Michael Stipe and Jason Isbell joined forces to perform a pair of R.E.M. classics during a Pennsylvania campaign event supporting Kamala Harris and Tim Walz.
On Friday (Oct. 4), the singer-songwriters took the stage during a Get Out the Vote concert at Pittsburgh’s Schenley Plaza, where Stipe sang R.E.M.’s “The One I Love” and “Driver 8,” which he hadn’t performed live since 2008. The former was the iconic rock band’s first top 10 hit, reaching No. 9 on the Billboard Hot 100 chart in 1987.
The singer-songwriters also teamed up for a handful of songs from Isbell’s catalog, including “Traveling Alone” and “Hope the High Road.”
During the event, Stipe and Isbell were introduced by potential future First Gentleman Doug Emhoff, who is married to Vice President Harris. Emhoff was present to help rally voters in the battleground state for this year’s Democratic presidential ticket.
“It’s been a while since I’ve sung these songs, 16 years in fact, but I’m really happy to be here with Jason and with the soon-to-be First Gentleman ever of the United States of America,” Stipe told the crowd.
Stipe and Isbell have been vocal in their support for the VP this year, with the “Cover Me Up” singer performing at the Democratic National Convention in August. Stevie Wonder, John Legend, The Chicks, Mickey Guyton and P!nk also took the stage at the Chicago political gathering, while numerous celebrity musicians — including Ariana Grande, Megan Thee Stallion, Taylor Swift, Billie Eilish, Lizzo and Cardi B — have all endorsed Harris for president in 2024.
The Get Out the Vote concert arrived on the heels of the Oct. 1 vice presidential debate between Walz and Donald Trump’s running mate, JD Vance, which took place a few weeks after the Sept. 10 presidential debate between Harris and the former POTUS.
Both campaigns are now working to sway the minds of American voters as Election Day on Nov. 5 approaches, particularly the nation’s swing states of Arizona, Georgia, Michigan, Nevada, North Carolina, Pennsylvania and Wisconsin.
Watch Stipe and Isbell’s performances of “The One I Love” and “Driver 8” here.
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Joker: Folie à Deux is off to a rough start at the box office.
Todd Phillips’ R-rated sequel, starring Joaquin Phoenix as the Joker and Lady Gaga as Harley Quinn, earned a lower-than-expected $20 million on Friday (Oct. 4), including $7 million in previews, according to The Hollywood Reporter. Rival studios project that the Warner Bros. film will open below $50 million.
Contributing to the troubled box office numbers is Joker 2‘s dismal CinemaScore from audiences. The musical film received a failing D grade, marking the first time in history that a Hollywood comic book movie received such a low score, THR reports.
“For a movie running two-and-a-quarter hours, Folie à Deux feels narratively a little thin and at times dull,” The Hollywood Reporter‘s chief film critic David Rooney wrote following the movie’s world premiere at the Venice Film Festival in September.
Heading into the opening weekend, Joker: Folie à Deux — the sequel to 2019’s Oscar-winning Joker — was expected to earn between $50 million and $60 million. The original film debuted significantly higher on its opening weekend, bringing in $96.2 million and receiving a B+ CinemaScore. The first Joker went on to make just over $1 billion at the global box office.
Joker 2 follows Phoenix’s return as Arthur Fleck (aka the Joker), who is now confined in Arkham Asylum. There, he meets Gaga’s Harleen “Lee” Quinzel, and they form a powerfully chaotic bond with the goal of causing mayhem across Gotham City.
In addition to her acting role in the film, Gaga recorded an entire Joker-themed album, titled Harlequin, in which she channels her character on a series of classic covers and a few originals. The surprise companion project, released ahead of Joker 2 on Sept. 27, was recorded alongside the sessions for the superstar’s upcoming as-yet-untitled seventh studio album. Her new set is scheduled for release in February, with a first single dropping in October.
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Mimis Plessas, a beloved Greek composer whose music featured in scores of films, television shows and theatrical productions and who provided the soundtrack to millions of Greeks’ lives, has died just a week shy of his 100th birthday.
His death was confirmed Saturday (Oct. 5) by his wife, Loukila Carrer. Prime Minister Kyriakos Mitsotakis paid tribute to Plessas, writing, “A leading composer, a great scholar and a kind man has left us.
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Born in Athens on Oct. 12, 1924, Plessas began his musical journey at a young age. He became a piano soloist at state radio before entering international piano competitions while still in his 20s. His gift for composition would cement his legacy.
Plessas became a constant presence on Greek television, his mild manner and singalong melodies endearing him to generations. Often seated at the piano, accompanying renowned Greek stars, he was a fixture of musical moments and celebrations for decades, his music becoming intertwined with the nation’s cultural fabric. His 1969 composition, “O Dromos” (The Street), remains one of the highest-selling albums in Greek history.
He collaborated with a constellation of Greek music icons, including Nana Mouskouri, Vicky Leandros, Giannis Poulopoulos, Marinella, and lyricist Lefteris Papadopoulos, shaping the landscape of Greek music. His work defied genre, blending traditional Greek music forms with elements of jazz and classical, creating an easy-on-the-ear signature sound — softer than the hard jangle of many of his contemporaries.
“His ‘Road’ was rich, full of melodies that start from jazz and permeate Greek song, as well as Greek cinema,” Mitsotakis said. “Mimis Plessas was unique, just like the moments he will forever give us with his music.”
Plessas’ contributions extended beyond composing. He produced a popular radio quiz show, In 30 Seconds, and he served as a judge on numerous Greek and international music competition panels. He was also a member of prestigious artistic societies, including the Greek Society of Theatrical Authors and the Society of Greek Composers and Lyricists.
Plessas is survived by his wife, a son and a daughter. Funeral arrangements were not immediately known.
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Stray Kids talk about collaborating with *NSYNC for their boy band tribute performance at the AMAs 50th anniversary special, what makes their boy band unique, their new song “Chk Chk Boom,” what they have coming up and more!
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Even more accusers could be coming forward with allegations against Sean “Diddy” Combs. That’s according to the Houston attorney whose firm is representing 120 alleged victims. Tony Buzbee and his … Click to Continue »
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A tropical storm will likely develop in the Gulf of Mexico late this weekend or early in the week, according to the National Hurricane Center. Forecasters said Friday night that … Click to Continue »
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-05 03:15:152024-10-05 03:15:15Forecasters say tropical storm likely to form this weekend or early next week
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Snoop Dogg and Martha Stewart are lighting up fans’ lives with a new collection from BIC that combines functionality and style. If you’ve ever imagined hanging out with the unlikely besties, you can now carry the two on the go in the form of BIC’s EZ Reach Lighters and matching Hold the Phone cases.
The collection officially went live on Friday (Nov. 4) and featured two iPhone 15 cases in blue and purple with a slot designed for the EZ Reach lighter, in addition to exclusive designs co-created by the stars. With two distinct styles, Stewart and Snoop Dogg worked together to create a distinct look that’s cohesive together yet still shows off their unique personalities.
“Martha and I, we have our own vibes, no doubt – totally different styles, but we make it work because we both respect that balance between function and flyness,” Snoop tells Billboard. “We’re not about sacrificing one for the other. We can keep it fresh and practical without compromise.”
Snoop Dogg x BIC
Fans are already obsessing over the collaboration selling out the iPhone cases almost immediately after they went live, but the EZ Reach lighters are still available — and as low as $14 for a four-pack. Whether you’re lighting up your fall scented candles or firing up the portable grill, these lighters offer a more modern design.
Just like your traditional lighter, the EZ Reach design helps protect your hands from flame by using its 1.45-inch lighter wand — and as an added bonus, there are six different designs co-created by Snoop Dogg.
BIC EZ Reach Candle Lighter Assorted Snoop Dogg Designs (4-Pack)
Bring Snoop Dogg on the go with these compact and portable BIC lighters. You’ll receive four different designs decorated with a statement-making photo you’ll want to show off.
BIC EZ Reach Candle Lighter Martha Stewart Designs (4-Pack)
For a more chic vibe, you can snag the TV personality’s lighters. You’ll receive a mix of designs including wood and tile-inspired looks that’ll add a touch of sophistication to every light.
It was a natural partnership for the “Drop It Like It’s Hot” rapper, who claims the accessory is one of the items always on him.
“If you know me, you know I always have a lighter with me” he says. “Whether I’m chilling with my homegirl Martha lighting up a nice candle to other more herb-friendly activities, my BIC EZ Reach Lighter is riding with me daily.”
The friends even collaborated in 2023 with BIC for the Best Buds Bag, which also sold out after release. BIC has been growing its list of celebrity-approved items, including with DJ Khaled, who previously teamed up with DJEEP pocket lighters.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-05 03:11:132024-10-05 03:11:13Snoop Dogg Combines ‘Function & Flyness’ in New BIC Collection With Martha Stewart
CeCe Winans, Brandon Lake and Forrest Frank were among the evening’s biggest winners at the 55th annual GMA Dove Awards, which aired Friday (Oct. 4) on TBN.
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The ceremony, which took place in front of a sold-out crowd at Allen Arena at Nashville’s Lipscomb University, the evening celebrated the artists and songwriters behind the year’s top music, encompassing sounds including pop, Gospel, rap/hip-hop, southern gospel and more.
“Unity does not mean uniformity. The Dove Award stage is a picture of God’s creativity,” said GMA president Jackie Patillo told the audience as the show began. “They are all uplifting and praising the name of Jesus.”
Host for the evening, singer-songwriter Tauren Wells echoed those sentiments, saying, “I’m encouraged by the diversity and beauty I see in this room. The diversity that the dove awards represent is beautiful,” and adding, “Though there are many genres, we are singing one song.”
Winans earned the evening’s top honor, artist of the year, along with two other accolades.
“You gotta be kidding me,” Winans said after taking the stage to accept the artist of the year win. “I don’t know what’s going on, but I know it has nothing to do with me. God is amazing…I’m known for my music, but God only knows me for my relationship with Him. He only knows us according to the way we know Him. And so all of us here tonight – the artists I was in the category with, I came here to cheer them on tonight.”
In accepting the pop/contemporary album of the year honor for Coat of Many Colors, Lake said, “I’ve been crying all night and I told somebody this is the award I wanted to win the most. I just want my friends to win. These amazing producers, these guys it has been the honor of my life just to roll with you guys. I get the privilege of touring and presenting these songs. Your fingerprints are on thousands of lives that have been changed…I’m so grateful. I’m literally sitting here all night and just weeping…the word humility, I’m surrounded by greatness. What an honor to be surrounded by greatness. Thank you for supporting these songs, this record, we’ve got a lot more coming.” Lake was also named songwriter of the year (artist).
The evening featured 11 performances, with CeCe Winans opening the show with a full-throttle, praise-inspiring “That’s My King.” CAIN followed with their top 5 Billboard Christian Airplay hit “Any More,” while break-dancers flanked Anike as she performed the fierce “In the Light,” with guest Porsha Love. Joseph Habedank performed the swampy, soulful, stomping “Tell the Devil.”
Tye Tribbett and his backing vocalists soared through “Only One Night Tho,” to thunderous applause. Maverick City Music with Naomi Raine and Chandler Moore performed the piano ballad “God Problems” (the song was named contemporary gospel recorded song of the year).
“I think the only joy in having a song like this win something like this is we get the opportunity to remind people over and over and over again there is nothing impossible for God,” Raine said. “He is able. He sees us.”
Forrest Frank
The crowd rose to its feet when the Jackie Patillo award for distinguished leadership was awarded to Gospel music pioneers Bill and Gloria Gaither, known for songs including “Because He Lives” and “There’s Just Something About That Name.”
“We are overwhelmed with that,” Gloria said, thanking everyone who has sung their songs in churches, congregations and choirs around the world, and artists who have recorded the songs.
“Somewhere along the way we’ve lost our song. Let us stand on the Rock of Ages and shine like a city on a hill, because there’s a hole in the heart of America that only God can fill,” Bill Gaither said.
Michael W. Smith presented the song of the year honor, which went to Chris Tomlin’s “Holy Forever.” Brian Johnson and Jenn Johnson accepted the honor, also thanking their co-writers on the song, Tomlin, Jason Ingram and Phil Wickham.
Multiple times during the evening, mothers were celebrated. In accepting the Rap/Hip-Hop album of the year honor for his album His Glory Alone II, KB honored his mother, who was in the audience.
“I got the honor this year to come to the Doves with my lovely mother,” KB said. “The doctors told her when I was a baby I would not be able to talk, and if I could, I would not talk well. My mother told them they were wrong. She’s exemplified this resilient stubborn faith that believes God can do more than what the reports say.” Turning to his mother, he said, “I dedicate this award to you. You have represented a fighter for me my entire life. You fought for me when I was far from Jesus, when I did not believe in God. And here I am right now as the fruit of your labor.”
He went on to say, “Christian Hip Hop is an often overlooked entity. Something is happening in the mainstream right now. They are paying attention to what is going on. It’s something that isn’t just music, this is a movement. People are coming to Christ. Marriages are being saved. Folks are finding themselves in these Gospel representations. As the world is watching, give them Jesus.”
The feature film of the year went to the For King & Country film Unsung Hero, based on the story of the sibling duo’s family and their journey from Australia to America. The duo’s Joel and Luke Smallbone invited their parents, who inspired the film, to speak.
“I believe every mom is an unsung hero,” their mother said, while their father added, “This is emotional. When I lost everything 35 years ago, I said, ‘The only way we can get ahead is to go to America.’ She said, ‘We’ll go for two years.’ And 35 years later, we’re sill here. We love America. This is a land of opportunity.”
“Shout to the Lord” writer Darlene Zschech introduced the collaboration of Brian and Jenn Johnson, Miel San Marcos and Gabriel Gabriel Guedes for a multi-lingual version of “Holy Forever.”
Meanwhile, in accepting the Spanish language recorded song of the year, Christine D’Clario said, “This one is special…and has become the song of my recovery.”
Wells took a break from hosting duties to team with DAVIES and Skillet’s John Cooper for “Take It All Back (What The Enemy Stole),” issuing a commanding performance with pummeling drums and careening guitars, instantly taking some in the audience from raising hands to headbanging.
Anne Wilson
Natalie Grant gave a powerful, stirring rendition of “My Tribute (To God Be The Glory),” honoring the lives of many artists, executives and other creators who have passed away over the past year.
Elsewhere during the evening, Christian-country singer Anne Wilson performed her powerful ballad “Strong” (her album Rebel won bluegrass/country/roots album of the year).
The new artist of the year honor went to Forrest Frank, who earlier in the evening performed his songs “No Longer Bound” and “Good Day.” Frank also picked up the win for pop/contemporary recorded song of the year, for ‘Good Day.”
“I feel so undeserving of this award. I was curious if I was even going to come to an awards show for Christian music because everything I do is for the Lord,” Frank said. “For some reason, He’s given me songs that relate to people. I’m so thankful to be here and I want to continue to give Jesus glory because my name will fade away like everyone else’s….but one name will remain and that’s Jesus Christ.”
The evening closed out with a performance from Crowder, as he performed his top 10 Christian Airplay hit “Grave Robber,” which was named rock/contemporary recorded song of the year.
The 56th annual GMA Dove Awards will be held Oct. 7, 2025, when the Dove Awards ceremony relocates from its longtime home at Allen Arena, moving to Nashville’s Bridgestone Arena.
See a list of winners below:
Artist of the year: CeCe Winans
Pop/contemporary album of the year: Coat of Many Colors, Brandon Lake
New artist of the year: Forrest Frank
Bluegrass/country/roots album of the year: Rebel, Anne Wilson
Southern gospel album of the year: Live in Amsterdam, Ernie Haase and Signature Sound
Spanish language recorded song of the year: “Tanta Historias,” Christine D’Clario
Rap/hip-hop album of the year: His Glory Alone II, KB
Rap/hip hop recorded song of the year: “Love Like That,” Hulvey feat. Tony D. Shaun, Alex Jean
Short-form music video (concept): “Faithfully,” TobyMac
Short-form video of the year (performance): “Joy (The Choir Room Version),” The Choir Room, Ben Rector
Songwriter of the year (non-artist): Jason Ingram
Songwriter of the year (artist): Brandon Lake
Producer of the year: Jonathan Smith
Worship recorded song of the year: “Praise,” Elevation Worship
Song of the year: “Holy Forever,” Chris Tomlin
Feature Film of the Year: Unsung Hero
Contemporary gospel recorded song of the year: “God Problems,” Maverick City Music
Contemporary gospel album of the year: Father’s Day, Kirk Franklin
Bluegrass/country/roots recorded song of the year: “Lookin’ For You,” Zach Williams Feat. Dolly Parton
Gospel worship album of the year: More Than This, CeCe Winans
Inspirational recorded song of the year: “My Tribute (to God Be the Glory),” Natalie Grant feat. CeCe Winans
Traditional gospel recorded song of the year: “I Believe God” – Jekalyn Carr
Traditional gospel album of the year: No Failure, Melvin Crispell III
Southern gospel recorded song of the year: “Here Comes Jesus,” Jeff & Sheri Easter (ft. Mo Pitney)
Worship album of the year: I Believe, Phil Wickham
Christmas/special event album of the year: Lifesongs: A Celebration of the First 20 Years, Casting Crowns
Christmas recorded song of the year: “Manger Throne,” Phil Wickham
Spanish language album of the year: Evangelio (En Vivo), Miel San Marcos
Inspirational album of the year: autobiography, Joseph Habedank
Children’s recorded song of the Year: “Holy Forever,” Yancy
Recorded music packaging of the year: Jesus Music, CAIN
Spanish language worship recorded song of the year: “Hermoso Momento (Sesión Acústica),” Kairo Worship
Spanish language recorded song of the year: “Tantas Historias,” Christine D’Clario
Television series of the year: Chasing CAIN
Rock/contemporary album of the year: Manna, Chris Renzema
Rock/contemporary recorded song of the year: “Grave Robber,” Crowder
Gospel worship recorded song of the year: “The Story I’ll Tell (Live)” – Naomi Raine
Pop/contemporary recorded song of the year: “Good Day,” Forrest Frank
Musical/choral collection of the year: “My King Is Known By Love”
Long form video of the year: “Steven Curtis Chapman: The Great Adventure,” Steven Curtis Chapman
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-05 03:11:132024-10-05 03:11:13CeCe Winans, Brandon Lake & Forrest Frank Lead Winners at 55th Annual GMA Dove Awards
The Grammys often talk about honoring an artist’s intent. Their screening committee did just that in at least two cases this year, allowing Beyoncé’s Cowboy Carter to compete for best country album, and Dolly Parton’s Rockstar to compete for best rock album. Both albums could have been slotted in the best pop vocal album category, but the Grammys went along with the artists’ intentions.
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Albums often wind up right on the border between two or more genres. That’s bound to happen more and more as artists increasingly cross genre lines. In those cases, the Recording Academy’s screening committee endeavors to put it in the most suitable category.
Here are more albums whose placement was less-than-certain.
Jimmy Buffett’s last studio album, Equal Strain on All Parts, is entered for best Americana album, rather than best pop vocal album. Buffett died in September 2023.
Charli XCX’s sixth studio album, brat, is entered for best dance/electronic album rather than best pop vocal album.
Doja Cat’s Scarlet 2 Claude, a reissue of her fourth studio album, Scarlet, is entered for best rap album rather than best pop vocal album.
Twisters: The Album is entered for best compilation soundtrack for visual media rather than best country album.
All three Latin albums that made the top 10 on the Billboard 200 in the eligibility period are entered in different categories. Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana is entered for best música urbana album. Kali Uchis’ Orquídeas is entered for best Latin pop album. Peso Pluma’s Éxodo is entered for best música Mexicana album (including Tejano).
Several top 10 albums weren’t entered at all, including Zach Bryan’s The Great American Bar Scene, Drake’s For All the Dogs and Ed Sheeran’s Autumn Variations.
Travis Scott’s Days Before Rodeo wasn’t eligible. The mixtape was released independently on his SoundCloud account in August 2014.
In other news, The Beatles and The Rolling Stones could be headed for their first Grammy showdown. The two legendary groups are both entered for best rock performance – The Beatles for “Now and Then” and The Stones for “Sweet Sounds of Heaven” (featuring Lady Gaga). If both groups are nominated, it will be the first time they have ever faced off on a Grammy ballot. The Grammys were resistant to rock in the years the bands were at their peak. The Beatles, being the world-shakers they were, were often nominated, but The Stones weren’t nominated in any category until 1978, when Some Girls was up for album of the year.
First-round voting opened Friday (Oct. 4). Voters have until Oct. 15 to make their first-round choices. Nominations will be announced on Nov. 8. Final-round voting runs from Dec. 12 through Jan. 3. The winners will be revealed on Feb. 2 at Crypto.com Arena in Los Angeles.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-05 03:11:122024-10-05 03:11:12Here’s Where Genre-Bending Albums From Beyoncé, Charli XCX & More Landed for 2025 Grammys
Luis R Conriquez shares that he used to sell hot dogs and 4 other things you didn’t know about him.
Luis R Conriquez
Hello I am your friend, Luis R Conriquez. Here are five things you didn’t know about me. I am afraid of the dark, I don’t like to sleep alone, I have a restaurant called Ezbachi which serves Japanese food in Phoenix, Arizona. And we are opening in different parts we are going to open in Anaheim, and I believe in Miami as well. In my past I used to sell hot dogs, I used to cook hot dogs. Who knows how I did it? They were good, but I don’t know I liked to cook. What else? What else don’t you know about me? I like to play soccer, I am a scorer, I am a striker. But as fate would have it, here we are singing.
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