webster] at Cedars-Sinai; they’re coming in next week to come and see the shows. We have our annual Oscar party here; we’ve raised $95 million for the Elton John AIDS Foundation with that event for over 25 years. And so LA is a very, very special place for us.”

Below, find highlights from Billboard‘s chat with Furnish, including why Elton is retiring now, his continued relevance on our charts, and how the couple hoped music would be a “great healer” for Elton’s latest duet partner, Britney Spears.

Why is Elton John retiring from touring now?

I think the most important thing, and the most significant thing for us, is what this means to our family. Because as long as I’ve known Elton, he’s been on the road, doing 90 to 100 shows annually. It’s a big commitment. Time, travel, rest between shows. And now we have two beautiful sons; they’re going to be 12 and 10. And we were able to take them with us in the early days. And now they have their own lives. And that’s really important that they continue to have their own lives, their own identity, to not have their life defined by their father’s career.

On Elton John’s love affair with the Billboard charts, including two top 10 Billboard Hot 100 hits this year: “Cold Heart” with Dua Lipa and “Hold Me Closer” with Britney Spears.

He gets your charts daily. He gets them printed out on hard copies. Because he goes through with highlighters. And he literally has different highlighters for different records he charts — ones from Britain, ones from America, the ones that are going up, ones that are his, ones that he has a connection to he. He watches it daily. It feeds a part of his soul. And he’s absolutely over the moon with the way these new records have performed. And you know, you’re gonna see more. Like, he’s not going to stop. And I’m excited for him and excited for what great music he can bring to the world. Our streaming numbers, to see that 58% of his music is now consumed by 18- to 35-year-olds — that is one of the things that I think of which he is most proud. That he’s written songs that survive, that stand the test of time, and that resonate with a whole new generation, that for him is is like, “Wow.”

Why Britney Spears was the perfect duet partner on “Hold Me Closer.”

During lockdown, we watched those documentaries that came out, and we weren’t aware of … we’d heard about the conservatorship, but we hadn’t understood the details and the practicality of it. It was really disturbing, like, “Oh my God, that poor girl, she’s just been in a prison for such a long time.” And as a recovering addict — both of us [David and Elton] are in recovery — we really understand the impact of trauma.

When I raised Britney [as a possible collaborator], [Elton] was like, “Oh, my God, she needs the hand to help take a step forward to get back onto the charts again.” And I think the outpouring that she got from her fans, you know, that it’s a great record, I know she’s genuinely chuffed to bits, as we say in England with the response that it’s had. And I hope and Elton hopes it gives her more courage and more of a sense to get back into the studio, because music is a great healer.

“Elton John Live: Farewell From Dodger Stadium” will livestream Sunday at 11 p.m. ET / 8 p.m. PT on Disney+.

Zoë Kravitz spilled the tea in a new interview about quarantining during the early days of the coronavirus pandemic with none other than Taylor Swift.

“She was my pod,” the actress told GQ of hunkering down with the superstar and her boyfriend Joe Alwyn as she filmed Matt Reeves’ The Batman in the U.K. “She was a very important part of being in London, just having a friend that I could see and that would make me home-cooked meals and dinner on my birthday.”

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For her part, Swift had equally nice things to say about her pal, telling the magazine via email, “Zoë’s sense of self is what makes her such an exciting artist, and such an incredible friend. She has this very honest inner compass, and the result is art and life without compromising who she is.”

Part of that art included the duo collaborating on music, with Kravitz credited with co-writing and providing backing vocals on the opaque Midnights opener “Lavender Haze.” (The actress also sang backup on bonus cut “Glitch” from Midnights [3am Edition].)

When The Batman was released, Swift cheered on her friend in the role of Selina Kyle. “@zoeisabellakravitz IS THE CATWOMAN OF DREAMS,” the “Anti-Hero” singer wrote on her Instagram Stories at the time. “The Batman was PHENOMENAL!!!”

And though it has yet to officially see the light of day, Kravitz has already confirmed that, in addition to contributing to Midnights, she’s also recorded her debut solo album with Tay’s trusty producer of choice Jack Antonoff, which she described as feeling “vulnerable” and “a little scary.”

Read Kravitz’s full GQ interview here.

Her Loss, his win.

As has become the norm, a new Drake album’s yields a monster week on Billboard’s R&B/hip-hop charts, extending multiple records already safely in the superstar’s possession and pushing him dangerously closer toward a few that still elude him.

Her Loss, a collaborative album with 21 Savage, was released on Nov. 4 via OVO Sound/Republic. The set debuts at No. 1 on the Top R&B/Hip-Hop Albums and all-genre Billboard 200 albums chart with 404,000 equivalent album units earned in the week ending Nov. 10, according to Luminate.

With the entry, 21 Savage obtains his third (and third consecutive) No. 1 on the list, after I Am > I Was led the list for two weeks in 2019 and Savage Mode II, with Metro Boomin, posted one week on top the following year.

Drake maintains his perfect run of 14 No. 1s among his 14 chart appearances, dating to the arrival of his first full-length album, Thank Me Later, in 2010. The achievement ties him with Jay-Z for the most No. 1s on the list among rappers, male artists and solo artists; only The Temptations, with 17 No. 1s, rank above the pair.

In the songs’ realm, “Rich Flex” leads the new recruits, as the title debuts at No. 1 on Hot R&B/Hip-Hop Songs. With the arrival, Drake secures his record-extending 26th champ on the list and creates more space between himself and the joint-second place holders, Aretha Franklin and Stevie Wonder, who each hold 20 leaders.

As Drake’s count increases, here’s the current leaderboard for most No. 1s on Hot R&B/Hip-Hop Songs since the chart became an all-encompassing genre survey in 1958:

26, Drake
20, Aretha Franklin
20, Stevie Wonder
17, James Brown
16, Janet Jackson
15, The Temptations
13, Marvin Gaye
13, Michael Jackson
13, Usher

21 Savage, meanwhile, picks up his fourth Hot R&B/Hip-Hop Songs No. 1, after a 14-week stay through his featured turn on Post Malone’s “Rockstar” (2017-18), a one-week reign with “My Life,” with with J. Cole and Morray (2021) and another week in charge with his prior Drake collab, “Jimmy Cooks,” this July.

Below “Rich Flex,” Drake and 21 Savage, either together or individually, fill out the rest of the Hot R&B/Hip-Hop Songs’ top 10 and land six more songs between Nos. 11 and 20. To recap all their Her Loss placements this week:

Position, Artist (all are Drake and 21 Savage, unless noted):
No. 1, “Rich Flex”
No. 2, “Major Distribution”
No. 3, “On BS”
No. 4, “Spin Bout U”
No. 5, “Pussy & Millions,” featuring Travis Scott
No. 6, “Privileged Rappers”
No. 7, “Circo Loco”
No. 8, “BackOutsideBoyz” (Drake)
No. 9, “Hours in Silence”
No. 10, “Broke Boys”
No. 12, “Treacherous Twins”
No. 13, “Middle of the Ocean” (Drake)
No. 14, “Jumbotron Shit Poppin” (Drake)
No. 15, “More M’s”
No. 16, “I Guess It’s F*ck Me” (Drake)
No. 19, “3AM on Glenwood” (21 Savage)

For the second time in his career, Drake runs a full shoutout of the Hot R&B/Hip-Hop Songs’ top 10. He previously managed the 10-for-10 on the chart dated Sept. 18, 2021, when tracks from his Certified Lover Boy album flooded the competition.

In addition to logging his 26th No. 1, the new haul pushes Drake’s already-record top 10 total to 117, and 21 Savage’s count climbs to 23 visits to the region.

Drake and 21 Savage went viral on TikTok thanks to “Rich Flex,” off their recent Billboard 200-topping joint album, Her Loss.

The song also launched at No. 1 on the Billboard Global 200 chart, and No. 2 on the Hot 100 songs chart.

If you need a guide to follow along with Drake and 21 Savage’s “Rich Flex,” find the lyrics below:

Go buy a zip of weed, hit the club
Pay for ’bout ten n—as to get in, we crunk, lit, in this bi—, yeah
Know we walk around the world
Steppin’, not givin a damn ’bout where our feet land at, yeah
Get you’re a– mushed, smooshed (6ix)
Yeah, 21, the biggest
Put a n—a in the chicken wing, p—y

21, can you do somethin’ for me? (21)
Can you hit a lil’ rich flex for me? (21)
And 21, can you do somethin’ for me? (21, 21)
Drop some bars to my p—y ex for me
Then 21 (21), can you do somethin’ for me? (Yeah)
Can you talk to the opps necks for me? (Okay)
21, do your thing 21, do your thing (21)
Do your thing, 21, yeah, okay

Yellow diamonds in the watch, this sh– cost a lot
Never send a bi— your dot, that’s how you get shot
I DM in Vanish Mode, I do that sh– a lot
Took her panties off and this bi— thicker than the plot
All my exes ain’t nothin’, them h–s busted
If my opps ain’t rappin’, they a– duckin’
You ain’t ready to pull the trigger, don’t clutch it
I know you on your period, baby, can you suck it?
I’m a savage (21)
Smack her booty in Magic (21, 21)
I’ll slap a p—y n—a with the ratchet (p—y)
I might slap a tracker on his whip and get the addy (p—y)
Don’t call me on Christmas Eve, bi—, call your daddy (21)
Bi—, call your uncle (21), bi—, don’t call me (21)
Always in my L, your h- a flea (f—)
Why my opps be posting guns and only use they feet? (21)
Paid like an athlete, I got-

All you h–s, all of you h–s need to remember who y’all talkin’ to
It’s a Slaughter Gang CEO
I got dick for you if I’m not workin’, girl
If I’m busy, then f— no
You need to find you someone else to call
When your bank account get low, you need to find you someone-

Ayy, ayy, ayy, ayy, ayy
I’m on that Slaughter Gang sh–, ayy, murder gang sh–
Ayy, Slaughter Gang sh–, ayy, murder gang sh–, ayy

Stick and stones, chrome on chrome
That’s just what a n—a on
Internet clones, got ’em kissin’ through the phone
P—ies cliquin’ up so they don’t feel alone, ayy
Nan’ n—a seein’ me, I’m Young Money CMB
I used to roll with CMG, the house is not a BNB
The bad bi—es waitin’ on a n—a like I’m PND
I’m steady pushin’ P, you n—as pushin’ PTSD
I told her a– to kiss me in the club, f— a TMZ
I used to want a GMC, when Woe was doin’ BNE
We revvin’ up and goin’ on a run like we DMC
I layup with her for a couple days, then its BRB
You rappers love askin’ if I f—ed, when you know we did
When you know we did
She came in heels but she left out on her cozy sh–
Ayy, I’m livin every twenty-four like Kobe did
Shoutout to the 6ix, R.I.P to 8
Swear this sh– is gettin’ ate, I’m on ten for the cake
Get a lot of love from twelve, but I don’t reciprocate
Fifty-one division stay patrollin’ when it’s late
21 my addy, so the knife is on the gate
All the dawgs eatin’ off a Baccarat plate
N—as see Drake and they underestimate
Take it from a vet’, that’s a rookie a– mistake, ayy

Ah, what, what
Slaughter Gang sh–, ayy, murder gang sh–
Ayy, Slaughter Gang sh–, ayy, murder gang sh–
Ayy, Slaughter Gang sh–, ayy, murder gang sh–
On God
Boy, look, you the motherf—in’ man, boy, you, ooh
You is the man, you hear me?

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group

Written by: Aubrey Graham, Sheyaa Bin Abraham-Joseph, Anderson Hernandez, Brytavious Chambers, Michael Mule, Isaac John De Boni, Jamal Gwin, Megan Pete, Anthony White, Bobby Sessions, Clifford Harris, Aldrin Davis

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