Night owls roaming the streets of Harlem, New York at 2 a.m. on Saturday (Oct. 9) were treated to a near-religious experience when Madonna and Jon Batiste led an impromptu sing-along of “Like a Prayer” down 126th Street.

The New Orleans-style street party started nearby at Ginny’s Supper Club in the basement of inventive eatery Red Rooster, where Madonna, Batiste and his band performed a selection of her classic hits and songs from her Billboard 200-topping Madame X album to celebrate the release of her Madame X concert film on Paramount+. “Madame X is born,” Madonna said, tipping to the documentary’s release. “But the fact, is she’s always been here pushing, you inspiring you.”

While the Madame X movie captures M’s intimate 2019 residency at the Brooklyn Academy of Music, the Belvedere Vodka-hosted event in Harlem made the BAM shows look like an arena in comparison. The Red Rooster basement has a 100-person capacity, which meant everyone in attendance got very up close and personal with Madge as she strummed an acoustic guitar, grinded up against a column while singing 1987’s “La Isla Bonita” and crooned “Dark Ballet” (sans Auto-Tune) to an all-smiles Batiste as the Oscar winner tickled the ivories during that beautifully bonkers Madame X standout.

When a trio of gospel singers came out and the Queen got down on her knees, the audience – which included her daughter Lourdes Leon, Drag Race winner Aquaria, Pose star Dyllon Burnside and choreographer and longtime associate Jose Gutierez Xtravaganza – collectively skipped a heartbeat, knowing which song was coming next. But never content with business as usual, Madonna didn’t let the venue contain her – she led the pop-up show’s crowd out onto the streets of Harlem for an unlikely late-night street party.

Megaphones in hand, M and Batiste had the crowd singing “Like a Prayer” (surprisingly in tune for 2 a.m.) down the middle of 126th Street, with an amiable tuba keeping time and a freestyling saxophone elevating the joyous, jazzy rendition of the Billboard Hot 100 No. 1. Periodically, everyone in the crowd looked at each other as if to say, is this really happening, grateful that in the era of smartphones there would at least be proof of an event that sounds like the raving fever dream of an obsessive pop Stan.

Due to the lateness of the hour, there wasn’t that much traffic for the street party to disrupt. In fact, when a man and woman driving by the crowd realized what was happening, they full-on ditched their car in the middle of the street to hop out and join in the once-in-a-lifetime experience. As the glorious sing-along came to a close in front of St. Andrew’s Episcopal Church, however, one less-than-thrilled driver made a point of reminding everyone that we were still in New York City by honking dolefully at the crowd slowing down his late-night commute. But as Madonna said of the city that never sleeps in 2005’s “I Love New York,” “If you can’t stand the heat – then get off of my street.”

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Last year, Gary LeVox, Joe Don Rooney and Jay DeMarcus appeared on CBS This Morning and announced that their 20th-anniversary tour would also be the official farewell tour for Rascal Flatts, as each wanted to pursue other creative endeavors. However, the COVID-19 pandemic halted the tour plans, and those Flatts dates were never rescheduled.

Now, in an interview with People, LeVox says there is more to the story and that the band’s breakup was initiated by Rooney.

“I’ve never been okay with the way that it ended,” LeVox told the outlet, adding, “I wasn’t happy that Joe Don quit.”

“It kind of came out of nowhere,” LeVox said. “It was like, ‘Let me try to wrap my head around this.’ And then I certainly wasn’t okay with the pandemic, which canceled everything. I hate the way that it ended. I hate that we didn’t get to do this farewell tour. I can’t stand the fact that it just feels there’s no closure with something that we’ve been so blessed with. That will always be in my heart.”

As the group’s 2020 tour dates were already on hold due to the pandemic, the group disbanded quietly, with LeVox pursuing a solo career and releasing the recent Christian album One on One. Meanwhile, DeMarcus released a tribute to his late father with “Music Man,” and also runs the CCM label Red Street Records.

In August, Rooney joined DeMarcus at the the ACM Honors ceremony to accept the Cliffie Stone Icon Award for Rascal Flatts, though LeVox was not in attendance. Last month, Rooney was charged with a DUI near Nashville. LeVox told People he has not spoken with Rooney since the incident.

“I think God gets your attention in different ways,” LeVox told People. “I just wish him the best and I hope he gets everything that he needs to get well and take care of whatever issues he’s got going on. There’s power in prayer.”

According to LeVox’s official website, he has several solo shows slated through October and November.

J-pop duo YOASOBI are set to release a new single called “Tsubame” on Oct. 25.

The track is being featured as theme of NHK’s SDGs TV series for children Hirogare! Irotoridori, a show that introduces projects and special programs that make learning about Sustainable Development Goals fun and accessible.

The title of the song means “swallow” and it was written based on a Japanese story with a title that translates to “A Little Swallow’s Big Dream” by Nana Otsutsuki. The story won the grand prize in the TV show’s project that invited submissions to collaborate with the breakout male-female duo to write a new future-themed song.

The jacket artwork is by Ai Niina (name in Japanese order, surname first), a rising young visual artist who has created YOASOBI’s animated music video for their monster hit “Yoru ni kakeru” and more. The new illustration vibrantly depicts the swallow from the story soaring towards the city in the distance, and the music video for the song will also feature her distinctive animation.

On Thursday, the Democratic Party of Virginia posted and then pulled down “Swifties Against Youngkin” merchandise from their web store.

The move follows Terry McAuliffe — the Democratic candidate for Virginia governor — running ads across Facebook, Instagram and Google starting Tuesday that highlighted his Republican opponent Glenn Youngkin’s connection to the sale of Taylor Swift’s masters back in June 2019. Youngkin was the co-CEO of the Carlyle Group, which helped back Scooter Braun’s infamous purchase of Swift’s Big Machine master recordings. The digital ads included photos of Swift and the hashtag #WeStandWithTaylor.

“Did you know that Republican candidate for Governor, Glenn Youngkin, helped buy Taylor Swift’s masters out from under her when he was co-CEO of Carlyle Group?” one of the targeted ads states.

Piggybacking off the ads, the Democratic Party of Virginia started selling hats, mugs and buttons with the phrase “Swifties Against Youngkin” emblazoned on them in magenta writing, as reported by Washingtonian magazine on Thursday. A screenshot of the merch was tweeted Friday (Oct. 8) by Mediate reporter Katherine Higgins.

There’s no word yet why the merch was pulled, but back in February 2017, Swift filed a series of trademarks for the word “Swifties” — the nickname for her fanbase.

Swift’s spokeswoman has not responded to requests to comment about the singer/songwriter’s unwitting involvement in the Virginia gubernatorial race.

In a statement to Billboard about McAuliffe’s Swiftie-targeting ad campaign, Democratic Party of Virginia spokesman Manuel Bonder said: “No matter the industry, Youngkin has shown he would rip off anyone for a profit. What happened here is a continuation of Glenn Youngkin’s abhorrent track record of shipping jobs overseas, raising rents on seniors, and harming working families across our country. When it comes to Taylor Swift’s music: What did Glenn know and when did he know it? Virginians deserve answers.”

For his part, Youngkin rep Christian Martinez responded: “Terry McAuliffe has reached the stage of desperation in his campaign where he’s rolling out the most baseless attacks to see what sticks. It’s a pathetic fall that could only be achieved by a 43-year political hack.”

Swift is now re-recording her first six records as a response to the sale of her master recordings, beginning with the April release of Fearless (Taylor’s Version) and continuing Nov. 12 with Red (Taylor’s Version).

This weekend, Eric Church will perform two solo concerts on his The Gather Again Tour after members of his band tested positive for COVID-19. Church will turn his Friday (Oct. 8) show in Pittsburgh and his Saturday show in Philadelphia into solo performances.

On Friday, Church posted a message on social media explaining the situation. “Despite thorough safety protocols, a limited number of breakthrough cases have occurred within the Eric Church Band. In the best interest of everyone’s health and safety, Eric Church will perform this weekend’s shows in Pittsburgh and Philadelphia as a special solo performance. Get ready PA.”

Church launched the aptly named tour Sept. 17 at Lexington, Ky.’s Rupp Arena. The tour is slated to run through May 20, 2022, culminating with a show at New York’s Madison Square Garden. Church’s Gather Again Tour has been a joyous reunion for the artist and his fans alike, marking his return to the road after the pandemic forced the postponement of both Church’s Heart & Soul triple album and his 2020 tour. It also marks the first time Church has used an in-the-round stage for his tour.

For a Billboard cover story earlier this year, Church received his COVID-19 vaccination during his Billboard photo shoot.

“It became very clear to me that the only way to really get back to normal is through vaccinations,” he told Billboard at the time. “You’ve got to get needles in arms.”

After his two Pennsylvania concert dates, Church is slated for a show in Denver on Oct. 15. Church, the reigning CMA entertainer of the year, is also one of the most-nominated artists heading into November’s Country Music Association Awards, including another nod for the coveted entertainer of the year trophy.