Global Citizen, the international advocacy organization, today announced its Recovery Plan for the World, a year-long campaign and series of events designed to better the planet across five categories. These include ending COVID-19 and the hunger crisis, resuming learning, protecting the planet and advancing equity.

The detailed framework — presented in full and put forth on the org’s website — is being supported by leaders across the music and entertainment space including Priyanka Chopra Jonas, Billie Eilish, Coldplay, Femi Kuti, H.E.R., Hugh Jackman, Idris and Sabrina Elba, Jonas Brothers, Lang Lang, Lars Ulrich, Miley Cyrus, Rachel Brosnahan, SuperM, Usher and Yemi Alade. Global Citizen ambassadors Jill and Olivia Vedder have also signed on.

“While COVID-19 has touched every individual on the planet, the pandemic’s impact on the most vulnerable — especially those living in extreme poverty — has been devastating, leaving people worse off than they were, even just a year ago. More than 1.5 billion children have had their education disrupted and millions of families are facing starvation. But the action we take together can make a difference,” said Chopra Jonas, Global Citizen ambassador. “By using our voices to call on world leaders, corporations and philanthropists to step up and take urgent action, and by supporting the Recovery Plan for the World, we can impact millions of lives for the better now, not later.”

The campaign will include a global broadcast special, airing in May, that will be geared toward helping overcome vaccine hesitancy while rallying governments to equitably distribute vaccines. The special is said to be in collaboration with the European Commission, the World Health Organization, Italy (as head of the G20), the state of California and iHeartMedia. Additional details are expected in the coming weeks.

Also in 2021, Global Citizen, in partnership with Teneo, will bring the campaign to life with a series of pledging moments and global events with key moments including Global Citizen LIVE, a multi-hour global event featuring performances from Lagos, New York, Paris, Seoul and Sydney; and Global Citizen at the G20 Summit, jointly hosted by the Italian G20 Presidency and the European Commission and held in Rome on Oct. 30-31.

The plans come on the heels of last year’s Global Citizen-hosted One World: Together at Home and Global Goal: Unite for Our Future, events that helped mobilize more than $1.5 billion in cash grants, with over $1.1 billion already disbursed. “A virus anywhere remains a virus everywhere, and our goal is to unite world leaders, artists and entertainers, philanthropists and CEOs to end COVID-19 for all and kickstart a global recovery,” said Hugh Evans, co-founder and CEO of Global Citizen.

More information about the plan can be found here.

This article was originally published by The Hollywood Reporter.

 

Dua Lipa brought some much-needed fun to 2020 with her Club Future Nostalgia remix album, which featured night out-ready twists on her original Future Nostalgia tracks — including a verse from Gwen Stefani on Mark Ronson’s “Physical” remix.

In a wide-ranging interview with Zane Lowe on Apple Music on Tuesday (Feb. 23), Lipa recalled the pinch-me moment when Stefani agreed to sing on the track. “Honestly, I couldn’t believe it. I couldn’t believe it,” she gushed. “I sat by my phone and I was literally holding my face pretty much. I was like, ‘Oh my God, this is crazy. This is crazy.’ I was just pacing around the room. Yeah, like, ‘I’ve got it!’”

“And the way it happened was so cool because we basically contacted Gwen and her team to try and clear the sample for ‘Hollaback Girl,’ for Club Future Nostalgia,” she remembered. “And I was like, ‘Maybe we should just ask, put a feeler out, see if she wants to do something.’ And she loved Mark Ronson’s remix of ‘Physical.’ And she was like, ‘I’d love to jump on this.’ I’m like, ‘Hell yeah, let’s go. This is surreal.’ It was just so exciting. It was such an exciting period, especially because it was that period of lockdown and the whole project came together because of everyone being at home. But it just made lockdown so exciting. I was just dancing around the house, listening to songs that I guess I’ve known for so long, that felt so new. So I was really just rediscovering the music in itself in a different way.”

Lipa went on to thank The Blessed Madonna, “because I really couldn’t have done it without her. She was the orchestrator behind that. It was incredible to be able to work alongside her and learn from her, and she’s amazing.”

Reflecting on her Grammy-nominated sophomore album a year later, Lipa explained that “there was, in some sense with some lyrics, there was this false sense of confidence.”

“There were songs that I wrote because I wanted to feel a certain type of way, or there were songs that I put certain lyrics or certain feelings in that I was like, ‘I want to be able to listen to this song and feel that way, that necessarily I wasn’t always feeling,” she continued. “Or when I was creating this record, I wanted it to set it as a form of escapism. And I don’t know, it felt like during this time it did serve as a form of escapism for me. And I was so happy with the response that the record got and that, people were like, ‘This got me through lockdown and I did so many workouts at home.’”

Listen to the full interview via Apple Music below.

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Moet Hennessy is acquiring a 50% stake in rapper and entrepreneur Jay-Z’s Champagne brand in an effort to up its cool factor and expand distribution.

Terms of the deal, which was announced Monday, weren’t released.

Armand de Brignac, known familiarly as Ace of Spades because of its distinctive label, is produced in France’s Champagne region by a father and son who are 12th and 13th generation wine growers.

Jay-Z, whose real name is Shawn Carter, gave the brand a boost in 2006 when he featured one of their bottles in a music video after a public fallout with Cristal, a rival brand. Carter accused Cristal of racism after an executive for the brand mused in an interview about whether partnering with a rapper would harm its image.

In 2014, Carter bought Armand de Brignac for an undisclosed sum. The brand sold more than 500,000 bottles worldwide in 2019.

Moet Hennessy President and CEO Philippe Schaus said Armand de Brignac breaks barriers and reflects contemporary ideas of luxury, even as it supports historic Champagne-making traditions.

“We are incredibly proud to be partnering with them,” Schaus said.

Carter said the partnership will help Armand de Brignac grow and flourish, noting Moet Hennessy’s track record of developing luxury brands like Dom Perignon and Veuve Clicquot. Moet Hennessy is the wine and spirits division of luxury goods company LVMH.

“It is a partnership that has felt familiar the entire time,” Carter said.

Carter is one of several celebrities to profit from a partnership with an alcohol brand.

Actor George Clooney co-founded Casamigos, a tequila brand, in 2013. It was purchased by beverage giant Diageo in 2017 for $700 million. Last year, Diageo also scooped up Aviation American Gin, a brand co-owned by actor Ryan Reynolds, for $610 million.

Actor Dwayne “The Rock” Johnson recently released a tequila brand called Teramana. Singer John Legend has his own wine label, LVE. And in 2018, singer Bob Dylan launched the Heaven’s Door whiskey brand.

LONDON — This summer could see the return of live gigs, packed nightclubs and outdoor music festivals in the United Kingdom, Prime Minister Boris Johnson announced Monday (Feb. 22), provided COVID-19 infection rates continue to fall and there is no let-up in the U.K.’s vaccination program.

Unveiling a four-step plan to ease England out of lockdown, the prime minister said Monday that limited capacity indoor music shows will be permitted from May 17 onwards — if a number of health provisions are met, including capacity restrictions and social distancing.

The U.K. is the first major music market in Europe to unveil a roadmap for its live sector to return to operation sometime this year. Like most countries around the world, the U.K.’s live industry ground to a halt last March as a result of the coronavirus pandemic, and it has remained mothballed ever since. On Jan. 6, the country went into lockdown for a third time.

Under the new guidelines, promoters must set audience sizes at a maximum of 1,000 people or 50% of a venue’s capacity (whichever is lower) for select indoor events with up to 4,000 people, or 50% capacity for outdoor events. Large outdoor seated venues where crowds can be safely distributed will be allowed up to 10,000 people or 25% of total seated capacity.

The prime minister said the government could lift all social distancing restrictions in the U.K. from June 21, meaning the return of full-capacity concerts and outdoor shows, as well as the reopening of nightclubs and bars.

For that to happen, four key conditions around vaccinations, infection rates, hospital admissions and new variants of coronavirus need to be met, Johnson said.

He said the four-step proposals, which include the reopening of schools on March 8 and the reopening of shops and outdoor hospitality on April 12, were intended to be “cautious but irreversible” and would be led by “data, not dates.”

Reaction in the U.K. live industry was mixed. Executives welcomed some long-awaited clarity over when they are likely to be able to open again, but called for greater financial support to help businesses, crew members and technicians to survive until then.

Greg Parmley, CEO of newly formed U.K. music trade body LIVE, said the sector had “as predicted” been left “at the back of the queue to reopen.”

According to LIVE, the sector contributed £4.5 billion ($6.3 billion) to the U.K. economy in 2019 and supports 210,000 workers. It estimates revenues dropped by 81% last year.

“Any return to normality for live music could be months behind the rest of the economy,” Parmley said. He called for the establishment of a government-backed insurance scheme covering live shows, similar to what officials have introduced in Germany and Austria, to help mitigate risk for promoters, artists and venues.

David Martin, CEO of the Featured Artists Coalition, said the prime minister’s statement “offers some green shoots of hope for live music” but cautioned “there is some way to go before we return to pre-pandemic levels of activity.”

Similar hopes have been raised before, both in the U.K. and across Europe, only to quickly fade away. In July, a number of socially distanced pilot shows by artists like Frank Turner and Beverly Knight were held in London to explore how live music could safely return. Those plans were put on hold when infection rates and deaths began to rapidly rise across the U.K., resulting in local and national lockdowns.

Last fall, other major touring markets in Europe, including Germany, France and Spain, abandoned plans to return to live entertainment following a spike in COVID-19 cases. Among the casualties was a 12,000-capacity Live Nation-promoted “Return to Live” concert in Düsseldorf headlined by Bryan Adams, scheduled for Sept. 4.

The recent cancellation of the Glastonbury festival for a second year running deepened fears that live music would once again be off limits in 2021. But the success of the U.K.’s vaccination program has produced cautious optimism the sector can bounce back in the second half of the year.

To date, health officials have administered more than 17 million vaccination doses in the U.K. (about one-quarter of the population), with the government planning to offer the vaccine to everyone over the age of 18 by the end of July. The U.K. has the third-highest vaccination rate of any country in the world, behind only Israel and UAE.

“Live music events could be the shot in the arm that Britain needs as we look to bounce back from this pandemic,” said UK Music chief executive Jamie Njoku-Goodwin, welcoming the prime minister’s announcement.

Coronavirus

Casey Bishop may be just 15 years old, but her music taste might say otherwise.

During her American Idol audition on Sunday (Feb. 21), the Florida native named classics like Nirvana, Red Hot Chili Peppers, Sublime and “blues like Ella Fitzgerald” as her favorite artists.

She admitted to the judges that she doesn’t “have any performing experience, really” and “most of the people that know I love to sing are my friends,” which was surprising when it came down to her rich, powerful cover of Motley Crue’s “Live Wire.”

While the rendition was impressive on its own, judge Katy Perry also wanted “to hear some of the Ella Fitzgerald that she likes.”

“It’s just going to show us a little bit of the difference and the soul part of your voice,” she told the teenager. Bishop rose up to the challenge, performing Sarah Vaughan’s take on “My Funny Valentine.”

Luke Bryan, visibly blown away, compared the young singer to Alejandro Aranda, the runner-up on season 17. “I didn’t think anybody would get close to Alejandro’s audition as far as me being just, like, dipped in Disney and sparkles and flowers and doves, and that’s what your audition was for me,” he shared.

Perry agreed. “Okay, so you’re 15. It’s obviously not your first time on this planet, but maybe this time you will fulfill your purpose,” she joked. “You’re really, really, really good and I love that nobody knows you can sing besides you and a couple of your friends and your hairbrush, probably.”

“What a great concept,” Lionel Richie added. “‘I discovered I could sing, center-stage on American Idol.’ We’re going to enjoy watching you grow right here in front of us.”

“I think she’s the damn winner of American Idol. Period,” Bryan proclaimed.

With a unanimous “yes” from the judges, Bishop easily proceeded to the Hollywood rounds. Watch her full audition below.