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Unless you’re spinning vinyl on your record player or listening to the radio, you most likely have a music subscription to stream your favorite artists and the latest album drops. Apple Music, much like Spotify and Amazon Music, is an all-in-one hub to go to for playlist creation, music discovery and taking your favorite songs on the go.

Attached to each music subscription is a monthly or annual cost, but with a little help from Apple Music deals, promos and bundles going on, you can use the platform for free.

The easiest way to test out the music-streaming platform is through Apple Music’s standard free trial option. New users will receive one-month free of the streamer when they sign up and get access to all of the benefits like Spatial Audio and playlists that are always ad-free.

Apple is also treating new subscribers to a limited-time promo that’ll score you three months of Apple Music for free when you purchase a new Apple device that’s iOS 16+, iPadOS 16+ or macOS 13+. Limited-time offer for new subscribers redeeming on eligible devices. Plan auto-renews at $10.99/month until canceled. Terms apply.

If you find commitment scary, you can read on to discover more ways on how to get a free Apple Music subscription.

How to Get a Free Apple Music Subscription

Instead of finding the deals yourself, ShopBillboard put together a list of the latest deals and promos that’ll instantly get you free Apple Music.

Standard Apple Music Free Trial

If you’re new to Apple Music, you’re eligible for a free one-month subscription when you sign up through Apple. After that, it’s $10.99 a month, but includes benefits such as an ad-free listening experience, curated weekly playlists, access to the streamer’s library of more than 100 million songs and more.

Still in school? Apple Music has a student plan that offers the same 30-day trial before charging $5.99 a month. For families, there’s even the option to test it out for a month before paying $16.99 per month. And for those who prefer to only use Siri, the Apple Voice plan provides the same free trial before charging $4.99 a month. All you have to do is click the button on the page that says “try it free” and sign up.

Purchasing an Eligible Apple Device

Apple has a couple more methods to earn a free subscription without even leaving its site. The first being if you purchase an eligible Apple device such as a new MacBook, iPhone 16+ or iPad with iOS 16+.

Once your subscription is up, the individual Apple Music plan is $10.99 a month, but for further savings, you can do the Apple Voice plan for $4.99 a month, which requires you use Siri for all your streaming needs. Students can grab a student plan for $5.99 a month, while families can enjoy streaming together for just $16.99 a month.

Apple One Subscription

Sick of having multiple subscriptions? Apple released one of its newer services: Apple One, which bundles up to six apps together to create a lower monthly price. This even includes up to 2TB of iCloud+ storage and one month free of Apple Music. Rather than have various apps charging you different subscriptions costs, this will put it all together.

To score a free trial, go to the Apple One page and click “try Apple One for free.” From there you’ll have the option to choose from one of three plan options with the basic one being an Individual plan for $16.95. month that provides 50GB of iCloud+ storage and up to four apps bundled.

Need more space?You can opt to go with the Premiere plan for $32.95 a month, which will allow you to share it with up to five people, has 2TB of iCloud+ storage and can bundle up to six apps. Families can also snag a Family plan for $22.95 a month giving them access to 200GB of iCloud+ storage, the ability to bundle up to four apps and sharing with a max of five people.

Best Buy Promo

Arguably one of the easiest ways you can start streaming for free is through Best Buy’s promo. Just add Apple Music to your cart from the site and you’ve automatically earned three months of free, unlimited music (only eligible for new or returning subscribers).

Plans for Apple Music follow its own tiered plan that’s separate from Best Buy’s promo. The standard plan will cost $10.99 a month, but if you’re looking for additional savings you can subscribe to Apple Voice (a Siri only listening plan), the student plan or the family plan.

Verizon Unlimited Plan

For anyone looking for an excuse to upgrade their cell phone, this is your sign to do it. Verizon Wireless has a promo where you can score six months of free Apple Music, and all you have to do is be on an eligible Verizon Unlimited Plan.

After the Verizon free trial is up, the subscription follows Apple’s different tiered plans including Apple Voice for $4.99 a month, a Student plan for $5.99 a month, the Standard plan of $10.99 a month and the Family plan for $16.99 a month.

For more product recommendations, check out our roundups of how to get free Amazon Music Unlimited, the best tech deals and streaming device deals.

Brat summer may be over, but Charli XCX and Troye Sivan both agree that the future of pop music is in good hands.

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In a new cover story with i-D, Charli and Troye broke down their respective careers and friendship, while teasing what’s to come from their highly anticipated fall tour. During the conversation, the pair was asked about the state of the pop genre — and both said that artists such as themselves and Chappell Roan were helping keep pop music fun.

“I think it’s a really interesting time in pop music, where [being] niche is being rewarded in a way that we haven’t seen for a while,” Charli said. “It feels like there’s this new wave of artists with different ambitions and cultural touchpoints who are really thriving in mainstream culture. And I think that’s myself, that’s Troye, that’s Chappell [Roan].”

Most of those cultural touchpoints, she explained, are inherently queer, marking a watershed moment for LGBTQ representation in mainstream music. “When I think about the three of us, that’s a lot of music that either is inherently a part of queer culture or is very much inspired by it and that’s super cool,” she said. “You have so many artists being outwardly gay and talking about drag culture. It’s cool that this is not an anomaly anymore.”

Sivan agreed with the “360” singer’s assessment, adding that part of what makes Roan and Charli’s successes over the last few months so interesting is the fact that both of them are making the same kind of music they’ve been making. “It’s not like you guys have changed your approach. It doesn’t feel like you’re actively striving to get the masses or anything like that,” he explained. “To me, it comes across as the most authentic, real vulnerable version of you and that’s the one that’s connected.”

The duo is currently preparing for the upcoming North American Sweat Tour, which kicks off in Detroit on Saturday, Sept. 14. During the pair’s conversation, Charli gave fans a small tease of what to expect from the live show: “The staging is f–king crazy. I mean, not to hype it up too much, but it’s great.”

Despite his high-profile arrest for a DUI on June 18 on Long Island, Justin Timberlake didn’t see much impact on the ticket sales for his Forget Tomorrow World Tour, which is on track to gross more than $250 million over 87 dates, according to Billboard Boxscore data.

The estimated sales figure means each concert has generated about $2.8 million so far, before the tour stopped reported grosses when it crossed over into Europe, where he is playing 27 dates across Poland, Germany, Belgium, the U.K., the Netherlands, Denmark, Sweden and France. While there’s not much data on how European tickets are selling, there’s no indication that sales have fallen off. In fact, in the months leading up to it, there were plenty of signs that Forget Tomorrow was one of the strongest selling tours of Timberlake’s career.

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In the immediate aftermath of Timberlake’s arrest — which produced the singer’s reported response, “This is going to ruin the tour,” which became a viral meme — prices on secondary sites for some of his shows did drop, in some cases to as low as $20 per ticket. But those drops were likely publicity stunts by resellers trying to drive traffic to their websites. Prices on the secondary market have since recovered: His Sept. 4 concert in Hamburg, Germany is selling for slightly over face value, with some floor tickets selling for 250 euros ($277), about 25% higher than face value for those seats.

Prices get even higher on the secondary market in the U.S. when the tour returns in October, starting Oct. 6 at Brooklyn’s Barclays Center. While there are a handful of tickets listed below $75, the majority are marked up significantly, with lower bowl tickets selling for double the face value at more than $250 each and floor seats moving for over $400.

Even as the tour moves into softer markets like Orlando, Fla., and Milwaukee, prices on secondary resellers are holding strong and going for three to four times face value. By the time the Forget Tomorrow World Tour ends on Dec. 20 in St. Louis, it will very likely rank as one of the top 10 tours of the year and be remembered as one of Timberlake’s most profitable runs.

Young Miko is set to perform and speak at the 2024 Billboard Latin Music Week, Billboard announced on Thursday (Sept. 5). The Puerto Rican hitmaker will join the special 35th-year anniversary concert for INSIDER badge holders on Friday, Oct. 18. She will also participate in an intimate Superstar Q&A on Tuesday, Oct.15. 

Young Miko joins a star-studded lineup for the five-day event, taking place Oct. 14-18 at The Fillmore Miami Beach at the Jackie Gleason Theater. The 26-year-old singer-songwriter performed at last year’s Billboard Latin Music Week En Vivo concert series before embarking on her current XOXO Tour. Since her meteoric rise, she has undeniably becoming one of the most exciting new voices in Latin music. Earlier this year, her debut LP Att. earned the also rapper her first top 10 entry on any Billboard albums chart. Her presence at Latin Music Week underscores her continued impact on the genre and her exciting future ahead.

“We’re thrilled to see Young Miko return to Billboard Latin Music Week,” said Leila Cobo, Billboard’s chief content officer for Latin and Español. “Her journey from debut to stardom has been truly extraordinary. Her continued innovation and dynamic presence have reshaped the Latin music landscape, and we’re excited to celebrate her remarkable achievements and ongoing influence in the genre.”

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Featuring exclusive panels, conversations and performances by Latin music’s biggest stars, previously announced participants include Bad Gyal, Belinda, Camila Fernández, Chiquis, DANNA, Danny Ocean, Dei V, Domelipa, Eslabon Armado, Fat Joe, Gloria Estefan, J Balvin, JOP, Keityn, Kunno, Lele Pons, Luis Alfonso, Lupita Infante, Majo Aguilar, María Becerra, Marko, Mau y Ricky, Mon Laferte, N.O.R.E., Omar Courtz, Paola Jara, Peso Pluma, Pipe Bueno, Sophia Talamas, Yahritza y Su Esencia, Yeison Jiménez, Yeri Mua and Zhamira Zambrano. More participating artists will be announced in the upcoming weeks.

Tickets for the 2024 Billboard Latin Music Week, celebrating its 35th anniversary, are available for purchase here.

Billboard Latin Music Week will coincide with the Billboard Latin Music Awards, which will air on Telemundo. Latin Music Week tickets will not include access to the awards show this year. Instead, Billboard will host a special 35th-year anniversary celebration on the evening of Oct. 18, where INSIDER badge holders will receive exclusive invitations to this star-studded event.

For more information on Billboard Latin Music Week, updates on the schedule and more exciting announcements, visit BillboardLatinMusicWeek.com.

Young Miko
Young Miko

The rumors are terrible and cruel, but honey … this one isn’t true. An alleged media plan outlining Travis Kelce‘s supposed publicity strategy in the event of a breakup with Taylor Swift has sent fans spiraling this week, but according to the football player’s reps, the whole thing is fake news — and they’re considering taking legal action against whoever made it up.  

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In a statement shared with E! News Thursday (Sept. 5), Kelce’s reps at Full Scope Public Relations wholly denied that the papers circulating online — which bear the agency’s logo at the top and the title “Comprehensive Media Plan for Travis Kelce’s Public Relations Following Breakup with Taylor Swift” — have any validity.  

“These documents are entirely false and fabricated and were not created, issued, or authorized by this agency,” the spokesperson wrote. “We have engaged our legal team to initiate proceedings against the individuals or entities responsible for the unlawful and injurious forgery of documents.” 

Billboard has reached out to Full Scope and Swift’s team for comment. 

The statement from the athlete’s reps comes just ahead of his first Kansas City Chiefs game this season, which kicks off Thursday (Sept. 5). Kelce and his teammates will face off against the Baltimore Ravens at Arrowhead Stadium, where all eyes will be on the box suites to see if the “Anti-Hero” singer — who’s currently on break from her global Eras Tour — is in the building to support her boyfriend.  

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By all accounts, the couple is going as strong as ever — and so is Swift’s interest in the NFL. According to Kelce, as well as Chiefs quarterback Patrick Mahomes, the pop superstar has a new hobby of drawing up plays for the team to use on the field, though the tight end notes that she’s “a little biased” and tends to only make up on-field strategies for him.  

“She had just been so open to learning the game,” Kelce added on The Rich Eisen Show Sept. 3. “I think what makes her so good in her profession is that she’s so detailed in every aspect of it, from the words to her music and even the releases and the music videos and everything. She’s just so detailed and a part of it, that I think she was just curious about the profession.” 

Straight up? Paula Abdul feels absolutely terrible about having to cancel her entire upcoming Straight Up! to Canada 2024 fall tour. The 62-year-old singer/dancer announced to fans on Wednesday night (Sept. 4) that she has been forced to call off the entire tour due to unspecified injuries that will require two months of recovery time.

“It’s with an incredibly heavy heart that I need to share with you an update regarding some injuries I’ve recently sustained. In an effort to keep going, I’ve received targeted injections that will allow me temporary relief, but the demands of an entire tour is a different story,” Abdul wrote in a post.

“After multiple consultations with my doctors and exploring all available options, I’ve been advised that one of my injuries requires a minor procedure followed by a 6-8 week recovery time, therefore it will prohibit me from proceeding with the Straight Up! To Canada Tour as well as the dates in Alaska and North Dakota,” she added.

The monthlong outing was slated to kick off on Sept. 25 with a show at the Save on Foods Memorial Arena in Victoria, B.C. and wind its way across 20 markets in Canada before wrapping up on Oct. 26 at the Centre 200 in Sydney, Nova Scotia.

“I want to extend my deepest apologies to all my amazing fans in Canada and the U.S., you mean the world to me and this truly breaks my heart,” Abdul concluded. “I’ve been looking forward to the energy, love, and connection we always share when we’re together. I promise I’ll be back, stronger and better, dancing my heart out and performing for all of you very soon, to give you the show you deserve.” Refunds for the shows are available at point of purchase.

Abdul’s tour was also scheduled to hit the Alaska Airlines Arena in Anchorage, Alaska on Sept. 21 before the Canadian tour kicked off and pop into the Scheels Arena in Fargo, N.D. on Oct. 12 on the tour that was slated to feature opening acts Taylor Dayne and Tiffany. Abdul’s busy 2024 also included her just-wrapped joint tour with New Kids on the Block and DJ Jazzy Jeff, which wound down on August 25.

See Abdul’s post below.

Luke Combs, Jelly Roll and Zach Bryan will headline the 2025 edition of the Stagecoach Festival, taking place April 25-27 at the Empire Polo Club in Indio, California. It will mark the first time that Bryan (April 25) and Jelly Roll (April 26) have served as headliners on the Mane Stage, while Combs returns for the first time to headline since 2022. 

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Lana Del Rey — who is working on a country album titled Lasso, as she revealed at the Billboard x NMPA Songwriter Awards in February — will also appear at the festival. She joined Paul Cauthen at this year’s event for a duet of “Unchained Melody,” and headlined both weekends of Coachella earlier that month.

“Super pumped to be coming back to headline Stagecoach,” said Combs, in a statement. “It was one of the most memorable parts of the year when we did it in 2022, so really glad they’re having us back for round 2. We’re gonna have a blast.” 

Jelly Roll added, “Last year I got to play Stagecoach for the first time and it was incredible. And I didn’t just get to play. I got to hang out as a fan of artists I love and take my daughter to see some of the best entertainers in our format. Coming back to headline Stagecoach this year is a dream-but I’ll be attending as a fan this year as well, so get ready. See you in April.”

STAGECOACH 2025
STAGECOACH 2025

The festival announced its lineup as country music continues to experience a surge in popularity. “Country music is in a golden moment right now. The genre is hotter than it has ever been, and we are enjoying every moment of it,” Stacy Vee, vp of festival talent for Goldenvoice, told Billboard in an email interview. “It has been incredibly satisfying to be in a festival where so many different voices and styles of music are welcome. The world has been delivering us an abundance of phenomenal talent and the hardest part is having to choose who gets the slot.”

Two of this year’s hottest acts, Bryan and Shaboozey, have worked their way up to the Mane Stage, which is always a pleasure to see, Vee says: “Zach Bryan’s set at the Palomino Stage in 2022 was legendary and now he is headlining the Mane Stage. Shaboozey was such an exciting special guest last year and we’ll see him for a full set on Mane Stage.”

As usual, Stagecoach, which started in 2007, will feature a number of other non-country acts, including Backstreet Boys, T-Pain, Goo Goo Dolls, gospel singer Blessing Offor, Creed, Jewel, Nelly, Sammy Hagar, The Bacon Brothers and Tommy James & the Shondells (who also performed at the fest in 2017).

The Backstreet Boys have long been on Vee’s wish list. “I have literally dreamed of bringing them to the show for so long, I think it is going to hit so hard,” she says.

Among those also on the bill are Brothers Osborne, Chayce Beckham, Dylan Gossett, Flatland Cavalry, Koe Wetzel, Midland, Nico Moon, Scotty McCreery, Sturgill Simpson, Whiskey Myers and Tucker Wetmore.

Vee declined to answer a question about the continued paucity of country women available for top spots. Miranda Lambert headlined this year, Carrie Underwood in 2022, and Shania Twain in 2017. Lainey Wilson, who has not headlined the festival, last played in 2023. There are around 20 women playing among the 65 acts in 2025, including Ashley McBryde, Carly Pearce, Anne Wilson, Crystal Gayle, Dasha, Alana Springsteen, Anna Avery, Nikki Lane and The Castellows.

General admission passes start at $579, while Corral Standing Pit passes that provide access to the standing room only pit area in front of Mane Stage start at $1,899. Corral Reserved Seating, which is for a seated area behind the Corral Standing Pit and other amenities, including access to the Corral Saloon and air-conditioned bathrooms, start at $2,299. Tickets go on sale Sept. 13.

LONDON — The U.K. competition regulator has launched an investigation into Ticketmaster over its much-criticized sale of tickets for Oasis‘ reunion tour, which prompted hundreds of complaints from fans and fierce condemnation from British politicians.

The probe was announced by the Competition and Markets Authority (CMA) on Thursday (Sept. 5) – less than a week after tickets for Oasis’ Live ‘25 tour went on sale. The investigation will look into whether Ticketmaster broke consumer protection laws and engaged in “unfair commercial practices” by failing to notify ticket buyers in advance that prices would surge based on demand.

Standard standing tickets for Oasis’ U.K. and Ireland comeback tour were advertised as costing £148.50 ($195), but the price unexpectedly soared to £355.00 ($467) after several hours of being on sale due to high demand, provoking an angry backlash from fans.

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The CMA said its investigation would examine whether consumers were given “clear and timely information” to explain that the tickets would be subject to dynamic pricing, including the price they would eventually pay for purchases.

CMA officials will also look at whether people were put under pressure to buy tickets within a short period of time at a higher price than they originally intended to pay.

The competition regulator said it will be engaging with Ticketmaster, the band’s management and event organizers to gather evidence to assess whether the Live Nation-owned ticketing company broke consumer protection laws.

Officials will also consider whether to widen the scope of the investigation into other companies involved in the highly anticipated reunion tour, which is jointly promoted by Live Nation, SJM Concerts, MCD and DF Concerts.

Fans who purchased, or attempted to purchase, tickets from Ticketmaster for the shows are invited to submit evidence to the watchdog, including an screenshots they may have taken during the purchasing process. Submissions close on Sept. 19.

“It’s important that fans are treated fairly when they buy tickets, which is why we’ve launched this investigation,” said CMA chief executive Sarah Cardell in a statement.

“It’s clear that many people felt they had a bad experience and were surprised by the price of their tickets at check-out. We want to hear from fans who went through the process and may have encountered issues so that we can investigate whether existing consumer protection law has been breached,” said Cardell.

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Ticketmaster did not respond to requests to comment when contacted by Billboard on Thursday. The company has previously stated that all ticket prices for Oasis’ reunion tour, including platinum, in-demand (dynamic) and VIP were set by the tour promoters and management.

In the fallout to the weekend’s ticketing furore, the British government said it would be looking into the practice of dynamic pricing for music concerts as part of its previously announced consultation into the secondary ticketing market.

The Advertising Standards Authority (ASA) said it had received 450 complaints about “misleading claims about availability and pricing” concerning the sale of Oasis’ tickets by Ticketmaster. The regulator said it was “carefully assessing these complaints” and couldn’t comment further.

Responding to the hundreds of complaints from frustrated fans, a representative of Oasis said on Wednesday that the decision to apply surge pricing to its reunion shows was made by the band’s management and tour promoters, and “and at no time [the group] had any awareness that dynamic pricing was going to be used.”

“While prior meetings between promoters, Ticketmaster and the band’s management resulted in a positive ticket sale strategy, which would be a fair experience for fans, including dynamic ticketing to help keep general ticket prices down as well as reduce touting, the execution of the plan failed to meet expectations,” said the statement from Oasis’ publicist. “All parties involved did their utmost to deliver the best possible fan experience, but due to the unprecedented demand this became impossible to achieve.”

Earlier this week, Oasis announced the addition of two new dates at London’s Wembley Stadium to next year’s tour, bringing the total number of shows up to 19. To avoid a repeat of the weekend’s on sale debacle, tickets to the two new Wembley shows are to be sold via an invitation only ballot that gives preference to fans who failed to get tickets in the initial launch.

According to organizers, the Oasis Live ’25 tour was the biggest concert launch ever seen in the U.K. and Ireland with more than 10 million people from 158 countries attempting to buy tickets, which all sold out in less than a day.

Start your engines Little Monsters because we now know when Lady Gaga‘s seventh album will descend from pop heaven. According to a new Vogue cover feature, LG7 — as yet untitled officially — is due out in February, with the untitled first single due out in October.

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“There’s a lot of pain associated with this adventure,” the singer told the magazine about the album. “And when I start to explore that pain it can bring out another side to my artistry. When I’m here at this studio [Rick Rubin’s Shangri-La], I’m relaxed and I am able to face my demons and what’s remarkable is… that’s the music. I’m able to hear it back.”

The profile opens at Rubin’s famed studio in Malibu — just down the road from Gaga’s home — where Gaga recorded 2016’s Joanne, as well as some of the music for the 2018 soundtrack to her feature film debut, A Star Is Born. It reveals that Gaga has spent “the better part of 2024 here” workin on both her new pop record and a second “surprise project” whose details have not yet been revealed.

Additionally, the very public enigma of a star reveals that her fiancé, Michael Polansky — to whom she got engaged in April after a day of rock climbing — was the one who pushed her to return to her pop roots. “Michael is the person who told me to make a new pop record. He was like, ‘Babe. I love you. You need to make pop music,’” she said, with Polansky adding, “Like anyone would do for the person they love, I encouraged her to lean in to the joy of it. On the Chromatica tour, I saw a fire in her; I wanted to help her keep that alive all the time and just start making music that made her happy.”

The writer then describes hearing a new, untitled, song from the upcoming album, writing that it is an “intense and ominous… old-school Gaga banger, unsettling but also buoyant.”

Earlier in the piece, Gaga noted that she’s feeling “so happy” and healthy these days, unlike during her Chromatica era. “That album was about an absolutely horrible time for me with my mental health,” she said. “I was in a really dark place. I struggled for, like, many years before that.” The album came out in Mary 2020, just months into the COVID-19 pandemic, when Little Monsters had to dance at home alone to the singles “Stupid Love” and “Rain on Me.”

After fracturing her hip during the Born This Way Ball tour ten years earlier — setting off years of muscle pain due to fibromyalgia — the pain-free Chromatica outing was a revelation. “Michael and I did that tour together,” she said. “I did it pain-free! I haven’t smoked pot in years. I’ve, like, changed. A lot. I feel like this new album, in a lot of ways, is about that time but from a place of happiness instead of misery. And now, Michael and I are really excited to organize our lives — and our marriage — around our creative output as a couple.”

Which, she said in an allusion to the music industry, was “really different than, like, doing what other people want you to do.”

Billboard is bringing back its highly anticipated Billboard Live Music Summit and Awards, taking place on Nov. 14 in Los Angeles.

After a four-year break, the event returns in collaboration with AEG Presents and Live Nation, marking its first occurrence since 2019.

The one-day event will feature a series of panels and thought leadership discussions, followed by the prestigious Billboard Live Music Awards, all programmed by Billboard’s Dave Brooks, Senior Director of Live Music and Touring.

“We’re excited to bring this program back to the epicenter of the concert business,” said Brooks. “This summit is a marketplace for ideas and brings together some of the biggest names in the business. This year, we will explore the industry’s challenges and opportunities, as well as celebrate how far we have come since 2019.”

The event is expected to attract executives across artist representation, management, concert promotion, and the experiential sector, providing a unique platform for collaboration with top-charting artists. Topics will include the current landscape of the live music industry, strategies for navigating its evolving challenges, and insights into future opportunities.

Further details on the summit, including panelists and award categories, will be revealed in the coming weeks. For additional information, visit billboardlivemusicsummit.com.

Billboard Live Music Summit and Awards follow in the footsteps of other notable events such as the Billboard Music Awards, Billboard Women in Music, and Billboard Latin Music Week, which connect the industry’s top talent and key players with music fans worldwide.