Joan Baez, Graham Nash, Sean Ono Lennon, Allison Russell, Auli’i Cravalho and Josh Gad are among dozens of notables from the worlds of film, television, music and related industries who have signed an open letter warning about the rising nuclear threat that appears Wednesday (Aug. 6) in The New York Times and Variety.

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Under the headline “No More Hiroshimas, No More Nagasakis: Cultural Leaders for a Future Without Nuclear Weapons,” the letter begins: “Eighty years ago, atomic bombs destroyed Hiroshima and Nagasaki, killed hundreds of thousands of people, and changed the course of history. … Today, experts believe the risk that a nuclear weapon will be used again—by accident or on purpose—is as high as it has ever been. Conflicts are raging in regions with nuclear weapons—even over nuclear weapons. 

“The only remaining treaty limiting the number of nuclear weapons in the world expires in six months. Emerging technologies and AI pose new unknown risks to already complex systems. We’re sliding into a costly and dangerous new arms race under the absurd premise that threatening annihilation keeps us safe. But the ending isn’t written yet, and the creative community has a leading role to play in pulling us back from the nuclear brink.” 

The letter includes a pledge to use their voices, platforms, leadership, and storytelling expertise to call attention to the dangers posed by nuclear weapons and help people imagine a safer future without them.

Other actors and creatives who signed the letter include Rosanna Arquette, Lawrence Bender, Kathryn Bigelow, Yvette Nicole Brown, James Cameron, Alan Cumming, Michael Douglas, Walton Goggins, Topher Grace, Clark Gregg, Harry Hamlin, Matthew Modine, Julianne Moore, Olivia Munn, Lisa Rinna, Martin Sheen, George Takei, Emma Thompson and Lily Tomlin.

Many of these people have been anti-nuclear activists for decades. Nash performed at and helped organize No Nukes: The MUSE Concerts for a Non-Nuclear Future at Madison Square Garden in 1979. Douglas produced and starred in The China Syndrome, a nuclear-themed thriller that was released that same year.

The statement was endorsed by the governors of Hiroshima and Nagasaki and by Ernest J. Moniz, former U.S. Secretary of Energy and co-chair and CEO of the Nuclear Threat Initiative (NTI). Highlighting today’s growing nuclear risks, Moniz noted: “The possibility that a nuclear weapon will be used again—by accident or on purpose—is rising. We can barrel toward catastrophe, or we can come together behind a different path that eliminates the nuclear threat.”

A week after heavy metal icon Ozzy Osbourne was laid to rest, the singer’s son Jack Osbourne has shared the grief, heartache and beautiful memories he’ll keep of his famous father in a touching Instagram post.

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“I haven’t really wanted to post anything since the passing of my father. My heart has hurt too much. I’m gonna keep this short because he certainly hated long rambling speeches,” wrote Jack, 39, one of three children Ozzy shared with wife/manager Sharon Osbourne. “He was so many things to so many people, but I was so lucky and blessed to be apart of a very small group that got to call him ‘Dad.’”

Jack’s message was posted alongside a sweet video montage of moments with Ozzy from throughout his life, from a childhood visit with pops to the Howard Stern show in 1997 in which he tells the shock jock that having Osbourne as a dad is “very cool,” to shoulder rides, reality show shenanigans and adventures on the road as an adult. The images were cued to Ozzy’s sentimental Beatles-esque ballad “So Tired” from 1983’s Bark at the Moon solo album.

“Time has come to say goodbye/ I know it’s gonna make you cry/ But you belong to another, my love/And half a love that just ain’t enough/ I am so tired (so tired)/ And I just can’t wait around for you,” Ozzy sings over weepy strings on the tune. Osbourne died at 76 on July 22 from cardiac arrest and coronary artery disease that contribute to a heart attack.

“My heart is full of so much sadness and sorrow, but also so much love and gratitude. I got 14,501 days with that man and I know that is such a blessing,” Jack wrote before offering up a famous quote from late gonzo writer and hell-raiser Hunter S. Thompson from his book The Proud Highway: The Saga of a Desperate Southern Gentleman, 1955-1967 about living big and leaving behind a well-worn corpse: “Life should not be a journey to the grave with the intention of arriving safely in a pretty and well-preserved body… but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming, ‘Wow! What a ride!’”

The clip ends with a series of photos of Ozzy smiling with his children and laughing and pulling faces with his grandchildren, as well as archival footage of him teaching a young Jack how to properly bow and say goodnight to an audience after a show. In addition to pics of Jack and his brood at Osbourne’s final show, the July 5 all-star Back to the Beginning gig in the rocker’s home town of Birmingham, England, Jack included the NSFW flower arrangement that was set up on Ozzy’s estate for his private funeral last week that read: Ozzy F–king Osbourne.

“That was my dad. He lived and he lived his life fully,” Jack wrote. “I love you dad.” Jack’s tribute cam just days after his sister, Kelly Osbourne, thanked fans for holding her up during this hard time. “I’ve sat down to write this a hundred times and still don’t know if the words will ever feel like enough … but from the bottom of my heart, thank you,” Kelly wrote. “The love, support and beautiful messages I’ve received from so many of you have truly helped carry me through the hardest moment of my life. Every kind word, every shared memory, every bit of compassion has meant more than I can ever explain… I will not be OK for a while — but knowing my family are not alone in our pain makes a difference. I’m holding on tight to the love, the light and the legacy left behind.”

Watch Jack’s video here.

Billboard has announced a new wave of artists confirmed for 2025 Billboard Latin Music Week, returning to The Fillmore Miami Beach in October.

Joining the star-studded lineup are Alofoke, Anuel AA, Guaynaa, Ela Taubert, Humberto “Humby” Viana, Julio Reyes Copello, Leo Rojas of “Escuela de Nada,” Molusco, Óscar Maydon, Pablo Alborán, Silvana Estrada, Xavi and Yami Safdie, with additional talent to be announced soon.  

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Previously announced artists include Carín León, Gloria and Emilio Estefan, Goyo, Grupo 5, Kapo, Laura Pausini, Luis R. Conriquez, Myke Towers, Netón Vega, Ozuna, and Venesti.

Recognized as the most influential week in Latin music, the event — taking place Oct. 20 to 24 at Fillmore Miami Beach — will once again host panels, marquee conversations, roundtables, networking and activations, in addition to its celebrated Billboard En Vivo showcases. Latin Music Week also coincides with the 2025 Billboard Latin Music Awards, set to air Thursday, Oct. 23, on Telemundo and Peacock.

“Billboard Latin Music Week continues to bring energy and creativity to Miami Beach,” said Miami Beach Mayor Steven Meiner. “We can’t wait to host this global gathering that celebrates the voices shaping Latin music. It’s events like this that spotlight our city as a hub for innovation, culture, and connection.”  

Leila Cobo, chief content officer of Billboard Latin/Español, added: “Billboard Latin Music Week has continuously evolved with the times; that’s how we’ve remained a cornerstone of the industry for over three decades. This year’s edition promises to be our most expansive yet, with newly curated panels and immersive opportunities that reflect the dynamic growth of Latin music and culture in the heart of Miami Beach.” 

Spanning 30 years, Latin Music Week has become the one steady foundation of Latin music in this country, becoming the single most important and largest gathering of Latin artists and industry executives in the world. Last year’s sold-out events featured artists like Peso Pluma, J Balvin, Alejandro Sanz, Young Miko, Thalia, Pepe Aguilar, JOP of Fuerza Regida and Belinda.

Billboard has also teamed up with State Farm® for En Vivo, a live concert with talent to be announced, and the New York State Lottery, which is sending select lottery winners to Latin Music Week, and is hosting an exclusive Welcome Reception. More partners will be announced soon. Tickets are on sale now at BillboardLatinMusicWeek.com. The full schedule and lineup will be revealed in the coming weeks.

Jelly Roll‘s eclectic list of collaborators stretches from Jessie Murph and Lainey Wilson to Kelly Clarkson, Post Malone, Lil Wyte, Shaboozey, K. Michelle and the Fisk Jubilee Singers, Cody Johnson and Yelawolf, among many others.

But his upcoming collab will take the “Son of a Sinner” singer a bit further out of his zone when he drops the beat-infused track “Holy Water” with dance music producer Marshmello on Friday (Aug. 8).

The dynamic duo both slipped into one of Marshmello’s signature white helmets on Tuesday (Aug. 5) for a brief preview video for the song. “Still slowly feel what you feel/ Two tears for the soul departed/ Pour out a little holy water,” Jelly sings over a mid-tempo beat in the clip in which he has to make his hands do the talking since we can’t see his typically expressive face.

Last week, Marshmello got the hype machine rolling on the project some fans are referring to as “MarshJello” or JellyMello” with a private jet pic of himself in his ‘Mello head holding an extra one featuring some of Jelly’s signature face tats on his lap. He followed that up with another preview video of the song in which only he is wearing the helmet and Jelly jams out next to him in the studio with the caption “We knew this one was special from the jump.”

Jelly seconded that emotion in a comment, writing, “Absolutely honored brother.” This marks ‘Mello’s latest foray into country, coming on the heels of two collabs with Kane Brown on “One Right Thing” and the Billboard Hot 100 No. 15 hit “Miles On It.”

On Tuesday (Aug. 5), MTV announced the nominees for the 42nd annual Video Music Awards. Lady Gaga led nominations with 12, while her “Die With a Smile” collaborator Bruno Mars was just behind her with 11, with big names like Kendrick Lamar and Sabrina Carpenter trailing shortly behind that pair. While we now know the nominees for marquee categories like video and artist of the year, one award remains remains a mystery for the Sept. 7 VMAs: The Michael Jackson Video Vanguard award.

The lifetime achievement award, which dates back to the first-ever VMAs in 1984 and has been given out annually since (with occasional gaps, most recently for the pandemic-stricken first two years of the 2020s), is given to reward “outstanding contributions” and “profound impact” on music videos and popular culture. It’s named after Michael Jackson, arguably the most outstanding artist in music video history, and has been handed out over the decades to video luminaries ranging from David Bowie and The Rolling Stones to Beyoncé and Missy Elliott. Most recently, the Video Vanguard has been awarded to global pop superstars Shakira (2023) and Katy Perry (2024).

Who will be the 2025 recipient? As we did last year — correctly predicting Perry as the ’24 honoree — Billboard decided to take a crack at predicting who will get the award this year. We started with some of the biggest and most legendary artists yet to receive the award, and filtered our list through factors like contemporary relevance, promotional considerations and the simple likelihood of the artist being willing to show up to deliver a speech and career-spanning medley performance, as has been customary of honorees for most of the past decade.

Here are our eight best guesses for the 2025 Video Vanguard recipient, ranked (roughly) from least to most likely.

John Mayer knows exactly how lucky he is to be playing in the band. The guitarist celebrated good fortune on Tuesday night (Aug. 5) in a lengthy Instagram post honoring his role in the Grateful Dead’s three-day blow-out 60th anniversary celebration in San Francisco’s Golden Gate Park over the weekend during three shows by Dead successor band Dead & Company.

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“Night 3 in Golden Gate Park celebrating 60 years of @gratefuldead will be a one we’ll never forget. I finally had the chance to play with @treyanastasio, and beyond the full-circle moment of it all, the lock we had going was instant. Trey’s ear-to-fretboard data transfer time is unparalleled. I’m still blown away,” Mayer wrote of his jam with the Phish singer/guitarist on “Scarlet Begonias” and “Fire on the Mountain” on Sunday night.

Mayer also thanked Graham Lesh, son of late Grateful Dead bassist Phil Lesh, who also sat in with Dead and Co. all three nights of the run, including performing his dad’s beloved composition, “Box of Rain,” with the group on opening night; Phil Lesh died in Oct. 2024 at age 84. “Extra special thanks to @grahamelesh for joining us all three nights. No matter how many shows we play as a band, I will always be a guest in this musical world, and I’ll never lose sight of what is the great honor of my life,” wrote Mayer.

“Happy 60th, Grateful Dead, and long may you run, @bobweir@mickeyhart and @billkreutzmann,” he added in reference to founding members guitarist/singer Bob Weir and drummers/percussionists Mickey Hart and Bill Kreutzmann, before noting that his position to Weir’s right — where late guitarist/singer Jerry Garcia stood for many years before switching to the left — is one of great honor to him. “It must be said… I’ll never come close to playing like @jerrygarcia,” wrote Mayer of the iconic Dead co-founder who died in 1995 at age 53. “But if I can somehow get you closer to him – and to the spirit he created 60 years ago – then I suppose I’ve done my job. Thank you for accepting me.”

Mayer’s post included a sweet photo of the band taking a bow, with the massive crowd — more than 180,000 people attended the trio of shows — arrayed in front of them, as well as shots jamming with Anastasio, Weir and Anastasio and a series of live shots from the shows.

The Oasis fan who died in a fall at the band’s Wembley Stadium concert on Saturday (Aug. 2) has been named by his family, and a crowdfunding appeal has been set up in his honor. 

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Lee Claydon, 45, from Bournemouth, England fell from a height towards the end of the concert and was pronounced dead at the scene. Oasis shared a statement saying they were “shocked and saddened” by the news. 

On Sunday, London’s Metropolitan Police said a man in his 40s “was found with injuries consistent with a fall” the previous evening. Claydon reportedly fell from an upper tier of the stadium. Emergency services attended to him at the scene but were unable to revive Claydon, who’d been attending the concert with brother, niece and nephew.

A GoFundMe page has been established by his brother, Adam, in the name of Claydon’s wife and three children. “Our family has been turned upside down and are struggling to deal with this devastation and unexpected loss,” the page reads. As of the time of writing, Oasis fans have raised over £15,057 ($20,015) to assist the family.

Speaking to the BBC, Claydon’s father said that his son “may have had a couple of beers but had not taken any drugs.” He also raised questions about the safety of the venue, which hosted 81,000 fans over five sold-out nights over the past fortnight. “All I know is there was beer everywhere, it’s slippery, he slipped apparently, we do not know the rest of it. There’s questions about the barriers.”

On Sunday, Oasis said that they “would like to extend our sincere condolences to the family and friends of the person involved.” The Metropolitan Police has called for witnesses or those with mobile footage from the event to contact them which they believe took place at 10:19 p.m., ten minutes before the conclusion of the concert. “The stadium was busy, and we believe it is likely a number of people witnessed the incident, or may knowingly or unknowingly have caught it on mobile phone video footage.”

A spokesperson for Wembley Stadium said: “Wembley Stadium operates to a very high health and safety standard, fully meeting legal requirements for the safety of spectators and staff. Despite their efforts, the fan very sadly died. Our thoughts go out to his family, who have been informed and are being supported by specially trained police officers,” the venue said.

Oasis’ reunion tour kicked off at the Principality Stadium in Cardiff, Wales on July 4. Following a run of shows at Manchester’s Heaton Park (July 11-20) and London’s Wembley Stadium (July 25-Aug. 3), the tour continues in Edinburgh, Scotland at Murrayfield this Friday (Aug. 8) before heading to Dublin’s Croke Park. The band’s North American leg will commence on Aug. 24 in Toronto, Canada.

Lin-Manuel Miranda brought Hamilton back to the stage—well, the classroom—during Tuesday night’s (Aug. 5) episode of The Tonight Show Starring Jimmy Fallon, teaming up with Fallon and The Roots for a joyful medley of the musical’s most iconic numbers using toy instruments.

In celebration of Hamilton’s 10th anniversary, the Broadway creator and star donned a colonial-style costume and joined the Tonight Show host and house band to reimagine “Alexander Hamilton” and “My Shot” using classroom staples like tambourines, triangles, melodicas and kazoos.

The segment continued the late-night staple’s beloved Classroom Instruments series, which has featured artists from Adele to BTS in stripped-down, playful renditions of hits.

In addition to the musical tribute, Miranda sat down with Fallon to reflect on Hamilton’s legacy and revealed a new milestone: a theatrical release of the filmed stage production is officially set for Sept. 5. “We filmed most of the original cast performing Hamilton in 2016, and we always wanted to release it theatrically, but then the pandemic hit,” he said.

“We decided to release it on streaming so that everyone could see it at home… But Sept. 5, you’ll be able to see Hamilton in movie theaters nationwide and in Puerto Rico.”

Miranda also shared a now-viral anecdote about missing the night Prince attended Hamilton, revealing he was DJing a friend’s wedding while the rest of the cast partied with the icon. “The entire cast was up all night partying with Prince… It’s the FOMO of my life.”

The Hamilton filmed version originally premiered on Disney+ in July 2020 and featured a “live capture” of the stage show with the original Broadway cast. The Tonight Show episode also included a musical segment with Chance the Rapper and a guest appearance by The Daily Show’s Jordan Klepper.

Kendrick Lamar is expanding his upcoming run of Australian shows, announcing second stadium dates in both Melbourne and Sydney for his 2025 Grand National Tour.

The Pulitzer Prize-winning rapper will now perform two nights at Melbourne’s AAMI Park (Dec. 3 and Dec. 4) and Sydney’s Allianz Stadium (Dec. 10 and Dec. 11), Live Nation confirmed on Tuesday (Aug. 6). The newly added shows will see fellow U.S. artist and Spilt Milk festival alum Doechii join Lamar as support, while original opener ScHoolboy Q will continue in his slot for the first night in each city.

The forthcoming shows will be Lamar’s first visit to Australia since The Big Steppers Tour in 2022, though unlike his current run of North American dates, they will feature Lamar in solo mode, with two different support acts, as opposed to his co-headlining status with SZA.

His return comes off the back of a dominant start to 2025, with his viral diss track “Not Like Us” becoming the longest-running No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart, and spending multiple weeks at No. 1 on the ARIA Singles Chart. Lamar held three songs in the ARIA Top 10 — “Not Like Us,” “Luther,” and “All the Stars” — reflecting his sustained commercial and cultural impact in the region.

Lamar’s Australian fanbase has remained strong since his early good kid, m.A.A.d city era, and his 2025 chart success has further amplified interest in his long-awaited return. Industry observers point to a record-breaking run of sold-out shows across North America and Europe.

In February, Lamar swept five awards at the 2025 Grammy Awards, including Record of the Year and Song of the Year for “Not Like Us.” He also delivered one of the most talked-about performances at the Super Bowl Halftime Show, cementing his place as a defining live performer of his generation.

The newly announced Australian shows will cap off an extensive international leg that includes dates in Mexico, Brazil, Argentina, Chile and Colombia throughout September and October, alongside festival appearances. Lamar and Doechii are also set to appear on the 2025 Spilt Milk Festival lineup, performing in Canberra, Ballarat, Perth and the Gold Coast across late November and early December.

Presented by Live Nation and pgLang, the Grand National Tour is one of the biggest global touring projects of the year, with an emphasis on high production value, political messaging, and artistic direction that blends music, visuals, and choreography into a multi-layered experience.

Tickets for the new Melbourne and Sydney dates go on general sale at 1 p.m. AEST on Monday, Aug. 11 (Melbourne) and 2 p.m. AEST (Sydney) via grandnationaltour.com. A 48-hour Vodafone pre-sale begins on Thursday, Aug. 7 at 11 a.m. for Melbourne and 12 p.m. for Sydney.

Kendrick Lamar – 2025 Australia Tour Dates

Saturday, Dec. 3 – AAMI Park, Melbourne (Support: ScHoolboy Q)
Sunday, Dec. 4 – AAMI Park, Melbourne (NEW DATE, Support: Doechii)
Saturday, Dec. 10 – Allianz Stadium, Sydney (Support: ScHoolboy Q)
Sunday, Dec. 11 – Allianz Stadium, Sydney (NEW DATE, Support: Doechii)

Avalon Penrose has just pulled off what is bound to go down in history as one of the messiest auditions ever seen on America’s Got Talent to date.

Appearing on the Tuesday (Aug. 5) episode, Penrose likely seemed an unsuspecting figure as she appeared before the judges, explaining how her musical journey had begun as a child opera singer before quitting at age 14 due to frequent panic attacks.

“Now after 14 years, I’ve kind of decided I want to try and find my voice again,” she explained. “Maybe [I can] be an inspiration to other kids who suffered through stage fright, who think that maybe they can’t do it. I want you to know that you can.”

Beginning her rendition of Andrea Bocelli and Sarah Brightman’s “Time to Say Goodbye,” impressed applause was replaced by confusion from the judges as a number of individuals brought myriad objects onto the stage. 

As Penrose sung the chorus, a pair of assistants took on the task of splashing her with paint and confetti – all without skipping a beat. A pie to the face saw the performance come to a close, before an explosion of more confetti served as a strong finale.

Receiving a standing ovation from judge Simon Cowell as Sofia Vergara commented that Penrose “ruined something beautiful,” Mel B questioned if the performer before them really was an opera singer. Penrose explained that she was only able to adequately perform by employing such a theatrical take to it all.

“But you don’t need this with that voice,” Vergara offered. “This is what makes it special,” countered Howie Mandel. “This is why you’ll remember her.”

As Cowell requested another song, Penrose invited Cowell and Mandel to take part in the messy antics as she worked through a rendition of Georges Bizet’s “Habanera.”

Soon, the America’s Got Talent stage descended into pure chaos, with Cowell and Mandel showcasing their innate mischievousness before the latter turned his attention toward his fellow judges.

As Mandel takes a pie to the face, even host Terry Crews gets into the action, throwing water balloons at Cowell before Mel B takes up a paint-filled watergun for protection.

Almost forgetting they have to vote, the judges resume their positions to pass Penrose through with a clean sweep. “Well, we have to say goodnight, believe it or not,” Cowell soon quips to the mystified audience. “That’s kind of a strange way to end, isn’t it?”

America’s Got Talent airs on NBC at 8 p.m. Tuesdays and streams on Peacock the next day.

View Avalon Penrose’s chaotic performance of “Time to Say Goodbye” below.