Selena Gomez and Benny Blanco have tied the knot. The couple got married on Saturday (Sept. 27) in California, with Gomez confirming the happy news with a same-day look at some romantic wedding photos and video clips.
The pop star and Only Murders in the Building actress posted a sweet wedding album on Instagram Saturday evening, crediting photographer/artist Petra Collins by tagging her on the images. (Petra also tagged her sister Anna Collins in an Instagram Story sharing footage from the wedding.)
The pictures focus on the bride and groom embracing, and they share a glimpse at wedding-day details — like Gomez’s custom halter-style dress by Ralph Lauren, her bridal bouquet, and the celebration’s private estate setting.
A short video captures an intimate moment in which Gomez fixes Blanco’s bowtie and puts her hands on his face, just before the lovebirds share a sweet kiss.
Gomez wrote a simple, classy caption to commemorate their wedding day: “9.27.25.” She surrounded the date with white heart emojis.
The newlyweds, who released the album I Said I Love You First together in March, announced they were engaged in December 2024.
They’d been romantically for about a year prior, but their professional relationship began years earlier, with the singer and producer collaborating on the 2019 track “I Can’t Get Enough” (with Tainy and J Balvin) and 2023’s “Single Soon.”
I Said I Love You First debuted at No. 2 on the Billboard 200 albums chart dated Apr. 5; though it didn’t land at the top of the chart, it did deliver Gomez’s best-ever debut numbers, with 120,000 units moved in its first week according to Luminate.
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Big Brother UK returns for another season and even if you don’t live in the United Kingdom, there are a few ways to tune into the reality competition series online.
Season 22 of the show marks the 25th anniversary of Big Brother UK, which premiered in 2000. It follows the most recent season of Celebrity Big Brother UK, which featured Jojo Siwa as one of the houseguests.
How to Watch Big Brother UK in the U.S.
The new season of Big Brother UK kicked off on September 28 and runs for 48 days continuously. Episodes air Sunday to Friday nights on ITV2 at 9 p.m. British Standard Time (4 p.m. ET). If you live in the UK, you can also stream the episodes on the ITVX player.
While some Big Brother seasons are available to stream on Paramount+, the current UK edition is only available to stream on the ITV website and the ITVX app. American viewers can watch Big Brother UK by using a virtual private network like ExpressVPN. Download ExpressVPN here and set your computer location to the UK. You’ll then be able to livestream Big Brother 2025 online through the ITV feed.
ExpressVPN plans start at just $4.49/month and you can use it to watch Big Brother UK in the U.S. along with other out-of-market content (think overseas sports, Netflix shows and movies in other countries, and even international music streaming).
We also like NordVPN, which is offering a risk-free trial for 30 days. Use it to watch Big Brother UK from anywhere in the world, including the U.S. NordVPN plans start at just $3/month if you decide to continue with a subscription.
Both ExpressVPN and NordVPN let you set your IP address to dozens of other countries outside of the UK, including Canada, Italy, Australia, Spain and more.
AJ Odudu and Will Best return as hosts for Season 22 of the reality TV competition show and they’ll also hosts Big Brother: Live & Late, which follows the airing of Big Brother UK each night. Fans can also watch the Big Brother: Live Stream, which airs seven nights a week on ITVX and gives viewers a chance to peek in on live footage of the house. You can use both ExpressVPN or NordVPN to access the Big Brother UK livestream on ITVX.
The new houseguests will compete to not be evicted with the last one standing winning a of cash prize of £100,000.
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Lola Young collapsed mid-song and was carried offstage Saturday evening (Sept. 27) at New York City music festival All Things Go. The incident happened a day after the 24-year-old south London singer’s Friday night performance was canceled by her team “due to a sensitive matter.”
Young gave a strong vocal performance but appeared flushed and emotional during her set Saturday at Forest Hills Stadium in Queens, powering through four songs — “Spiders,” “F— Everyone,” “Dealer” and “Walk All Over You,” all from her new album I’m Only F—ing Myself — before falling backwards during the next.
Midway through 2023 single “Conceited,” Young paused to communicate with her keyboardist. The message did not appear to get across before she collapsed.
Young’s band, team and security rushed to surround the singer, who was down for about 30-45 seconds, and carry her offstage. Billboard reached out to Young’s representatives for an update on her condition.
The moment left the audience in shock and quiet. The crowd clapped as Young was helped offstage, and a hyperpop song played in the stadium after her exit.
On Friday, manager Nick Shymansky shared an Instagram Story to announce that Young was pulled last minute from that night’s scheduled set at Audacy’s We Can Survive concert at the Prudential Center, citing a “sensitive matter.” “Lola is very open about her mental health and there are very occasionally days where myself and my team have to take protective measures to keep her safe,” Shymansky wrote. “She is an incredible person and always takes her fans, career and performances seriously. I can only send huge apologies for the inconvenience caused.”
Before collapsing on Saturday, Young addressed her return to the stage early in her set at All Things Go.
“Today I woke up and I made the decision to come here,” Young said to Saturday night’s crowd. “I wanted to be, I wanted to perform, and I didn’t want to wallow in my sadness. Sometimes life can throw you lemons and you just gotta motherf—ing make lemonade … I really appreciate everyone who’s here tonight.”
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A 10-foot statue of rock n’ roll queen Tina Turner was unveiled Saturday (Sept. 27) in the rural Tennessee community where she grew up — before becoming a Grammy-winning singer, an electrifying stage performer, and one the world’s most recognizable and popular entertainers.
The statue was revealed during a ceremony at a park in Brownsville, located about an hour drive east of Memphis. The city of about 9,000 people is near Nutbush, the community where Turner went to school as a child. As a teen, she attended high school just steps from where the statue now stands.
The statue shows Turner with her signature wild hairdo and holding a microphone, as if she was singing on stage. It was designed by sculptor Fred Ajanogha, who said he tried to capture her flexibility of movement on stage, how she held the microphone with her index finger extended, and her hair style, which he compared to the “mane of a lion.”
Turner died May 24, 2023 at age 83 after a long illness in her home in Küsnacht near Zurich. Her Grammy-winning singing career included the hit songs “Nutbush City Limits,” “Proud Mary,” “Private Dancer,” and “We Don’t Need Another Hero,” from the film “Mad Max Beyond Thunderdome.” Her movie credits also include Tommy and Last Action Hero.
Turner teamed with husband Ike Turner for hit records and live shows in the 1960s and ’70s. She survived her troubled marriage to succeed in middle age with the chart-topping “What’s Love Got To Do With It,” released in 1984.
Her admirers ranged from Mick Jagger to Beyoncé to Mariah Carey, and she was known as the the “Queen of Rock ‘n’ Roll.”
The unveiling was part of the 10th-annual Tina Turner Heritage Days, a celebration of her life growing up in rural Tennessee, before she moved away as a teenager. The statue was sculpted in clay and cast in bronze, and it took about a year to complete.
Karen Cook said she traveled from Georgia to attend the event with her friend, a cousin of Turner’s, to honor the legendary performer.
“She’s a great artist, I love her music,” said Cook, 59. “My mom listened to her a lot. It’s a big deal and a great thing for the community to have Tina Turner in her small town.”
About 50 donors gave money for the statue, including Ford Motor Co., which donated $150,000. Ford is building an electric truck factory in nearby Stanton.
The statue stands near a museum honoring Turner at the the West Tennessee Delta Heritage Center in Brownsville. The museum opened in 2014 inside the renovated Flagg Grove School, a one-room building where Turner attended classes in Nutbush. The school closed in the 1960s and was used as a barn before the dilapidated building was moved by tractor-trailer from Nutbush to Brownsville.
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Morgan Wallen is locked and loaded in a new teaser for Battlefield 6.
On Saturday (Sept. 27), the 32-year-old country superstar took to social media to build hype for the upcoming live-action trailer of the latest installment in the popular first-person shooter franchise, set for release on Oct. 10 through Electronic Arts and Battlefield Studios.
In the 12-second clip shared to Instagram, Wallen appears in a war-torn setting, sporting a backward baseball cap and a green long-sleeve shirt while wielding an intimidatingly large automatic rifle.
“For the bad guys out there,” Wallen says as he cocks his weapon. “Yeah, I’m the problem.”
The line is a direct nod to Wallen’s latest album, I’m the Problem, which spent 12 nonconsecutive weeks atop the Billboard 200 following its release in May 2025.
The teaser ends with a message revealing that the full live-action trailer for Battlefield 6 will drop Sunday (Sept. 28).
Wallen isn’t the only celebrity joining the Battlefield 6 campaign. Actor Zac Efron, NBA star Jimmy Butler and MMA fighter Paddy Pimblett simultaneously posted similar-style teasers through their Instagram accounts on Saturday.
Adding even more intrigue, Limp Bizkit’s new track “Making Love to Morgan Wallen” appears to be tied to Battlefield 6, as it was released through EA Games, according to details on their official YouTube account. A recent trailer for the game also features a remix of the band’s 1999 hit “Break Stuff.”
Meanwhile, Wallen fans seem all in regardless of his exact role in the game. In the comments section of his IG post, one fan wrote, “Well I guess I’m a gamer now lmfao.” Another added, “Never bought a video game in my life……. Until now.” A third summed it up, writing, “I was gonna play it before but uhhh… yeah I’m LOCKED in now.”
Watch Wallen’s Battlefield 6 teaser on Instagram below.
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Luke Bryan and Jason Aldean are reuniting for a co-headlining concert at the University of Georgia’s Sanford Stadium.
On Saturday (Sept. 27), the Georgia-born country stars and longtime friends announced they’ll take the stage together at the approximately 93,000-capacity venue in Athens on April 25, 2026.
This marks the first concert at Sanford Stadium in more than a decade. The last time the venue hosted live music was in 2013, when Aldean headlined his Night Train Tour (with Bryan as the opening act at the show), making them the first artists ever to perform a concert at the stadium.
The upcoming UGA concert will also feature performances from country acts Zach Top and Lauren Alaina, along with appearances by DJ Rock and Dee Jay Silver. Pre-sale tickets will be available starting Monday (Sept. 29) for Aldean and Bryan’s fan club members. General ticket sales begin Oct. 3.
The 2026 show will kick off the newly launched Live Between the Hedges Concert Series Presented by Pruitt Health. Additional acts have not yet been announced.
Aldean and Bryan made the surprise announcement live on SEC Nation, just hours ahead of Saturday night’s game between the Georgia Bulldogs and Alabama Crimson Tide at Sanford Stadium. They shared the news in front of a fired-up crowd of UGA students.
“Luke and I had a chance to play at Sanford Stadium in 2013, the first concert — and only concert, I think — to ever be held there,” Aldean said during the broadcast. “To be able to go back again and do it again, Luke and I doing that together, is going to be pretty incredible. My favorite show we’ve ever done right there.”
Watch Aldean and Bryan’s announcement on SEC Nation here.
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Laufey opened a two-night stand at Crypto.com Arena in downtown Los Angeles on Friday (Sept. 26) with a show that captured her unique place in pop — her music is rooted in jazz, but her concert has pop-superstar production values.
The A Matter of Time Tour, the Icelandic singer-songwriter’s third tour and her first that consists entirely of arena dates, began on Sept. 15 in Orlando. It will conclude in Kópavogur, Iceland, on March 15, 2026.
Laufey (it’s pronounced LAY-vay, for those still catching up to her) won a Grammy for best traditional pop vocal album in 2024 for her sophomore album, Bewitched, and she could be headed for another win in that category on Feb. 1 for her third album, A Matter of Time. The album entered the Billboard 200 at No. 4. It has topped Billboard’s Jazz Albums chart for the past four weeks. (Bewitched logged 102 weeks at No. 1 on that chart.)
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For all she has achieved, you have the sense that, Laufey, just 26, is still climbing. She has some big looks upcoming. She may well land a performance slot on the Grammy telecast – it would be her first star turn on Music’s Biggest Night. (She performed “From the Start,” a song from Bewitched, on the 2024 Premiere Ceremony, which is streaming-only, and backed Billy Joel during his show-closing performance on that year’s telecast. Also, she is set to play the Coachella Valley Music & Arts Festival on Apr 19. She has said she would like to record a James Bond theme song, which seems inevitable, which could bring in a performance on the Oscar telecast. Are we getting ahead of ourselves? Perhaps, but it’s pretty clear to see the career path she’s on.
Laufey didn’t get where she is by thinking small. In 2023, she told RUSSH that Taylor Swift is her favorite current artist. The reason she gave for that choice spoke to her ambitions: “She has done for pop and country what I hope to do for jazz. She has managed to unite people across the world which is one of my main goals as a musician.”
Laufey’s choice of opening act for her tour’s North American leg — English pop/rock artist Suki Waterhouse — also spoke to her pop ambitions.
In 2022, when Laufey first headlined in L.A., she played the legendary but comparatively tiny Troubadour. Her growth since then can be seen in her bookings: In November 2023, she played two nights at the Theatre at the Ace Hotel. On her return in August 2024, she played the Hollywood Bowl. This time, it was a sold-out, two-night stand at Crypto.
Here are the six best moments from Laufey’s opening night show at Crypto.com Arena.
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Mariah Carey is back after seven years by releasing her 16th album, ‘Here For It All,’ and we’re breaking down her world-dominating career. With interviews featuring Anderson .Paak, Julia Michaels, and Snoop Dogg, watch as the music industry celebrates the iconic queen and her lasting impact. With the release of her new album, we’re diving into each track as she reclaims her throne.
Tetris Kelly:
It’s all about me, Mimi, that is. That’s right, Mariah Carey’s new album, ‘Here For It All’ has arrived, and we’re taking a deep dive into the project, talking with artists, experts and fans all about it, and of course, looking back at some of our favorite Mariah Billboard moments, baby, we’re here for it all. Mariah teamed up with Anderson .Paak on the new single and music video for “Play This Song.” And we were so ready for this team up. The album is all about her. She got super emotional on “Nothing Is Impossible.” Mariah is singing. The title track is my absolute fave, darling. I mean, listen to the lyrics. The album is worth bringing out the confetti and champagne and getting in your feelings. And she took us to church with the Clark Sisters on “Jesus, I Do.” So obsessed with this album and the new single “Play This Song” wasn’t the only time that Anderson .Paak teamed up with Mariah. We chatted with him about “Type Dangerous.”
Anderson .Paak:
Shout out to the Queen, Mariah Carey. I was messing around like, let’s try to flip this. And when she came in, she really liked it.
Tetris Kelly:
Mariah Carey has returned with new music from MC16. We’re giving you the rundown with the producer of the track himself. I like them dangerous. Hey, come on, bro, tell me about the track, man. How was it to produce that and get be involved in the project?
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Julie Adam is having a milestone year — and it’s getting even bigger.
The president & CEO of Universal Music Canada is this year’s Billboard Canada Executive of the Year. She will accept the award at Billboard Canada Women in Music on Oct. 1 at Rebel in Toronto.
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Adam was promoted to the head role at the beginning of this year and is now the only woman heading a major label in Canada.
Adam’s rise comes after decades of breaking barriers. She started in radio, becoming Canada’s first female Vice President of Radio Programming, and spent more than 20 years at Rogers Sports & Media before moving to Universal in 2023 as EVP & GM. It wasn’t long before she stepped into the top role, taking charge of Canada’s largest record company during a moment of change.
UMC is the market share leader amongst labels in Canada (the label has 7 of the top 10 albums year to date), with both domestic success for international artists and rising stardom for homegrown artists.
The past year has seen chart breakthroughs for artists like Josh Ross (who was among the most nominated artists at the Junos and CCMAs) and Toronto pop artist Sofia Camara, who hit the Billboard Canadian Hot 100 for the first time this week. Other artists, like Mae Martin and Owen Riegling, continue to make a big mark.
What makes Adam stand out — and what this award underlines — is not just the business, but the way she leads. Her book Imperfectly Kind doubles as her philosophy: that empathy and generosity can fuel success. Colleagues and artists alike point to her ability to create space for others to thrive, a rare quality in an industry often driven by competition.
Canadian Music Industry Weighs in on How to Support Canadian Audio Content at CRTC Public Hearings
The Canadian Radio-television and Telecommunications Commission (CRTC)’s “Supporting Canadian and Indigenous audio content” hearings are underway.
The CRTC proceedings are centred around the Online Streaming Act, a legislation that updates Canada’s Broadcasting Act for the new digital media landscape. It’s a once-in-a-generation update to CanCon regulations, and many stakeholders have been weighing in about how it should be implemented.
An important aspect to these hearings is last year’s CRTC decision to enforce major foreign-owned streaming services with Canadian revenues over $25 million to pay 5% of those revenues into Canadian content funds, like FACTOR and Musicaction. It’s been a major hot button issue, with pushback from the big major streaming services like Spotify and Amazon. After appealing the base contributions, the courts paused payments until an appeal.
That has been a big topic of conversation in arguments over a series of five days of hearings in Gatineau, Quebec, from September 18 to September 29.
The country’s federal government is under heavy pressure from the United States to forego the base contributions in the legislation, with 18 members of Congress signing a letter, claiming the act “imposes discriminatory obligations and threatens additional obligations imminently is a major threat to our cross-border digital trade relationship.”
CRTC regulations state that at least 35% of popular music picks on commercial radio stations must be Canadian content — but this standard doesn’t currently extend to music streaming services.
The goal of the hearings is to discuss how CanCon regulations can be adjusted in support of the changes taking place in the music industry and the Canadian broadcasting system, including the rise of streaming services, the decline of radio broadcasting alongside increasing support for Indigenous music and diverse Canadian artists.
In its notice of consultation on the hearing that began last week, the CRTC said streamers should “contribute to the discoverability of Canadian, French-language and Indigenous music either through financial contributions or through initiatives targeting the promotion and exposure of these songs to their users.”
Read more about the hearings here. — Heather Taylor-Singh
Kneecap Say They Haven’t Received Any Formal Notice After Ban From Canada
Kneecap have yet to receive official confirmation of its ban in Canada.
Last Friday (September 19), the Irish hip hop trio was ruled ineligible to enter the country by Liberal MP and Parliamentary Secretary for Combating Crime Vince Gasparro in a video posted to X.
While the ban forces the group to forfeit scheduled concerts in Toronto and Vancouver next month, Kneecap’s manager, Dan Lambert, said that the band hasn’t gotten any communication from the federal government.
“Nobody has instructed Kneecap that they can’t travel to Canada except Vince and his social media video,” Lambert tells CBC News.
During Gasparro’s video, he claimed the trio “have amplified political violence and publicly displayed support for terrorist organizations such as Hezbollah and Hamas,” and said he was making the announcement “on behalf of the Government of Canada.”
The ruling blocks Kneecap’s planned shows at Toronto’s History on October 14 and 15, as well as concerts at Vancouver’s Vogue Theatre on October 22 and 23.
Soon after the news broke out, Kneecap rejected the claims in an Instagram statement addressed directly to Gasparro, calling his remarks “wholly untrue and deeply malicious.”
The trio added that they’ve instructed their lawyer to initiate legal action against Gasparro. “We will be relentless in defending ourselves against baseless accusations to silence our opposition to a genocide being committed by Israel,” they said.
Kneecap vowed that if they win in court, they will donate all damages to “some of the thousands of child amputees in Gaza.”
“We’re pretty shocked that this could happen in Canada,” Lambert said to CBC News, adding the band has played in Canada multiple times. He noted that the only country where the group has been banned is Hungary.
Lambert said the case is due in court on Friday, and he fully expects the band to win.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-27 03:07:092025-09-27 03:07:09In Canada: Universal Music Canada’s Julie Adam Is Billboard Canada Women in Music’s 2025 Executive of the Year
FNC Entertainment — the agency behind P1Harmony and AOA, whose 2014 hit “Miniskirt” is still covered worldwide — may be best remembered as one of the early drivers of band music’s mainstream popularity in K-pop. For newer fans, that legacy might come as a surprise. Beginning with FTISLAND in 2007, followed by CNBLUE and N.Flying, FNC Entertainment has long explored the intersection of rock and K-pop. More than a decade later, the label is introducing a new band: AxMxP (pronounced A-M-P), a four-member unit consisting of vocalist/rapper HA YOO JOON, guitarist/vocalist KIM SHIN, drummer CRU, and bassist/vocalist JU HWAN.
Their name stands for Amplify Music Power, symbolizing a mission to broadcast their voices through music like an amplifier. Officially debuting on Sept. 10, AxMxP embodies the essence of a true rookie, arriving with a full-length self-titled album spanning 10 tracks that traverse punk rock, rock ballad, modern pop-rock and hip-hop rock. At their debut showcase, held before more than 2,000 fans, the members — all between ages 15 and 20 — powered through the entire setlist with striking poise and even moments of relaxed enjoyment. That confidence reflects the know-how FNC Entertainment has honed across years of band development.
Like many bands who gradually build their chops through club gigs and joint concerts before breaking into the mainstream, AxMxP has already spent years on diverse stages. Through the label’s Band Kingdom tour, they have performed in Tokyo, Kaohsiung, Taipei and more, gaining crucial experience and a sense of unity as a live act.
Still, these credentials are only part of the story. The real reason AxMxP earned Billboard Korea’s September Rookie of the Month title lies in the undeniable quality of their debut. Their showcase revealed not just technical polish but also an openness to genre and a serious commitment to taking ownership of their stage. Above all, their energy conveyed joy, sincerity and fearlessness. Here are the voices of AxMxP’s four members as they begin their journey.
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