Johnny Mathis is taking a step back from live performances.
His retirement from the stage was announced via a Facebook post on Wednesday (March 26), which notes that all shows scheduled after June 2025 will be canceled, as his final show will take place May 18 at the Bergan Performing Arts Center in Englewood, NJ. “As many of you may already be aware, Johnny Mathis is approaching his 90th birthday this year,” the statement reads. “So, it’s with sincere regret that due to Mr. Mathis’ age and memory issues which have accelerated, we are announcing his retirement from touring and live concerts.”
The statement concludes, “Johnny Mathis and his entire staff send their heartfelt gratitude to all Mathis fans worldwide for your continued love and support of his music! It’s truly been ‘Wonderful, Wonderful.’”
The legendary singer is known for songs including “Wonderful! Wonderful!” and “It’s Not for Me to Say.” In 2003, he was honored by the Recording Academy with the Lifetime Achievement Award and he was inducted into the Grammy Hall of Fame for three separate recordings: in 1998 for “Chances Are,” in 2002 for “Misty” and in 2008 for “It’s Not for Me to Say.”
In 2014, Mathis was inducted into the Great American Songbook Hall of Fame. On the Billboard charts, his 1963 album, Johnny’s Greatest Hits, spent a whopping 215 total weeks on the Billboard 200 albums chart and notched the top 40. Over on the Hot 100, he reached the summit with his Deniece Williams collaboration, “Too Much, Too Little, Too Late,” in 1978.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 23:56:502025-03-26 23:56:50Johnny Mathis Is Retiring From Concerts Due to ‘Age & Memory Issues’
With Doechii being honored at Billboard Women in Music this upcoming Saturday as Woman of the Year, Billboard staffers share their take on the internet debating if she’s an industry plant, and explain why she isn’t.
Keep watching to see their take!
What do you think an industry plant is? Let us know in the comments below!
Jerah Milligan:
Yo, y’all see Twitter going crazy talking about Doechii and Billboard?
Evan Burke:
Oh, my god, yeah. I gotta show you this one. Someone said “kind of awesome that it’s only March and Billboard’s like’ we’ve seen enough it’s Doechii.’” I mean, but it’s legit though. I mean, she just won a Grammy that only two other women has ever won.
Ciara Zimring:
She’s killing it.
Evan Burke:
And I mean, Women in Music always happens every March. So it’s not like we just decided.
Stefanie Tanaka:
It’s not like this is, like, the first time we’ve done it. We kind of did something similar, with SZA like, ‘SOS’ came out at the very end of, like, 2022 when she was our Woman of the Year in March, and then she had that great run in 2023 with ‘SOS.’
Tetris Kelly:
But I feel like what they’re really doing is just putting Billboard in the conversation that they were already trying to have about Doechii being an industry plant.
Evan Burke:
I mean, they’ve always been trying to discredit her success. I mean, she has been like in the game forever. She was our Rising Star two years ago. So it’s not like she is brand new.
Tetris Kelly:
Oh my god. Two years ago, I was talking to her at Coachella.
Ciara Zimring:
Oh, right!
Jerah Milligan:
Oh, well five years ago I saw her on Twitter. I saw her post “ I lost my job. I’m going to go knock on doors”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 22:55:532025-03-26 22:55:53Billboard Staffers Debunk Theory That Doechii Is an Industry Plant | Billboard News
It’s time to listen to some Music For People Who Believe in Love.
Joe Jonas‘ upcoming solo album is officially arriving on May 23, as revealed in an Instagram video the superstar shared on Wednesday (March 26) showing off the vinyl edition of the project. The album was previously scheduled to arrive on October 18.
”This album is a celebration of gratitude, hope, and love. These songs reflect on my life from a bird’s-eye view acknowledging the many blessings around me,” Jonas wrote in a lengthy statement announcing the project in July 2024. “This album speaks to the experiences of being a father, being a friend to oneself and others, and the happiness I’ve found in doing what I love for a living. I feel incredibly fortunate to travel the world and connect with people through my music, as well as having had the opportunity to work with some of the most talented musicians, songwriters, and producers on this project.”
Between Jonas Brothers and DNCE, Joe is a part of several musical collectives, but it’s been 13 years since he released his only solo album, 2011’s Fast Life. Led by the Chris Brown-penned “See No More,” which peaked at No. 92 on the Billboard Hot 100, the LP peaked at No. 15 on the Billboard 200. Jonas would go on to oscillate between Jonas Brothers and DNCE releases, while younger brother Nick Jonas enjoyed a more consistent solo career before the brothers reunited in 2019
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 22:51:582025-03-26 22:51:58Joe Jonas Moves Up the Release Date for His ‘Music for People Who Believe in Love’ Album
Are you tired of Boldy James yet? Well, you better get comfortable because the Detroit MC is set to drop yet another project next week with Harlem producer V Don on Apr. 4 in Alphabet Highway.
So far, the duo have released two singles. Earlier this month, they dropped “Split the Bill” and earlier today they premiered the video for “RSNS.”
Shot in Amsterdam and directed by Gijs Mortier, the video shows Boldy walking through the streets of Amsterdam flipping words like only he can with lines like, “Think I’m a lick or somethin’, nickname my 4-5 GloRilla.”
In an interview with Billboard about his album with Harry Fraud, Boldy said he records a ton of music and chooses to release it when he feels that the business end of things is air tight.
“I sit on a lot of music,” he said. Y’all don’t usually hear my music no sooner than a year or two after I make it. The most recent, current to date, like music that I make up into the point where y’all get a chance to hear it is maybe The Alchemist projects and the Nic Craven projects.”
Adding, “Everything else usually take a minute to come out, because we got a hash out the layout, the business arrangements and agreements, you know, terms and conditions.”
James started the year off with Murder During Drug Traffic with RichGains and Permanent Ink in January, Token of Appreciation with Chuck Strangers in February, and is planning on dropping Hommage with Antt Beatz on Mar. 28.
And after Alphabet Highway is released on Apr. 4, he and Real Bad Man are coming with Conversational Pieces on May 2.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 22:38:122025-03-26 22:38:12Boldy James & V Don Stroll Through Amsterdam in ‘RSNS’ Video
In today’s episode of Billboard Unfiltered, Billboard staffers Carl Lamarre, Trevor Anderson and Kyle Denis are joined by Nyla Symone as they discuss Playboi Carti’s big week on the Billboard charts with ‘MUSIC,’ Ye’s surprise drop of ‘Bully’ and the mixed reactions surrounding it, the women in Hip-Hop and R&B being honored at Women in Music and more.
What do you want to hear more of? Drop your suggestion in the chat!
Billboard’s Women in Music event will take place this Saturday March 29th at YouTube Theater in Los Angeles.
Carl Lamarre:
Gentlemen and lady in the house. Y’all already know the usual suspects here. We have a special guest today, you may have seen her on ‘The Breakfast Club,’ ‘We Need To Talk’ podcast, Hip-Hop Nation, the one and only Miss Nyla Symone.
Nyla Symone:
I love that, thank you!
Carl Lamarre:
You know a little something, something.
Nyla Symone:
That’s a good intro.
Carl Lamarre:
Yes, yes. How are you feeling?
Nyla Symone:
I feel good, I’m so excited to be here.
Carl Lamarre:
Okay, you ready to rock and roll with us degenerates?
Nyla Symone:
Yes.
Carl Lamarre:
I love that.
Kyle Denis:
Degenerates is crazy.
Trevor Anderson:
She’s already elevating the whole-
Nyla Symone:
I’m like on this sh*t. Let’s do it.
Carl Lamarre:
Bringing it up, the first thing we’re going to talk about is the caption of the YN’s, Mr. Playboi Carti. Kyle is so hyped for this.
Kyle Denis:
That’s my guy.
Carl Lamarre:
Mr. Carti had an amazing, d*mn near immaculate week. He is No. 1 on the Billboard 200 with 298,000 album equivalent units which is the biggest streaming rap album of the year. Biggest rap set of the year. Mr. Playboi Carti, also 30 songs on the Hot 100. No. 2 being “EVIL J0RDAN,” No. 4 being “Rather Lie” with The Weeknd. These are some big, big numbers.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 21:58:572025-03-26 21:58:57Playboi Carti’s Huge Week, Ye’s ‘Bully’ Drop & More | Billboard Unfiltered
Meek Mill took to X to address claims made by recently incarcerated Rollin’ 60s Neighborhood Crip rapper Luce Cannon in a resurfaced clip.
After Cannon was swept up in the Eugene ‘Big U’ Henley Jr. RICO case, Akademiks TV posted a three-minute video of the rapper making the claim on DJ Akademiks’ podcast Off the Record, saying he and others ran up on Meek Mill over “talking real reckless on Twitter” during a club performance, took him outside, and made him call Rick Ross to pay $50,000 for his release.
Luce Cannon admitted that he kidnapped Meek Mill at the club & held him up for Ransom for $50,000 in LA
Luce made Meek call Rick Ross to have him pay up $50,000 in cash, he sent it. Big U allegedly set it up. 🤯😳 pic.twitter.com/pu8SbfwJLO
Meek then posted a screenshot from a HipHopDX article and claimed that he never met Luce Cannon and doesn’t know who he is. “This guy must be using a story to confuse his indictment because I never seen him B4,” he tweeted. “I woulda put him to ‘gods test’ on the spot! I never even met buddy but I don’t ‘negotiate’ with fake thugs ask him what chain because all my chains some sh– lol watches all 300k up vibes.”
This guy must be using a story to confuse his indictment because I never seen him B4 …I woulda put him to “gods test” on the spot! I never even met buddy but I don’t “negotiate” with fake thugs” ask him what chain because all my chains some shit lol watches all 300k up vibes pic.twitter.com/0rJWhf4WaM
He then added that he’s respected out West after a fan said they hadn’t heard Cannon’s story up and until recently when responding to another claiming the only reason Meek addressed this at all is because Luce is currently locked up.
“It’s a real world,” he said. “Real LA n—as that respect the sh—t out me how I carry myself in an open arms wya to build my people up ion care where you from… that’s why you seen my around NIPSEY and others … men of respect and honor!”
It’s a real world real la niggas that respect the shit out me how I carry myself in an open arms wya to build my people up ion care where you from… that’s why you seen my around NIPSEY and others … men of respect and honor! https://t.co/4hKRo2nK6C
Adding, “Me, Nipsey, YG, Mustard and few others made sure we didn’t follow the East Coast West Coast narrative! I changed my life by blessings …. but i always been down to meet up with ‘fake street bullies’ in abandon areas where it’s no civilians and take they heart!”
ME NIPSEY YG MUSTARD AND FEW OTHERS MADE SURE WE DIDNT FOLLOW THE EAST COAST WEST COAST narrative! I changed my life by blessings …. but i always been down to meet up with “fake street bully’s” in abandon areas” where it’s no civilians and take they heart!
Big U and Luce Cannon are accused of racketeering, extortion, human trafficking, fraud and the murder of a 21-year-old aspiring rapper who signed to Big U’s Uneek Music label, among other charges.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 21:58:562025-03-26 21:58:56Meek Mill Addresses Claim He Was Held for Ransom by L.A. Gang for $50K
When Lady Gaga makes a cameo on your show, you best believe it’s not going to be any ordinary day on set.
According to Jenna Ortega, the producers of Wednesday all but rolled out the red carpet for Mother Monster when she came overseas to film her part on the Netflix series’ upcoming second season — but it was all gone as soon as Gaga’s parts were over.
Related
Lady Gaga Announces Dates For North American, International 2025 Mayhem Ball Tour
On The Late Show With Stephen Colbert on Tuesday night, the 22-year-old actress recalled working with the “Disease” singer, saying, “I remember showing up to set and they completely changed everything.”
“We had a normal functioning set, and I remember pulling up to work the day of, and suddenly there was like truck after truck after truck,” she continued. “They had, like, rolled out this walkway for her to exit from the trailer to the tents. I went to my tent to hang out, and they replaced my dirty tent with, like, brand-new tents. I had a barber’s chair. They gave me fancy water. Everything. We really did it up for her guys. We really wanted to impress her.”
Ortega added while laughing, “And then the next day, I went back to my dusty setup. … I wanted her to be on set even more, but part of it was because the water was really nice.”
Though season 2 will mark Gaga’s debut on the show, the 14-time Grammy winner first unofficially entered the Wednesday universe when her 2011 track “Bloody Mary” experienced a renaissance after fans started pairing it with Ortega’s iconic dance sequence from the first season. The phenomenon sparked a TikTok dance trend in 2022 that Gaga herself took part in; two years later, it was announced that she’d be joining the show’s cast.
Earlier this month, the Scream star teased the musician’s role in Wednesday, saying, “She’s great in the show, and I don’t think she’s what people expect her to be.”
On Colbert, Ortega added, “She is so sweet, so humble, just a normal person, and it’s beautiful and amazing … It’s intimidating when someone is so talented but cool at the same time.”
Watch Ortega recount her time filming Wednesday with Gaga on The Late Show above.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 21:52:292025-03-26 21:52:29Jenna Ortega Says ‘Wednesday’ Producers Gave Lady Gaga the Superstar Treatment On Set
Ado, ATARASHII GAKKO! and YOASOBI graced the stage at the Peacock Theater in Los Angeles for matsuri ’25: Japanese Music Experience LOS ANGELES on Sunday, March 16, the music event by Japan’s Culture and Entertainment Industry Promotion Association (CEIPA).
YOASOBI opened the show, and when the duo’s name on a banner flashed on the screen behind the stage, the 7,000 fans in the audience cheered loudly. As the banner was torn down by the hand of a monster, low-pitched sounds and mysterious music played over the speakers. ikura and Ayase appeared on stage to the announcement, “Welcome to the world of Surrealism,” and the crowd shouted and waved their glow sticks to express their excitement. The intro to “Seventeen” began to play after a brief silence, and ikura said in English, “Welcome to matsuri ’25. We are YOASOBI from Japan. Get ready to have a blast tonight. L.A., are you guys ready?” Fans responded with shouts of “Oi! Oi!” and the band kicked off the event with a bang.
ikura took a moment to explain the purpose of the event, saying, “Three acts from Japan — Ado, ATARASHII GAKKO!, and YOASOBI — have come this time, hoping to enjoy great music, J-pop music, with everyone here.” She then asked the audience to light up their phones and sway to create a sense of unity, and the duo performed the poignant mid-tempo ballad “Tabun.”
Following “The Brave,” the band performed “Monster,” a fast-paced track with thumping low beats that satisfy performed live. “As a J-Pop artist, we’ve been trying to spread our music from Japan to the world,” said ikura in English. “We are so so so happy to be able to share with all of you. Thank you very much. I love you guys. We dive into the second half. Let me see your passion, OK? You ready to go loud? Can you give us some more? Ok, let’s sing together.” The pair then went on to perform some of its biggest hits back-to-back, with the exhilaration of “Into the Night,” the unity of the chorus in “Blue,” and the energy and enthusiasm of the audience in “Idol” filling the venue. The overwhelming delivery of the last three songs proved that YOASOBI has indeed become one of Japan’s top acts whose concerts sell out instantly whenever they perform overseas today.
ATARASHII GAKKO!
Following a 15-minute changeover, the four members of ATARASHII GAKKO! appeared from the audience aisle to the sound of ringing school bells, holding big white flags over their heads. When the members — SUZUKA, RIN, MIZYU, and KANON — gathered on stage, SUZUKA greeted the crowd with the sound of a trumpet in the background: “Hello everyone. We are ATARASHII GAKKO! Everybody, are you ready?” The words “Seishun Nihon Daihyo” (Youth Team Japan) appeared on the screen and the women began their set with “Change,” the members swinging their arms around and performing immaculate choreography off the bat. During “Fly High,” RIN called out, “L.A., are you ready? Jump!” and fans were more than happy to comply. For “Arigato,” each member sang while holding a broomstick like a microphone stand, or fake-played it like a guitar, playfully reminding us of our school days. The audience reacted enthusiastically to the intro of the group’s breakout hit “Otona Blue,” and the members captivated the crowd with their signature head-shaking dance and distinctive choreography.
Following a group chant with SUZUKA, who hyped up the audience calling out, “Everybody, ganbatte (hang in there)! Woo!” the women performed “Toryanse.” Fans waved their glow sticks towards the stage during the intro and danced to the lively rhythm accompanied by electronic sounds of Japanese instruments. Each of the four members called out, “Everybody jump!” “Say yeah!” and “Say change!” in time with the lyrics during the set, confidently charging the crowd with their energy.
An image of the Tokyo metropolis appeared on the screen and ATARASHII GAKKO! launched into “Tokyo Calling.” SUZUKA came down from the stage and sang enthusiastically while making her way through the crowd, regally marching back to the lyrics of “We are marching.” The women closed their set with “One Heart,” the word “SAIKO” (“the best”) appearing behind them on the screen, and the audience joined in and sang along. The lyrics “AG want to take you higher” is like the Japanese modern version of Ike & Tina Turner’s “I Want To Take You Higher,” and the song uplifts and inspires like the best kind of music.
Watching ATARASHII GAKKO!’s performance, this writer couldn’t help but agree with what Creativeman Productions’ Rob Kelso said during the press conference before the event: “The best way to integrate these [artists] is to realize we lost the last excuse. Their last excuse was it must be in English…anything in the U.S. must be in English. And that doesn’t exist anymore. Now it is ok not to be in English…let’s take advantage of that. Doors are opening again to other languages.” The members of ATARASHII GAKKO! know how to entertain the crowds at their shows overseas, encouraging call-and-response with fans using short Japanese words like “ganbatte” and “saiko,” and getting them excited in English, saying, “Everybody jump!’ and ”Say yeah!” Plus, the group’s shows never look cheap or over-the-top, thanks to the four members’ well-coordinated dance moves, SUZUKA’s vocal prowess, and the individuality of each member. Whether you’re Japanese or American, anyone who sees ATARASHII GAKKO! will be able to enjoy its performances to the fullest, and the group’s set at matsuri ’25 was a testimony to that.
Ado
Then the “Ado Box” was set up in the center of the stage for the event’s final artist, the enigmatic singer Ado, who never shows her face. The 22-year-old songstress immediately launched into her hit banger “Show,” then performed “New Genesis,” “Usseewa” (which sounded faster and more powerful than when this writer saw her on her North American tour a year ago), and “Lucky Bruto” in succession. The stage production was designed to be visually enjoyable as well, with Ado performing “RuLe” by dancing and singing while seated on a chair in her box.
After calls of “Let’s go, Ado” from the audience, the singer addressed the crowd for the first time, talking about how living in Los Angeles for a month last year was one of the best experiences of her life. She shared some episodes that showed her personality, like how she enjoyed In-N-Out burgers and going to Macy’s. “I’m proud to be able to share the stage with ATARASHII GAKKO! and YOASOBI,” she said, expressing appreciation for the opportunity to perform at the event. “I’m so happy that you’ve come to experience Japanese music and culture today. It will really make me happy if you’ll continue to love Japanese music and culture. This has been a really great evening. Thank you.” She then invited the audience to sing and dance with her before performing the last song of her set, “Odo.”
It was unthinkable in the past that an artist who maintains her anonymity by never revealing her face would perform on stage in a box. But it’s true that many people listen to Ado’s music and when she announces shows outside of her home country, many fans rush to buy tickets. This is in line with what Goldenvoice vice president Ellen Lu said at the conference that “festivals are booking with a global sense now. Because that is what people are listening to, so if we are to stay in touch with what people are wanting to see that is not just exclusive to the U.S. or Europe which historically has been the case. It just puts these [international] artists in front of audiences that want to see them or have never had a chance to see them.” This is why Ado was able to successfully tour the world last year, and is set to embark on her second global trek this summer at even bigger venues including arenas.
The three acts that performed at the matsuri ’25 event all had previous experience performing live in North America, and it was a luxurious and precious experience to be able to see them at once. It was an evening that surely made fans want to support other Japanese artists that will follow these groups and go on to perform on the world stage.
—This article by Tomoya Ogawa first appeared on Billboard Japan
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 21:52:292025-03-26 21:52:29Ado, ATARASHII GAKKO! & YOASOBI Showcase Best of Today’s J-Pop at matsuri ’25 Event in L.A.
Billboard Unfiltered returned with a brand-new episode on Wednesday (March 26) featuring The Breakfast Club‘s Nyla Symone as a special guest, and the crew debates Carti’s massive debut numbers, Ye’s Bully leak and more.
“I wasn’t surprised at this level of commercial success from Carti,” staff writer Kyle Denis said. “It was really more confirmation of his past five years of how he’s positioned himself as the leader of the new gen. The kids love this man.”
“Rather Lie” featuring The Weeknd debuted at No. 4 on the Billboard Hot 100 and has been serviced to radio, which could position itself as the longest-lasting hit from Music.
Deputy editor Carl Lamarre compared “Rather Lie” to feeling inspired by Drake and SZA’s No. 1 hit “Slime You Out.” “Weeknd’s verse was very ‘Slime You Out.’ I’m just saying he was inspired,” Lamarre alleged.
The conversation moved to finding the “big three” in rap behind Drake, Kendrick Lamar and J. Cole. The crew seemed to agree that behind them it’s looking like Playboi Carti, Travis Scott and Tyler, The Creator have solidified themselves as the next superstars.
“Numbers don’t lie,” senior charts & data analyst Trevor Anderson said.
Denis added: “The kids really f— with those two [Playboi Carti and Travis Scott]. We see it in the streams go crazy, the hard sales go crazy when they put up stuff for you to buy, the ticket sales be going crazy, the festival crowds go crazy and they got the cultural pull. Carti wasn’t necessarily getting chart hits the past five years, but was still a bigger cultural presence than a lot of rappers that were getting hits.”
With people complaining about the lack of new stars in rap, Anderson wonders if he’ll receive a true mainstream push in the form of radio play, award show performances and commercial accolades. “Clearly you have evidence millions of people f–k with this dude so why not open the door,” he said.
Ye (Kanye West) returned with the leaked release of his Bully album last week, which drew positive reviews from fans even in the midst of his hateful tirades on X.
“From what I heard, I do like it,” Symone said. “I never doubted Ye couldn’t come back, but as far as being excellent at his craft, he’s never swayed from that.”
Denis believes the “curatorial” and “sequencing” skills have “disappeared” for Ye following 2016’s The Life of Pablo. “I haven’t had a favorable listening experience top-to-bottom in quite some time,” he said.
Lamarre thinks fans are still hanging onto the hope of Ye being able to put everything together once again and have it pay off in the music. “In the last decade, we have seen so many flashes of the old Ye,” Lamarre said before citing Ye’s performance at the Larry Hoover benefit concert and tracks like “530.”
The rest of the episode also finds the crew diving into the hopeful album releases from Cardi B and Saweetie as well as GloRilla versus Doechii. Watch it below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 21:42:022025-03-26 21:42:02Playboi Carti’s ‘Music’ Goes No. 1 & Ye Leaks ‘Bully,’ But Is He Back?: ‘Billboard Unfiltered’
Vibras de Noche II bows on both lists with 19,000 equivalent album units earned in the U.S. in the tracking week ending March 20, according to Luminate. The bulk of the album’s first week sum stems from the streaming sector, representing 27 million official on-demand streams of the set’s tracks, with a negligible amount of album sales and track-equivalent activity.
Related
Eslabon Armado’s ‘Vibras de Noche II’ Album & More Best New Music Latin
It’s the group’s first album chart debut since Desvelado opened atop both Top Latin Albums and Regional Mexican Albums charts in 2023. The latter holds at No. 47 in its 93rd week on Top Latin Albums.
Vibras de Noche II was released March 15 on Armado Records/ICLG. Its top 10 start marks another significant milestone for the group, following its recent signing with Interscope Capitol Labels Group, a fruitful partnership as the label secures its first top 10 debut on Top Latin Albums in 2025.
Vibras de Noche II was written by Eslabon’s lead vocalist, Pedro Tovar, in its entirety. It comprises 17 tracks and two intros including a cameo appearance by Mexican actress Loreto Peralta. “Esa Noche,” featuring emerging Mexican folk singer Macario Martinez, is the only collab on the album.
The 23-year-old Mexican street sweeper has captured the internet’s attention, going viral on TikTok after sharing a heartfelt video in response for the support of his song “Sueña Lindo, Corazón.” He’s also seen wearing his work uniform while riding in the back of a truck alongside his coworkers in Mexico City –the clip has garnered over 12 million views since Feb. 8. While his song propelled him into the spotlight, Martínez makes his Billboard debut through his first Eslabon Armado team-up, as “Esa Noche” debuts at No. 50 on the multi-metric Hot Latin Songs chart, largely from 2 million official U.S. streams in the latest tracking week.
Vibras de Noche II is a follow-up to Eslabon’s second studio album Vibras de Noche, which debuted at No. 1 on Top Latin Albums and Regional Mexican Albums in 2020. While it ruled for one week on the former, it dominated Regional Mexican Albums for 11 weeks between Aug.-Nov. 2020.
Thanks to Vibras de Noche II, Eslabon earns its seventh top 10 on Top Latin Albums chart, which launched in 1993. Here’s a recap of the group’s collection of entries on the overall Latin albums tally, a count that included two No. 1s:
Peak Position, Title, Peak Date No. 7, Tu Veneno Mortal, July 25, 2020 No. 1, Vibras De Noche, Aug. 1, 2020 No. 2, Corta Venas, Jan. 2, 2021 No. 5, Tu Veneno Mortal, Vol. 2, July 10, 2021 No. 2, Nostalgia, May 21, 2022 No. 1, Desvelado, May 13, 2023 No. 4, Vibras De Noche II, March 29, 2025
Elsewhere, Vibras de Noche II, opens at No. 30 on the all-genre Billboard 200, Eslabon’s sixth visit and first since 2023.
On a song level, thanks to the new album, Eslabon adds five new songs on the Hot Latin Songs chart, which fuses weekly streaming data, radio airplay and digital sales. “Dime” leads the pack at No. 35 with 2.4 million official U.S. streams. It joins “Te Odio!” at No. 36, “Otras 24 Horas” at No. 37, and the previously reported Martinez-featured track, “Esa Noche” at No. 50.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 21:42:022025-03-26 21:42:02Eslabon Armado Celebrates Double Top 10 Debut With ‘Vibras de Noche II’