Kelly Clarkson asked fans to meet her in “The Middle” on Monday (Oct. 7) as she took on Zedd, Maren Morris and Grey’s 2018 hit.

Dressed in an aqua blue skirt suit set, the star belted the high-pitched hook flawlessly, adding her own theatrical flair. “Baby, why don’t you just meet me in the middle?/ I’m losing my mind just a little/ So why don’t you just meet me in the middle?/ In the middle,” she sings in the chorus.

Upon its release, “The Middle” skyrocketed to the top of Billboard’s Pop Songs and Hot Dance/Electronic Songs charts and to the top five of the Billboard Hot 100 songs chart. “Maren is so much more than just country,” Zedd previously told Billboard of the cross-genre collaboration. “And I’ve hated how people have put me in boxes my whole career, like, ‘Hey, you’re an EDM guy doing pop.’ No, I’m a musician who enjoys making music. I made metal for 10 years, and before that I made classical music. Literally, the first time I ever heard Maren’s voice was on the demo for ‘The Middle.’ But to me, this was just about who sounds the best.”

The Kelly Clarkson Show, which launched its sixth season last month, has been the top-rated afternoon talk show since its premiere. Since its launch in 2019, The Kelly Clarkson Show has won 22 Daytime Emmy Awards, including multiple wins for outstanding daytime talk series and outstanding daytime talk series host. 

Watch Kelly Clarkson perform Zedd, Maren Morris and Grey’s “The Middle” below.

When Coldplay tours, the British rockers typically play to tens of thousands of fans per show – in fact, as of August 2024, their Music of the Spheres World Tour became the biggest rock tour of all time, according to Billboard Boxscore.

So when Chris Martin & Co. hit the stage at Brooklyn’s Music Hall of Williamsburg – a 650-person-capacity venue — on Monday (Oct. 7) afternoon for a SiriusXM Presents show in support of new album Moon Music, the crowd was freaking out more than a little bit. Which might explain why one attendee, toward the end of the concert, shouted out a request for a nonexistent Coldplay song.

The saga began when Coldplay gave fan-favorite Music of the Spheres track “Coloratura” a rare performance, explaining that people online had been clamoring to hear it live. After that, fans began shouting out song titles, with one guy yelling, “Fix It.” Presumably, the man was thinking of the Billboard Hot 100 hit “Fix You” from 2005’s X&Y, but Chris Martin wasn’t letting him off that easy.

“’Fix It’ is another song from another band, my brother,” Martin said, shaking his head before leading the band through “Yellow.” But after wrapping up their breakthrough hit (“Yellow” was their first Hot 100 entry back in 2001), Martin seemingly decided that perhaps “Fix It” should be a Coldplay song after all. Apologizing to the fan for getting a bit “cross” with him, Martin sat down at the piano and freestyled an impromptu tune on the spot, dedicating it to the dude.

“Here is a song called ‘Fix It,’ specifically just for that guy/ It’s OK if you come to a concert to call out the name of a song,” Martin sang, chuckling good-naturedly. “[But] I’d much prefer you don’t get the name of the song wrong/ Oh, fix it, let’s fix it/ It was broken a long time ago/ Yes, fix it, a famous song called ‘Fix It’/ That before today even I didn’t know.”

One can only imagine what it was like to be that man in that moment. In less than 10 minutes, he mangled a Coldplay song title in front of the band, got gently mocked by Martin, received an onstage apology and then had a brand-new song dedicated to him – one that will probably never be performed again. Iconic.

That unscripted moment gives a good sense of the vibe throughout Coldplay’s underplay, which was broadcast on SiriusXM later that same day. Thanks to the intimate space and a respectful but enthusiastic audience, Martin seemed warm and congenial, pointing at specific people in the crowd and sticking his tongue out for fans’ cameras. He even joked about the band going the Taylor Swift route with its back catalog. “We released Parachutes (Taylor’s Version), it’s going to do very well,” he quipped while speaking about their new LP, Moon Music.

Of the new Moon Music tracks, the live highlights were undoubtedly “The Karate Kid,” a gorgeous piano ballad that saw its first-ever live performance during the SiriusXM show, and “Good Feelings,” which brought collaborator Ayra Starr onstage and saw The Weirdos — Coldplay’s puppet alien rock band — pop up on the venue’s balcony. Much like their recent Saturday Night Live performance, Coldplay brought out Elyanna & TINI for an emphatic “We Pray,” too.

As for the anthemic sing-alongs, “Viva La Vida” and “A Sky Full of Stars” enjoyed wild responses from the crowd, while a live run-through of “God Put a Smile Upon Your Face” from 2002’s classic LP A Rush of Blood to the Head proved that Coldplay can still kick ass as a rock n’ roll band.

Although the mood of the show was light, joyous and celebratory (confetti blasted the audience more than once), Martin did take a moment to acknowledge that the concert took place on the one-year anniversary of the October 7 terrorist attacks on Israel and the start of the ongoing Israel-Hamas War.

“Today, on October 7, we send peace to the Middle East,” Martin said prior to “Coloratura.” The juxtaposition was perhaps intentional, given the opening lyrics: “We fell in through the clouds/ And everyone before us is there welcoming us now/ It’s the end of death and doubt.”

Halsey is quite literally the greatest impersonator.

As the star gears up to release their album, The Great Impersonator, later this month, she took to Instagram to reveal that leading up to the drop, she’ll be “impersonating a different icon every day and teasing a snippet of the song they inspired.”

The first icon is Dolly Parton, as Halsey is seen recreating Parton’s 1987 Rainbow album cover. The resemblance is uncanny, as Halsey rocks a big, curly blonde wig as they lounge on the ground in the same outfit and makeup look as Parton.

See the recreation here. Halsey also noted that Parton inspired the track “Hometown” on her upcoming album, a stripped-down acoustic track that you can hear a teaser of here.

Arriving Oct. 25, The Great Impersonator will mark Halsey’s fifth studio album. It follows 2021’s If I Can’t Have Love, I Want Power, which reached No. 2 on the Billboard 200. The star has described the project as deeply personal, saying, “I made this record in the space between life and death, and it feels like I’ve waited an eternity for you to have it.” The album also features previously released singles “The End,” “Lucky” and “Lonely Is the Muse.” 

Halsey previously confirmed that the album will traverse different decades and musical styles, with the “Closer” singer revealing multiple variants of The Great Impersonator‘s cover inspired by different time periods through a fan scavenger hunt earlier this month.

Taylor Swift surpasses Rihanna as the world’s richest female musician, and Sabrina Carpenter heeds Taylor Swift’s advice. Keep watching for more!

Tetris Kelly:

Does Taylor make more money than Rihanna?! Forbes is reporting the billionaire has added even more money to her massive wealth and Sabrina Carpenter is taking her advice. We’re breaking it all down. After reportedly becoming a billionaire last year thanks to her juggernaut Eras Tour, Taylor Swift at 34 years old has surpassed Rihanna to become the world’s richest female musician with a net worth estimated at $1.6 billion. It noted that she’s the first musician to make the billionaire ranking primarily based on her songs and live performances. And when it comes to this level of fame, Sabrina Carpenter told CBS News Sunday Morning’s the non verbal cues she’s learned from the superstar. Will Sabrina join the billionaire girlies club one day? Now that would be sweet.

Mariah Carey is many things – but casual isn’t one of them. So naturally, when she performed Sunday (Oct. 6) evening at the American Music Awards 50th Anniversary Special, she had to make an entrance.

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The middle portion of a giant hot pink ‘M’ on the AMAs stage opened up to reveal the diva herself, resplendent in an elegant white gown and shimmering jewelry. And Mimi did not disappoint. Singing her 14-week Billboard Hot 100 smash “We Belong Together” – one of 19 No. 1s on that chart – Carey was in top form, weaving through the deep, soulful runs and hitting that sustained, impossibly long note at the end. It was a powerful performance, with the enraptured audience singing every word and some people even clasping their hearts.

Prior to hitting the AMAs stage, Carey sat down with Billboard’s Tetris Kelly to discuss the classic hit and her 2005 album The Emancipation of Mimi. “People had written me off,” she recalls. “And the song of the decade with ‘We Belong Together’ — it had to be that big of a record for me to actually have a comeback.” At the close of the ‘00s, Billboard declared “We Belong Together” the song of the decade due to its massive chart success.

Elsewhere during the AMAs 50th anniversary broadcast, Stray Kids performed their single “Chk Chk Boom” as well as a bit of *NSYNC’s “Bye Bye Bye,” recreating some of *NSYNC’s marionette-inspired choreography in homage to the boy band’s memorable performance at the 2000 American Music Awards. Smokey Robinson – who co-hosted the very first American Music Awards ceremony in 1974 – was also on hand at the 50th special to reflect on a half century of the awards show.

American Music Awards 50th Anniversary Special is produced by Dick Clark Productions. DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldrige. PMC is the parent company of Billboard.

On Sunday (Oct. 6) night, the American Music Awards celebrated a half century with the two-hour American Music Awards 50th Anniversary Special on CBS. The evening featured various walks down memory lane as well as new performances from today’s biggest artists, each one representing a different musical genre. For the boy band tribute, Stray Kids hit the AMAs stage and delivered the most visually incredible and energetic performance of the night.

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At the outset of the performance, strings dangled from the ceiling, each one attached to various members’ limbs in homage to *NSYNC’s marionette-inspired 2000 American Music Awards performance of “Bye Bye Bye.” And it wasn’t just a visual reference – the *NSYNC smash hit came blasting over the speakers, with Stray Kids putting their spin on its choreography before singing their own banger, “Chk Chk Boom.” Dressed in black, each member of the South Korean boy band was bursting with energy, attitude and cool, supported by a fleet of backup dancers. Toward the end of their performance, they weaved a bit of “Bye Bye Bye” back into the “Chk Chk Boom” mix before wrapping it up to thunderous applause.

Prior to Stray Kids, *NSYNC’s Lance Bass and Backstreet Boys’ AJ McLean introduced them and spoke on the AMAs’ boy band legacy. “Fifty years — the American Music Awards have been around long enough that a lot of boy bands have grown up with the show,” Bass said. “Lance and I are proud to be part of that legacy on the American Music Awards,” McLean added. “A boy band legacy worth remembering and even screaming for.”

Before taking the AMAs 50th Anniversary Special stage, Billboard’s Tetris Kelly caught up with Stray Kids, who thanked their Stays and paid homage to the boy bands who came before them, including *NSYNC.

American Music Awards 50th Anniversary Special is produced by Dick Clark Productions. DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldrige. PMC is the parent company of Billboard.

Janice Combs, mother to Sean “Diddy” Combs, has released a statement on behalf of the Combs family amid ongoing sex crime allegations against the music mogul.

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Combs was indicted by federal prosecutors in mid-September on racketeering and sex trafficking charges and denied bail.

In a statement released Sunday (Oct. 6) through attorney Natlie G. Figgers, obtained by The Hollywood Reporter, Combs’ mother said Diddy is not guilty of the allegations against him: “My son is not the monster they have painted him to be, and he deserves the chance to tell his side.”

“It is heartbreaking to see my son judged not for the truth, but for a narrative created out of lies,” reads her statement, which comes five days after it was reported Diddy will face lawsuits from 120 additional accusers for alleged incidents dating as far back as 1991. “To bear witness [to] what seems to be like a public lynching of my son before he has had the opportunity to prove his innocence is a pain too unbearable to put into words. Like every human being, my son deserves to have his day in court, to finally share his side, and to prove his innocence.”

Indictment documents unsealed on Sept. 17 said, “For decades, Sean Combs … abused, threatened and coerced women and others around him to fulfill his sexual desires, protect his reputation and conceal his conduct. To do so, Combs relied on the employees, resources and the influence of his multi-faceted business empire that he led and controlled.”

Combs was denied bail. If convicted of the charges, he faces a minimum sentence of 15 years in prison and a maximum of life behind bars.

On Sunday, his mother said, “I am not here to portray my son as perfect because he is not. He has made mistakes in his past, as we all have.”

She referenced the lawsuit Combs settled last year from singer and ex-girlfriend Cassie Ventura, who accused him of rape and abuse. Combs had denied her allegations, but when video surfaced of him physically assaulting her in a hotel, issued an apology.

“My son may not have been entirely truthful about certain things, such as denying he has ever gotten violent with an ex-girlfriend when the hotel’s surveillance showed otherwise,” Janice Combs said in her statement. “Sometimes, the truth and a lie become so closely intertwined that it becomes terrifying to admit one part of the story, especially when that truth is outside the norm or is too complicated to be believed. This is why I believe my son’s civil legal team opted to settle the ex-girlfriend’s lawsuit instead of contesting it until the end, resulting in a ricochet effect as the federal government used this decision against my son by interpreting it as an admission of guilt.”

She said this does not make him guilty of the multiple “repulsive allegations and the grave charges leveled against him.”

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“Many individuals who were wrongfully convicted and later exonerated had their freedom taken from them not because they were guilty of the crimes they were accused of, but because they didn’t fit the image of what this society considers to be a ‘good person.’ History has showed us how individuals can be wrongfully convicted due to their past actions or mistakes,” she said.

“It is truly agonizing to watch the world turn against my son so quickly and easily over lies and misconceptions, without ever hearing his side or affording him the opportunity to present his side,” she added.

“These lies thrown at him are motivated by those seeking a financial gain, and not justice,” reads the statement. “These individuals saw how quickly my son’s civil legal team settled his ex-girlfriend’s lawsuit, so they believe they can receive a quick payday by falsely accusing my son. False allegations of sexual assault thwart true victims of sexual violence from getting the justice they deserve. To make matters worse, the federal government is now using these lies to prosecute my son. This injustice has been unbearable for our family. The worst part of this ordeal is watching my beloved son be stripped of his dignity, not for what he did, but for what people choose to believe about him.”

Sabrina Carpenter shared Taylor Swift‘s massive stage before embarking on her own fall arena tour. The Short n’ Sweet singer is now sharing what it’s like to be in the pop idol’s presence, and to have her support, in a new interview with CBS This Morning.

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“You just watch her, like, walk in a room and it’s very easy to understand that she’s so composed, she’s graceful, she’s gracious,” Carpenter, who was one of Swift’s Eras Tour openers, said in the CBS segment that aired Sunday morning (Oct. 6).

Asked about the advice Swift has given her on handling fame, the 25-year-old artist explained, “I wouldn’t say it’s, like, a verbal thing as much as just, like, she’s very supportive of me and knows who I am as a person and is very supportive of that. So I’m grateful for that.”

Carpenter’s Short n’ Sweet album returns to No. 1 on the Billboard 200 albums chart dated Oct. 12, Billboard reported Sunday afternoon, making it four nonconsecutive weeks that the set has topped the list since its release on Aug. 23.

On the Hot 100, Carpenter is the first artist this decade to spend five weeks with at least three simultaneous top 10s on the chart, with hit singles “Espresso,” “Please, Please Please” and “Taste” all securing spots.

It’s quite the feat for the singer-songwriter who’s been working on her craft since she was a kid, uploading YouTube videos of herself covering songs like Swift’s before landing a record deal and the lead role on the Disney Channel’s Girl Meets World as a teen.

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On the fame that comes with the success she’s experiencing now, Carpenter noted, “I think, again, if we’re talking about how to deal with it all, I think everyone has such an individual, unique experience that there’s no kind of blanket statement or advice on how to not let it rattle you. You just kind of have to exist and figure out what you can handle and what you don’t want to deal with.”

“You find the people that you surround yourself with that make you feel safe and go from there,” she added.

Watch Carpenter’s CBS This Morning interview clip below. She’s currently on the road in North America for the Short n’ Sweet Tour, with dates scheduled through mid-November. Carpenter will bring the show to Europe in March 2025.

Ariana Grande joins Charli XCX on the upcoming Brat remixes album, and the two have seemingly confirmed Grande’s feature is on the track “Sympathy Is a Knife.”

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“It’s a knife when they dissect your body on the front page/ It’s a knife when they won’t believe you/ Why should you explain?” Charli wrote in a Sunday (Oct. 6) post on X and in an Instagram Story, both with links to pre-order/pre-save the album.

Grande shared the same lyrics via an Instagram Story on Sunday, fueling fan frenzy for the collab.

The collection, Brat and it’s completely different but also still brat — with unreleased features from artists including Grande, The 1975 and Bon Iver on Brat tracks — arrives later this week, on Oct. 11.

Charli previewed the names of all featured artists in a picture collage of neon green Brat-themed billboards Friday night.

A rumored track list circulated over the weekend, but Charli hasn’t commented on it. With an Oct. 11 release, all will be revealed in just a few short days.

Charli and Troye Sivan, who’s also on Brat and it’s completely different but also still brat, are presently on their co-headlining Sweat Tour, which runs in North America through Oct. 23 and heads to the U.K. in November.

Grande dropped a couple videos on YouTube over the weekend: live performances of “Yes, And?” and “We Can’t Be Friends,” both found on her Eternal Sunshine (Slightly Deluxe and Also Live) edition of studio album Eternal Sunshine.

“wanted to surprise you all with one more Eternal Sunshine related something before i head back into my bubble and meet you over the rainbow next month…,” Grande wrote of the release on Instagram last week, referencing the Wicked premiere in November. “so i performed seven songs (from ag7) with this wonderful group of musicians.”

Cue “Anytime You Need a Friend.” Mariah Carey was asked to give advice to younger artists like Chappell Roan, the “Good Luck, Babe!” singer who’s been grappling with the negative side of a sudden ascent into celebrity. The pop legend didn’t hesitate to commiserate and share what she’s learned.

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Roan has been all over newsfeeds after drawing criticism for not endorsing a candidate in the 2024 election, and then canceling two festival performances in order to prioritize her health while things “have gotten overwhelming”; she also was the subject of the most talked-about SNL sketch last weekend. She continues to top charts with her The Rise and Fall of a Midwest Princess album.

The Associated Press turned to Carey for comment on adjusting to fame, from the perspective of someone who’s been through it.

Carey didn’t address Roan specifically, but was kind enough to give general guidance to the new generation of pop stars in her response.

“Well, I have been through my share of dramas,” Carey said to the AP. “And it’s not fun because you grow up thinking, ‘I want to be famous.’”

She continued, “I mean, really with me, it was always, ‘I want to be a singer. I want to write songs.’”

“But ‘I want to be famous’ was right there with it,” admitted Carey. “I feel like it was probably because I didn’t feel like I was good enough on my own because of the things I went through growing up. And that’s not a good way to feel, you know?”

“My advice would be try your hardest to go into this industry with a love of your talent or what’s really real for you,” said Carey.

“You know, if it’s like, ‘I want to be famous. I want to run around with those people, whoever they are, the famous people,’ then it’s probably not the best idea,” she added.

Chappell does seem to focus on her love for art and performance. But she’s made it known she finds some parts of fame unbearable, particularly the behavior of “superfans” who lack boundaries.

“I chose this career path because because I love music and art and honoring my inner child,” she said to in August. “I do not accept harassment of any kind because I chose this path, nor do I deserve it.”

She asked fans to “please stop touching me. Please stop being weird to my family and friends. Please stop assuming things about me. There is always more to the story. I am scared and tired.”

Roan returned to the road for the remainder of The Midwest Princess Tour following last weekend’s show cancelations. She’s scheduled to wrap the tour in Austin this week.