Australian DJ Timmy Trumpet has been forced to cancel a handful of European dates after being sidelined due to injury.

The acclaimed producer broke the news to his fans on Wednesday (July 23) by way of an Instagram post which featured an image of him in a wheelchair and an orthopedic boot. No specifics were given as to the nature of the injury.

“Down and out… not exactly what you want mid summer festival season!” the musician wrote. “Regretfully following medical advice I won’t be able to perform this week while I undergo treatment, hoping for a speedy recovery. 

“I’m so sorry to everyone that was coming to see me 🙏 I hate cancelling shows and wish I was partying with you guys so fkn much.”

As indicated, Timmy Trumpet will no longer be appearing at his planned show in Sables, France on July 24, and festival slots at Germany’s Open Beatz Festival and Belgium’s Tomorrowland on July 25 and 27, respectively.

Currently, he is scheduled to return to the stage on Aug. 1 as part of Canada’s Veld Music Festival. The remainder of his current tour schedule sees him performing myriad shows throughout Europe and North and South America until November.

Timmy Trumpet first rose to fame as a trumpet for Australian duo the Stafford Brothers before going solo as a DJ while utilizing live trumpet in his sets.

His breakthrough single, “Freaks,” was released in 2014, with the track – a collaboration with New Zealand’s Savage – peaking at No. 3 in Australia and reaching the top ten in a handful of European countries.

In 2019, Timmy Trumpet also became the first musician to perform a DJ set in zero gravity, with the achievement made possible thanks to the European Space Agency and German music promoters BigCityBeats. “It was like no other experience I’ve ever had before,” he explained at the time.

Timmy Trumpet released his debut album, Mad World, in 2020, and has frequently been listed as one of the top DJs in the world by DJ Mag, who listed the Australian at No. 5 in their 2024 list.

A Lucy Dacus concert is always an affair to remember, but now the musician’s concerts will be even more memorable as she plans to officiate fans’ weddings during the gigs.

Dacus first floated her offer onto social media last week ahead of Saturday’s (July 25) launch of her Forever is a Feeling Tour. 

“Just thinking about how there may be many people looking to secure those rights asap for whatever reason,” she wrote. “Or maybe money or logistics are getting in the way – would do this for free.”

Following a strong response to the initial message, Dacus again took to social media on Wednesday (July 23) to reveal that she had set up an information page and submission form on her website through which interested parties could apply.

“I’m officiated in the U.S., only a few cities on this tour may not be possible,” the musician wrote. “All the info is at the website, including how to get your marriage license by state.

“I can think of all sorts of reasons people may be interested in securing the rights granted through marriage (you know what I mean?),” Dacus added. “So if you’ve had it in mind forever or are just recently making the decision, I will be honored to do the honors!”

Dacus explained that the process will be “pretty easy,” with applicants just needing to bring their marriage license to the box office (adding it will be returned by the end of the performance). She also recognized the fact that some of the earlier dates in the upcoming tour “may be too soon for some people to sort their documents.”

Additionally, Dacus also pointed out that a handful of cities – including Philadelphia; Milwaukee; Lewiston, NY; Montreal; Vancouver; Oklahoma City; and her hometown of Richmond, Virginia – may include a “few local restrictions and extra steps.”

Dacus first rose to fame following the release of 2016 debut album No Burden. Alongside the release of 2018’s Historian, she co-founded the supergroup Boygenius with Phoebe Bridgers and now-partner Julien Baker. Boygenius’ 2023 debut album, The Record, would peak at No. 4 on the Billboard 200, before the group embarked on a hiatus the following year.

In March, Dacus released her fourth studio album, Forever is a Feeling, which gave her a career-best result as a solo artist when it peaked at No. 16 on the Billboard 200 and topped the Top Rock and Americana/Folk Albums Albums charts.

Lucy Dacus – Forever is a Feeling Tour 2025

July 25 – FDR Park, Philadelphia, PA
July 26 – KEMBA Live!, Columbus, OH
July 27 – Riverside Theatre, Milwaukee, WI
July 29 – Masonic Temple Theatre, Detroit, MI
July 30 – Artpark Mainstage Theater, Lewiston, NY
Aug. 1 – Osheaga, Montreal, Quebec
Aug. 2 – The Green at Shelburne Museum, Shelburne, VT
Aug. 3 – Back Cove Festival, Portland, ME
Aug. 8 – McMenamins Edgefield, Portland, OR
Aug. 9 – Morrison Center, Boise, ID
Aug. 10 – Remlinger Farms, Carnation, WA
Aug. 12 – Queen Elizabeth Theatre, Vancouver, British Columbia
Aug. 13 – Queen Elizabeth Theatre, Vancouver, British Columbia
Aug. 16 – The Greek Theatre, Berkeley, CA
Sept. 9 – Cal Coast Credit Union Open Air Theatre, San Diego, CA
Sept. 11 – Arizona Financial Theatre, Phoenix, AZ
Sept. 12 – Blossoms & Bones Ghost Ranch Festival, Abiquiu, NM
Sept. 13 – The Criterion, Oklahoma City, OK
Sept. 15 – Stifel Theatre, St. Louis, MO
Sept. 16 – Murat Theatre, Indianapolis, IN
Sept. 17 – The Louisville Palace Theater, Louisville, KY
Sept. 19 – Altria Theater, Richmond, VA
Sept. 20 – DPAC, Durham, NC
Sept. 21 – Shaky Knees Festival, Atlanta, GA
Sept. 23 – Asheville Yards, Asheville, NC
Sept. 24 – Benedum Center for the Performing Arts, Pittsburgh, PA
Sept. 26 – All Things Go Music Festival, Queens, NY
Sept. 27 – All Things Go Music Festival, Columbia, MD

In the wake of Ozzy Osbourne’s passing, Zak Starkey has shared the regret he feels for once turning down an offer to sit behind the kit for Black Sabbath.

Taking to Instagram on Wednesday (July 23), Starkey shared a message from his personal archives which saw Osbourne’s wife and manager, Sharon, contacting him about a potential gig as drummer for Black Sabbath’s festival and recording commitments.

“Black Sabbath is headlining Download on June 10 and then Lollapalooza in August,” Sharon said in reference to the band’s 2012 plans. “The guys need a drummer for their album, which will be recorded in September with Rick Rubin producing. 

“We would probably need you for 2-3 weeks for the album. Also, they need a drummer to play at Lollapalooza which is on August 3 in Chicago,” she added. “Also, Ozzy wants to have sex with you while he is singing ‘Iron Man.’”

“Regrets I’ve had a few – this is one,” Starkey wrote in the caption to his post, before adding, “Not the sex part!”

“One of the greatest, natural, brilliant singers of all time,” he added. “I send much love and strength to his family at this sad sad time. If u aren’t familiar with the Never Say Die record – get into it – it’s so far out.”

At the time of Sharon’s initial request, Starkey was employed as the drummer for The Who, though had been forced to take some away from his touring commitments with a group due to a “tendon problem.” Starkey’s 29-year tenure with The Who would ultimately end this year following his firing from the band.

Starkey didn’t specify as to whether his tendon issues were why he would ultimately decline the request, though Tommy Clufetos would be recruited to sit in for Black Sabbath’s live appearances, while Rage Against the Machine’s Brad Wilk would perform on the group’s final album, 13, which was eventually released in June 2013.

Osbourne passed away on Tuesday (July 22) at the age of 76, just 17 days after making his final appearance as part of the Back to the Beginning concert, which also featured Black Sabbath’s first live show in eight years.

HANA’s “Blue Jeans” debuts at No. 1 on this week’s Billboard Japan Hot 100, on the chart released July 23.

The track included in the new girl group’s second CD single, released on the 16th, marked the highest total weekly points for any song during this year’s tracking period. It dominated downloads, streaming and video views, while coming in at No. 3 for sales and No. 8 for radio airplay. It also racked up the highest number of weekly streams for this year, at 16,247,580 streams.

The top 3 songs with the highest weekly points this year are:

1. HANA, “Blue Jeans,” 19,152 points
2. BE:FIRST, “GRIT,” 16,398 points
3. BE:FIRST, “Spacecraft,” 16,125 points

The top 3 for highest weekly streams this year are:
1. HANA, “Blue Jeans,” 16,247,580 streams
2. Mrs. GREEN APPLE, “Lilac,” 15,713,177 streams (on the chart released Jan. 15)
3. Mrs. GREEN APPLE, “Lilac,” 14,041,086 streams (on the chart released Jan. 22)

HANA dominated the top 2 spots this week on the Japan Hot 100, with its debut single “ROSE” rising four notches to No. 2. CD sales gained 257%, streaming 118%, downloads 121%, and karaoke 130% compared to the week before. The septet has three songs charting in the top 10 this week, with “Burning Flower” coming in at No. 9.

Panda Dragon’s “Maji Majinai” debuts at No. 3. The five-member boy band’s first single after signing with Universal Music launched with 92,518 CDs to hit No. 1 for sales.

Mrs. GREEN APPLE’s “Darling” follows at No. 4 and “KUSUSHIKI” at No. 5. The former moves 8-4 to return to the top 5 after about three and a half months, powered by a surge in radio (about 16 times more than last week) and gains in downloads and karaoke. The latter comes in at No. 2 for streaming, No. 6 for video, No. 19 for downloads, and No. 20 for karaoke.

Elsewhere on the Japan Hot 100, Kana Nishino’s iconic hit from 2010, “Aitakute Aitakute,” comes in at No. 59. One of the biggest J-pop songstresses from that decade, the singer-songwriter returned to showbiz last year after a break since 2019. The 36-year-old star recently dropped a performance of the longing ballad on THE FIRST TAKE YouTube channel, which led to an increase in downloads, streaming, videos, and karaoke.

Also, with the summer fireworks season underway, another veteran singer-songwriter’s hit from 1999, aiko’s “Hanabi,” is also moving steadily up the chart. The poetic classic about an ending love climbs from No. 97 to No. 84 to No. 80 this week, with streaming, video, and karaoke on the rise.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from July 14 to 20, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

Kellyoke has moved beyond The Kelly Clarkson Show‘s New York stage and all the way to Las Vegas.

At Kelly Clarkson‘s new “Studio Sessions” Las Vegas residency — which premiered at the Colosseum at Caesars Palace on July 11 after the original July 4-5 opening weekend was postponed due to rehearsals taking “a toll” on her famous voice — the inaugural American Idol winner is including a Kellyoke cover as part of each night’s encore.

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Clarkson went big on opening night, tackling “I Will Always Love You,” the 1974 Dolly Parton classic that took on a new life with Whitney Houston’s 1992 cover for The Bodyguard film.

“I’m gonna preface [this] with no one should ever sing this song, but I got tricked one time,” Clarkson laughed to the July 11 crowd, explaining how Parton herself had requested that Kelly cover the enduring hit during a Dolly tribute at the 2022 ACM Awards. Clarkson also said that her version is a “marriage” of Parton’s original with Houston’s cover. “You can tell by some of my runs. I’ve been taking a little run here, a little run there from [Whitney], because I grew up on her. These are two of my favorite musical influences, and it’s such a beautiful song.”

For night 2, Clarkson tackled another song she’s previously performed: “Beggin’,” originally recorded by The Four Seasons in 1967 and famously covered by Italian rock band Måneskin in 2017, was also a Kellyoke pick on The Kelly Clarkson Show in March 2024.

Clarkson’s “Studio Sessions” residency — her second stint in Vegas, after her “Chemistry” run at PH Live in Planet Hollywood back in 2023 — has dates at Caesars Palace through Nov. 15. Below, find an updating list of every Kellyoke cover Clarkson performs during her new residency.

Argentinians Roze Oficial, Max Carra, Valen and Ramky En Los Controles lead the Billboard Argentina Hot 100 chart as “Tu Jardín Con Enanitos” holds steady at No. 1 for a second week on the ranking dated July 26. The song became Valen’s first entry when it debuted at No. 23 (June 7-dated list).

BLACKPINK returns after almost three years with the Hot Shot Debut of the week, “Jump.” The Diplo-produced song, arrives at No. 42. The group last secured an entry through the No. 36-peaking “Shutdown” in September 2022.

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Meanwhile, Duki secures six simultaneous songs –the most by an artist on the current chart– all stemming from his new album 5202. The set was preceded by two songs, “[FREE] 5202 Type Beat”, which rises 73-32 and taking the Greatest Gainer honors after climbing 41 spots.

Meanwhile, “Golfista” dips 34-38. The set’s four new recruits include “aGaRRo La PLaTa,” with Cluster, which opens at No. 55, “2tonos” launches at No. 57; “Toc Psycho x CRYPTONITA” debuts at No. 91, while Yo-Yo bows at No. 93.

The ZOMBIES 4: Dawn of the Vampires soundtrack takes a bite out of the Billboard charts, as the set debuts at No. 1 on the Kid Albums chart (dated July 26). It also bows at No. 3 on the Soundtracks chart, No. 16 on Independent Albums and at No. 90 on the overall Billboard 200.

ZOMBIES 4 made its Disney Channel debut on July 10 and reached the Disney+ streaming service on July 11. That same day, the ZOMBIES 4 soundtrack was released via streaming services and for purchase as a digital download album. (A physical release for the album on CD and/or vinyl has not been announced.)

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In the tracking week ending July 17, the ZOMBIES 4 album earned nearly 12,500 equivalent album units in the United States, according to Luminate, with streaming activity accounting for most of the activity. The album tallied 15.17 million on-demand official streams for its songs – making it the third-most-streamed soundtrack of the week (behind KPop Demon Hunters and F1: The Album).

ZOMBIES 4 carries on the impressive track record of Disney’s Zombies film franchise on Billboard’s album charts. The first ZOMBIES soundtrack, released in 2018, reached No. 5 on Soundtracks, No. 1 (for 10 weeks) on Kid Albums and No. 55 on the Billboard 200.

ZOMBIES 2, from 2020, hit No. 2 on Soundtracks, No. 2 on Kid Albums and No. 44 on the Billboard 200. ZOMBIES 3 (2022) peaked at No. 3 on Soundtracks, No. 1 (for two weeks) on Kid Albums and No. 79 on the Billboard 200.

Cardi B is being sued for assault and battery for throwing a microphone at a fan who splashed the rapper with a drink during a Las Vegas concert in 2023.

In July 2023, a viral video showed Cardi (Belcalis Marlenis Almánzar) hurling her microphone at a concertgoer whose drink hit the rapper mid-performance of “Bodak Yellow (Money Moves)” at Las Vegas’ Drai’s Beachclub. The incident was reported to local police, who performed a brief criminal investigation but decided not to file charges.

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Now the alleged victim — a Cleveland, Ohio resident suing under the pseudonym Jane Doe — is bringing a civil lawsuit over the incident. Doe’s complaint, filed on Monday (July 21), says Cardi had no reason to get so mad when she threw her drink; according to the legal filing, Cardi had actually been asking fans to help her cool off during the hot outdoor concert.

“Multiple attendees responded in kind, throwing drinks toward the stage, several of which visibly reached Cardi B and the surrounding performance area,” write Doe’s lawyers. “Plaintiff, acting in accordance with the environment created by Cardi B’s express words and conduct, and in a manner consistent with other attendees, splashed a small portion of her drink in Cardi B’s direction. In apparent anger and without warning, Cardi B suddenly and forcefully threw her microphone directly at plaintiff.”

Doe says she suffered physically and emotionally from being hit with Cardi’s microphone, and that she was harassed and embarrassed when the incident went viral. This distress was further “exacerbated” when the microphone in question was auctioned off for nearly $100,000 on eBay, the lawsuit says.

The woman is suing Drai’s Beachclub for negligence in addition to the assault and battery claims against Cardi, alleging the venue’s security failed to intervene or de-escalate the incident. She says Drai’s should have known Cardi might get violent because the rapper had thrown a microphone at a DJ in a similar altercation the night before.

Reps for Doe claim they’re using the pseudonym because the plaintiff “is currently suffering from mental health issues as a result of the incident and does not want to be identified due to potential backlash.”

The woman herself says in a statement that she’s “seeking justice in the hopes of holding Cardi B accountable for her misdeeds, as no celebrity is above the law.”

“What has been written off as a joke by many people is actually a traumatic experience that has significantly impacted my well-being and quality of life,” Doe adds.

Cardi’s legal team, meanwhile, is dismissing the lawsuit as a “transparent and pitiful attempted financial shakedown.”

“The Las Vegas Metropolitan Police Department and the Clark County District Attorney’s Office closed this matter for insufficient evidence a long time ago, but apparently the opportunity to try to make money off of a celebrity was too much for some willing law firm to pass up,” says Cardi’s attorney, Drew Findling.

Recognition Music Group, the company formerly known as Hipgnosis Songs Management, is raising $372 million through an existing asset-backed security (ABS) that is collateralized by the music rights of Red Hot Chili Peppers, Journey, Justin Bieber and others. 

The latest ABS, Lyra 2025-1, is Recognition’s fourth ABS deal. The Lyra ABS includes two series from 2024, Lyra 2024-2 and Lyra 2024-3, that raised $1.47 billion and ranked No. 5 on the biggest music business deals of 2024. The company also manages Hipgnosis Music Assets 2022-1 L.P., an ABS launched in 2022.   

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For Lyra 2025-1, Recognition Music Group added assets worth $341 million to the Lyra catalog, according to a Kroll Bond Rating Agency (KBRA) report. Including the additional assets, the Lyra catalog is worth $2.95 billion and has more than 47,000 compositions, master recordings and other assets. KBRA assigned an “A” preliminary rating.

The weighted average age of the catalog is approximately 21 years. Just 4% of the catalog is less than five years old, and 24% of the songs were released fewer than ten years ago. Nearly half (48%) of the royalties come from currencies other than the U.S. dollar. The U.K. represents 12% of the catalog’s royalties. Germany and France account for 5% and 4%, respectively. Most of the catalog’s recorded music revenues come from streaming. 

As rising interest rates have made traditional debt less attractive, ABS deals have become an increasingly common financial tool for raising capital to fund acquisitions. In just the last month, Concord announced the closing of a $1.77 billion ABS and HarbourView Equity Partners closed a $500 million ABS, its second such deal in as many years. Both Concord and HarbourView did ABS deals in 2024, as did Influence Media.

Miley Cyrus‘ recent show in Paris celebrating her biggest streaming hits on Spotify was an intimate affair, with only a few of her most devoted listeners on the platform getting to attend. But now, everyone else can see what they missed with Wednesday’s (July 23) release of a concert film documenting the event.

Now available to play back on Spotify, the pop star’s Billions Club Live With Miley Cyrus: A Concert Film features her exclusive 30-minute set at Maxim’s de Paris on June 18, performed in front of a group of handpicked admirers making up her top listeners on Spotify. Singing a handful of the biggest hits from her nearly two-decade career — including a mash-up of fan-favorite smashes “The Climb” and “We Can’t Stop” — the rare performance gave Cyrus a chance to pay tribute to all of the songs she’s had surpass a billion Spotify streams.

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“Tonight we’re celebrating the Billions Club,” the star, dressed in a glamorous blue crystal gown, told the crowd after opening the show with eight-week Billboard Hot 100-topper “Flowers” in the film. “That’s something I’m very proud to be a part of. Without each of you, the billion doesn’t even exist. That’s how important and crucial you are to the success in my life, the confidence and the goals that I’ve achieved because of you and your support.”

The event — and now, the concert film — mark the latest chapters in Spotify’s mission to commemorate its top artists and the fanbases they nurture on the platform. Ariana Grande and Cardi B have both looked back on their ten-digit-surpassing tracks on episodes of the streamer’s Billions Club video series, while The Weeknd played the first-ever Spotify Billions Club Live show in December.

Cyrus is fresh off the release of new full-length Something Beautiful, which debuted at No. 4 on the Billboard 200 in June. With it, the Hannah Montana alum unveiled an accompanying film, emphasizing throughout the rollout that the LP is a visual album.

Her show in Paris was particularly special, as Cyrus rarely performs live these days. The Grammy winner has been open about why she’s chosen not to tour anymore, most recently speaking on the subject with Good Morning America.

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“I do have the physical ability, and I have the opportunities to tour,” she explained on the program earlier in July. “I wish I had the desire, but I don’t … It’s really hard to maintain sobriety when you’re on the road, which is a really important pillar of stability in my life. It’s really hard to keep mental wellness [on tour]. You have so many thousands of people screaming at you, so dopamine, you’re feeling a lot of love, and then you totally crash at the end of the show. You start thinking that one person loving you’s not enough, it needs to be 10,000, it needs to be 80,000.”

Watch Cyrus’ Spotify Billions Club concert film below.