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The second season of Power Book III: Raising Kanan, a prequel spin-off series from 50 Cent’s Power franchise, premieres Sunday (Aug. 14) on Starz.

In season 2, Raquel “Raq” Thomas (Patina Miller) is done “vying for street corners” in South Jamaica Queens and looks toward the Garden State for new opportunities.

Meanwhile, Raq must earn her son, Kanan’s (Mekai Curtis), trust back. After shooting Detective Marvin Howard and getting out of Queens, Kanan returns to find Howard (who is secretly his father) still alive.

The season 2 cast includes Joey Bada$$, London Brown, Malcolm M. Mays, Shanley Caswell, Hailey Kilgore, Omar Epps, Hailey Kilgore, Letoya Luckett, Shanley Caswell and Antonio Ortiz.

How to Watch ‘Power Book III: Raising Kanan’ Online

Power Book III: Raising Kanan will drop exclusively on the Starz app at midnight on Sunday (Aug. 14). The series will air on the Starz channel at 9 p.m. ET.

If you don’t have Starz, there are a few ways to subscribe and stream the show without cable. For example, subscribers can join Starz for just $5 for the first three months to watch new episodes of Raising Kanan as soon as they premiere on the app (rather than waiting for the primetime TV broadcast). The subscription comes with Unlimited HD streaming, unlimited downloads and subscribers can watch from up to four devices at the same time.

Starz

$5 for 3 months

You can also subscribe to Starz through Prime Video and stream for free for the first week. DirecTV Stream offers three months of free Starz, HBO Max, Epix, Showtime, Cinemax with its Choice package (currently on sale for $69.99 a month) in addition to a free trial for five days.

Other binge-worthy Starz originals include P-Valley, Outlander, Gaslit, BMF, Evil By Design, High Town, Blindspotting, Becoming Elizabeth, Men in Kilts, Seduced, Party Down, The Gloaming, Confronting a Serial Killer, Run the World, Shining Vale, Heels, The White Queen, The Serpent QueenPower Book II: Ghost and Power Book IV: Force, the newest edition to the Power franchise.

Singer-songwriter and TikTok star Bella Poarch talks about her debut EP ‘Dolls’ and new music video ‘Living Hell’ which is out now, making TikToks, hanging out with BlackPink, being in the Savage x Fenty show Vol.3, working with Rihanna and more!

Natalia Dyer may be most famous these days for her role as Nancy Wheeler in Netflix’s Stranger Things, but on Thursday night, she looked back on her very first role alongside Miley Cyrus in Hannah Montana: The Movie.

The opportunity came as the actress was growing up in Nashville, she explained on The Tonight Show Starring Jimmy Fallon.

“It wasn’t a huge film town at the time and then, this sort of major production was rolling through,” she told Jimmy Fallon and guest host Megan Thee Stallion of the 2009 movie based on Cyrus’ Disney Channel series. “It was a big deal. Everyone was very excited.

“They had these two British, like, twin roles that they decided to cast locally and somehow I, yeah,” she added about her role as Hannah Montana superfan Clarissa Granger, i.e. the daughter of villainous tabloid reporter Oswald Granger, who spends the movie on a mission to uncover the pop star’s true identity.

The photo above is of Dyer as a 14-year-old at the 2009 red-carpet premiere of the film.

Also in the interview, Meg interrogated Dyer about Stranger Things as a superfan of the show, asking, “Do you miss Barb?,” referring to Nancy’s best friend played by Shannon Purser who was tragically killed in the first season by Demogorgons. “Bring Barb back, hashtag that!”

“I’m never allowed to forget about Barb,” Dyer replies. “I get it! It’s part of Nancy’s arc. It definitely drives her forward. Has she completely dealt with it? I don’t know, but we have not forgotten about Barb.”

This season, Dyer’s Stranger Things character is partially responsible for the massive resurgence of Kate Bush‘s “Running Up That Hill (A Deal With God).” After soundtracking a key scene involving Nancy in the supernatural drama’s fourth season, the 1985 single has become one of the biggest radio hits of the year and topped all kinds of charts around the world, including both the Billboard Global 200 and Billboard Global Excl. U.S. chart, the Official U.K. Singles Chart and more.

Watch Dyer’s full chat with Fallon and Megan Thee Stallion below.

Bill Pitman, a guitarist and bassist known for his work as part of the iconic Wrecking Crew in Los Angeles, died on Thursday (Aug. 11). He was 102 years old.

The New York Times confirmed the news, adding that the session musician died at his home in La Quinta, California. No cause of death was revealed, but Pitman recently fractured his spine after a fall.

Pitman was born in Belleville, New Jersey in 1920 and grew up in New York City, and went on to study composition at the Los Angeles Conservatory Of Music. As a member of the legendary group of 1960s Los Angeles session musicians, known as the Wrecking Crew, Pitman played on albums by Sam Cooke, Nancy Sinatra, the Monkees, James Brown and the Beach Boys. He also played on some of history’s most popular songs, including  Frank Sinatra’s “Strangers In The Night,” Barbra Streisand’s “The Way We Were” and The Ronettes’ “Be My Baby.”

His most recognizable work is perhaps his contribution to the acoustic guitar on “Wouldn’t It Be Nice,” the opening track from the Beach Boys’ 1966 album, Pet Sounds. For the band, he also played on their albums The Beach Boys Today! and Summer Days (And Summer Nights!!).

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Most Billboard readers have at least a rough idea of the top albums and songs of each year but may be less familiar with the top box-office hits from each year. Fortunately, boxofficemojo.com has that information for each year dating back to 1977.

So what do we learn scrolling through the list of top-grossing films for each year since Jimmy Carter became president and Elvis Presley died? One thing that comes across loud and clear is the degree to which sequels and franchises have come to dominate the marketplace. Just four of the year-end box-office champs were films that were not part of franchises (or did not spark a franchise or a reboot of some kind). Those four films that stand alone are E.T. the Extra-Terrestrial, Who Framed Roger Rabbit, Ghost and Titanic.

Star Wars is the top franchise on this recap, with six installments that have been the year’s top-grossing film. Batman is runner-up, with four installments that finished first for the year. Spider-Man is third, with three installments that yielded the year’s top box-office hit.

James Cameron and George Lucas are tied as the only directors who each directed three films that took the year-end crown. Tim Burton, Sam Raimi, Tony Scott, Steven Spielberg, Andrew Stanton and Robert Zemeckis are tied for second place, each having directed two year-end champs.

John Williams is far and away the top film scorer. The legendary composer scored 10 films that took the year-end box-office crown. Danny Elfman and Alan Silvestri have each scored films that finished first four times. (Hans Zimmer will join them if Top Gun: Maverick, on which he teamed with Harold Faltermeyer and Lady Gaga to provide the music, finishes first for the year.)

Lucas and Williams are the only director/composer team to collaborate on three year-end box-office champs. Six other such teams have collaborated on two year-end champs: Spielberg and Williams; Zemeckis and Silvestri; Scott and Faltermeyer; Cameron and James Horner; Burton and Elfman; and Stanton and Thomas Newman.

Top Gun: Maverick is far out front for 2022 to date, with a domestic (U.S. and Canada) gross of more than $664 million. But it’s too early to crown Maverick as the year’s top-grossing film. Sequels to two other films that were the year’s top box-office hit, Avatar and Black Panther, are due later this year. Black Panther: Wakanda Forever is scheduled for release on Nov. 11. Avatar: The Way of Water is due Dec. 16. If you think that’s too late for a film to have a realistic chance of taking the box-office crown by Dec. 31, just remember last year, when a film that was released on Dec. 17 (Spider Man: No Way Home) grossed enough in the last two weeks of the year to finish No. 1 for the year.

Let’s scroll back through the films that had the most success at the domestic box office (that’s the U.S. and Canada) in each calendar year since 1977, when Annie debuted on Broadway, Laverne & Shirley was the top TV show and Fleetwood Mac’s Rumours dominated the Billboard 200.

Melbourne has AC/DC Lane, Brisbane has a bridge named after the Go-Betweens. Now Adelaide is celebrating the music community once again — specifically, Paul Kelly — with a special landmark.

The beloved songsmith is immortalized with Paul Kelly Lane, which runs from Flinders Street to Pirie Street, behind the Adelaide Town Hall.

The project features a commemorative plaque, several artworks that light up and spotlights lyrics from Kelly’s deep catalog, which includes songs referencing places in the South Australia capital.

“I’m honored to be a part of this musical laneway project and I’m glad the lane is so close to the Adelaide Town Hall where I’ve had an association for over 50 years, from playing trumpet at school speech nights, attending concerts and, later on, doing my own shows,” he told guests last week at the formal unveiling.

Kelly, who was born and raised in the Adelaide suburb of Norwood, is no stranger to praise for his works and his advocacy on Indigenous issues.

He was made an Officer of the Order of Australia in 2017 for “distinguished service to the performing arts and to the promotion of the national identity through contributions as a singer, songwriter and musician.”

The prolific singer, songwriter and author (his autobiography How to Make Gravy was published in 2010) was inducted into the ARIA Hall of Fame in 1997, alongside Graeme Bell and the Bee Gees, who have their very own lane in Redcliffe, north of Brisbane.

And during the 2011 APRA Awards, Kelly was honored with the Ted Albert Award for outstanding services to Australian music, one of the highest accolades in the Australian music business.

Adelaide is the first, and only, designated UNESCO City of Music in Australia.

Boasting a population of 1.3 million, Adelaide last week hosted the annual Indie-Con gathering of the domestic independent music industry, and the 2022 AIR Awards, and now has four “City of Music” laneways, the others recognizing Sia Furler, Cold Chisel and No Fixed Address.

“Paul Kelly is one of our city’s greatest musicians and it is incredible to celebrate his extraordinary contribution to Adelaide’s musical heritage with the naming of this laneway,” says Adelaide Lord Mayor Sandy Verschoor. “Paul’s songs and stories speak to the Australian identity and are loved across generations and so it is fitting for him to be recognized.”

Verschoor has said the late artists Archie Roach and Ruby Hunter will also be remembered with a permanent spot.