Kid Cudi hasn’t been shy about his dependency on drugs or suicidal thoughts at various stages of his life in his music. His vulnerabilities endeared him to millions across the globe, helping fans who had similar experiences feel less alone.

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The Cleveland rapper completely takes the mask off and pulls back the curtain on his life in his upcoming Cudi the Memoir, which will be released on Aug. 12. GQ shared a harrowing excerpt of the book, which found Cudi reflecting on his darkest hours and a near-fatal drug overdose while working on Man on the Moon II circa 2010.

“I was at peace with dying,” Cudi wrote. “After doing more coke than I ever had in my life I was losing all sense of what was real. I’d been alone in my New York apartment, crying for hours, listening to the Lykke Li song ‘Time Flies’ on repeat. It was a love song, but the melodies and her voice filled me with despair.”

He continued in the excerpt: “I tried to get up off the bed, but my legs wouldn’t work, so I collapsed to the floor and started to crawl. Eventually, I gave in and just laid on the ground. My heart was racing. It felt like it was going to burst any minute.

While Cudi’s music can be the medicine of choice for fans, he was the one ultimately looking for a life raft.

“I was a role model, but I didn’t feel like one. People called me their savior. But who was going to save me? I was a lighthouse for others, but I couldn’t find my own way,” he added. “It was peace I was after. Here, crippled on the floor, minutes from overdosing, was the closest I’d ever come to finding it. ‘You made great music that people loved,’ I thought, ‘but this is the end.’”

Elsewhere in the excerpt, Kid Cudi took fans back to sessions for 2015’s Speedin’ Bullet to Heaven, when he had been “plotting” to die by suicide.

“After we’d finished a session, I’d be alone Googling exit bags. I was thinking about a way I could actually do it. I was plotting it,” he admitted. “There’s a song at the end of Speedin’ Bullet where I say goodbye, and that was meant to be my final album. I was going to kill myself at the end of that album, or before it came out, or during that cycle. I was not planning to live that year. Not many people around me expected me to either.”

Cudi’s memoir arrives on Aug. 12, and then 10 days later, the multi-hyphenate entertainer will release his 12th studio album, Free, on Aug. 22.

If you or anyone you know is in crisis, call 988 or visit the website for the Suicide & Crisis Lifeline, which offers free, confidential support 24/7. Those in need of confidential support for mental health or substance abuse issues can reach out to the Substance Abuse and Mental Health Services Administration.

Kane Brown is adding to his television resume, with the country singer set to appear as a guest star on the series premiere of ABC’s 9-1-1: Nashville, which airs Oct. 9 on ABC and streaming on Hulu the next day.

Hours before his part was announced, the musician shared a tease of the news in an Instagram Story video. “So I have a little TV shoot I’m doing this morning. I can’t tell y’all what I’m doing, but it’s gonna be sick and I’m excited! Gotta be there at 6:45 a.m. — that’s my call time,” he shares in the video, which shows him walking around outside in the pitch black. “So I ain’t got no other time to work out today, so I’m up! 3:45, going to the gym.”

The Nashville-based spinoff follows 9-1-1 and 9-1-1: Lonestar, which followed the lives of first responders in Los Angeles and Austin, Texas. Series regulars will include Chris O’Donnell, Jessica Capshaw, Kimberly Williams-Paisley, LeAnn Rimes, Hailey Kilgore, Michael Provost, Juani Feliz and Hunter McVey.

Though not many details are known about Brown’s role on the show, his part “proves heroic in a major storyline,” according to a press statement. Brown is filming his scene, which is set in a concert performance, on Thursday (Aug. 7) in Nashville.

The musician’s previous television appearances include portraying Robin in a 2023 episode of the series Fire Country. He’s also appeared on the series Barmageddon with fellow country music entertainer Blake Shelton. Additionally, Brown has served as a host for the CMT Music Awards multiple times. He released his fourth full-length studio project, The High Road, earlier this year.

Brown, who is represented by Neon Coast and WME, has notched 12 No. 1 Country Airplay hits in his career, with songs including “Bury Me in Georgia,” “Miles on It,” “I Can Feel It,” “Heaven” and “Homesick.”

See 9-1-1: Nashville‘s announcement of the musician’s guest-starring role below.

Who would have thought that the Greatest Mysterio of All-Time began his wrestling career at 8 years old? If you ask WWE Superstar Dirty Dom, it’s his “deadbeat dad”, Hall of Famer, Rey Mysterio Jr., who’s looking up to him these days.

At 28, Dominik Mysterio has become WWE’s most reviled antagonist, drawing nuclear heat from coast to coast due to his snake-like antics and unrelenting arrogance. On Sunday (Aug. 3), Dirty Dom slithered his way to another win, outsmarting AJ Stylez in a cerebral SummerSlam showdown to retain his Intercontinental Championship.

“From the smartest guys to the biggest guys, if you’re smart in the ring, you’ll be able to outmaneuver and do whatever you want in there,” Mysterio told me the following day before Monday Night Raw from The Barclays Center. “I think I proved that by being a 20-year veteran in this business. AJ thought he was going to walk in there and mess with some kid, but he was messing with the Greatest Mysterio of all-time.”

Though Dirty Dom’s in-ring debut began in 2020, the pretentious son of Rey Mysterio Jr. inherited his slick ways from iconic WWE superstar Eddie Guerrero. Much like Latino Heat, the West Coast native fully embraces the art of lying, cheating, stealing — a philosophy that’s helped him climb to the top of the WWE food chain.

For Entry 010 of Mic Drops and Elbow Drops, Dirty Dom chops it up with Carl Lamarre about his Intercontinental Championship reign, who he thinks is the best heel in pro sports, and how he built the ruthless confidence that fuels his fire.

The Eddie Guerrero homage was alive and well during that match. From your perspective as someone who honors his legacy, what do you think was Eddie’s most underrated skill as a wrestler?

I believe his ring IQ. People see how good he was inside the ring, what he did and how he achieved those things [because] his moves were great, but the way he would put things together and how he could be able to manipulate feelings based off what he was doing with his movements, I think that was severely underrated. There’s not a person that doesn’t say that when they worked with Eddie Guerrero, that he wasn’t the best person to work with because of how he carried himself. He can go in there and if there’s things he needed to change off the fly, he was the man to do it. So I think his ring IQ is definitely his most underrated skill.

You’ve now passed 100 days as Intercontinental Champion. Has the thought of chasing Gunther’s historic 666-day reign crossed your mind?

Honestly, I’m a day-by-day kind of guy. I am a very chill, California kid from San Diego, if you catch my vibe. I’m a day-by-day, figuring it out [type of wrestler]. I know this is a working man’s title, but hell, if I don’t think anyone is good enough to challenge me, I might hold off for a year. I might not even challenge [anyone] for a year. Who knows? If you’re not worthy of it, why should I let you challenge for my title? I just beat AJ Styles — who’s beaten everybody — so I’ve technically beaten everybody. Forget Steiner Math, this is Dirty Dom Math.

Let’s stir the pot a little. If you had to serve as special guest referee for a triple threat between Rhea Ripley, Roxanne Perez and Liv Morgan, who’s walking out with the win and why?

Liv. Liv’s winning, 100%. Not even based off me being a biased referee or anything. It’s just based off of skill and achievement. Liv is the only person that’s beaten Rhea Ripley more than three times, correct? She retired Becky Lynch. She is the greatest woman’s world champion. She’s a four-time woman’s tag champion. She’s a Slammy Award winner. There’s levels to this, and I believe Liv is at the top of her level. Not even being a biased ref, I would count it straight down the middle and she’d win.

Your first SummerSlam match was against Seth Rollins. Five years later, you’re beating AJ Styles. From both an in-ring and confidence standpoint, what are you most proud of in your growth since then?

I’ve grown massively. I’ve been more confident in the ring and being able to move and do what I want in the ring as far as move-sets and how I act and do things. And being with The Judgment Day as well gave me a level of confidence I didn’t have to the point where I had guys like Finn [Balor], JD [McDonagh], and Damian [Priest] helping me out with all this stuff, telling me, “Nah, dude. This is where you’re at. This is where you’re gonna be.” Sure enough, they helped me build that confidence. Even Voldemort.

Voldemort from Harry Porter?

No, the other person from the Judgment Day that I don’t say the name of. 

Who was the first heel you gravitated toward as a fan and idolized? 

JBL. 

Why JBL? 

Because everything he did seemed so genuine and with hatred. He called himself “The Wrestling God” for a reason. Being a Latino Mexican myself, the skit of him going down by the border — and I know it might be a touchy subject right now — was crazy to me. As a heel, you’re pushing the button as much as possible. So to me, JBL was that dude, to where he can get away with everything and just do anything — because he’s also a 6’7′ cowboy of a heel that’ll knock your head off with a clothesline. 

Which current WWE superstar do you think mastered the art of nuclear heat better than anyone?

Me. There’s no doubt about it. Also, the people around me have helped me so much because obviously these were uncharted territories that we were going into. It happened with Vicky [Guerrero] — but no disrespect to Vicky, she was never a wrestler. She was never bumping and going in there. I’m in there bumping, cutting promos, top of my game, Greatest Mysterio of All-Time — no one’s doing it like I am. Plus, I’m 28 years old. If I wanted to, I could step it up even more — and no one in the past, the present, coming up and even now would lay a finger on me. 

Lastly, who’s the biggest heel in pro sports right now, and what makes them so good at it?

I mean, he’s loved by the city, but hated by everyone else — I’m gonna have to go with my boy Fernando Tatis Jr. Just ’cause the way he carries himself, he’s so swagged out. He’s a stud. He’s a stud in the outfield, he’s a stud at shortstop if they need him there and he’s a stud hitter. The dude could steal homers. He can do it all. People hate him for it, because what? He’s a baller? He’s getting paid millions and millions of dollars and he does this to your favorite teams. All the Dodgers hate him.

Mets fans hate him too.

Are you a Mets fan? 

I’m on the right side of history.

I was gonna say y’all had a bad three-game sweep. And he embraces being a heel. You have to be OK with the boos, getting hated and you gotta be able to embrace it. I think he’s one of the few guys that embraces being the heel. He doesn’t mind getting booed, he’s OK with it. 

Piers Morgan has caused a stir online with a recent string of posts about Beyoncé, whom the British TV personality jokingly accused of “cultural appropriation” in a Marilyn Monroe-esque Levi’s photo shoot.  

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It all started with a Wednesday (Aug. 6) post on X, in which Morgan shared a photo of the pop superstar modeling Levi’s denim and sporting bouncy blonde curls. “Very disappointed to see Beyoncé culturally appropriate Marilyn Monroe in her new Levi’s ad,” the media personality wrote.

It wasn’t long before people came to Bey’s defense in the replies, lambasting Morgan for dissing the 35-time Grammy winner and misusing the term “cultural appropriation,” as the late actress was a person and not a culture. Morgan, however, continued stirring the pot, sharing an old photo of himself with Bey and writing, “I would say I can’t believe anyone took my obvious Beyoncé joke post seriously … but I forgot the woke brigade have zero sense of humour.” 

And in response to one commenter who said that the Destiny’s Child alum is “hotter” than the late Hollywood icon, Morgan said, “I don’t disagree.”

Billboard has reached out to Bey’s rep for comment.

This is far from the first time Morgan has sparked discourse by making inflammatory remarks on his social media accounts, or on his show Uncensored. He’s also not the only person who’s had something to say about Bey’s campaign with Levi’s, with Megyn Kelly recently dissing it as “artificial, fake, enhanced [and] trying too hard” while praising Sydney Sweeney’s widely criticized American Eagle jeans commercials.

But while Kelly was being totally serious with her comments, Morgan has asserted that he was just joking in his post about Bey. In response to iconic singer Dionne Warwick commenting that he was “getting involved in women’s business again,” he wrote, “Oh not you too, Dionne… it was a JOKE!”

That said, Morgan did double down on a controversial take. “I think the whole concept of ‘cultural appropriation’ is bulls–t,” he added on Wednesday. “What’s wrong with celebrating another country’s fashion, food etc?”

The back-and-forth comes about 10 months after the last notable time Morgan got himself in trouble with the BeyHive. In October, the British contrarian invited singer-songwriter Jaguar Wright onto Uncensored and aired her claims that Bey and Jay-Z were “monsters” with “hundreds of victims,” shortly after which the famous couple’s lawyers denied the allegations and demanded that Morgan remove them from the episode.

The show host obliged, telling viewers at the time, “There are legal limits on us, too … We apologize to Jay-Z and Beyoncé.”

Beyoncé has not commented on any of the drama surrounding her Levi’s campaign, which has been ongoing since last year. She and the fashion brand recently released a new commercial showcasing the star trading in her horse for a motorcycle, something many fans believe was a hint that her next LP will be a rock album.

Busta Rhymes‘ former assistant is suing over allegations that the rapper assaulted him and then blacklisted him in the music industry – a lawsuit that quickly prompted the star to “categorically” deny any wrongdoing and threaten a countersuit.

In a case filed Tuesday in Brooklyn federal court, Dashiel Gables claims Busta (born Trevor Smith Jr.) repeatedly punched him in the face in January for using his phone on the job. After Gables filed a police report, he says the star retaliated by ensuring that nobody else will hire him.

“This industry-wide retaliation has devastated plaintiff’s career prospects and ability to earn a living in the only industry in which he has worked,” attorneys for Gables write in the filing obtained by Billboard.

But in a response statement Thursday, Rhymes said he “completely and categorically” denies the allegations from Gables, who the star described as an ex-staffer who only worked for him for “a very brief period.”

“Apparently, Dashiel has decided to respond to being let go by manufacturing claims against me in an attempt to attack and damage my reputation,” Rhymes wrote in a statement shared with Billboard. “I look forward to proving these allegations false, and am preparing a countersuit, which I am confident will expose this for what it is — an attempted shakedown by a disgruntled former assistant. Ultimately, I am certain the truth will prevail.” 

Rhymes was arrested in January over the alleged Jan. 10 attack in the lobby of the star’s luxury Brooklyn high-rise, in which police said the rapper punched the 50-year-old staffer in the face multiple times, sending him to the hospital. Court records do not indicate that prosecutors ended up pursuing charges over the incident.

In his lawsuit, Gables offered more alleged details on the incident, which he says was sparked by a phone call from his daughter while he was unloading the star’s luggage. Though Gables said he ignored the call, he claims he responded via text message, sending Rhymes “into a rage” in which the star allegedly screamed, “Stay the f–k off your phone.”

“When plaintiff explained it was his daughter, Busta Rhymes responded, ‘Don’t tell me about your f–king kid, what the f–k that gotta do with me?” Gables’ lawyers wrote. “When plaintiff responded that it could have been an emergency, Busta Rhymes asked ‘are you talking while I’m talking?’ and then, with a closed fist, punched plaintiff in the face.”

After Rhymes allegedly punched him again, Gables said he himself walked away from the scene, causing the rapper to “to become even more enraged” and scream more.

“While plaintiff tolerated a great deal of abuse while working for Busta Rhymes, he could not tolerate the repeated physical assault and was unable to return to work,” his lawyers said, confirming that he filed a report with the police.

The incident has allegedly left Gables “frozen out of the hip-hop music industry” after decades of work in that space: “Word of the assault and plaintiff’s complaint against Busta Rhymes has spread throughout the tight-knit hip-hop community, resulting in plaintiff being effectively blacklisted from employment opportunities in his chosen field.”

In technical terms, the lawsuit accuses Rhymes of a variety of federal and state employment law violations, as well as civil assault and battery and intentional infliction of emotional distress.

As a few lucky fans sat underneath the New York skyline to watch the premiere of Eminem‘s Stans documentary at Pier 17, a light drizzle slowly turned into a steady rain. The outdoor venue had ponchos for a few viewers perturbed enough in their seats to go grab them, but the overwhelming majority of Slim Shady’s supporters remained seated, happily transfixed by what was happening on screen. Soaked and giddy, the fans — or more appropriately, Stans — watched as Eminem explored his turbulent and meteoric rise in the early 2000s – an ascent both fueled and complicated by the fervent obsession of his passionate supporters.

Directed by Steven Leckart (The Day Sports Stood Still) and produced by Em, his longtime manager Paul Rosenberg and Antoine Fuqua, Stans spotlights 20 fans who talk in depth about how Eminem’s music and story transformed their lives. The film includes a rare sit-down interview with the rapper, and commentary from a handful of his closest friends and associates.

The spotlighted Stans were mostly in attendance as well, scattered about in the crowd and seen drinking and relishing their big moments on the silver screen. The interviews included one woman who spent 10 years working at the same diner Eminem worked at in Detroit when he was a kid, in the slim hopes he’d wander back in one day. There was also one with Nikki Paterson, who broke the Guinness World Record for having the most tattoos of a single musician on her body. She proudly decorated herself with 28 tats of Slim, including 16 portraits of the Detroit legend.

Needless to say, the love (and the rain) was all there at Pier 17. Here are the best moments from the Stan premiere screening in New York City.

Just days after one of his other attorneys said that it was her understanding that Sean “Diddy” Combs‘ team has reached out to President Donald Trump about a possible pardon for the disgraced hip-hop mogul, the Bad Boy Records boss’ lead lawyer threw cold water on the claims.

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“I have nothing to do with a possible pardon,” lead attorney Marc Agnifilo told CBS News. “I have had conversations with nobody. I have not spoken to the president. I have not spoken to anybody who speaks to the president about Sean Combs. I have not.”

That seeming about-face came after one of Combs’ other legal reps, Nicole Westmoreland, told CNN earlier this week that, “It’s my understanding that we’ve reached out and had conversations in reference to a pardon,” without offering any additional details on which administration officials Combs’ team has reportedly been in talks with.

In his first interview since Combs was convicted on prostitution-related charges in New York last month — he was acquitted of more serious sex trafficking and racketeering charges that could have had him locked up for decades — Agnifilo told CBS that he hasn’t discussed a potential pardon with Combs either, other than to inform him that it’s being talked about in the press.

Combs was convicted of two felony counts of transportation to engage in prostitution last month at a closely watched trial at which several former girlfriends and employees described the rapper’s meticulously curated, drug-fueled “freak off” sex marathon parties at which they said Combs, 55, observed while his female companions had sex with male prostitutes.

“He says, ‘Go tell him (Mr. Trump) that I need a pardon,’” Agnofilo said Combs told him about the chatter regarding a possible get out of jail effort from Trump. “‘Go tell him I deserve a pardon.’ That’s what he said.” At press time a spokesperson for the White House had not returned Billboard‘s request for comment on a potential Combs pardon. A senior Trump administration official declined to comment to CBS on what they called “speculation,” saying any decision on pardons would come directly from Trump.

While Trump has liberally wielded the pardon and commutation pen so far in his second term — including to pardon the more than 1,500 Jan. 6 rioters who violently stormed the Capitol after Trump’s election loss in 2021— in an interview with Newsmax last week Trump seemed on the fence about sparing his former friend Combs. “Well, he was essentially half-innocent… I was very friendly with him, I got along with him great and he seemed like a nice guy,’ Trump said. “I didn’t know him well. But when I ran for office, he was very hostile.

The president, who prefers those who openly curry favor with and praise him, said the “not so nice” comments from Combs could be a deal-breaker and that those untoward views are definitely making it “more difficult” to consider the effort.

While Trump and Combs were often pictured together at parties and public events before the real estate mogul first became president in 2016, Diddy seemed to quickly distance himself from the commander in chief in 2017 when he told the Daily Beast that he didn’t “really give a f–k about Trump.” Then, after Trump lost his re-election bid to President Joe Biden in 2020, Combs told interviewer Charlamagne Tha God that “white men like Trump need to be banished… the number one priority it to get Trump out of office.”

Agnifilo, whose previous clients include “Pharma Bro” Martin Shkreli and NXIVM founder Keith Raniere, said he’s currently focused on getting Combs a “good sentence” at an upcoming Oct. 3 sentencing hearing, where the once high-flying rap impresario is facing up to a maximum of two decades in prison. The lawyer said he typically speaks to Combs several times a day from the rapper’s cell at Brooklyn’s Metropolitan Detention Center; a judge denied Combs bail for a fifth time this week citing the violent nature of Combs’ personal relationships.

While he awaits his fate, Agnifilo said he’s told Combs — who was reportedly eager to testify at the trial — that the broad outline of the sentencing guidelines suggest he could be sentenced to four to five years behind bars, minus credit for time served since he was first imprisoned in Sept. 2024.

In a surprising aside given the damaging, lurid testimony in the trial about Combs’ private life, Agnifilo said one of Diddy’s future goals is to perform at one of New York’s most iconic venues again. “He said to me he’s going to be back at Madison Square Garden,” Agnifilo said.

Watch Agnifilo talk a possible pardon below.

A concert by the popular Argentine cumbia band Damas Gratis — which had been scheduled to take place on Wednesday (Aug. 6) night at the Movistar Arena in Bogotá — was canceled before it even started after violent clashes erupted inside the venue, then spilled outside. Local police reported one person had died and five injured with stab wounds.

Carlos Fernando Galán, the mayor of Bogotá, addressed the situation in an Instagram Story late Wednesday, and confirmed the fatality. “I regret the death of a person tonight outside the Movistar Arena, who, according to preliminary information, was hit by a car. In any case, this will be investigated.”

Pablo Lescano, leader of Damas Gratis, publicly expressed his sorrow as well. “Chau Bogotá, Colombia. You broke my heart,” he wrote on his Instagram Story. “I’m very sad about everything that happened.”

The incident was marked by violent confrontations reportedly involving rival football fan groups, often referred to as “barras bravas,” who clashed inside the venue as well as in the surrounding areas. These fights led to physical altercations and left several individuals with injuries, some requiring hospitalization.

“The violent incidents that took place at the Movistar Arena before a concert are absolutely reprehensible,” Mayor Galán added in his Instagram Story. “This type of violence cannot be overlooked or accepted as normal. As a result of the fights, several people are being treated at different hospitals in the city.”

Galán said he had called a meeting with the concert promoters, representatives of the Movistar Arena, the secretary of government, the secretary of security and the commander in charge of the Bogotá Metropolitan Police so that “they can present me with a full report of what happened and thus establish responsibility where appropriate,” he explained. “Violence has no place in our society.”

The concert, which was supposed to cap off the band’s mini-tour in Colombia, was plagued by warnings on social media prior to the event, with concerns that rival football fans might clash at the venue, according to local media Clarín.

Bogotá’s secretary of government stated that the event’s private security measures were overwhelmed and clarified that investigations are underway to understand the full scope of what occurred, according to local paper El Tiempo. Meanwhile, the Metropolitan Police reported five people with stab wounds.

Earlier in August, Damas Gratis graced the cover of Billboard Argentina, with Lescano reflecting in the story about 25 years of leading the cumbia villera genre. The pioneering band is known for revolutionizing Argentine cumbia in the late 1990s, blending raw lyrics from urban slang with synthesizer-drenched melodies and rebellious rhythms. Its hit songs “Se Te Ve La Tanga” and “Los Dueños del Pabellón” remain emblematic of the band’s innovative style.

YoungBoy Never Broke Again makes history on the Billboard 200 this week (on the chart dated Aug. 9), as he debuts his 34th album with his latest project, MASA, and surpasses E-40 for the most career entries on the chart among rappers.

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Released July 25 via Never Broke Again/Motown/ICLG, MASA debuted at No. 6 with 49,000 equivalent album units earned in the United States July 25-31, according to Luminate. It also marks his 16th top 10 album, tying him with Jay-Z and Nas for the third-most after Future (18) and Drake (17).

Here’s a look at the rappers with the most Billboard 200 entries:

  • 34, YoungBoy Never Broke Again
  • 33, E-40
  • 30, Snoop Dogg
  • 29, Gucci Mane
  • 29, Tech N9ne
  • 24, Lil Wayne
  • 24, Nas
  • 23, Jay-Z
  • 21, 2Pac
  • 20, Future

At just 25 years old, YoungBoy has already built a staggering Billboard résumé. His relentless output and loyal fanbase have propelled him to milestones most artists take decades to achieve — if they do at all. He first landed on the Billboard 200 in 2017 with his AI YoungBoy mixtape, and thus, charted 34 projects in just eight years since.

2018 and 2022 were especially busy years, as he landed eight projects on the Billboard 200 in each year. MASA is already his second entry of 2025, following More Leaks in March; he released that compilation while incarcerated in Baton Rouge, La., on a federal gun charge.

Unlike many artists, who tease singles for months and space out releases by years, YoungBoy takes a different approach. He circumvents the traditional album rollout and instead floods the market with new projects at a remarkable pace. Of his 34 entries, only eight are technically studio albums (including MASA), while 20 are mixtapes, three compiled various cuts and three are EPs. (See the full list below.)

Since 2010, the only artist overall to chart more albums on the Billboard 200 is the Grateful Dead (88), a total heavily fueled by the ongoing Dave’s Picks series, which repackages the band’s old live shows. YoungBoy ran up his total based on new material.

Dating even further back to 2000, the only proper artists (excluding franchises) to chart more projects than YoungBoy this century — Grateful Dead (an even 100), Bill & Gloria Gaither (47), Elvis Presley (42), Bob Dylan (40), Willie Nelson (39), Pearl Jam (38), Neil Young (37) and Prince (35) — are all generational talents who have decades’ worth of catalog releases, reissues and compilations. YoungBoy is a full generation or two removed from all those names.

Despite breaking records and reaching new career milestones, the high-volume approach may have its downsides. In a 2023 cover story for Billboard, YoungBoy called his non-stop release output “a disease,” and described it as a compulsion. “Literally, I cannot help myself. I tell myself sometimes, ‘I’m not going to drop until months from now,’ but it’s addictive. I wish I knew when I was younger how unhealthy this was for me. Whatever type of energy I had inside me, I would’ve pushed it toward something else.”

His strategy isn’t entirely unprecedented. Drake has long followed a similar flood-the-market philosophy, and it’s paid off for him. He holds many Billboard Hot 100 records, including most overall entries (360), helped by frequent releases and the fact that streaming weighs heavily in the Hot 100’s methodology. But while Drake’s reign stretches back to 2009, YoungBoy didn’t appear on the Hot 100 until 2017. And yet, by 2023, he became just the 13th artist ever to log 100 or more Hot 100 entries. He was also the youngest to do so, at age 23.

For comparison, E-40 has amassed his 33 Billboard 200 chart entries over nearly 30 years (1993-2022). YoungBoy did it in just eight.

Whether or not the pace is sustainable, the results speak for themselves. YoungBoy has already etched his name in chart history.

Every YoungBoy Never Broke Again Album to Chart on the Billboard 200 (In Order)

Title (Peak Position; Peak Year)

  • AI YoungBoy (No. 24; 2017)
  • Fed Baby’s with Moneybagg Yo (No. 21; 2017)
  • Ain’t Too Long (No. 173; 2018)
  • Until Death Call My Name (No. 7; 2018)
  • Master the Day of Judgement (No. 139; 2018)
  • 4 Respect (No. 19; 2018)
  • 4Freedom (No. 100; 2018)
  • 4Loyalty (No. 97; 2018)
  • 4Respect 4Freedom 4Loyalty 4WhatImportant (No. 14; 2018)
  • Decided (No. 41; 2018)
  • Realer (No. 15; 2019)
  • AI YoungBoy 2 (No. 1; 2019)
  • Still Flexin, Still Steppin (No. 2; 2020)
  • 38 Baby 2 (No. 1; 2020)
  • Top (No. 1; 2020)
  • Until I Return (No. 10; 2020)
  • Nobody Safe with Rich the Kid (No. 43; 2020)
  • Sincerely, Kentrell (No. 1; 2021)
  • From the Bayou with Birdman (No. 19; 2021)
  • Colors (No. 2; 2022)
  • Better Than You with DaBaby (No. 10; 2022)
  • The Last Slimeto (No. 2; 2022)
  • Realer 2 (No. 6; 2022)
  • 3800 Degrees (No. 12; 2022)
  • Ma’ I Got a Family (A Gangsta Grillz Special Edition Hosted by DJ Drama) (No. 7; 2022)
  • 3860 with Quando Rondo (No. 62; 2022)
  • Lost Files (No. 45; 2023)
  • I Rest My Case (No. 9; 2023)
  • Don’t Try This at Home (No. 5; 2023)
  • Richest Opp (No. 4; 2023)
  • Decided 2 (No. 17; 2023)
  • I Just Got a Lot On Shoulders (No. 159; 2024)
  • More Leaks (No. 29; 2025)
  • MASA (No. 6; 2025)

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Athletic and lifestyle brand Champion just launched its latest game-changing campaign with help from everyday champions in music and sports.

Spearheading the new campaign are trailblazers in their own field and faces, namely music artist The Kid LAROI, gold medal gymnast turned advocate Aly Raisman and style leader Romeo Beckham. To celebrate the champion within you, you can shop the full collection now at Target.

Other big names featured in the campaign include martial arts prodigy Rayna Vallandingham, Beast Games winner Jeffrey Randall Allen, Colombian actor-musician Juan Palau, K-pop choreographer Lia Kim, and gold medal freestyle skier and activist Gus Kenworthy.

The Kid LAROI Joins Champions for Champion Campaign: Shop the Collection

Champion Women’s Snap Front Top in Teal Blue

A collared top with a boxy construction.


The Kid LAROI Joins Champions for Champion Campaign: Shop the Collection

Champion Men’s Snap Hoodie in Gray Blue

A comfy men’s hoodie with snap closures.


Throughout the campaign’s imagery, each tastemaker is decked out in head-to-toe Champion from colorful crewnecks to sporty and retro sports bras. There’s something to shop for both men and women and even kids. Some of our favorite apparel from the collection includes the women’s Snap Front Top in Teal Blue, men’s Snap Hoodie in Gray Blue, women’s High-Rise Fleece Wide Leg Sweatpants in Heather Gray and the men’s Football Shirt in Red.

The women’s Snap Front Top retailing for $44 comes in an inclusive range of sizes from XS to 4X with two colorways from Teal Blue, our favorite, to Maroon. Whichever size or colorway you pick, the top’s construction is the same. You’ve got a collared neckline that gives way to nifty snap closures and a boxy and cozy fit. Retro Champion branding can be seen fixed to the top’s breast pocket.

Similarly, the men’s Snap Hoodie retailing for $44 includes snap closures on the neckline that are more ergonomic than standard buttons. The men’s hoodie comes in sizes small to XXL and one colorway, Gray Blue. The piece features white and blue trim, a wide front pocket and a cozy hood. Retro-esque Champion branding can be seen throughout. Both the hoodie and top can be styled casually, worn with athleisure like joggers, leggings or denim jorts.

The Kid LAROI Joins Champions for Champion Campaign: Shop the Collection

Champion Women’s High-Rise Fleece Wide Leg Sweatpants in Heather Gray

Baggy sweatpants with a drawstring closure.


The Kid LAROI Joins Champions for Champion Campaign: Shop the Collection

Champion Men’s Football Shirt in Red

A red football-esque top.


The High-Rise Fleece Wide Leg Sweatpants are all about comfort. Retailing for $34, this piece comes in sizes XS to 4X and features four colorways: Heather Gray (our favorite), Blue, Cream and Red. The bottoms are made of a plush essential weave fleece fabric with a high-rise, wide leg composition for a more comfortable fit. The silhouette also includes a roomy elastic waistband with a drawcord and side pockets. Embroidered Champion logo detailing can be seen throughout, offering the style a subtle branded touch.

In a sportier twist, the men’s Football shirt aims at mimicking the fit and composition of a football jersey. Retailing for $20, the shirt comes in sizes small and XXL and Red and Light Off-White colorways. The top’s fit is boxy and incorporates collegiate striping in white and black on the sleeves and large numbering in black on the front. Champion’s logo is fixed to the front. This piece is another casual offering we can see styled alongside baggy jeans or basketball shorts for a sporty feel.

“Champion’s identity is rooted in cultural leadership,” said Stefani Fleurant, evp, marketing, sport & lifestyle at Authentic, in a statement. “By partnering with talent who are redefining excellence in their fields, we’re reinforcing our commitment to inspiring a worldwide community that is united by creativity, confidence and the Champion spirit.”

The Kid LAROI Joins Champions for Champion Campaign: Shop the Collection

Champion Men’s IPO Squish Slide Sandals in Black

Black slides with the Champion logo on the straps.


The champion-centric collection also includes a slew of accessories. Our favorites? The Center Backpack and the men’s IPO Squish Slide Sandals. Comfy and casual, the slip-on IPO Squish Slide Sandals are a lightweight and casual option we can envision becoming your next go-to lounging shoes. Retailing for $20, the shoe comes in sizes 7 to 13 and Black, Blue/Off-White and Red/Navy Blue colorways. The slides feature a dual-density construction with squishy midsoles and durable density outsoles for maximum comfort with every step. Champion branding is affixed to the straps.

The Center Backpack is a great option for our readers heading back to school. The style retails for $29.99 and is ultra-roomy for the school essentials. The backpack comes in a slew of colorways; our favorite is the Blue/Pink. Adjustable padded straps give way to mesh water bottle pockets, ample internal pockets and a dedicated air mesh laptop sleeve.

The Kid LAROI Joins Champions for Champion Campaign: Shop the Collection

Champion Center Backpack in Blue/Pink

A blue and pink backpack.