Former Eagles guitarist, Don Felder, is recovering after he was abruptly rushed offstage after a medical emergency during a Rock Legends Cruise performance.
In a video shared by an attendee and posted by TMZ, the musician is seen introducing the Eagles classic, “Tequila Sunrise,” sharing the inspiration behind the song before he began strumming his guitar to perform it. He then appears to look to crew members on the side stage and lose balance, before a member of his team and his bandmates helped escort him offstage. The crowd cheered in support for the rocker before the video ends.
Following the medical emergency, his team shared an update on his Instagram Stories. “We appreciate everyone’s concern regarding Don Felder’s abrupt stop to his show last night on the Rock Legends Cruise,” the statement reads. “After receiving medical attention he was deemed to be suffering from dehydration. He was given fluids, and is feeling much better.”
The statement continued that the remainder of Felder’s cruise performances will be rescheduled to “ensure he has ample time to rehydrate and recover fully,” before concluding, “Thank you for your understanding and remember – drink your water!”
77-year-old Felder performed with the Eagles from 1974 to 2001, and was inducted into the Rock and Roll Hall of Fame with the band in 1998. After his departure from the group, he filed two lawsuits alleging wrongful termination, breach of implied-in-fact contract and breach of fiduciary duty, though the case was settled in 2007. Felder published the book, Heaven and Hell: My Life in The Eagles, in November 2007.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-02-15 03:00:572025-02-15 03:00:57Former Eagles Guitarist Don Felder Is ‘Feeling Much Better’ After Onstage Medical Emergency
Gene ‘Groove’ Allen, a rapper and actor who was known for his role in rap trio Groove B. Chill, died on Wednesday (Feb. 12). He was 62 years old, according to TMZ, who first reported the news.
The Long Island, New York, native formed the 1980s group The Uptown Crew in New York City before he branched off with Daryl “Chill” Mitchell and Belal “DJ Belal” Miller to become Groove B. Chill. The group released one studio album, 1990’s Starting From Zero, which featured songs like “Hip Hop Music.”
Groove B. Chill made their way in the TV and film industry when they appeared as characters in the 1990 comedy movie House Party, which starred Kid ‘n Play as has become a cult classic since its release. Allen and Mitchell returned for House Party 2 in 1991. Allen also continued his acting career with small roles in 1992’s Boomerang and 1993’s What’s Love Got To Do With It, an award-winning biographical movie based on the life of Tina Turner.
More recently, Allen has been dedicating his time to community service, raising money for military veterans and families, as well as women’s shelters through various events.
Earlier this year, Allen began teasing an EP titled Bring Back the Party. He took to Instagram earlier this week to share a video rapping one of his songs, “Let It Breathe,” alongside the caption, “2025!!! I aint playing…” The comments are filled with messages of mourning for the entertainer.
Per TMZ, Allen is survived by his wife and three children.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-02-15 03:00:562025-02-15 03:00:56Gene ‘Groove’ Allen, Groove B. Chill Rapper & Actor, Dies at 62
The first Top Gabb Music Songs chart of 2025 continues a trend that started with the inaugural ranking for October 2024: a new No. 1 each month.
This time around, it’s Lady Gaga and Bruno Mars’ “Die With a Smile” that tops the tally, debuting at No. 1 on the January 2025 survey as the most-played songs on Gabb Wireless phones that month.
Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.
Despite premiering in August 2024, “Die With a Smile” had not taken off on Gabb until January, becoming both acts’ first No. 1 on the monthly tally. The previous rulers include Benson Boone’s “Beautiful Things,” KSI’s Trippie Redd-featuring “Thick of It” and Jelly Roll’s “Run It.”
Concurrently, “Die With a Smile” rose to the top of the Billboard Hot 100 in January and has reigned for five weeks total, including on the most recent (Feb. 15-dated) list.
It assumes the lead over former No. 1s “Thick of It,” “Run It” and “Beautiful Things” at Nos. 2-4, respectively. Juice WRLD’s “Face 2 Face” rounds out the top five at a new peak, rising 6-5.
Mars appears in the top 10 of Top Gabb Music Songs twice, as his ROSE collaboration “APT.” appears at No. 6, while Myles Smith’s “Stargazing” is the only other new entrant in the top 10, rising 12-9.
Other debuts aside from “Die With a Smile,” meanwhile, include “I Always Wanted a Brother” from the 2024 Disney film Mufasa: The Lion King (No. 22), Paul Russell’s “Lil Boo Thang (No. 24) and SZA’s “Saturn” (No. 25).
See the full top 25 below.
Top Gabb Music Songs
“Die With a Smile,” Lady Gaga & Bruno Mars (debut)
“Thick of It,” KSI feat. Trippie Redd (=)
“Run It,” Jelly Roll (-2)
“Beautiful Things,” Benson Boone (=)
“Face 2 Face,” Juice WRLD (+1)
“APT.,” ROSE & Bruno Mars (-3)
“Ain’t No Love in Oklahoma,” Luke Combs (-2)
“Slow It Down,” Benson Boone (+2)
“Stargazing,” Myles Smith (+3)
“Please Please Please,” Sabrina Carpenter (-1)
“Deja Vu,” Olivia Rodrigo (-3)
“God’s Plan,” Drake (+2)
“Popular,” Ariana Grande (-6)
“Too Sweet,” Hozier (+4)
“Love Somebody,” Morgan Wallen (+1)
“Butterfly Effect,” Travis Scott (-1)
“Bones,” Imagine Dragons (+5)
“Let You Down,” NF (+3)
“Defying Gravity,” Ariana Grande feat. Cynthia Erivo (-8)
“Wildflower,” Billie Eilish (=)
“Enemy,” Imagine Dragons (+2)
“I Always Wanted a Brother,” Braelyn Rankins, Theo Somolu, Aaron Pierre & Kelvin Harrison Jr. (debut)
“Stressed Out,” Twenty One Pilots (-4)
“Lil Boo Thang,” Paul Russell (debut)
“Saturn,” SZA (debut)
DROPS FROM DECEMBER 2024: JVKE, “Golden Hour”; “What Is This Feeling,” Ariana Grande & Cynthia Erivo; “Eyes Closed,” Imagine Dragons; “Jealousy, Jealousy,” Olivia Rodrigo
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-02-15 03:00:562025-02-15 03:00:56Lady Gaga & Bruno Mars’ ‘Die With a Smile’ Lands Top Gabb Music Songs No. 1
Porter Robinson has delivered a little bit of romance, just in time for Valentine’s Day.
The U.S. producer has shared his energetic, pop-influenced take on Irish outfit Fontaines D.C.’s 2024 single “Favourite” as part of his recent appearance on Like a Version, the long-running covers segment from Australian radio station triple j.
Recorded during Robinson’s Australia tour earlier this month but aired on the morning of Friday, Feb. 14 (Australian time), the cover was well-timed to coincide with Valentine’s Day, with the original track even closing out Fontaines D.C.’s Romance album last year.
The cover is emblematic of Robinson’s recent stylistic shift, with 2024’s Smile! 😀 seeing him move away from his electronic roots and introducing sounds more aligned with the pop-punk and hyperpop genres. The change in sonic focus was a bold move for Robinson, and though the album became his first not to chart on the Billboard 200, it did peak at No. 10 on the Dance/Electronic Albums chart.
Fontaines D.C., meanwhile, also experienced something of a change in sound for their album Romance. While their previous efforts were more post-punk influenced, their fourth LP was somewhat more polished and aligned with the alternative rock genre.
It was a commercially-successful change, however. It became the band’s first album to reach the Billboard 200 (hitting No. 97), and it earned them two Grammy nominations, including Best Rock Album and Best Alternative Music performance for lead single “Starburster”.
“’Favourite’ was, no pun intended, one of my favorite songs of the last year,” Robinson said in a post-performance interview with triple j. “It was the song that made me a fan of Fontaines D.C. I just love it. I love major-key music. I love music that’s extremely catchy and extremely hooky. And I love the way that this song feels like it’s constantly tumbling forward.”
Robinson’s Like a Version session also featured an original rendition of “Cheerleader”, and adds to a long history of memorable performances on the program.
Having first launched in 2004, the series has gone from being a near-impromptu acoustic affair to featuring larger studio productions. Numerous artists have taken part over the past two decades, with the likes of Billie Eilish, Childish Gambino, Arctic Monkeys, and more reinventing classic tracks in the process. As Robinson explains, the history and impact of the segment was not lost on him.
“I was so nervous to do this [performance], because I really, really do consider it an institution,” he explained. “Like a Version is a musical institution, and I wanted to make sure I put my best foot forward on it, respected the format and gave something that was listenable.
“This isn’t just like a video that lives online, this gets heard and this gets played,” he added. “So I just wanted to respect the listener to be like, ‘Let’s make this as good as it can be’.”
Warner Music Group signed an expanded licensing agreement with Audiomack that covers 47 new countries including the U.K., France, Italy, Germany, the Caribbean, Mexico, Uganda and Zimbabwe. The two companies first struck a licensing deal in 2019.
Exceleration Music acquired Mack Avene Music Group, a collection of independent jazz labels that has released the works of artists including Christian McBride, Cécile McLorin Salvant and Kenny Garrett. Following the acquisition, Mack Avenue’s operations will be integrated with those of jazz label Candid Records, which Exceleration previously acquired, to form Exceleration’s overall jazz group. The group will be led by current Mack Avenue president Denny Stilwell and boast a team featuring other key executives from both Mack Avenue and Candid.
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Triller Group scored a $50 million equity funding round from institutional investors, secured through a private placement consisting of common stocks and warrants, with the company’s shares priced at $2.20. The money will be used to unveil new AI tools, enhance the Triller platform’s livestreaming capabilities and revamp its video editing suite. An additional fundraise is expected later this year.
Musical AI, a rights management platform for generative AI, raised an initial investment of $2.1 million led by Canadian VC firm Build Ventures. Select angel investors also contributed, with a seed round expected to close in the first half of this year. According to the company, its attribution model can determine what percentage of a generated output came from what data source, allowing rightsholders to “monitor, take down and sunset usage” of their works. “If we want AI training to be sustainable and ethical, we need attribution. Musical AI is the only company offering it in the audio space,” said Musical AI CEO Sean Power in a statement. “I’m thrilled that discerning investors are backing our efforts to transform how AI is trained.”
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Downtown-owned distributor FUGA announced an expansion in the Asia-Pacific region via several new signings and partnerships across Indonesia, India and the Philippines. In Indonesia, FUGA partnered with Jakarta-based label Maspam Company, whose roster includes Pamungkas and Prince Husein; and label/distributor Sintesa Pro, home to Batas Senja. In India, it partnered with digital and music entities including GK Digital, whose catalog includes artists like Karan Randhawa and Max Singh; and music management platform DroomMusic, home to Gajendra Verma. And in the Philippines, it signed GMA Music and battle-rap artist Pricetagg.
Primary Wave Music expanded its relationship with The Piano Guys, with its Green Hill Productions (a member of the Sun Label Group) acquiring an additional stake in the instrumental group’s master audio catalog. Green Hill also signed a new distribution deal with the group that will see it “playing a more active role in the strategic growth of The Piano Guys’ catalog and new releases,” according to a press release.
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Live Nation Urban invested in Breakr, a creator marketing and tech platform that allows record labels, creative agencies, brands and more “to discover, select, pay, and contract with independent online content creators for promoting songs, products, and services,” according to a press release. The investment will be made via a new venture fund formed by Live Nation and Live Nation Urban called the Black Lily Capital Fund, which is focused on providing capital and resources to Black founders of companies operating in or adjacent to the live music industry, with a focus on startups in pre-seed and seed round stages. Along with the investment announcement, Breakr unveiled a new instant pay system called BreakrPay that allows companies to fund campaigns instantly, allowing influencers to be paid in real-time.
Virgin Music Group Nigeria partnered with Ghanian distribution and integrated label services company RainLabs. Under the deal, Virgin will help provide comprehensive support for African artists through digital distribution, marketing, creative production and brand partnerships. RainLabs’ roster includes Joey B, Cina Soul and Baaba J.
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Warner Music Group’s ADA distribution and artist services arm partnered with Berlin-based neoclassical label Aemeralds, which specializes in building composers’ brands through social media marketing, composer camps and playlists. Under the agreement, Aemeralds will have the ability to partner with the Warner Classics marketing team for local services and expertise globally.
Under an expanded naming rights partnership between the City of Bakersfield, Calif., and Dignity Health, the downtown complex previously known as Centennial Garden and then Mechanics Bank Arena will now be rebranded as Dignity Health Arena, Theater and Convention Center beginning next month. The complex features a 10,000-capacity arena, 3,000-seat theater and 17,840-square-foot convention center.
Mark Pritchard and Thom Yorke are “Back in the Game”, with the pair joining forces once again for a new single.
Pritchard, who has spent more than 30 years as an electronic musician and producer, first teamed up with the Radiohead and The Smile frontman back in 2016, with Yorke providing guest vocals on “Beautiful People” for Pritchard’s Under the Sun record. Five years earlier, Pritchard had also shared a pair of remixes of Radiohead’s “Bloom”, with both versions (one of which was released under his Harmonic 313 alias) appearing on the TKOL RMX 1234567 album.
Much like their previous collaboration, “Back in the Game” sees Yorke’s vocals digitally distorted by Pritchard, this time by way of the H910 Harmonizer, the world’s first commercially-available digital audio effects device.
The track has also been a staple of Yorke’s recent live sets, with the musician having debuted the song in Christchurch, New Zealand in October as part of his Everything solo tour and playing it at every show since.
“Back in the Game” comes accompanied by a surreal, kaleidoscopic Jonathan Zawada-directed visual which combines both analog and digital techniques. In a statement, Zawada explained that an early demo of the track saw him envision a cocky, strutting John Travolta in the final scene of Staying Alive, albeit with a more sinister approach.
“Slowly a version of that visual arose around a character wearing a kind of giant parade head with a fixed expression of mania stuck on their face, such that you couldn’t tell if their endless march was one of aggression or celebration,” Zawada explained. “The more I paid attention to the lyrics the more details began to fill themselves out and the overall concept began to form [a] parade of many characters marching past a building from within which everything was being thrown out of a window and into a giant bonfire.
“Ultimately the film for ‘Back in the Game’ ended up depicting a sort of blind celebration taking place as civilization slowly deteriorates around it, a kind of progression through regression. Overlaid onto this is an exploration of how and where we choose to place value in our collective cultural expression and how we collectively confront major cultural shifts in the 21st century.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-02-14 03:01:352025-02-14 03:01:35Mark Pritchard and Thom Yorke Unite for New Single, ‘Back in the Game’
Sexyy Red could’ve been a wrestler in the WWE universe.
During a profile with Dazed, it was revealed that the St. Louis rapper was offered “a permanent role as wrestler.” However, Sexyy’s busy schedule didn’t allow for proper time to train and she ultimately settled for cameo instead. And when talking about the subject, she compared her current occupation with sports entertainment. “Rapping and wrestling are pretty much the same,” she explained. “It’s not quite acting, but it’s kind of acting too, right? Because when we go home and take off all our jewels and gold and remove the costumes we wear, we then have to go right back to reality with our families.”
Sexxy made her WWE debut last May when she hosted NXT where she unveiled the brand new NXT North American Women’s Championship belt and sang Shawn Michael’s iconic “Sexy Boy” theme song with the legend himself. She then hosted NXT Battleground in Nevada a couple months later.
Elsewhere in the profile, she said what she would change if she became president and admitted to having around 600 pairs of True Religion jeans. “I would give all the hungry poor people free food,” she said. So they don’t have to steal it no more, because it’s too expensive right now. Food should be free! No one should ever be homeless.”
Adding, “The people at the bottom are my favorite kind of people, period. I like people that wear True Religion jeans, even though they’re [seen as being] too ghetto. I’ve got like 600 pairs! I represent the people with no airs and graces.”
She also talked about the hardships of fame and how she’s still racially profiled when she goes back home. “Trying to live a normal life is difficult when you’re famous,” she admitted. “Sometimes y’all be so annoying. If you see me with my babies bagging up groceries, then get the f—k away from me. No photos!”
She continued by saying the more famous she gets, the more she feels unsafe. “I feel like with me, the more famous I get, the more people will see me as a threat,” she added. “As I get bigger and more viral, there’s going to be more and more people who want to harm me, 100 percent.”
Sexyy then brought up her dealing with law enforcement in her hometown. “The police in St. Louis just shot another Black kid dead the other day. That sh—t’s so wrong,” she said. “When I go back home, there are usually two outcomes [when I am stopped in traffic]: they either like your music and want to tell you about their kids being fans, or they choose to mess with you even more [now you’re this celebrity]! Sometimes they pick on me or just fuck with me for fun. They like to remind you of where you are. It’s all about reinforcing their position [of power].”
Her song with Bruno Mars “Fat Juicy & Wet” currently sits at No. 34 on the Hot 100 where it peaked at No. 17 and has been on the chart for two weeks.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-02-14 03:01:342025-02-14 03:01:34Sexyy Red Says WWE Offered Her More Permanent Role, But Couldn’t Find Time to Train
Selena Gomez is back to the pop star life, despite teasing that she might be done with music — and she’s bringing her superstar producer fiancé Benny Blanco along for the ride.
“I always trick you guys,” Gomez wrote on Instagram, alongside a series of photos snuggling in a bedroom with Blanco. “my NEW album I Said I Love You First with my best friend @bennyblanco, is out on 3/21 🖤Our first song, Scared of Loving You is out now on all streaming platforms. Merchandise and signed products for the album are available for pre-order now. We can’t wait to share this special project with you soon!”
Gomez and Blanco have been teasing working on music together in the past few months. The “Rare” singer took to her Instagram Stories in January to share a video wearing headphones while sitting at what appears to be a studio desk, before grabbing the phone and turning it around to reveal the screen in front of her, blocking its contents with a red heart emoji.
In a previous TikTok video, the producer responded to a fan who commented on a previous video, “Benny please make some new songs for our queen.” Blanco walks into a home studio to show Gomez sitting on a couch and adjusting a microphone.
Gomez hasn’t released a full-length album since her 2020 third studio project Rare, which debuted atop the Billboard 200 and spawned her first-ever No. 1 hit on the Billboard Hot 100 with “Lose You to Love Me.” In 2021, she unveiled a Spanish-language EP, Revelación.
It’s hardly the first time Blanco and Gomez have worked on music together. Blanco coproduced “Kill Em with Kindness” and “Same Old Love” off Gomez’s 2015 album Revival, and the duo collaborated on 2019’s “I Can’t Get Enough,” alongside Tainy and J Balvin. Most recently, they worked on Gomez’s single “Single Soon.”
The couple began dating in June 2023, and got engaged last month. Gomez shared the happy news with a Dec. 11 Instagram carousel featuring her marquise-cut engagement ring, along with the caption, “forever begins now..”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-02-14 03:01:342025-02-14 03:01:34Selena Gomez Teams Up With Fiancé Benny Blanco for ‘Scared of Loving You,’ Announces New Album ‘I Said I Love You First’
Mexican superstars Maná have made history by being the first Spanish-language act to receive a nomination to the Rock & Roll Hall of Fame. The band, composed of Fher Olvera, Alex González, Sergio Vallín and Juan Calleros, has left an indelible mark on music, not only in Latin America but globally, through their career spanning more than three decades.
Since their formation in Guadalajara, Jalisco, the quartet has captured the hearts and minds of millions with their lyrics full of passion and their sound that mixes rock, pop and pan-Latin rhythms. With this nomination, they celebrate a milestone not just in their career, but for music in Spanish too. (Fans can cast a vote for Maná’s induction into the Hall of Fame here.)
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The band made their debut on the Billboard charts in 1994 with their seminal album Dónde Jugarán los Niños, which reached No. 2 on the Top Latin Albums chart. Their success continued to grow and, over the years, they have managed to position 10 of their songs at No. 1 on the Hot Latin Songs chart, including classics like “Mariposa Traicionera” and “Labios Compartidos.”
These tracks, along with other timeless hits not on this list — such as “Oye Mi Amor,” “Rayando el Sol” and “Clavado en un Bar” — have solidified the Mexican rockers as one of the most influential bands in Latin music. Although the Hot Latin Songs chart, which started in 1986, is the barometer of success in the Latin market — combining data from radio plays, streaming, and digital sales — their achievements go beyond certifications and accolades. They have connected with a worldwide audience through their philanthropic efforts aimed at social justice and peace.
“We want to share this recognition with all Latinos everywhere, especially the immigrants who are suffering right now,” frontman Fher Olvera said in a statement about their nomination. “Don’t lose faith. Our people always find a way. Maná loves you. We’ll always be here standing with you.”
In honor of their nomination to the Rock & Roll Hall of Fame, Billboard Español has compiled their 10 songs that have topped the chart, in chronological order.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-02-14 03:01:332025-02-14 03:01:33All of Maná’s No. 1 Hits on Hot Latin Songs Chart: ‘Mariposa Traicionera,’ ‘Labios Compartidos’ & More
Australian rock veterans INXS are taking a look back in time, celebrating 40 years of their international breakthrough record, Listen Like Thieves.
Originally released in October 1985, Listen Like Thieves was the Sydney sextet’s fifth album, and their first to make a sizable impact on a global scale. Their second consecutive chart-topper in their homeland, it would be their first to chart in markets such as the U.K. and Switzerland, and their highest peak to date in the U.S., with the record reaching No. 11 on the Billboard 200.
It also boasted a number of successful singles, including its title track, “Kiss the Dirt (Falling Down the Mountain)”, “This Time”, and “What You Need”. The latter was the record’s most successful, peaking at No. 2 in Australia and No. 5 on Billboard’s Hot 100.
At the time of the record’s release, the band were already a success story in Australia thanks to their unique sound and relentless touring schedule, with Listen Like Thieves aiming to translate those aspects to the listener’s turntable. “We’ve done the album like a live show and what is there is there,” frontman Michael Hutchence told Rolling Stone in 1985. “We want to present this record as a band – the idea of six people playing together and using traditional sounds.”
Ahead of the record’s 40th anniversary, the band’s surviving members have announced a new deluxe edition of the seminal album. Arriving on May 9, the 3CD/LP collection features a new remix of the album with Chris Thompson’s original production being overhauled by Giles Martin and Paul Hicks. It also boasts a number of unreleased outtakes and demos; a rare BBC Recording, Live From The Royal Albert Hall, London, 1986; and a new interview with the band by writer Paul Sexton. A 2CD edition pairs the new mix with a selection of B-sides, remixes and live recordings, while a single LP version contains the 2025 mix alone.
“Chris Thomas was one of the most talented and exciting producers we ever had the privilege to work with,” recalled keyboardist and guitarist Andrew Farriss. “From the moment we met, there was no doubt he would bring a new dynamic to our music, his drive and determination helped Michael and I deliver a smash hit in ‘What You Need’. 40 years on, Giles and Paul captured the original raw energy we felt when we first recorded the album and created a sonic depth to give the record an entirely new dimension that we couldn’t be prouder of.”
The BBC’s live recording of INXS’ June 1986 appearance at London’s Royal Albert Hall is also of note, with the band’s audience that evening comprising a number of notable artists such as Mick Jagger, The Cult, and the Psychedelic Furs. Described as a “poignant night” for the band, it wasn’t their first visit to the U.K., but arguably the turning point in their relationship with the region. Almost five years later to the day, INXS would headline London’s Wembley Stadium and perform before a sold-out crowd of 72,000.
INXS’ biggest commercial success would come two years after the release of Listen Like Thieves, with 1987’s Kick turning them into megastars. The album would top the charts in Australia, Canada, and New Zealand, and give them a career-best of No. 3 on the Billboard 200.
Though the band would initially split following the untimely passing of Hutchence in 1997, a revolving door of vocalists would precede their eventual permanent retirement in 2012. Despite this, the band are consistently one of the best-selling Australian bands to this day, with the Australian Recording Industry Association’s end-of-year charts for 2024 seeing the band’s 2011 collection The Very Best listed at No. 81 on the album charts – one of only three local records to make the cut.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-02-13 04:20:142025-02-13 04:20:14INXS Celebrate 40 Years of Breakthrough Album, ‘Listen Like Thieves’