Jelly Roll and Kane Brown are set to lead Nashville in ringing in 2025, when they headline the concert special New Year’s Eve Live: Nashville’s Big Bash, which will return to Music City’s Bicentennial Capitol Mall State Park.

The concert will air live from downtown Nashville on Tuesday, Dec. 31 from 8 p.m.-10 p.m. ET/PT, on CBS Television Network, and will stream on Paramount+ (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).

In addition to Jelly Roll and Brown leading the evening with music, the famed Music Note drop will take place at midnight as Nashville counts down to the new year. The special will also feature an all-star lineup of performances across multiple time zones and live from Music City.

New Year’s Eve Live: Nashville’s Big Bash is executive produced by Robert Deaton and Mary Hilliard Harrington, in partnership with Music City Inc., the foundation of the Nashville Convention & Visitors Corp. The special will be directed by Sandra Restrepo.

Jelly Roll has earned four No. 1 Billboard Country Airplay hits, including “Son of a Sinner” and “Halfway to Hell,” and is set to release his upcoming album Beautifully Broken on Oct. 11. Net profits from each pre-order of the album made through Jelly Roll’s official website will aid organizations that support those battling addiction and mental health struggles. The funds will benefit Folds of Honor, the National Alliance on Mental Illness, Shatterproof and the Wounded Warriors Project.

Brown has notched 11 Country Airplay hits including “Bury Me in Georgia” and “I Can Feel It,” and is set to receive the country champion award at the upcoming 2024 People’s Choice Country Awards, set to take place Sept. 26 in Nashville.

GloRilla wants to put a stamp on her banner year with the announcement of her upcoming debut album Glorious on Thursday (Sept. 19).

Big Glo is following her Ehhthang Ehhthang EP with her official debut LP slated to arrive on Oct. 11, and its latest single “Hollon” set to come out at midnight on Friday (Sept. 20). “GLORIOUS da album dropping 10/11 So grateful to be sharing this with y’all and as a little treat I’m blessing y’all with HOLLON tonight at midnight,” she wrote. “AYEEEEE.”

The project’s artwork shows Glo channeling ’90s R&B vibes while charging her face card and rocking shiny gold hoop earrings. Megan Thee Stallion, Anycia, Lakeyah and more of her peers showed love in Glo’s comment section.

Fans were equally excited about the album announcement as GloRilla looks to take over October’s spooky season. “Finna gone change my Profile picture dis mf it,” one person wrote, with another fan adding, “WE UPPPPPP TS FINNA BE SO FYE.”

The Memphis rapper has been a Billboard Hot 100 staple in 2024 with the arrival of hits like “Yeah Glo!,” “TGIF” and the Megan Thee Stallion-assisted “Wanna Be.” The latter two are still holding strong in the top 40 of the chart at No. 34 and No. 40 respectively.

Other highlights from Glo’s 2024 include serving as an opener on Megan Thee Stallion’s Hot Girl Summer Tour, which wrapped up in June, and stopping by the White House to meet with President Joe Biden in March.

Find the cover art for Glorious below.

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Already one of the most successful and prolific Latin music artists in Boxscore history, Luis Miguel has re-entered the record books with his ongoing world tour. According to figures reported to Billboard Boxscore, the Luis Miguel Tour 2023-24 has grossed $318.2 million and sold 2.2 million tickets in its first 146 shows. That makes it the highest grossing tour ever among Latin acts.

At an Aug. 28 show in Caracas, Venezuela, Miguel slid past Bad Bunny’s World’s Hottest Tour ($314.1 million) and Karol G’s Manana Sera Bonito Tour ($313.3 million) for the Latin Boxscore record and extended it a few days later with a concert in Juarez, Mexico.

Miguel’s current tour kicked off with a bang last summer, with 10 shows at Buenos Aires’ Movistar Arena, and then another 10 at the venue of the same name in Santiago, Chile. Those 20 kick-off dates brought in a combined $28.1 million and sold 227,000 tickets, already establishing it as the third highest grosser of his storied career. After that, he toured through the U.S., Mexico and Latin America, back to the U.S., over to Spain, and most recently, back to LatAm.

Miguel’s run in the U.S. was fruitful ($49.8 million), but the turn to his native Mexico was even bigger, bringing in $57.5 million in 20 shows. By the end of 2023, he had earned $141 million – still a way’s away from the all-time high, but enough to handily pass his own Mexico Por Siempre Tour from 2018-19 ($101.4 million) as his biggest tour yet.

Across stadiums in Latin America, Miguel added another $73 million in the early months of 2024, and another $65.6 million in North American arenas through mid-June. Twelve shows in Spain packed in $27.6 million, and his return to Central America padded the tour with another $10.7 million in five shows in August.

Not only is this Miguel’s highest-grossing tour, it’s his best-seller. At 2.194 million tickets so far, he has doubled (and then some) his previous run, where he moved 965,000 tickets. On the all-time leaderboard, he still trails Karol G’s 2.326 million, though he will easily pass that mark by the end of the month.

While Bad Bunny and Karol G had earned their all-time highs exclusively in stadiums around the world, Luis Miguel has mixed arenas and stadiums, with more than double the show count.

Already in unprecedented waters, Miguel has played another seven as-yet-unreported shows in Mexico and Las Vegas, with another 30 scheduled in Mexico through Nov. 25. The centerpiece of his remaining shows is a 10-show run at Mexico City’s Arena Ciudad de Mexico between Oct. 8-24. Seven shows at the same venue grossed $14.6 million last November, so his extended stint is expected to surpass that and be the entire tour’s biggest engagement.

Miguel’s 20 shows in Mexico last year averaged $2.873 million per date. Applying the same logic, the remaining dates (including September shows that he has played but not yet reported) could add another $100 million and make him the first Latin artist to stage a $400 million tour.

Dating back to a November 1991 concert at New York’s The Paramount, Miguel has grossed $633.1 million and sold 6.3 million tickets over 701 reported shows.

The White House race between former President Donald Trump and current Vice President Kamala Harris continues to be incredibly tight. With less than two months to go before Americans cast their votes, both candidates are doing everything they can to lock in their core constituents, amidst a desperate scramble to rope in crucial undecided and uninspired voters who could tip the scales in their favor.

And while the GOP has long hewed to the old saw that celebrity endorsements don’t move the needle on election day, this year has already shown how the right A-list seal of approval could be one of the decisive factors in the battle between twice-impeached convicted felon Trump and 11th-hour Democratic candidate VP Harris.

The proof is in the immediate impact felt by Taylor Swift throwing her hat into the ring two weeks ago with a strongly worded endorsement of Harris and VP pick Minnesota Gov. Tim Walz. After Swift encouraged young voters to register at Vote.gov following the Democratic National Convention, more than 405,000 people clicked through in strong example of Swift’s potential impact on the outcome in November, easily besting the site’s early September daily tally of 30,000 visitors.

A week later, Trump lashed out at the megastar, who has been selling out stadiums around the world for the past year on her culture-dominating Eras Tour, while also getting weekly high-profile, multi-demo screen time during NFL season thanks to her romance with Kansas City Chiefs tight end Travis Kelce. “I HATE TAYLOR SWIFT,” the candidate raged on his Truth Social platform over the weekend.

According to a YouGov poll conducted last week, more than 53% of Americans — including 31% of Republicans — think Swift’s endorsement will help Harris; 4% thought it might hurt Harris. That poll came on the heels of a February survey by Change Research that found that 65% of Democrats had a favorable view of Swift, while 29% of independents and just 17% of Republicans felt the same. For now, though, it’s still unclear if Swift’s endorsement will actually help Harris — based on a recent ABC News/Ipsos poll, in which 81% of voters surveyed said Swift’s support for the VP will not influence how they vote. Only six percent said they are more likely to vote for Harris since Swift’s post, with 13 percent saying it makes them less likely to do so.

With the Nov. 5 election just 47 days away, Billboard spoke to a group of academics, political consultants, pollsters and music managers to see if they think Swift’s endorsement — and Trump’s lashing out — could help push Harris/Walz over the top, or turn the tide in Trump’s favor.

“People Will at Least Listen to Her”

“This election will be decided by a few thousand votes in three or four key states, so everything matters,” says veteran pollster and communications analyst Frank Luntz. “Will this be the deciding factor? Probably not. But will it have an impact? Most definitely.”

Luntz, who has done a series of stories asking the same group of young, undecided voters about the election for the New York Times since August, says before President Biden dropped out to make way for Harris, he polled voters about who would have the most influence on their vote. In first place was Trump at 38%, with Biden at 34% and Swift not far behind at 25%.

“I was really shocked by that,” he says. “At the time, Biden was so weak among younger women, and they are among the Democrats’ most reliable voting group — and [Swift] matters significantly, because she’s not seen as a politician and she’s not seen as a partisan. So people will at least listen to her.”

In addition, Luntz says, he thinks Swift handled the wording of her endorsement “quite well,” with language that explained “with some sophistication” why she did what she did. Among the reasons Swift cited for speaking out was her fear and anger over an incident last month in which Trump platformed fake AI-generated images of the singer falsely claiming she was supporting him.

Brilliant Corners Artist Managment (Death Cab For Cutie, Postal Service, Best Coast) co-founder Jordan Kurland knows a bit about speaking out during crucial elections, thanks to his time serving on the Entertainment Advisory Committee for both former two-term Democratic President Barack Obama and the unsuccessful 2016 Clinton presidential campaign against Trump. He also was impressed with the way Swift made it more about voting than herself.

“I appreciate that she talks about doing her research and encouraging people to not just vote for the candidate because your favorite pop star said so, but to really get to know the issues,” says Kurland.

“The icy peak of dumbf–k mountain”

While an older generation of artists, such as Bruce Springsteen, Oprah Winfrey and Barbra Streisand, have been reliable democratic party boosters and endorsers in the past, Luntz and Lincoln Project co-founder Rick Wilson (author of Everything Trump Touches Dies) say that Swift is a new kind of political force — with a massive, multi-media reach that could rope in sometimes unreliable, unmotivated young voters.

“Taylor Swift represents a different category of celebrity than almost anyone under the sun,” says the former Republican and political strategist Wilson, who co-founded the Lincoln Project Super PAC in 2019 in an effort to prevent Trump from being re-elected. “She’s sui generis in terms of the reach she has and her impact on young women, not to mention their fathers and mothers.”

Swift not only rules the Billboard charts on an almost constant basis, as well as having a culture-dominating Eras Tour and accompanying movie, but also makes headlines every weekend from the sky box as she cheers on Kelce. NFL games averaged 17.9 million viewers each in 2023, a year when 45 NFL games were among the 100 most-watched prime-time telecasts, with the league hogging 14 of the top 15 slots.

Add in 4.35 million tickets sold for her 60 Eras Tour U.S. shows in 2023, and Wilson says you have an artist whose reach — and influence — is virtually unmatched in modern pop history.

“Some of those girls who first loved her are now young women whose mothers took them to see Swift 10-15 years ago,” says Wilson. “And she has a relationship to those women and girls that Republicans are trying to make fun of — [they say] ‘her music is about bad choices, that’s why this is a bad choice’ — but her candor about her life, and the way it plays through her art, makes her relatable and engages people and makes them feel connected to her beyond her music and entertainment.”

In addition to being major pop culture moments and serious financial boosters for every city Swift visits, Wilson wryly notes that “nobody leaves a Taylor Swift show early or cranky, which is exactly the opposite of a Trump rally. They stay until the last minute and come away feeling happy and empowered.” (Wilson says he joked on MSNBC last week that he’d devised a new spin on the traditional warning about the historically biggest mistakes a politician can make: invading Moscow in the winter, launching a land war in Asia… and screwing with Swifties.)

As for Trump’s “HATE” tweet, Wilson came up with a new description of what he said was an unfathomably stupid self-own targeting a potentially crucial group of voters. “It wasn’t just a stupid idea,” he says. “If there was an Olympian level of stupidity, a mountain in the far distance of stupid ideas, it’s the very pinnacle, the icy peak of dumbf–k mountain.”

“They got Kid Rock and you have Taylor Swift”

Renowned political consultant and pundit James Carville, the lead strategist for Bill Clinton’s winning 1992 campaign, maintains that the evidence that celebrity endorsements have a significant impact on voting behavior is “pretty thin.” But, he adds, at the very least Swift’s endorsement will “drive [Trump] crazy” — as evidenced by the billionaire real estate mogul’s all-caps tweet and running mate JD Vance’s (somewhat) tempered double-down on Fox News last week. “We admire Taylor Swift’s music — but I don’t think most Americans, whether they like her music, are fans of hers or not, are going to be influenced by a billionaire celebrity who I think is fundamentally disconnected from the interests and the problems of most Americans,” opined the former venture capitalist, multi-millionaire Ohio senator.

In addition to her endorsement potentially distracting Trump, and his hate in response turning off many 18-34 young female voters who could be crucial to a win in November, Carville says Swift’s urge to register to vote could definitely make a difference. “It’s impressive that people did an affirmative act [in registering to vote], and he knows that,” says Carville. “They got Kid Rock and you have Taylor Swift. How is that gonna work out?”

Despite political veteran Carville’s on-the-fence status about celebrity endorsements, Penn State University associate professor of political communications and gender Dr. E. Michele Ramsey says that there is “all kinds of research” showing that the “perceived authenticity” of a celebrity’s thumbs-up does move the needle for “either a product or a candidate.”

Ramsey, who teaches the “Taylor Swift, Gender and Communication” course, says Swift’s action could make a difference among low-information voters, a crucial demo this year. She says we’re a moment now where women’s stories are loudly taking center stage on playlists, in the movies and on social media thanks to massive exposure for projects from not only Swift, but also such pop culture juggernauts as Beyoncé, Chappell Roan, Olivia Rodrigo and Billie Eilish, and even last year’s billion-dollar Barbie movie. And while Swifties are generally more likely to vote for Democrats according to a recent YouGov poll, she is so hugely popular that it’s likely she has fans across a broad political, and geographic spectrum.

“We’re in a unique moment in history where women’s stories are at the top of the food chain, where all these performers are speaking in a very vulnerable situation and expressing feelings that I think many women [and others] can relate to,” Ramsey says about an era when a woman’s right to choose has taken center stage. That state-by-state battle of course follows the overturning of Roe V. Wade two years ago, thanks to Trump’s elevation of three new conservative Supreme Court justices ,who helped overturn a woman’s federally protected right to abortion.

So far, in addition to Swift, a raft of other musicians and stars who appeal to the young female demo have endorsed Harris, including Beyoncé, Eilish, Roan, Rodrigo, Ariana Grande, Cardi B, Charli XCX, Katy Perry, Demi Lovato, Kesha, Megan Thee Stallion and P!nk. Trump has gotten endorsements from a less pop-culture-relevant group: one that includes Kid Rock, Billly Ray Cyrus, Kanye West, Lil Pump, Jason Aldean, Kodak Black and Azealia Banks.

“I’ve never seen a political party that just wants to poke the bear as much as they can,” Ramsey adds about the GOP’s decades-long drive to make abortion illegal, as well as attempts to limit the availability of IVF treatments and contraception, and Vance’s now-infamous put-down of Harris (and other Democrats) as “childless cat ladies.” (Swift sharply signed her endorsement as a member of the latter group, while posting a picture of her holding one of her cats.)

Ramsey notes that while young voters don’t tend to trust dusty institutions or traditional politicians, they do put faith in idols they want to emulate — as evidenced by the quickly formed Swifties for Kamala group that pulled together the day Biden dropped out. “If I was a campaign consultant to Republicans, I would tell them to stop saying anything about Taylor Swift,” he counsels.

At the end of the day, Luntz thinks “everything” makes a difference when you’re talking about an election measured in inches, not miles. He points out the Harris campaign’s potential to lean into Swift’s pop culture pull, as they already have with Taylor-themed campaign friendship bracelets and political ads. “You’re seeking any kind of momentum, any kind of edge,” he explains.

In Luntz’s mind, if the singer doubled-down against Trump’s childish “if you don’t like me, I don’t like you more” “HATE” post and turned his ire against him, it could be a key brick in Harris’ firewall: “She [Swift] could easily turn that into, ‘you don’t like me, WE don’t like you and we’re gonna have the last laugh!’”

At press time spokespeople for the Trump and Harris campaign had not returned Billboard‘s request for comment.