Los Angeles-based streetwear brand Pleasures has released a new Daft Punk collaborative collection featuring clothing, home goods, gaming equipment and other items sure to make fans drool.

The collection borrows some of its imagery from the duo’s 2003 film Interstella 5555, their Random Access Memories-era iconography, the video for “Da Funk” (specifically its anthropomorphic dog Charles) and more. The collection features pants, jackets, t-shirts, shorts, hats, bookends, a dartboard, soccer ball, gaming pad and more. See select items from the collection below, and see all the items here.

The collection was debuted at a pair of pop up party’s in Daft Punk’s hometown of Paris and in Los Angeles in June and July before officially going on sale last Wednesday, July 16. While many of the items are already sold out as, as Daft Punk fans have swarmed to them in typically rapid fashion, many remain available.

Founded in 2015, Pleasures is also currently selling collaborative lines with Joy Division and Slipknot.

Daft Punk memorabilia is a phenomenon among fans. When the pair announced their breakup in 2021, the secondary market for merchandise and collector’s items skyrocketed online. In the days after the February 22, 2021 announcement Billboard reported that fans were flocking to stores like eBay and Etsy, where “a sealed two-LP copy of the band’s 2013 album Random Access Memories was up to $355 [48 hours after the news], a limited-edition action-figure set was going for $406 and sellers were asking astronomical prices for rare memorabilia, like a “Get Lucky” condom for $10,000.”

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Hermes’ Oran sandal is undoubtedly the designer brand’s hottest shoe model out right now.

You’ve seen them on the likes of models, singers, actresses and even royalty, including Meghan Markle, Elsa Hosk, Jasmine Tookes, Rosie Huntington-Whiteley, Katy Perry, Sofia Richie and BLACKPINK’s Jisoo. Now, a dupe is available at Steve Madden, and it’s less than half the price of the beloved designer slides. Hermes’ silhouette can run you $840 depending on the colorway and composition; Steve Madden’s Hadyn sandal costs up to $79.95, once again depending on style and composition.

The Hadyn ranges from size 5 to 12 and comes in five alternative designs and compositions from woven to mesh. There’s even a cow-printed Hadyn. In the classic models made of leather, our favorite colorways include Cognac, a neutral tan, and Black. The textural Mocha suede, a taupe-like hue, is also pretty great too.

No matter which style or composition you choose, the design is pretty much always the same. You’ve got an H-shaped motif that makes up the straps that transition into open square toes. The silhouette is backless, making it easy to slip on. Block heels standing at 0.75 inches give the wearer an ultra-subtle boost. The soles of every shoe are embossed with Steve Madden’s logo. Even down to the chunky stitching, the Steve Madden Hadyn is pretty much identical to the Hermes model.

Dupes are always tricky to navigate. While the price is attractive and the style might look borderline identical to the original, sometimes the material and quality are sacrificed in the process. Not Steve Madden’s dupe, however. Every style is made of durable, high-quality fabrics, whether it be leather or mesh. The brand’s dupe footwear models are held in high regard for this reason. They offer people looking to save money and want to tap into the designer footwear game without breaking the bank.

Amazon also carries a similar Hermes style from Rihero. It’s currently on sale for $24.37. This shoe comes in majority leather, along with one woven model and sizing ranges from 5.5 to 11. Like the Hermes and Steve Madden shoes, the price fluctuates for the Amazon sandals based on colorway and composition.

Lifestyle sandals like these are perfect for the summer. Easy to wear and style, we can see these becoming a go-to for the office and beyond. Simply throw them on with slacks and a short-sleeved blouse for those big meetings or dress them down with a breezy maxi dress or denim cut-offs for brunch with the girls. No matter how you choose to style these, one thing is certain. No one will be able to tell the designer from the dupe.

This summer, one of the most powerful soundtracks emerged not from a chart-topping idol group, but from a K-pop-inspired animated feature. KPop Demon Hunters, produced by Sony Pictures with major contributions from star producers at THEBLACKLABEL, quickly captured global attention after its June 20 premiere on Netflix, debuting at No. 1 on the platform’s Global Film chart.

Centered around HUNTR/X, a fictional girl group battling evil spirits, and their rival boy band called Saja Boys, the film playfully blends the worlds of K-pop, animation and superhero action. Unlike traditional K-pop content built around real-life stars and fandoms, KPop Demon Hunters constructs a wholly original universe where music and narrative are developed hand-in-hand from the ground up.

The film’s lead track, “Golden” by HUNTR/X, made history by peaking at No. 6 on the Billboard Hot 100 and reaching No. 1 on the Global 200 — a largely unprecedented feat for a fictional act. Other tracks from the soundtrack, including “Your Idol,” “How It’s Done” and “Soda Pop,” quickly dominated streaming platforms worldwide. According to Billboard, Netflix plans to submit “Golden” for best original song at the upcoming Academy Awards, positioning the film for a dual run at both the Billboard charts and the Oscars.

But the success of KPop Demon Hunters goes beyond cutting-edge animation. The music itself is the heartbeat of the story, infusing every scene with emotion and narrative weight. These aren’t just songs; they’re weapons in a world where idols literally fight demons through performance.

At the heart of this musical vision are THEBLACKLABEL’s powerhouse producers: IDO (YUHAN, ZHUN and NHD), Vince and Dominsuk. Known for crafting hits like BLACKPINK’s “Pink Venom,” BIGBANG’s “Still Life,” TAEYANG’s “VIBE,” SOMI’s “Fast Forward,” ALLDAY Project’s “FAMOUS” and MEOVV’s “MEOW” and “DROP TOP,” these producers took on an entirely new challenge: creating music not for real artists, but for animated characters with their own story arcs and emotional depth.

What began as an experiment in fictional world-building turned into a cultural phenomenon, sparking global chart success, viral challenges and even Oscar buzz. We sat down with IDO, Vince and Dominsuk to hear how they brought this ambitious project to life — translating visuals into sound, weaving narrative through rhythm, and proving just how far K-pop can stretch when imagination leads the way.

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KPop Demon Hunters is quite a departure from the usual projects we see from THEBLACKLABEL. What inspired you to take on the challenge of creating music for fictional characters instead of real-life K-pop idols?

Vince: I was intrigued the moment I heard it was a Sony Pictures project. They’re the same studio behind Spider-Man: Into the Spider-Verse, which I absolutely loved, so I’ve always had a strong affinity for their work. What really stood out was the way they blended a classic superhero narrative with K-pop storytelling — it was so fresh. I also found the visual elements really compelling — like the characters wearing traditional Korean traditional hats [gat], hanbok-inspired outfits, and the overall Korean-inspired aesthetic.

Which tracks and parts did each of you work on? And were there any moments during the process that particularly stood out?

IDO (ZHUN): I produced “Golden,” “How It’s Done” and “Your Idol.” I also worked on the track used during HUNTR/X’s intro scene at the start of the film. One moment that really sticks with me is from the storyboard for “How It’s Done.” There’s this intense action sequence, and suddenly it cuts to a character eating ramen — it was so random and hilarious. That lighthearted energy ended up bleeding into the music naturally.

Vince: I produced “Soda Pop” and also worked on “Your Idol.”

Dominsuk: I produced “Soda Pop.”

Did you have any idea this music would grow beyond just an animated soundtrack? All the tracks charted on Billboard, and “Golden” is even being discussed as a strong Oscar contender for best original song.

IDO (YUHAN): Honestly, I never imagined we’d be talking about the Oscars while working on K-pop. It’s opened up a whole new realm of possibilities for us, and it’s been a deeply meaningful experience.

Vince: To be honest, not at all. I was just focused on crafting music that would match the visuals. Of course, we poured our hearts into it — as if we were producing tracks for a real K-pop group — but I didn’t expect it to resonate this strongly. In the end, I think it’s the synergy between the music and visuals that struck a chord with people.

IDO (ZHUN): Now that we’re here, I’m daring to dream of topping the Billboard Hot 100 — or even winning a Grammy. Dreams are free, right? I just hope this leads to even more great outcomes in the future.

Many fans have described the soundtrack as quintessentially “K-pop.” Did you deliberately aim for that, or were there conscious efforts to differentiate it from traditional K-pop? How did you incorporate THEBLACKLABEL’s signature sound?

Vince: We didn’t set out to make it sound “K-pop.” Our only goal was to make good music that fit great visuals. I think what people call “K-pop” today goes beyond just genre — it’s a blend of visuals, performance, storytelling and music. We simply aimed to create catchy pop tracks that people would enjoy. Since the music was made by Korean creators, it naturally ended up being labeled as K-pop — but that label was never the starting point.

IDO (ZHUN): Same here. Rather than trying to make it sound like K-pop, we focused on how to bring emotional depth to the characters and their narrative. We wove in THEBLACKLABEL’s signature elements — like catchy drops and unique grooves — very organically. We also mixed Korean and English lyrics to give it a more global feel. I think all of that came together pretty naturally in the final tracks.

The tempo and structure of “Soda Pop,” performed by the fictional boy band Saja Boys, seems perfectly tailored for a viral dance challenge. Was that intentional?

Dominsuk: We didn’t set out to create a challenge track. But while making it, the idea that “this could be fun as a challenge” did cross my mind. I just didn’t expect the reaction to blow up the way it did. Music has a way of taking on a life of its own — often in ways even the creators didn’t anticipate.

The casting of vocalists with strong synergy to each character was also a hot topic. How were the vocalists selected, and what influenced those choices?

Vince: The final vocalist decisions were made by the production team, but we were involved early on, especially in discussing what kind of tone would best suit each character and scene. It’s not just about the vocal style fitting the music; it also has to match the voice acting and emotional rhythm of the animation. We went through a few different vocalists before landing on the perfect fits, and I think the end result was really well balanced.

If you had to compare the soundtrack’s sound to a real-life K-pop group, who would it be?

Vince: We didn’t model the songs after any particular artist — we just immersed ourselves in the characters and their emotions. But if I had to name a few, BLACKPINK or BTS come to mind. They both have strong global branding and powerful music and performances.

Vince, you’re not only a producer but also an artist yourself, with a new single dropping in August. From your perspective at the frontlines of K-pop, how do you think KPop Demon Hunters has influenced the current K-pop landscape?

Vince: I think the biggest achievement is that it introduces K-pop to a wider range of audiences — especially younger generations — in a really natural way. Globally, I hope it helps shape a more positive and expansive perception of what K-pop can be.

There’s already buzz about a sequel. If you were to return for a second film, what kind of music would you want to create?

IDO (YUHAN): If HUNTR/X gets a new rival group [in a sequel], I’d love to produce for them. I’d want to explore a darker, more electronic sound than we used this time.

Working outside your usual environment can often be the biggest creative trigger. Was this project that kind of moment for you? And if so, are there any global artists you dream of collaborating with in the future? It’s a Billboard interview, after all — so maybe it could happen!

IDO (ZHUN): I’ve always loved electronic music — Skrillex was a big influence growing up — and lately I’ve been really into Fred again.. He’s definitely on my collaboration wish list.

IDO (YUHAN): I’m also a fan of electronic music like ZHUN, but the first artist that comes to mind for a dream collab is The Weeknd.

IDO (NHD): I’d love to work with 2hollis. His bass-heavy, hyperpop-inspired sound is so fresh — it’d be an exciting creative challenge.

Dominsuk: I’ve been listening to a lot of Fred again.. lately. I’d also love to collaborate with Justin Bieber someday — it’s been one of my biggest goals as a producer.

Vince: I’m lucky enough to be collaborating with one of my dream artists right now. I can’t reveal who just yet, but we’ve got a single coming out in August. It’s a summer-ready track that I think a lot of people will enjoy, so stay tuned.

Taylor Swift is entering her wax figure era. As unveiled Wednesday (July 23), Madame Tussauds is welcoming 13 new statues of the pop star to different locations across the world — meaning Swifties who have never met her can finally pose with their idol, even if it’s just in their waxiest dreams.

Described as the “most ambitious project in Madame Tussauds’ 250-year history,” the new wax figures will pop up in the museum’s branches in Amsterdam, Berlin, Budapest, Hollywood, Hong Kong, Las Vegas, London, Nashville, New York, Orlando, Sydney and Blackpool, England. Each one will sport a replica of a different look worn by Swift on her global Eras Tour throughout 2023 and 2024, from her iconic glitzy Lover-era leotard to her white Tortured Poets Department gown.

The 13th Swift figure will start out in Madame Tussauds’ location in Shanghai, but — much like its real-life inspiration did on her Eras trek — will travel around to different spots.

In a statement, Danielle Cullen, Madame Tussauds’ senior figure stylist Danielle Cullen said, “We’re honored to have worked closely with fashion houses like Roberto Cavalli, Vivienne Westwood, Versace, Christian Louboutin, Alberta Ferretti and Etro to recreate some of [Swift’s] most iconic looks — many of which will have special significance to the cities the 13 new figures will call home.”

“It feels a fitting celebration to give Swifties the chance to commemorate moments from this once-in-a-generation tour in a way that only Madame Tussauds can,” continued Cullen, adding that the grand scale of the undertaking “only feels right to reflect the stratospheric status of Taylor Swift.”

The unveiling comes about seven months after Swift’s Eras Tour wrapped after nearly two years on the road. During the run, the 14-time Grammy winner traveled to five different continents and raked in upwards of $2 billion with more than 10 million tickets sold, according to Billboard Boxscore. It is, to date, the highest grossing trek of all time.

Madame Tussauds’ new collection honoring the tour follows several other Taylor Swift wax installments over the years. She first received a figure in 2010 at the Nashville location, and has since been replicated in branches across Washington, D.C.; Hollywood; Dubai; and Hamburg, Germany.

See the new Taylor Swift wax figures by Madame Tussauds below.

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