On Wednesday night (Oct. 16), Billie Eilish beamed with pride as tens of thousands of birds of a feather stuck together and relished in the cinematic world of her Hit Me Hard and Soft LP. The nine-time Grammy winner played her first of three sold-out shows at New York City’s Madison Square Garden, the most times she’s ever graced the iconic venue on a headlining tour.
Anchored by the still-permeating tracks of Hard and Soft, Eilish’s latest trek displays her remarkable growth as a musician, vocalist, and performer, as well as her almost singular ability to cultivate intimacy in spaces that are diametrically opposed to that feeling. Dressed in her now-trademark ensemble of an oversized t-shirt, baggy shorts, sneakers, and a Yankees snapback, Eilish sprinted around the stage, spent some time with fans on the floor, and treated The Garden two hours to some of the best and most adventurous pop music of the last half-decade.
The morning of the show, Eilish launched a SoHo pop-up in collaboration with American Express featuring exclusive merchandise and interactive stations inspired by the world of Hard and Soft. Before she took the stage, pop-rock sibling duo Nat & Alex Wolff — who some fans fondly remember as The Naked Brothers Band from Nickelodeon — warmed up the arena, delivering spirited renditions of tracks like 2020’s “Glue” and “Soft Kissing Hour,” an unreleased Eilish-produced cut. At one point, Alex Wolff ran an entire lap on the floor around the stage before kicking off the final song in the duo’s set — a particularly impressive feat considering what a busy weekend the multihyphenate has ahead of him. The Line, his new film in which he stars alongside Halle Bailey, Denise Richards and the late Angus Cloud, opens on Friday (Oct. 18).
Wolff’s affinity for a quick lap was just a teaser for Eilish, who frequently sprinted around the stage during her livelier songs. With the stage in the center of the arena and a setup that prioritized her band and incredibly intricate lighting design over backup dancers and elaborate set pieces, Eilish offered up a show that played on the minimalist bent of her music. The sparseness of the stage created scenes that were as enthralling and they were harrowing, particularly during ballads like “When the Party’s Over,” “Lovely” and “What Was I Made For?” Of course, eye-popping pyro and dizzying lasers played up the spunky, electronic undertones of hits like “Bad Guy,” “Therefore I Am” and “Guess.”
Ultimately a gorgeous presentation of her latest Billboard chart-topping album, Hit Me Hard and Soft: The Tour was also a commendable victory lap for a pop star who only seems to know how to level up. Here were the eight best moments from Wednesday night’s show.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-17 17:23:062024-10-17 17:23:06Billie Eilish Enraptures Madison Square Garden With ‘Hit Me Hard and Soft’ Tour: 8 Best Moments
Tyler, the Creator is back. The Grammy Award-winning rapper announced plans for his eighth studio album on Thursday (Oct. 17). Titled Chromakopia, the set will be released later this month.
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Following an initial teaser on Wednesday (Oct. 16), Tyler revealed Chromakopia‘s cover art along with the project’s Oct. 28 release date, which is a Monday rather than the typical Friday.
“All songs written, produced and arranged by Tyler Okonma,” reads the text across the cover in a shade of emerald green. As for the art, it’s a black-and-white photo of Tyler as the soldier rocking a mask who fans got a glimpse of in the “St. Chroma” visual earlier this week.
Chromakopia will serve as the official follow-up to 2021’s Call Me If You Get Lost. Tyler had released an album every other year since his Goblin debut in 2011, but that streak came to and end when no project arrived in 2023.
Fans can access the Chromakopia website, where they can pre-save the album and pre-order merch bundles filled with CDs, hoodies, hats, T-shirts, tote bags and mini commemorative Chromakopia containers.
Fans got their first taste of Tyler launching into his new era on Wednesday when the musician posted a clip of the “St. Chroma” video, which some fans believed to be the opening track of his next album. Solange Knowles, Lil Yachty, Gunner Stahl, IDK, Lil Dicky, Wolfacejoeyy, Laila!, Swizz Beatz, Doechii, Wynne and more hopped into his comment section on IG to show him love.
Call Me If You Get Lost arrived in June 2021 and debuted atop the Billboard 200 with 169,000 total album units sold in the first week. The LP won best rap album at the 2022 Grammy Awards.
Next up, Tyler will be performing at his Camp Flog Gnaw festival at Dodger Stadium during the weekend of Nov. 16 and Nov. 17, where attendees will likely get to hear music from his upcoming album. A full lineup for the carnival is yet to be revealed.
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Members of 2 Live Crew have won a jury verdict allowing the hip hop legends to regain legal control of much of their catalog from a small record label that owned their copyrights for decades.
After years of litigation, a Florida federal jury said Wednesday that Uncle Luke (Luther Campbell) and the heirs of Fresh Kid Ice (Christopher Wong Won) and Brother Marquis (Mark Ross) were entitled to invoke copyright law’s “termination right” – a provision that allows creators to take back their works decades after they sold them away to a company.
Attorneys for Lil Joe Records, which bought the band’s catalog out of bankruptcy in the 1990s, argued that termination didn’t apply to 2 Live Crew’s albums. Lawyers for Campbell and his late bandmates argued back that the right to terminate was “inalienable” and couldn’t be forfeited.
In Wednesday’s verdict, the jurors sided with 2 Live Crew, finding the band members had lawfully regained control of the five albums at issue in the case — including their provocative 1989 record As Nasty as They Wanna Be, which reached No. 29 on the Billboard 200 and was certified platinum.
In a statement to Billboard, 2 Live’s attorney Scott Alan Burroughs said he and his clients were “extremely pleased” with the outcome: “Our team has fought this battle for nearly four years and are thankful to have had the opportunity to present our case to the jury and see justice served. The verdict was a total and overwhelming victory for our clients and artists everywhere.”
Meanwhile, Richard Wolfe, lead counsel Lil Joe Records and label owner Joe Weinberger, vowed to appeal the verdict, saying it dealt with novel legal questions about the interplay between termination rights and federal bankruptcy law.
“Since this is a matter of first impression … which has never before been heard by any court, it may go to the Supreme Court,” Wolfe told Billboard. “The bankruptcy code is clear that all assets of a bankrupt party are part of the bankruptcy estate. All means all.”
2 Live Crew, a pioneering hip hop group known for the backlash sparked by its sexually-explicit lyrics, is just the latest classic act to use the termination right, which typically kicks into action 35 years after a song was released.
Jay-Z has already invoked it to win back control of his debut album Reasonable Doubt, a fact revealed during a recent legal dispute over Damon Dash’s stake in Roc-A-Fella Records. Earlier this year, Cher won a legal battle with Sonny Bono’s widow over whether termination trumped a decades-old divorce settlement. And before that, groups of artists filed class actions against Universal Music Group and Sony Music Entertainment, seeking to win back control of their masters en masse.
2 Live’s dispute kicked off in November 2020, when Campbell and other members notified Lil Joe that they planned to invoke termination and take back control of their music. Lil Joe and Weinberger had purchased 2 Live Crew’s catalog when the group’s previous label, Luke Records Inc., went bankrupt in 1995. When the two sides could not come to terms, Lil Joe sued the members in federal court.
During the case, the label argued that the bankruptcy sale, which had been signed by a judge, made clear that the album rights were “free and clear of any and all liens” or other caveats. The company also argued the albums were created as “works for hire” – meaning Lil Joe had always been the legal owner of the copyrights, and there were no rights to 2 Live to take back in the first place.
But at the trial this month, 2 Live’s attorneys told a different story. As reported by Law360, Burroughs argued the group had “trusted” Weinberg but that he had “betrayed them and steered them into bankruptcy,” where he was able to purchase the rights to their music on the cheap. He called the story a “tale of deceit and dishonesty that wouldn’t be out of place in a Netflix movie.”
Lil Joe can appeal the outcome, first by asking the judge to overturn the verdict and then by taking the case to a federal appeals court. Such proceedings could take months or even years, depending on how higher courts rule.
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Cardi B is taking care of some business with a nine-day trip to Los Angeles. The Bronx native hopped on X Spaces on Wednesday afternoon (Oct. 16) to discuss her plans while on the West Coast, which include tending to her long-awaited sophomore LP.
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“I’m also in L.A. because I have to do something pertaining the album. I know you guys are gonna be like, ‘What the f–k, b—h?’ But it’s something that’s gonna be done really f–king quick,” she said. “It’s just gonna be a one-two. I did it when I was pregnant, and nothing came out how I wanted it to come, out so we gotta do it again.”
Cardi continued without saying exactly what she had to do for the LP. “It’s gonna be amazing and unique because everything I do it gotta be amazing and unique,” she promised. “I’m sorry for the delay. It’s not gonna be a crazy delay. It’s gonna come out amazing. I’m gonna be out here for nine days.”
It’s been more than six years since 2018’s Invasion of Privacy and Cardi has teased the album for 2024, but the calendar days left in the year are dwindling.
“Album is coming really, really soon, announcements is coming really really soon,” she promised later on. “Things are getting more done now! I’m not pregnant no more.”
Cardi delivered a pair of singles with Billboard Hot 100 hits “Enough (Miami)” and “Like What (Freestyle)” earlier this year, but then cooled off and leaned on a few assists while hopping on Rob 49’s “On Dat Money” and Megan Thee Stallion and GloRilla’s “Wanna Be (Remix).”
The 32-year-old also gave birth to her third child with estranged husband Offset in September. Following her filing for divorce from the Migos rapper at the end of July, Cardi is enjoying her new chapter in life.
“Life has been really weird,” she added. “I’m single and I’ve been having fun, but I feel like me being single and me having fun, I have to stop it because I don’t want it to get in the way of my work. I’m paranoid to give people my time, I’m just playing around right now,” she said with a laugh. “I just want peace.”
Auditions for Simon Cowell‘s Britain’s Got Talent were postponed Thursday (Oct. 17) in light of Liam Payne‘s shocking death the day prior.
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The decision was confirmed by Applause Store, which handles ticketing for the talent competition show, on X the morning auditions were set to take place in England. “Due to the tragic passing of Liam Payne, BGT has decided to postpone today’s auditions in Blackpool,” the company wrote. “We apologise for any inconvenience this may cause.”
According to the audition venue’s website, Thursday was supposed to have been the final of three back-to-back days’ worth of auditions in the city. At press time, the show has not indicated when the auditions will be rescheduled.
Cowell launched Britain’s Got Talent in 2007, three years after he started the U.K. version of The X Factor. The late “Strip That Down” singer — who died at 31 years old Wednesday (Oct. 16) after falling from the third floor of a hotel in Buenos Aires, Argentina — got his start in 2010 on the latter talent program, which placed him in the group One Direction with fellow contestants-turned-bandmates Harry Styles, Niall Horan, Zayn Malik and Louis Tomlinson. The band went on to have four No. 1 albums on the Billboard 200 and six top 10 hits on the Billboard Hot 100 before parting ways in 2015, after which Payne embarked on a solo career.
In the wake of his death, The X Factor shared a touching tribute to the late pop singer. “We are heartbroken by the sad passing of Liam Payne,” read a message posted to the show’s social media accounts Wednesday. “He was immensely talented and, as part of One Direction, Liam will leave a lasting legacy on the music industry and fans around the world. Our thoughts are with his friends, family and all who loved him.”
Countless musicians, entertainment industry peers and fans have also taken to social media to mourn Payne in the past 24 hours, including Zedd, Paris Hilton, Charlie Puth, the Backstreet Boys, Ty Dolla $ign and more. The “Get Low” artist’s family shared a statement with the BBC Thursday. “We are heartbroken. Liam will forever live in our hearts and we’ll remember him for his kind, funny and brave soul,” the message read. “We are supporting each other the best we can as a family and ask for privacy and space at this awful time.”
See Applause Store’s tweet below.
Due to the tragic passing of Liam Payne, BGT has decided to postpone today’s auditions in Blackpool. We apologise for any inconvenience this may cause.
The Wanted, Harry Styles’ Mom Pay Tribute to Liam Payne: ‘Just a Boy’
Prior to Liam Payne‘s death on Wednesday (Oct. 16), a hotel manager in Buenos Aires, Argentina called 911 to report a guest who was “overwhelmed with drugs and alcohol,” adding, “he’s destroying the entire room and, well, we need you to send someone, please.”
According to the Associated Press, the caller’s voice grew more anxious as the call continued, with the hotel manager noting that the room had a balcony. Former One Direction and solo star Payne, 31, was found dead on Wednesday after officials said he sustained “extremely serious injuries” in a fall from the third-floor balcony of his room — approximately 42-45 feet from the ground — at the Casa Sur Hotel in the Palermo neighborhood of the nation’s capital city.
While the initial reports stated that Payne fell, the AP reported that Buenos Aires Security Ministry spokesperson Pablo Policicchio told the news service in a statement that Payne “had jumped from the balcony of his room.”
Police were dispatched the to scene following the emergency call around 5 p.m. local time on Wednesday according to Policicchio, after being told by hotel staff that there was an “aggressive man who could be under the influence of drugs or alcohol.” Officials are reportedly still investigating the circumstances of Payne’s death, with an autopsy under way.
Payne’s rise to stardom began in 2010 at age 17 when he was paired with the other members of what would become One Direction by Simon Cowell after the quintet’s singers all auditioned for the British X-Factor as solo acts. Along with Harry Styles, Louis Tomlinson, Niall Horan and Zayn Malik, Payne was thrust into instant global adoration in 2012 after the late 2011 release of the band’s debut single, “What Makes You Beautiful,” which went to No. 4 on the Billboard Hot 100 and No. 1 in the UK.
The song memorably opens with one of Payne’s most beloved, iconic vocals, in which he sings, “You’re insecure, don’t know what for/ You’re turning heads when you walk through the door/ Don’t need makeup to cover up/ Bein’ the way that you are is enough.” During the band’s subsequent six-year run they scored four No. 1 albums on the Billboard 200 and six top 10 Billboard Hot 100 hits.
After the group hit pause, Payne — who never headlined his own tour — released his lone solo album, 2019’s LP1, as well a string of singles, including the 2017 Billboard Hot 100 No. 10 Hit “Strip That Down” (featuring Quavo), “Get Low” (feat. Zedd, No. 23, 2017), “Bedroom Floor” (No. 35, 2017), “For You (Fifty Shades Freed)” (feat. Rita Ora, No. 37, 2018) and “Familiar” (feat. J Balvin, No. 25, 2018). He also released the 2018 EP First Time, as well as singles with Jonas Blue and Lennon Stella (“Polaroid,” 2018), A Boogie Wit da Hoodie (“Stack It Up,” 2019), Cheat Codes (“Live Forever,” 2019) and Dixie D’Amelio (“Naughty List,” 2020).
His final single, “Teardrops,” co-written by former *NSYNC member JC Chasez, was released in March.
After the group went on indefinite hiatus in 2016, the singer was open about how the dizzying rush of fame overwhelmed him, leading to a yearslong substance use struggle. In July 2023, he posted an eight-minute video in which he revealed that he was almost six months sober following a 100-day stay in a Louisiana rehab facility.
“I just kind of feel like I’ve got more of a grip on life and everything that was getting away from me, I just feel like I’ve got more of a handle on it,” Payne said at the time. “I just needed to take a little bit of time out for myself actually because I kind of became somebody who I didn’t really recognize anymore. And I’m sure you guys didn’t either. I was in bad shape up until that point and I was really happy to kind of put a stopper to life and work.”
In a 2019 interview, Payne admitted that he had trouble adjusting to 1D’s Beatles-like level of fan adoration at the height of the group’s success, frequently leaning on alcohol to cope with the stress. “It’s almost like putting the Disney costume on before you step up on stage and underneath the Disney costume I was pissed quite a lot of the time because there was no other way to get your head around what was going on,” he said. “I mean, it was fun. We had an absolute blast, but there were certain parts of it where it just got a little bit toxic.”
Then, in a Diary of a CEO podcast appearance in 2021, Payne talked about struggling with depression and substance use disorder during the chaotic 1D years. “I was worried how far my rock bottom was going to be. Where’s rock bottom for me?” the singer told host Stephen Bartlett. “And you would never have seen it. I’m very good at hiding it. No one would ever have seen it.”
He described how the pressure and intense fan attention during the height of the group’s fame transformed him into an “angry person” who turned to prescription pills and alcohol to numb his anxiety and fear. When host Bartlett asked if that period included “suicidal ideation,” Payne said it did, explaining, “There is some stuff that I have definitely never, never spoken about. It was really, really, really severe. It was a problem. And it was only until I saw myself after that I was like, ‘Right, I need to fix myself.’”
Payne said the substance use continued for “many years” and then returned during England’s COVID-19 lockdown in 2020, when he took a break from recording solo songs for a few months due to exhaustion, only to find himself drinking more and more, and earlier and earlier in the day. “What I’ve found more than anything with the alcohol is boundaries. If you’re on Zoom you can probably get away with being a bit tipsy, when you’re not supposed to be,” he said at the time.
After catching a glimpse of one of his performances on TV looking bloated and unwell, he said he began working out, attending meetings and going to therapy.
If you or anyone you know is struggling with mental health or substance abuse disorders, reach out to the Substance Abuse and Mental Health Services Administration‘s national helpline 24/7 at 1-800-662-HELP (4357) for confidential treatment referrals and information. For those who are experiencing suicidal thoughts and/or distress, the National Suicide Prevention Lifeline is available 24/7 by texting 988.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-17 16:02:232024-10-17 16:02:23Liam Payne’s Death: Hotel Manager Reported ‘Aggressive Man’ Possibly Under Influence Before Singer’s Fall
The music’s industry’s newest leadership and wellness conference, organized by jump.global, will return for its second year Nov. 17-20 in Los Angeles. Today (Oct. 17), the conference announced its final keynote speaker, Kei Henderson.
Henderson will deliver a featured interview on Nov. 19, sharing stories about music management, founding a label and also the importance of taking time off – in 2019, Henderson took a partial hiatus from the music industry to prioritize her mental health.
“Conferences like this are more than necessary for the music industry, and I feel incredibly honored for the opportunity to share my journey with like minds,” Henderson said in a statement to jump.global. “We need more spaces that are not just about the highlight reel, but the real.”
Henderson joins a previously announced lineup of speakers including Michelle Jubelirer, former chair and CEO of Capitol Music Group, and Jacqueline Saturn, president of Virgin Music Group North America and evp of global artist relations. Jubelirer will speak with Bandier Program director, Bill Werde, while Saturn will speak with her sister Samantha, appearing together on stage for the first time.
Launched last year, the jump.global Annual Summit operates as an end-of-year personal and professional development conference and retreat for the music industry. The conference brings together coaches and professionals to lead workshops, keynotes and panels on topics such as financial wellness, mental health, effective leadership and more.
Most notably, the summit does not list any speakers or attendees with their titles or company names on-site, aligning with its guidelines and tagline that “your first and last name matter more than your job title.”
“The summit is [provides] the rare opportunity to focus on executive development, instead of artist development,” says jump.global Founder Nick Maiale. “We’re so excited to return for a second year and provide a safe space for everyone — whether you’re part of a music team, longtime friends from your internship days, a consultant growing your business, an HR professional, or someone seeking inspiration.”
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Yeah Yeah Yeahs’ “Maps” earns a second week at No. 1 on the TikTok Billboard Top 50 chart, while five songs – four of them debuts – break into the top 10 of the Oct. 19-dated ranking.
The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Oct. 7-13. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
“Maps,” from Yeah Yeah Yeahs’ 2003 album Fever to Tell, peaked at No. 87 on the Billboard Hot 100 in 2004. Its TikTok resurgence has pushed the song to new heights on chart-reporting music streaming services; the song racked up 1.9 million official U.S. streams in the week ending Oct. 10, up 23%, according to Luminate.
The tune remains driven by a pair of trends on TikTok. One is a dance, while the other features creators using a filter to remove their facial features, only to have said features float back onto their face, sometimes in the wrong spot. A sped-up version of “Maps” has contributed to the song’s success on TikTok as well.
Alphaville’s “Forever Young,” which reigned on the TikTok Billboard Top 50 dated Oct. 5, rebounds 3-2 on the latest list, followed by a debut in John Mackk’s “Pose for Me,” featuring Natalie Nunn, which bows at No. 3.
“Pose for Me” was originally released in March, but a remix dropped on Sept. 6 that has driven the lion’s share of the activity since. With its eponymous command, the song has spurred a variety of pose-related dance moves on TikTok, generally centered on Nunn’s verse that continues, “Baddies, pose for me/ A– fat, slim thick, no tummy.”
“Pose for Me” marks the first appearance on a Billboard chart for both Mackk and Nunn. The song earned 736,000 streams in the week ending Oct. 10.
Gracie Abrams’ “I Love You, I’m Sorry” isn’t new to the TikTok Billboard Top 50, rising as high as No. 34 in September. But the Oct. 19 ranking finds it reaching new heights, re-entering the chart at No. 4. That’s concurrent with a return to Billboard’s Streaming Songs chart; it re-entered at No. 49 on the Oct. 12 list and vaults to a new peak of No. 23 on the latest ranking, thanks to 11.5 million streams, up 41%.
Its resurgence is partially tied to a new version of the song; Abrams played a live take of the song for Vevo Extended Play, uploading it to her YouTube on Oct. 2. Recent TikTok uploads again zero in on Abrams’ “lay on the horn to prove that it haunts me” lyric, with the majority relating in some way to relationships past and present.
KSI’s “Thick of It,” which features Trippie Redd, debuts at No. 6 on the TikTok Billboard Top 50, concurrent with the song’s debut at No. 84 on the Hot 100. Some say all publicity is good publicity, and in the case of “Thick of It,” many of the top-performing TikTok uploads reference the negative reviews the song has received.
Johnny Cash’s “Folsom Prison Blues” bows at No. 7, albeit a remix of the song that was featured in the trailer for the film Wrath of Man. Its usage on TikTok in the latest tracking week revolves around uploads showcasing the devastation of Hurricane Milton in the U.S. (and previously that of Hurricane Helene).
It’s Cash’s second top 10 on the TikTok Billboard Top 50 in 2024; “The Chicken in Black” peaked at No. 6 in May.
The final top 10 debut of the week belong’s to Akon, whose “Akon’s Beautiful Day” starts at No. 8. It’s a new song from the veteran singer-songwriter, released on Oct. 4 after being teased on TikTok in the weeks leading up. Many of the top uploads are from Akon himself, along with other usages.
Wow, thank you for all the amazing videos you’re creating to ‘Akon’s Beautiful Day’! Can’t wait to share the official release with the world on October 4th. Let’s keep the gratitude flowing!
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-17 16:02:202024-10-17 16:02:20Yeah Yeah Yeahs’ ‘Maps’ Spends Second Week Atop TikTok Billboard Top 50
Morgan Wallen is set to bring his own music festival to the beaches of Gulf Shores, Ala., next year, when the 15-time Billboard Music Awards winner launches his three-day Sand in My Boots Festival running May 16-18, 2025. Wallen has teamed with AEG Presents (producers of Stagecoach, California’s Country Music Festival and Hangout Music Festival) and the Hangout Festival to hold his event at the same site that hosts the annual Hangout Festival.
The full talent lineup and ticketing details for Wallen’s Sand in My Boots Festival will be revealed in coming weeks, but the lineup will be multi-genre and will feature some of the country star’s closest friends, favorite artists and musicians he has always wanted to perform with. The festival shares its name with Wallen’s 2022 No. 1 Billboard Country Airplay hit.
Stacy Vee, executive vp of Goldenvoice and Producer of Stagecoach, said in a statement, “Creating a Festival with Morgan has been a dream come true … and some of the most fun I have ever had booking a show! I can’t wait for fans to come and experience one of the most eclectic and electric lineups and on-site experiences the world has ever seen.”
AEG Presents and Hangout Festival Producer Reeves Price added, “The opportunity to bring Morgan’s world to life on the beach in Gulf Shores is something very special. The fact that it coincides with the 15th anniversary of the Hangout Festival only makes it more special. We can’t wait to see everyone back on the beach in May.”
The upcoming Sand in My Boots festival isn’t the only festival Wallen has had a hand in spearheading recently. Earlier this year, he and Eric Church teamed up to launch and curate the Field & Stream Music Festival, which had been slated for Oct. 4-6 in Winnsboro, S.C., with a lineup to include Church, Lainey Wilson and ZZ Top. However, the inaugural festival had to be postponed due to the widespread damage of Hurricane Helene. The Field & Stream Music Festival is part of Wallen and Church’s acquisition of the outdoor lifestyle brand Field & Stream, announced earlier this year.
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If you’re looking for something new to watch, then Hulu + Live TV is your one stop for entertainment, sports, news and more with live TV streaming and hit originals such as Only Murders In the Building. It’s back for season four with the intrepid podcast hosts in pursuit of a new killer, in addition to a slew of star-studded guest appearances from Melissa McCarthy, Zach Galifianakis, Eugene Levy, Kumail Ali Nanjiani, Richard Kind and Eva Longoria. And if you’d like to catch up with the mystery comedy, all previous seasons are waiting for you to stream.
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Additionally, Hulu + Live TV comes with Hulu, Disney+ and ESPN+ at no additional cost. It’s one of the best ways to get access to hit originals such as Only Murders In the Building, Secret Lives of Mormon Wives, Tell Me Lies, The Mandalorian, ESPN’s 30 for 30 film series and more. It’s like getting four streaming services for the price of one.
Hulu’s standard streaming service (no live TV) starts $9.99 per month for the commercial-supported plan, while you can go without commercials for $18.99 per month.
Meanwhile, Hulu + Live TV is compatible with a number of web-based devices, including smart TVs, Google TV, Roku, Fire TV, Apple TV 4K, Apple iPhone and Apple iPad, Android smartphones and tablets, Android TV, web browsers including Google Chrome and Apple Safari, gaming consoles such as PS5 and Xbox, select cable boxes and other devices.
With a starting price of $82.99, Hulu + Live TV is one of the best ways to watch nearly 100 entertainment, sports, lifestyle and news channels, along with originals from Hulu, Disney+ and ESPN+, on a wide range of devices. Right now, you can save $69 off your first three months of service, a nearly 30% off deal. Learn more about Hulu + Live TV here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-17 15:16:582024-10-17 15:16:58Here’s How to Save Nearly $70 Off Hulu + Live TV for 3 Months
