Brian Eno’s Together For Palestine concert took place in London on Wednesday evening (Sep. 17) with early estimates indicating that the benefit gig raised over £1.5 million ($2m) and counting for Palestinian-led charities and organisations.

The all-star concert was held at the OVO Wembley Arena and featured a series of performances and speeches by 150 leading artists and figures from around the world, including Eno, Blur’s Damon Albarn, Paul Weller, PinkPantheress and Palestinian artists Elyanna and Saint Levant. The funds raised by the concert will be distributed by the pro-immigration charity Choose Love, to organizations such as Taawon, Palestine Children’s Relief Fund and Palestine Medical Relief Service.

Eno, alongside fellow producers Khalid Abdalla, Khaled Ziada and Tracey Seaward, announced the concert in July. He wrote, “What we are witnessing in Gaza isn’t a mystery, and neither is it a blur of competing narratives making it ‘hard to understand’,” it read in part. “When dozens of non-partisan organisations like Amnesty International and Doctors Without Borders describe it as genocide, the moral line is clear. We can’t remain silent. Which is why I’m helping to organise Together for Palestine – a night of music, reflection and hope at Wembley Arena.” 

On Tuesday (Sep. 16), the UN’s commission for inquiry declared that Israel had committed genocide during its ongoing military operations in Palestine. Since the Oct. 7 attacks, which saw terrorist group Hamas murder 1,200 Israeli citizens and take 251 hostages, over 64,964 Palestinian citizens have been killed by Israeli attacks, according to the Hamas-run health ministry. Over 90% of homes in Palestine are estimated to have been damaged or destroyed with the vast majority of the population displaced and requiring urgent aid. 

The concert, hosted by comedian Guz Khan, was streamed live on YouTube. Prior to the event, Billie Eilish and brother Finneas appeared alongside actors Cillian Murphy, Javier Bardem, Brian Cox, Joaquin Phoenix and more in a short video pledging support for Palestine people.

The evening hosted a number of special musical performances. Eno teamed up with Albarn, Weller, Nadine Shah, Hot Chip’s Alexis Taylor and Adnan Jourban for a rare public performance; he performed a piece of music especially composed for the event, before reciting Khaled Juma’s poem Oh Rascal Children of Gaza. The show’s visuals were designed by Malak Mattar, a painter known as the “Picasso of Palestine.”

Portishead reunited for a special pre-recorded performance of their 1994 song “Roads,” and Albarn’s Gorillaz joined Omar Souleyman for a rendition of “Damascus” which appears on the animated band’s upcoming album, The Mountain. Albarn also joined the London Arab Orchestra and the ​​Juzour Dance Collective for a number of traditional Palestinian songs.

Annie Lennox contributed a pre-recorded performance of her hit single “Why?,” amending the closing lyrics to: “This is the sound of drones and guns/ Watch the people run run run/ Shoot to kill them just for fun/ Bodies falling one by one.” The new version, “Why? – For Gaza,” will be available on streaming platforms in the coming days with all proceeds from the single going to the Together for Palestine fund.

Performances on the night also came from Neneh Cherry, Greentea Peng, and Dan Smith (Bastille), Cat Burns, Rachel Chinouriri, Celeste, James Blake, Sampha, Jamie xx and Paloma Faith.

The performances were interspersed with speeches, poems and recitals by actors Riz Ahmed, Guy Pearce, Benedict Cumberbatch, Florence Pugh, Richard Gere, and more. Broadcaster Mehdi Hasan was joined by Palestinian reporter Yara Eid in a segment focusing on the targeting of the press in the conflict area by Israeli forces.

Manchester United legend Eric Cantona made a surprise appearance alongside Mahmoud Sarsak, whose teammate Suleiman al-Obeid – referred to as the “Palestinian Pele” – was killed by Israeli forces while waiting for humanitarian aid. During the segment, Cantona called for a boycott of Israeli teams: “Clubs everywhere must refuse to play Israeli teams, current players everywhere must refuse to play against Israeli teams… football fans around the world, recognize your power – those teams represent you. It’s time for everyone to get off the sidelines, who will follow me?”

A number of musicians did not perform, but appeared with speeches. “I think a lot about what I can do, not only as an individual, but as an artist,” said PinkPantheress in her segment. “We have a responsibility to use our platforms. Neutrality or silence shouldn’t be an option. Give Palestine your voice, and when your voice goes hoarse, hang your flags, wear your keffiyeh. Show them we are here.” See footage from her clip below.

Merchandise from the event is available to purchase here with all proceeds being directly donated to the overall fund. Direct donations can be made here.


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Chappell Roan will head down under early next year, for a spot headlining the Laneway Festival.

With her Laneway debut in the southern summer, the Midwest native will mark her first-ever national tour of Australia and New Zealand.

The traveling, day-long festival will kick off at Western Springs in Auckland on Feb. 5, 2026 then head west for dates on the Gold Coast, Sydney, Melbourne, Adelaide, and comes to a halt Feb. 1 at Perth’s Arena Joondalup.

Roan is untouchably hot in these parts right now. In January of this year, her hit “Good Luck, Babe” came in at No. 1 on triple j’s Hottest 100, with the greatest number of votes ever for a winning track in the countdown. Also, Roan became the first solo female artist to win with a debut and sole entry. 

From humble beginnings in Melbourne’s New Caledonian Lane, to expanding with dates as far afield as Singapore and Detroit, St Jerome’s Laneway Festival has the enviable reputation for booking the coolest acts before they go supernova. For one, Billie Eilish played Laneway in 2018, as she was flying to the highest points of pop music.

Co-founded by Danny Rogers and Jerome Borazio, and now part of TEG’s live entertainment portfolio, Laneway Festival booked Charli XCX to play at the 2025 edition. That run drew over 200,000 music fans to sold-out shows across six cities, plus another 40,000 at sideshows.

Other performers at Laneway 2026 include BENEE, Wolf Alice, Role Model, Wet Leg and many more.

According to organizers, next year’s run will feature 35% more artists, a brand new East Coast stage, and a third of the lineup making their Australian debut.

The general onsale starts Sept. 24 from 10am AEST, a day after the Laneway Festival pre-sale, with staggered release times across each city.

Laneway Festival 2026
Presented by triple j

AUCKLAND / Tāmaki Makaurau (18+)
Thursday 5 February 2026 – Western Springs

GOLD COAST (16+)
Kombumerri Jagun
Saturday 7 February 2026 — Southport Sharks

SYDNEY (16+)
Gadigal & Bidjigal
Sunday 8 February 2026 — Centennial Park

MELBOURNE (16+)
Wurundjeri Biik 
Friday 13 February 2026 — Flemington Park

ADELAIDE (16+)
Kaurna Yerta
Saturday 14 February 2026 — Adelaide Showgrounds

PERTH (16+)
Whadjuk Boodjar
Sunday 15 February 2026 — Arena Joondalup

Tame Impala‘s fifth studio album Deadbeat is still a month away, but we now know a little more what it will sound like.

Kevin Parker‘s psychedelic pop project has dropped the 12-track setlist for Deadbeat, using the platform of his socials to do so.

Tame Impala gets word out with a simple post, which features a spinning, colored vinyl with the album’s tracks flashing up, three at a time.

If that doesn’t get the juices pumping, switch on the audio. The soundbed to Tame Impala’s post is a snippet of a new track. On it, Parker sings: “In the end I hope it’s you and me / In the darkness I would never leave, you / Ever seen me in the light of day / It’s far too late, the time must come.”

Deadbeat is primed for a global release Oct. 17th, Tame Impala’s first through the Sony Music machine, by way of a new deal with Columbia Records, ending a years-long relationship with Modular Recordings and Universal Music.

The first two tracks from it are the lengthy, dancefloor ready “End of Summer,” and the latest release, “Loser,” a funky throwback track that’s accompanied with a music video directed by Kristofski and starring Stranger Things‘ Joe Keery (aka Djo).

Another cut, understood to be “Ethereal Connection,” was gifted to the world as an untitled b-side for the 12-inch of “End of Summer”, which was sold on the Aussie artist’s website with a limited number of copies.

As previously reported, Deadbeat is inspired by the “bush doof” culture of Parker’s native, Western Australia rave scene.

A message on the pre-order page for the Deadbeat vinyl reckons “Parker sculpts a collection of wickedly potent club-psych explorations as a vehicle for some of his most direct, brain-wormy songwriting to date, recasting Tame Impala as a kind of future primitive rave act in the process.”

Deadbeat will drop more than half a decade after The Slow Rush, from February 2020, a record that went to No. 1 on Australia’s ARIA Chart, and earned career peak positions on the Billboard 200 and Official U.K. Albums Chart UK, both at No. 3. Its predecessor, 2015’s Currents, topped the Australian chart and crashed the top 5 in the U.S. (at No. 4) and in the U.K. (No. 3), where Parker and his Tame Impala bandmates collected the Brit Award for best international group.

Although Tame Impala is not currently on tour, Parker will enjoy the southern summer when he takes the stage as a a special guest DJ for Justice’s Australian arena tour in December 2025.

Watch the clip below and check out the setlist in full.

Deadbeat setlist.
1. My Old Ways
2. No Reply
3. Dracula
4. Loser
5. Oblivion
6. Not My World
7. Piece of Heaven
8. Obsolete
9. Ethereal Connection
10. See You On Monday (You’re Lost)
11. Afterthought
12. End of Summer

The semifinalists did their thing, America voted. Now we know the score.

On Wednesday night, Sept. 17, America’s Got Talent America revealed the six performers who collected the most votes and get the go-ahead for the Finale.

Singers Jessica Sanchez, Jourdan Blue and the Leo High School Choir Choir are safe, as are improv Rapper Chris Turner, projectionists LightWire, and acrobats Sirca Marea. They join rappers Micah Palace (Judge Simon Cowell’s Live Golden Buzzer) and Mama Duke (Judge Mel B’s Live Golden Buzzer), dance troupe Team Recycled (Judge Howie Mandel’s Live Golden Buzzer) and singer-songwriter Steve Ray Ladson (Judge Sofía Vergara’s Live Golden Buzzer), each of whom bypassed the Semifinals drama by scoring Golden Buzzers.

It’s the end of the line, however, for Bay Melnick Virgolino, Unreal, Birmingham Youth Fellowship Choir, TT Boys and Zak Mirz, who are eliminated at the penultimate stage.

Next up, the Finalist Acts will perform for the last time on Tuesday, Sept. 23, with voting opening at 6pm ET. The following night, Sept. 24, is the big reveal on NBC: the winner of Americ’as Got Talent Season 20, and the $1 million grand prize.

Casting is already underway for Season 21.  Visit agtauditions.com for more.

Steph Curry has a reputation as one of the nicest guys in the NBA, but the basketball superstar will draw a line in the sand when it comes to disrespectful comments about his wife.

The Golden State Warriors point guard hopped in the comments section when he spotted rapper Killer Mike responding to a video criticizing Steph’s wife of 14 years, Ayesha Curry. TikToker Bookie Woodz posted the video, accusing Ayesha of “embarrassing” her husband by sharing her insecurity over not getting as much attention from men as Steph gets from women. “She wants to go be GloRilla or some sh–,” Woodz says in the TikTok. “Like, we get it, bro. Just go drop an album or some sh–.”

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For his part, Killer Mike took to the comments section, writing alongside three laugh-crying emojis: “My n—a said she wanna go be Glo!!! Man Steph doesn’t deserve the embarrassment [for real]. God bless him.”

In his response, Steph Curry said he’s come to expect takes like these from “other clowns,” but thought better of the four-time Grammy-winning Run the Jewels MC.

“@killermike naaaaa not you Mike,” Curry wrote, in a screen shot from The Shade Room. “I’m cool [staying] silent and letting these other clowns have [their] moment! And you’re the worst of them,” he wrote, tagging the original poster Bookie Woodz. “But you’re better than that @killermike. Stay in your lane and let God keep blessing me like he is. We r good over here.”

Steph ended his missive with a peace-sign emoji.

While they first met when they were teenagers, Steph and Ayesha Curry didn’t start dating until 2008 before getting married in 2011. The couple have two daughters (Riley and Ryan) and two sons (Canon and Caius).

See the full exchange below:

Befitting YouTube executive Lyor Cohen‘s background as a top hip-hop manager and record mogul, many of the “Made On YouTube” features announced Tuesday (Sept. 16) at an event in New York are focused on musicians’ needs. Beginning later this year, artists will be able to share behind-the-scenes video content, countdowns for new releases and “thank you” clips to fans, as well as participate in a pilot program for selling exclusive merch to prolific viewers. Plus, they’ll have access to new tools, many involving AI tech developed by YouTube parent Google, to help generate song ideas, video sketches and even entire works. 

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As part of YouTube’s 20th-anniversary rollout of 30-plus new tools and products, Dua Lipa told Cohen, in an on-stage interview, that her content on the service has helped her be “part of the conversation” and “adds to the closeness and brings more of a familiarity.” 

New features on YouTube Shorts, which competes for views with TikTok and Instagram Reels, have clear benefits for artists and musicians. The new “Speech to Song” tool combines snippets of recorded conversation, say, or a verbalized idea for a lyric or poem, with AI-generated musical ideas into what sounds like an actual work. (Many of these features are in the process of rolling out in the U.S., as well as other countries.)

Another feature, Veo 3 Fast, customizes Google DeepMind’s Veo 3 video-generation tool so users can quickly and easily link sound and video clips. The tech allows for lower latency, reducing the buffering period that often occurs between a camera capturing a moment and its display to viewers. 

The Veo 3 tool has an AI component, too: Plug in, for example, “punk rock dad,” combined with the original song fragment, and wind up with a custom angry-parent-skateboarding music video. Veo 3 Fast also allows users to borrow motion from existing videos, like a dance or sports move, and apply it to a photo to animate the still image.

Also during the event, YouTube reported that it has 2.7 billion users, landed $60 billion in 2024 media revenue and has paid out $100 billion to content creators since 2021.

The Muppet Show is coming back — and it better have an unlimited sequin budget, because pop A-lister Sabrina Carpenter will be joining her fellow bedazzled diva Miss Piggy on the Muppet Theatre stage.

On Wednesday (Sept. 17), Disney+ announced that The Muppet Show — which originally ran from 1976 to 1981 — will return for a one-off special in 2026, just in time for the 50th anniversary of the series premiere.

“It’s time to play the music, it’s time to light the lights, it’s time to get things started as The Muppet Show returns for a triumphant event on Disney+ in 2026 with special guest star @SabrinaCarpenter!” reads a caption on the Disney+ social accounts, alongside photos of the show’s logo and a mug engraved with Kermit the Frog’s name. “This brand-new installment from The Muppets Studio and Point Grey Pictures will feature Kermit the Frog, Miss Piggy, Fozzie Bear, Gonzo, and the gang as they return to the Muppet Theatre to put on a variety show filled with music, comedy, and plenty of chaos.”

Carpenter will also serve as an executive producer on the special, alongside Seth Rogen, Evan Goldberg, James Weaver and Alex McAtee, who are exec-producing for Point Grey Pictures, and David Lightbody, Leigh Slaughter and Michael Steinbach, executive producing for The Muppets Studio.

The Hollywood Reporter is reporting that the special will serve as a “backdoor pilot” for a proper revival of the series next year.

Carpenter is also in the news this week as one of the headliners for next year’s Coachella festival — a gig she predicted back in spring 2024 when she told her afternoon Coachella crowd, “See you back here when I headline!” Well, she might have manifested this Muppet Show job as well: Back in 2020, when she participated in the COVID-era TV special The Disney Family Singalong: Volume II, Carpenter was one of the singers who joined Rogen (yes, the new Muppet Show EP) to perform “The Muppet Show Theme” together through virtual video.

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College can be a bloody mess and Prime Video‘s freshman series Gen V is back for its sophomore year. Bringing more drama, more violence and more action, the delightful spinoff to the streamer’s highly successful, action-packed comedy The Boys, is an exciting entry to the era of Vought superheroes. Gen V’s second season lands on Prime Video starting today, Sept. 17, at at 3 a.m. ET/12 a.m. PT.

Expect just as much gore, violence, drama and, of course, mystery as a new generation of super-human students claw (and probably even kill) their way to the top rankings of a superhero-only school, Godolkin University, and uncover the many secrets of Vought. Based off the trailer, fans of The Boys can expect many cameos from characters in the main series, including Starlight, A-Train, Black Noir and hopefully Homelander.

How to Stream ‘Gen V’ Season 2 Online for Free

Just like the show it takes inspiration from, Gen V is a Prime Original, which means you’ll need a Prime membership to watch. Signing up will grant you access to Prime Video to watch Gen V as well as a whole suite of benefits, including fast same-, next-, or two-day free shipping; discounts at Whole Foods Market, access to exclusive shopping events — like Prime Day and Black Friday — and more.

Amazon is offering a 30-day free trial for new users who want to test out the service. When the trial is up, you can either cancel the streaming service altogether, or you can keep watching for $8.99/month for the base Prime Video plan. But, if you want all the perks that come with Amazon Prime, it goes for $14.99/month (or $139/year) — a nearly 25% savings.

Looking for additional affordable streaming options? Students can get 6-months of Prime for free when you sign up for the student membership, which is also half off. EBT/Medicaid recipients can get 30-days free under the qualifying government program membership, which is also 50% off.

Along with Gen V, a subscription to Prime Video will give you access to the entire library of original and exclusive content, TV shows and movies including The Boys, CitadelDaisy Jones & The SixThe Marvelous Mrs. MaiselHarlan Coben’s Shelter, SwarmMedellìn, The PowerKelce, HarlemI’m a Virgo, InvincibleTom Clancy’s Jack RyanThe Horror of Dolores Roach, FleabagThe Summer I Turned PrettyThe Wheel of Time and The Lord of the Rings: The Rings of Power, Better Call Saul and more.

The Best ‘Gen V’ Merch to Buy Online

We may not be able to attend Godolkin University, but there are plenty of great Gen V-themed merch merch to show off your school spirit. Amazon has an exclusive storefront with apparel from both shows you can stock up on. Shop our favorite pieces below.

'Gen V': How to Watch the Action-Packed Season 2 Online for Free

Gen V Godolkin University Sweatshirt

$34.99 $44.99 22% off

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'Gen V': How to Watch the Action-Packed Season 2 Online for Free

Gen V Open Hand Blood Manipulation T-Shirt


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Gen V “Bite Me!” Puppet Sandwich T-Shirt

$19.99

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The Best Home Theater Setup to Watch ‘Gen V’ Season 2

Gen V is a Sony Pictures show and right now there’s a great deal on Sony’s popular BRAVIA 5 TV that’ll enhance your binge watching experience while saving some cash. Almost 30% off right now, experience a sharp HDR mini LED display and a theater-like viewing experience with support for Dolby Vision and Atmos, IMAX Enhanced and DTS:X.

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Top off your home theater setup with Sony’s BRAVIA Theater Bar 6, which delivers crisp Dolby Atmos audio, cinematic spatial sound and deep bass with 3 front-firing speakers, dual up-firing speakers, and included wireless subwoofer.

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Check below to watch the trailer for Gen V season 2.

Cam’ron and Damon Dash continue their war of words, stemming from the news that 50 Cent and Killa are supposedly linking up to produce a series based on Dash’s 2002 film Paid in Full.

This time, Cam responded to Dame’s contentious recent interview with The Breakfast Club, during which the Roc-A-Fella co-founder claimed he’s been named the chairman of Revolt TV with a “pathway to acquisition,” news that was first exclusively reported by VIBE and has since become the subject of controversy.

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“I ain’t know you’d be lying like this, yo, it’s sad,” Cam said on his Instagram as 50’s “What Up Gangsta” plays in the background. “They told me, but you know when a n—a, your man, you don’t pay attention to a lot of sh–. I didn’t know, bro, that you’re a flagrant liar like this, man. Now look, Talk With Flee comes on tomorrow at 5 p.m. on Revolt’s YouTube, but that was sh– that he talked about last week, so part two will be out this Friday on Revolt’s YouTube about what he talked about this week.”

The Harlem rapper then went on to try to clarify the current situation with Revolt and Dash from his perspective.

“The n—a called Revolt last week and say he wants to put his content on Revolt channel,” he explained. “Revolt programming is booked up until 2026. … So I have two more shows I could do this year and so when I found that out, I called my man Fendi — ’cause I know that Fendi and Dame speak — I said, ‘Yo, tell Dame I’ll put the shows on my slot on Revolt … if I can executive produce the shows.’”

Cam added that Dash once helped him and The Diplomats out when the former record executive brought them over to the Roc during the early 2000s. “He did it for me,” he recalled. “When I needed help, he put my album out on Roc-A-Fella and I let him be executive producer. I’m trying to do the same thing for you. I got two slots left. If you want two shows on Revolt this year … and you wasn’t getting paid ’cause you said you’d do it for free, I got a couple dollars for you. I’m just the executive producer of the show.”

Cam then went on to say that Dame wasn’t the biggest fan of that idea and continued to describe the conversation he had with their mutual friend.

“He tells Fendi, ‘Yeah, aight, bet. Nah, matter of fact, f— that. I’m the Godfather. He can’t executive produce my shows.’ Dame, your own godkids don’t want you. How you the godfather of anything? Your word don’t count no more. You don’t got teeth. You have dentures. Your word don’t mean nothin’. You fell off the Mount Rushmore Harlem a long time ago, but we’ll address it all tomorrow and Friday. But don’t say I ain’t trying to help out.”

Dame and Cam’ron knew each other from their days running the streets of Harlem before they became rap legends in their own right and have had a lucrative business relationship in the past when Cam and The Diplomats spent some time on Roc-A-Fella Records.

StubHub began its life as a public company with a modest decline on the New York Stock Exchange, as its shares fell below the IPO price. The secondary ticketing company’s shares opened at $25.35 and peaked at $26.34 before ending the day at $22.00, 6.4% below the $23.50 initial public offering price set a day earlier.  

A first-day drop isn’t unusual for companies that go public. From 1980 to 2024, 16.5% of IPO stocks had first-day losses, according to statistics compiled by the University of Florida’s Jay R. Ritter. But a far higher percentage of IPO stocks fell on their first day of trading in recent years. In 2023 and 2024, that figure rose to 53.7% and 34.7%, respectively.  

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StubHub offered 34.04 million shares of Class A common stock. Prior to the offering on Wednesday (Sept. 17), the company had targeted a price range of $22.00 to $25.00 per share. Wednesday’s $22.00 closing price equates to a market capitalization of approximately $7.58 billion.  

The company plans to use the IPO proceeds to pay down debt and fund working capital. As of June 30, 2025, StubHub had debt of $2.38 billion, $1.24 billion in cash and cash equivalents and a negative working capital of $1.2 billion. Interest expense in the first half of 2025 totaled $86 million. 

StubHub was founded in 2000 by Eric Baker, who left the company before it was acquired by eBay in 2007. Baker founded viagogo in 2006 and built the company into a leading secondary ticketing marketplace outside of the U.S. Viagogo acquired StubHub in 2020, and both companies now exist under the StubHub umbrella.  

Investors in the IPO were buying into what’s known as a “controlled company.” Baker owns 100% of StubHub’s 3.64 million Class B common shares, and following Wednesday’s offering, he controls nearly 88% of the voting power. Each Class B share carries 100 votes per share to one vote per share for the Class A shares held by investors. That gives Baker the ability to control outcomes of matters that require shareholder votes, including the election of the board of directors.  

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StubHub reported a net loss of $76 million on revenue of $828 million, up 3%, in the first half of 2025. Gross merchandise sales — the total value paid by customers for tickets and fulfillment — was $4.4 billion, up 11% from the prior-year period. Adjusted earnings before taxes, interest, depreciation and amortization (EBITDA) was $102 million.  

Revenue growth was down markedly from 29.5% in 2024 and 31.9% in 2023. In a statement, Kyle Stanford, director of venture capital research at PitchBook, said StubHub’s “low revenue growth rate highlights uncertainty in the consumer market, on which it depends. Consumer sentiment has fallen over the past few months as inflation has picked up, adding headwinds to resuming the growth it saw the year before.” 

But StubHub sees favorable market conditions ahead and believes the total addressable market, which includes primary ticketing and secondary marketplaces, is worth $194 billion internationally. It puts the value of the secondary market at $18 billion in the U.S. and $23 billion internationally. Primary ticketing, where StubHub had $100 million of gross merchandise sales in 2024, is worth an estimated $132 billion globally. Additionally, StubHub believes $22 billion worth of tickets go unsold each year. 


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