The J-pop girl group’s 39th single dropped on July 30 and sold 775,982 copies in its first week (No. 1 for the metric), powering the track to the top spot from No. 41. This is the second-biggest first-week sales for any act this year, and is also significantly more than the group’s previous single, “Navel Orange,” which launched with 611,511 copies.
The top 3 songs with highest first-week sales this year so far are:
1. Snow Man “SERIOUS” (909,496 copies) 2. Nogizaka46 “Same numbers” (775,982 copies) 3. &TEAM “Go in Blind” (620,541 copies)
“Same numbers” also comes in at No. 10 for downloads, No. 27 for streaming, and No. 6 for radio airplay. It’s the popular group’s 29th No. 1 hit on the Japan Hot 100.
ENHYPEN follows at No. 2 with “Shine On Me.” The track is off the group’s fourth Japan single called “YOI” and is being featured as the ending theme song for the drama series Ebi datte Tai ga tsuritai. The track launched with 575,330 copies to come in at No. 2 for sales, while also hitting No. 18 for downloads, topping radio. The K-pop group scores its fifth top 10 hit on the Japan Hot 100.
HANA’s “Blue Jeans” is at No. 3. The track tops streaming for the third week in a row, while radio is at 115% compared to last week.
LiSA’s “Shine in the Cruel Night” rises a notch to No. 4. The theme song for the latest Demon Slayer: Kimetsu no Yaiba blockbuster movie is up to 114% for streaming and 109% for video views.
Mrs. GREEN APPLE’s “KUSUSHIKI” rises 10-5 this week, coming in at No. 2 for streaming, No. 6 for video, No. 29 for downloads, and No. 21 for karaoke.
Other notable chart moves include 7m!n (Seven Minute) debuting at No. 8 with “JOY!,” veteran trio THE ALFEE’s “HEART OF RAINBOW” at No. 17, and King & Prince’s “I Know” at No. 31. Also, ORANGE RANGE’s “Hana” from 2004 makes its first-ever appearance on the Japan Hot 100 at No. 47.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from July 28 to Aug. 3, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-07 00:43:272025-08-07 00:43:27Nogizaka46’s ‘Same numbers’ Hits No. 1, ENHYPEN’s ‘Shine on Me’ Follows at No. 2 on Japan Hot 100
Before Chappell Roan took the main stage at Øyafestivalen on Wednesday (Aug. 6) night in Norway, thousands of fans in fuzzy pink cowboy hats, chalky white face paint and a variety of looks from her music videos waited patiently on the tree-dotted lawn of Oslo’s gorgeous Tøyen Park.
From a nearby stage, Australian punk band the Chats could be heard raging about everything from identify theft to the rising cost of smokes. For those unfamiliar with Roan’s live sets, the pre-show sonic bleed might have seemed like an incongruous juxtaposition, given that Roan is ostensibly a pop artist. But when she hit the stage for her Øyafestivalen debut, it quickly became clear that Roan and her all-female backing band can land a rock n’ roll punch just as well as a punk outfit (or any band that falls more obviously under the rock umbrella). The drums are hefty yet lean, thumping and energetic; the guitars crackle like fireworks and cut like buzzsaws; and Roan’s voice can give falsetto highs, growly lows and from-the-gut shrieks at a level above most pop stars.
Two years out from The Rise and Fall of a Midwest Princess and the runaway success of that LP and follow-up singles “Good Luck, Babe!” and “The Giver” (both Billboard Hot 100 top 10s), Roan is now on the Visions of Damsels and Other Dangerous Things Tour. The new stage design offers up an alternately whimsical and foreboding fairytale atmosphere, with red eyes peeping out from a stony gazebo, images of gargoyles flapping above church spires and an intricate art nouveau gate that looks like a castle one moment and a cemetery the next. It’s all fantastical camp, exactly the kind of heartfelt cosplay that has attracted LGBTQ people, allies and outside-the-box oddballs to Roan’s world, which is both refreshingly candid and playfully unserious, sometimes within the same song.
Here are nine highlights from Chappell Roan at Øyafestivalen, from the first post-release performance of new single “The Subway” to a shout-out to her mom, who was in the crowd.
Billboard’s travel and accommodations for Øyafestivalen were provided by Music Norway, which was founded by the Royal Norwegian Ministry of Culture and Equality.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-06 23:55:562025-08-06 23:55:56Chappell Roan Rides ‘The Subway’ to First Post-Release Performance & Admits She’s ‘Really Nervous’ at Oslo Festival: 9 Best Moments
With his stadium-packing shows and massive hits including “Beautiful Crazy,” “When It Rains It Pours” and his rendition of Tracy Chapman’s “Fast Car,” it may seem obvious that music has been Luke Combs‘ passion his whole life.
But even as a sophomore at Appalachian University in Boone, North Carolina, Combs was already having to make tough choices when it came to following that passion.
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During a recent episode of The Dog Walk With Eddie, Combs recalled that he had rushed at Kappa Alpha Order, but was quickly forced to make a decision between the fraternity and music, due to a scheduling conflict in which the frat’s “Big Brother” reveal happening the same night as his a cappella group’s concert.
“On Big Brother reveal night we had a concert for the a cappella group, the same night that was gonna be at the same time,” he said, adding that he was “already kind of over” the process of pledging for a fraternity.
“Why does anyone really join a fraternity? To go to parties and meet chicks is kind of the deal, right?” Combs said. “So I tell the guys, ‘Hey, I really gotta do this concert tonight.’ Because there’s only like 12 people in the group; it’s not like there’s a thousand guys in the a cappella group. I’m like, ‘Your boy’s got solos. I can’t just not go,’ [but] they were like, ‘You’re either doing this or that.’”
When he was forced by his potential fraternity brothers to choose, it seems his decision was quickly made.
“I was like, ‘Well, I’m doing that, dude. I’m out,’” Combs said. Reflecting on it, he said, “It was tough, but I made the right choice. … I ended up here … but I would have loved to do both. … There was no wiggle room.”
Though he added in the interview that he held “no hard feelings” after having made the decision, he noted, “I was just like, ‘I kind of already sing and I’m already kinda good at that. All I’m doing with you guys is paying to be your friend, which I already have a lot of friends anyways.’ It just didn’t line up.”
Of course, pursuing music has paid off for Combs. He just released his new song “Back in the Saddle,” and has had three top 10 hits on the all-genre Billboard Hot 100 (so far). Four of his albums have reached the pinnacle of the Top Country Albums chart, while he’s garnered 18 No. 1 Country Airplay hits. After spearheading his Growin’ Up and Gettin’ Old Tour, Combs is playing shows in 2025 including Austin City Limits Music Festival in Austin, and his own Bootleggers Bonfire event, slated for October.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-06 22:50:552025-08-06 22:50:55Luke Combs Was Once Forced to Choose Between Music & A College Frat
UPDATE (Aug. 6): The ACM Honors have added four new performers to its lineup. The additional performers are three-time ACM Award-winning songwriter Ashley Gorley, “Wind Up Missin’ You” hitmaker and ACM Award-nominated Tucker Wetmore, K. Michelle and Carter Faith.
Faith is gearing up to release her debut project Cherry Valley in October, while K. Michelle is known for songs including “The Rain” and previously joined Jelly Roll and the Fisk Jubilee Singers on a rendition of The Judds’ classic “Love Can Build a Bridge,” recorded as part of the project A Tribute to The Judds.
PREVIOUSLY (July 30): The first round of performers has been revealed for the upcoming 18th annual Academy of Country Music Honors, including three-time ACM entertainer of the year Luke Bryan, as well as eight-time ACM Award winner Karen Fairchild of Little Big Town, Amy Grant, Ashley McBryde and Carly Pearce and Russell Dickerson.
The ACM Honors are set for Wednesday, Aug. 20, at The Pinnacle in Nashville. Pearce returns to host the event for a fifth consecutive year, and will be joined by first-time ACM Honors co-host Dickerson.
This year’s honorees include executive Lori Badgett, Eric Church, Luke Combs, Jessie Jo Dillon, Jelly Roll, Cody Johnson, Mac McAnally, Rissi Palmer, Randy Travis, the film Twisters, Ben Vaughn and Lainey Wilson.
“I’m excited to return as host of ACM Honors for the fifth year in a row,” Pearce said in a statement. “This night holds a special place in my heart because it shines a light on the songwriters, musicians and industry voices who make what we do possible. It’s truly one of my favorite nights of the year. It will be such a full circle moment to cohost with one of my oldest friends in Nashville, Russell Dickerson.”
“It’s a real honor to be hosting ACM Honors for the first time — especially at The Pinnacle in the heart of Nashville,” Dickerson said in a statement. “This night is all about giving credit to the folks who keep the wheels turning behind the scenes, and I’m proud to be part of it. Getting to team up with Carly and celebrate the industry we love so much is going to be one for the books.”
Additional performers, presenters and event details will be announced in the weeks ahead. Tickets for the ACM Honors are available through AXS.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-06 22:46:202025-08-06 22:46:20Additional Performers Added to ACM Honors, Joining Luke Bryan & More
Teyana Taylor revealed on Wednesday (Aug. 6) that she’ll be undergoing emergency surgery after a noncancerous growth was discovered on her vocal cords.
The rapper-actress shared the health update to her Instagram Story, but promised that while she’ll need to cancel some upcoming appearances, like an upcoming podcast with Michelle Obama, her Escape Room album rollout is going to continue with the project scheduled to arrive on Aug. 22.
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“I’ve been quietly dealing with some vocal challenges for a while now. And after a lot of back and forth with my doctors, I’ve been told I need vocal surgery immediately,” she wrote. “They found a noncancerous growth on one of my cords that’s been messing with my voice and causing real discomfort. Thankfully, we caught it & it’s treatable—but it does mean I need to pause and give myself time to fully heal.”
The 34-year-old continued: “That honestly breaks my heart. I don’t take lightly what it means to show up for y’all. I’ve poured so much of myself into this next chapter—especially the Escape Room, which is still dropping August 22! So no worries there. It’s the most personal body of work I’ve ever created. and the timing… it’s not lost on me. Just as I was getting ready to finally share this with you, life handed me my own unexpected ‘escape room’—one I didn’t ask for, but one I now have to find my way out of with patience, rest, and faith.”
Even amid the health battle, Taylor says she put her “whole heart into this music, this film, this rollout. And when I return, it’ll be with even more fire, more purpose, and the best version of me. Thank you for rocking with me through it all.”
Escape Room is set to boast 22 tracks, including her previously released “Bed of Roses” and “Long Time” singles and skits from Issa Rae and Lala Anthony.
The project serves as Spike Tee’s first LP since 2020’s The Album, which reached No. 8 on the Billboard 200 and No. 6 on Top R&B/Hip-Hop Albums.
2025 is shaping up to be another busy campaign for the Harlem native, who is starring in Paul Thomas Anderson’s One Battle After Another film alongside Leonardo DiCaprio and Sean Penn, due out later this year.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-06 21:40:492025-08-06 21:40:49Teyana Taylor to Undergo Vocal Cord Surgery After Noncancerous Growth Discovered: ‘This Moment Hurts’
One of the most beloved bands of the early 2000s wasn’t even a real band.
When the Lindsay Lohan and Jamie Lee Curtis-starring Freaky Friday remake premiered in 2003, moviegoers were introduced to the teen garage band Pink Slip, led by Lohan’s Anna and her two besties Maddie (Christina Vidal) and Peg (Haley Hudson). Their song “Take Me Away” — originally released by Australian alt-punk band Lash in 2001 — was introduced in the film during a garage rehearsal, before Pink Slip takes the House of Blues stage for their big Wango Tango audition and Lohan and Curtis’ body-swap switch-back.
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Now, Pink Slip and “Take Me Away” are back in Freakier Friday, Disney’s 23-years-in-the-making sequel that hits theaters on Friday. This time around, Lohan’s Anna is still pals with Maddie and Peg, but she’s left Pink Slip behind to focus on her life as a mom to Harper (Julia Butters) and music manager to gen Z pop superstar Ella (Maitreyi Ramakrishnan). But the band finds its way back together in the film, starting with Anna’s karaoke-fueled bachelorette party and concluding, once again, on a big Los Angeles stage, this time upgrading to The Wiltern for the musical grande finale.
Ahead of the sequel’s release, Billboard caught up with the three women behind Pink Slip — Lohan, Vidal and Hudson — as well as film producer Kristin Burr (credited with reuniting all five of the original Pink Slip bandmates for Freakier Friday) and music producer Suzy Shinn (who channeled her previous work with pop/rock heavyweights like Weezer, Panic! at the Disco, Fall Out Boy and Katy Perry into a revamped recording of “Take Me Away” and three different versions of brand-new song “Baby,” a centerpiece of the movie’s new mother-daughter storyline between Lohan and Butters).
Below, find Billboard‘s oral history of the epic Pink Slip reunion for Freakier Friday.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-06 21:27:362025-08-06 21:27:36An Oral History of Pink Slip’s ‘Freakier Friday’ Reunion: Where Are Lindsay Lohan & The Rest of the ‘Girls in the Garage’ Now?
Several music managers are among the National Conference of Personal Managers’ Class of 2025 inductees into the Personal Managers Hall of Fame. The class will be honored at a red-carpet reception and gala induction ceremony on Wednesday, Oct. 22 at Palms Casino Resort in Las Vegas.
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Here’s a complete list of this year’s inductees, with music managers listed first:
Bill Aucoin (posthumous): A pioneering rock manager best known for launching KISS and guiding the career of Billy Idol. Aucoin died in 2010 at age 66.
Tony Conway: The CEO of Nashville’s Conway Entertainment Group manages top country artists Alabama, Lorrie Morgan, Randy Travis and Exile.
Stuart Ross: The Los Angeles-based music manager and festival producer has managed such artists as Tom Waits and Puddles Pity Party and is the past producer of Coachella, Lollapalooza and Stagecoach.
Burt Stein: A partner at Gold Mountain Entertainment in Nashville, he represents Ronnie Milsap, The Band of Heathens and other top country and Americana acts.
Howard Klein, Michael Rotenberg, and Erwin Stoff: The three are co-founders of 3 Arts Entertainment, a Beverly Hills–based talent management and production powerhouse. Over nearly 35 years, they have guided the careers of such stars as Jessica Alba, James Downey, Francis Lawrence, Matt LeBlanc, Kristin Chenoweth, Michael Green, Mindy Kaling and Matt Reeves. The trio also produced acclaimed projects such as The Office, It’s Always Sunny in Philadelphia, King of the Hill, 13 Hours, The Matrix and Late Night.
Joe Stabile: The longtime personal manager of the late comedian and humanitarian Jerry Lewis died in 2004.
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“The 2025 inductees reflect the extraordinary influence, ethics, and legacy of personal management that the Hall of Fame exists to honor,” Clinton Ford Billups Jr., national president of the National Conference of Personal Managers (NCOPM), said in a statement.
Established in 2015, the Personal Managers Hall of Fame has inducted more than 50 industry legends, including Sid Bernstein, Bernie Brillstein, Brian Epstein, Danny Goldberg, Ken Kragen, Doc McGhee, Patricia McQueeney, Dolores Robinson, Jack Rollins and David Spero.
Inductees are selected by the national board of officers of NCOPM, the nation’s oldest trade association dedicated to advancing the profession of personal management. Nominations are accepted annually from professionals across the personal management industry.
Reserved tickets for the Oct. 22 event are available online at the Personal Managers Hall of Fame’s official website. Tickets are $175, which includes both the reception (6 p.m. -7 p.m.) and the ceremony (7 p.m.- 8:30 p.m.)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-06 21:06:262025-08-06 21:06:26Managers Who Guided KISS, Alabama & Tom Waits Among 2025 Inductees Into Personal Managers Hall of Fame: Full List
One of the most memorable moments of this year’s Lollapalooza — Earth, Wind & Fire joining Sabrina Carpenter as a surprise guest — came together in less than 24 hours, according to member Philip Bailey.
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In a post-festival interview with Vulturepublished Tuesday (Aug. 5), the frontman revealed that his band only had a day’s notice before their big moment on stage, with Carpenter’s team reaching out to the 1970s/80s icons with an invitation, flying them into Chicago on a private plane and hosting them for rehearsals all within a 24-hour time period. “We had to really turn this thing around,” Bailey told the publication.
“We hopped a plane at seven in the morning, went in, and had the rehearsal,” he continued. “It was very quick and kind of sketchy. I was almost concerned about it. But by that evening, they had dialed everything in, and [Carpenter] did her homework on what verses she was going to take. We went out there and floated on all that energy.”
“She’s very cordial, very kind, and very approachable,” Bailey noted of the Gen Z singer, whose work he hadn’t previously heard aside from smash hit “Espresso.” “Her energy and our energy were very compatible and complementary to one another. How she puts her show together, in terms of how it accelerates and builds, was fantastic.”
The interview comes three days after Earth, Wind & Fire took the stage with Carpenter, who closed out the entire 2025 festival by headlining the last of its four days on Sunday (Aug. 3). The other headliners included Tyler, the Creator, Rufus du Sol and Olivia Rodrigo, while Doechii, Gracie Abrams, KATSEYE and dozens of other artists also performed over the weekend.
During Carpenter’s set, it came as a total surprise to her crowd when — in the middle of her usual setlist of tracks from Billboard 200-topping album Short n’ Sweet — Earth, Wind and Fire’s “Let’s Groove” started playing over the speakers. “We can just let loose, right? We can just groove,” the Girl Meets World alum said moments before the soul singers walked out on stage. “I thought, ‘Why not bring out my friends from Chicago?’ Give it up for Earth, Wind & Fire!’”
The musicians went on to perform “Let’s Groove” and “September” together. Summarizing the whole experience, Bailey added to Vulture, “We were honored to be asked and very appreciative to her and to her fans for embracing these moments we were able to share.”
Carpenter is now gearing up to release her seventh studio album, Man’s Best Friend, on Aug. 29, following a whirlwind year of breakout success thanks to Short n’ Sweet. So far, fans have only gotten to hear one of the songs on the LP — “Manchild,” which dropped in June and hit No. 1 on the Billboard Hot 100 — but the vocalist did recently unveil the full tracklist.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-06 21:06:252025-08-06 21:06:25Earth, Wind & Fire Says Sabrina Carpenter ‘Did Her Homework’ to Pull Off Lollapalooza Cameo in Under 24 Hours
Lindsay Lohan, Christina Vidal and Haley Hudson from Freakier Friday share their experience of reuniting as Pink Slip for the Freaky Friday sequel, the emotional connection Lindsay had with “Baby” and wanting to go on tour!
Are you excited for Freakier Friday? Let us know in the comments!
Lindsay Lohan: To do a movie and to be in a band …
Christina Vidal: Because we got to, like, actually rehearse the way a band would, like, I remember we went to this place in North Hollywood that was, like, this big studio where bands would rehearse, and I always walked by there. For me, it was cool to like, “Oh, I’m now going to be, like, one of the bands rehearsing.” So we got to, like, feel what it would be like to really be in a band. And that was cool for me, because I’ve never done that before.
Lindsay Lohan: This time it came a little bit easier because it was like a reunion for us first, and then it was like, “OK, let’s do it.” Like it felt like it was just like it was yesterday, like it felt very comfortable.
Haley Hudson: It did, yeah.
Christina Vidal: It’s sort of, I was gonna say, like, it’s almost like no time passed. When we first saw each other was just kind of like, “Oh man, I feel like we just did this,” but it was definitely not just, but like that. I think there’s a natural chemistry, too, with us. Like performing and just, like, being friends, we always got along on set. We always, like, you know, so it was just, like, like she said, it was just already there. And when I went into the studio to record the song, I didn’t realize how much that song was in me. Like, I just immediately, like, remembered everything, and it just took me back.
A year ago, it seemed like Bailey Zimmerman had the batch of songs that would make up his sophomore album — the follow-up to his 2023 debut Religiously. The Album., which spawned a trio of No. 1 Billboard Country Airplay hits: “Fall in Love,” “Rock and a Hard Place” and “Religiously.”
But as he was trying to balance writing sessions for the new album and a hectic touring schedule — last year, he not only headlined his own high-energy Religiously. The Tour., but opened stadium shows for the likes of Morgan Wallen, Kane Brown and Luke Bryan — Zimmerman says that though he was getting great feedback on the songs from those in his inner circle, something didn’t feel quite right.
“We put up the tour and it sold out, and my team was like, ‘You need to put out another record,’” he recalls to Billboard. “But I was like, ‘I’m not really feeling this album. The songs are good, but it doesn’t feel personal to me.’ If I put it out, it’s out there and I can’t take it back. That’s when I pulled the whole plug on it.”
So Zimmerman recalibrated, writing more songs, and ultimately contributing seven of the 18 songs that appear on his new album, Different Night, Same Rodeo, out on Atlantic Records/Warner Music Nashville on Friday (Aug. 8). But he also called upon many of Nashville’s premier songwriters to craft songs, such as the jangly, fiddle-laced ode of self-sabotage “Comin’ in Cold,” the driving “Backup Plan” and the sterling album closer “Happy Ever After Me.”
“I’m blessed because of songwriters,” he says. “Old-school days, everybody was so, ‘I don’t cut outside songs.’ That ain’t me. When I first started writing for my first album, I wasn’t touring, I was only writing songs. When I started touring, it does get hectic and wild. I [told writers] ‘I’ll give you some ideas and things I want to talk about, and you go write songs. If you write a song I feel like I could have written myself or I connect to it, I’ll cut that song.’ They’ll send me a verse-chorus, and I’ll start messing with it on the bus.”
Among those songs Zimmerman co-wrote is the country-rock leaning “Chevy Silverado,” which Zimmerman says he had been working on intermittently for about three years.
“When I was 16, my Chevy Silverado was everything to me,” he recalls. “I was always driving that thing, going to parties, hanging out with girls. At first the lyric was about a red Chevy Silverado, then I changed it to white. I realized, ‘Wait, this is a song about my life’ — and I started changing all the lyrics [to more closely fit his story].”
He eventually brought in co-writers Tucker Beathard, Ilsey Juber, Gavin Lucas and Heath Warren to help shape the song. “This is my story, from meeting girls to hanging out and getting my heart broken,” he continues. “Now, I still have the Chevy Silverado — but none of those girls, none of those loves. The surface meaning is that your Chevy will never leave you, but the girls will.”
The new album is scattered with collaborations, following “All the Way,” his smash teamup with BigXthaPlug that reached No. 4 on the Billboard Hot 100 earlier this year. On his current hit single from the album, Zimmerman joins forces with Luke Combs on the steely-eyed ode to ambition and grit “Backup Plan,” which has reached the top 10 on the Country Airplay chart. “Luke was one of those [collabroators] I was chasing,” he says.
When Zimmerman played at Combs’s October benefit concert Concert For Carolina, which aided those in North Carolina impacted by massive flooding, the two artists found time to hang out prior to the show.
“It was a real connection — I was like, ‘I really like this guy,’” Zimmerman recalls. “It felt like he was treating me like he would treat anybody else. He gave me his number that night, and I was like, ‘Should I text him? Should I be the crazy girl on the first date and text after the first date? Or should I let it chill?’ It was about 10 days later I finally texted him, and we ended up doing ‘Backup Plan’ together.”
Bailey Zimmerman, “Different Night Same Rodeo”
Courtesy Photo
Illinois native Zimmerman, whose career launched after he first put up truck videos on TikTok, then transitioned to releasing videos of himself performing his own songs, has earned nominations from the Academy of Country Music and the Country Music Association, and earned two top 10 hits on the Hot 100, the aforementioned “All The Way” and the unaccompanied “Rock and a Hard Place.”
Where his debut album fashioned a moody, 2000s rock-oriented brand of country, his new album leans into shades of R&B, as well as brighter banjo- and fiddle-fueled country tracks such as “New To Country” and even feather-light touches of church piano sounds on the Diplo collab “Ashes.”
“I’ve been such a fan of his music,” Zimmerman says of Diplo. “One day, he just showed up at my house, and I was like, ‘I wanna show you some songs.’ It was so random. ‘They said Diplo’s on his way over.’ The song felt so fun and hype. Though it talks about, like, this girl has this guy she’s not really into and she keeps coming back to me. It kinda insinuates cheating a little bit, but I didn’t think of it like that, I just thought, ‘It’s so fun.’ It kind of talks about some deep stuff, but it’s meant to be light-hearted.”
The Kid LAROI collab “Lost” came after the two musicians spent the night on the town in Nashville after LAROI had played a private show in Music City.
“He’s like, ‘I want to have dinner with Bailey,’” Zimmerman recalls. “I’ve listened to his songs since like 2016 and had just started. We got to dinner and I was nervous — so [we] got there and he was the nicest guy ever. We get along [about] everything, and all of just what we believe in and life and our careers — it was like the Spiderman thing where I was pointing at myself. We had a wild night in Nashville, went out to Morgan’s [Wallen’s Nashville bar] — I took him to Loser’s, and the next morning he pushed his flight back because he wanted to have breakfast. On the way there, he was like, ‘Last night, you played me a song. Can you play that again?’ and I had played him ‘Lost.’ He kept asking to hear it, so I asked him to get on the song.”
Though he’s recently rolled out the collabs with BigXThaPlug, Combs and Diplo, Zimmerman says he’s judicious when it comes to collaborating. “My main thing about collaborations is I really want to be friends, and it’s not just this forced industry thing,” he says.
Some of Zimmerman’s songs, such as “Religiously” and the new album’s “Holy Smokes,” dabble in spiritual references — but he also delves deeper into emotionally raw moments of doubt and struggle, such as on “Hell or High Water.” Zimmerman says the new project follows a personal time marked by worry, and reliance on unhealthy vices, but he’s seen a personal spiritual renewal in his own life.
“God saved me from drinking and smoking all the time and all these little things that kept getting in my way,” Zimmerman says. “The uncertainty and me worrying… I’ve worried about this album, this tour. I’ve been so nervous about everything, but when I pray about it, it’s gone. [My faith] has just grown stronger over the past few years.”
As both country music and Christian music have skyrocketed over the past year, Zimmerman says releasing his own album of faith-inspired music or a Contemporary Christian music collab wouldn’t be out of the question.
“I’ve had people ask me if I would do a Christian album, but God’s calling me to do what I’m doing right now and there’s a reason for it,” he offers. “100% ,I’d do a Christian collab. I’ve thought about doing a Christian album — but my version of it, where it’s Christian-country. I’ve actually been talking to [Contemporary Christian music singer-songwriter] Brandon Lake about doing that, and I’m such a big fan of his.
“I think it’s the new age of Christian faith, because there’s been so many people not doing it for the right reasons,” he adds. “I had this lady in catering one time. I had a sweatshirt on that said, ‘Just Here to Give God Glory.’ I said something like, ‘This chicken looks good as s—t’ This lady went, ‘If you’re going to be a billboard, then maybe you should probably be a little better with your mouth. I’m like, ‘Oh, so because I’m not perfect, I can’t spread the word of God?’ That’s the worst advice I’ve heard in my life. The old-school way of learning about God and being a Christian is so outdated. No, you don’t have to take your hat off to talk to God or show up in your Sunday best. I’m so passionate about it.”
But currently, he says his country songs of love, loss, growth and his small-town upbringing are right where he feels he needs to be, and he’s excited to be playing his new music, and revealing his journey thus far, to fans on his current New to Country Tour each night.
“This music is crazy and I’ve worked so hard on it,” Zimmerman says. “I’m so glad I stuck to my guns on [the album]. I’m so proud of it. It’s tight.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-08-06 20:55:432025-08-06 20:55:43Why Bailey Zimmerman ‘Pulled the Plug’ on His First Attempt at Making His New Album