$uicideboy$ achieve their first No. 1 on Billboard’s Top R&B/Hip-Hop Albums chart as the duo’s New World Depression rises from No. 2 to rule the list dated July 6. The set, released on G59 Records, launched in the runner-up spot last week with 66,000 equivalent album units, second to Don Toliver’s Hardstone Psycho, which premiered with 76,500 units. In the second-week race, Depression takes the title with 36,000 units (down 46%) while Psycho fell to 34,500 (down 55%).

Of New World Depression’s 36,000 units for its coronation week, 28,000 of the sum came from streaming activity, representing 38.6 million official on-demand U.S. streams of the album’s songs. Traditional album sales contributed 8,000 units, while a negligible amount of activity stemmed from track-equivalent sales activity. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)

With its second-week advance to No. 1, New World Depression is the first album to climb into the top spot (as opposed to debuting there) since Metro Boomin’s Metro Boomin Presents: Spider-Man: Across the Spider-Verse soundtrack also lifted 2-1 in its second chart week, in June 2023.

Elsewhere, New World Depression ascends to No. 1 on the Top Rap Albums chart, where it becomes the duo’s second champ, and slides 5-13 on the all-genre Billboard 200.

Thanks to New World Depression, $uicideboy$, comprised of cousins Scrim (Scott Arceneaux Jr.) and Ruby da Cherry (Aristos Petrou), capture their first Top R&B/Hip-Hop Albums leader with their eighth appearance. The pair first visited the chart with their Radical $uicide EP, which reached No. 17 in 2016. Before Depression, their best showing came through Sing Me a Lullaby, My Sweet Temptation, which debuted and peaked at No. 2 in 2022.

Nine cuts from New World Depression have landed on the Hot R&B/Hip-Hop Songs chart, led by “The Thin Grey Line, which reached a No. 20 high last week. Here’s a look at the album tracks’ peak performance on Hot R&B/Hip-Hop Songs:

No. 20, “The Thin Grey Line”
No. 25, “Burgundy”
No. 26, “Us vs. Them”
No. 27, “Thorns”
No. 31, “Lone Wolf Hysteria”
No. 32, “Misery in Waking Hours”
No. 33, “Are You Going to See the Rose in the Vase, or the Dust on the Table”
No. 36, “Mental Clarity Is a Luxury I Can’t Afford”
No. 46, “The Light at the End of the Tunnel is $9.99 a Month”

Adding to the album era’s breakthroughs $uicideboys$ earned their first career Billboard Hot 100 hit when “Us vs. Them” reached the chart in May at No. 96. Since then, they’ve collected three more: “The Thin Grey Line” (No. 71), “Burgundy” (No. 86) and “Thorns” (No. 91).

Angela Simmons has apologized for posing with her gun-shaped purse on the BET Awards red carpet after receiving backlash on social media.

The entrepreneur and daughter of Run-DMC‘s Rev Run posted a video explaining her wardrobe accessory choice, saying she didn’t intend to cause any controversy. “I see a lot of conversation around the purse I wore to the awards,” she said. “Normally, I don’t address rumors and stuff but I’m not like that. I’ve never been like that. I’m not violent.”

Adding, “I have obviously been through a lot in my personal life when it comes to gun violence. It’s very personal to me, but I just liked the bag. I thought it was cool and a fashion moment. That was it. I didn’t have any intentions of ruffling anyone’s feathers … I’m sorry if it bothered anyone.”

She then released a lengthy statement on her Instagram Stories, calling the purse “a poor decision.”

“I want to address the recent incident involving the green purse I carried at the BET Awards. When I chose the purse, I believed it was cute and unique and I made a poor decision in using it as an accessory to amplify my beauty,” she wrote. “I deeply regret that this item, which symbolizes a gun, was inappropriate and insensitive, especially given my personal and community experiences with gun violence.”

She then gave an apology later in the statement, saying, “It was a mistake that does not define who I am or my commitment to ending gun violence. To anyone who was hurt or offended by my actions, I offer my deepest apologies.”

You can read the full statement below:

Yo Gotti, who is currently dating Angela Simmons, made light of the situation on his Instagram Stories, saying, “She was just practicing.

Angela Simmons’ ex-fiancé Sutton Tennyson was fatally shot 13 times in 2018 after an argument outside of his home escalated. He was 37 years old and the two have a son together.

Thalia and Grupo Firme each score a career milestone on Billboard’s Latin Airplay chart as their collaboration “Te Va a Doler” reaches No. 1 on the list dated July 6.

With the new champ, Thalia returns to No. 1 after more than a decade, while Grupo Firme visits the summit for the first time. The track is from Thalia’s A Mucha Honra album, which includes another version of the song, without Grupo Firme, remixed by Deorro.

“I’m really thrilled with all the love and support my fans and radio are giving ‘Te Va a Doler’ with Grupo Firme and the remix with Deorro,” Thalia tells Billboard. “Working alongside them was a real treat! This album is really special to me and knowing that the music is connecting with audiences means the world to me!”

“Te Va a Doler” stems from Thalia’s A Mucha Honra project, her 21st studio album released April 26 via Sony Music Entertainment.

“Te Va a Doler” rolls into the top spot with no pain on the overall Latin Airplay chart with a 10% gain in audience impressions, to 7.2 million, earned in the U.S. during the June 21-27 tracking week, according to Luminate. Last week’s No. 1, Kali Uchis and Peso Pluma’s “Igual Que Un Ángel,” falls to No. 4, after the latter’s one week reign, with an 18% dip in audience, to 6.5 million.

“Te Va a Doler” gives both acts a reason to celebrate. Thalia scores her first No. 1 in 11 years, and Grupo Firme achieves its first leader.

Thalia returns to No. 1 for the first time since “Te Perdiste Mi Amor,” featuring Prince Royce, took over Latin Airplay for one week on May 4, 2013. In between, she placed three other songs below the top 15. The Mexican adds a sixth No. 1 to her account. Plus, she expands her span of champs to 24 years, dating back to first week at the apex on June 17, 2000, when “Entre El Mar y Una Estrella” seized the crown. As Thalia’s collection of champs grows, here is a look at the singer’s Latin Airplay chart-toppers:

Peak Date, Title, Artist, Weeks at No. 1
June 17, 2000, “Entre El Mar Y Una Estrella,” one
July 20, 2002, “Tu Y Yo,” one
Oct. 26, 2002, “No Me Enseñaste,” two
Feb. 28, 2004, “Cerca De Ti,” one
May 4, 2013, “Te Perdiste Mi Amor,” featuring Prince Royce, one
July 6, 2024, “Te Va A Doler,” with Grupo Firme

Further, when “Doler” debuted at No. 39 in May, Thalia made her first chart appearance since “No Me Acuerdo,” with Natti Natasha, in Sept. 2018.

Grupo Firme, meanwhile, captures its first No. 1 after missing the throne with the No. 2-peaking “El Amor De Su Vida,” with Grupo Frontera, in Oct. 2023. The Tijuana-based band becomes just the third regional Mexican ensemble to rule Latin Airplay in 2024, following Fuerza Regida with its Marshmello collab, “Harley Quinn,” and Grupo Frontera through “(Entre Parentesis),” with Shakira, both for one week in charge, on the Feb. 3- and May 18-dated charts, respectively.

“Doler” additionally reaches No. 1 on Latin Pop Airplay. Thalia secures her first ruler since the three-week champ “Entre El Mar y Una Estrella” in June 2000, and Grupo Firme claims a first No. 1 on the Latin pop radio ranking with its first entry.

Joseph Quinn was a little too enchanted to meet Taylor Swift. According to the actor, he once crossed paths with the singer and was so starstruck by her, he said something that still haunts him to this day.

The topic of Swift first came up during Quinn’s appearance on the Happy Sad Confused podcast Tuesday (July 1) when host Josh Horowitz asked whether he had any cringe-worthy memories to share from his early days as a star following his breakout role on Netflix’s Stranger Things in 2022.

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“Most of it, yes,” Quinn joked. “There’s stuff that comes out of your mouth … when you’re caught off guard, there’s quite a lot to cringe about.”

“I met Taylor Swift once,” he continued. “She was very funny. She said something nice about the show, and I said, ‘Oh, thanks. You’re Taylor Swift’ — meant as a compliment. I remember thinking, ‘That was f—ing stupid.’ But she was very good-humored about it.”

The A Quiet Place: Day One star also jokingly said that he and Swift are now on “great terms,” quipping that he and the superstar are “trying to figure out” a time to get in the studio together. But while he obviously meant it humorously, their working together wouldn’t be the first time the 14-time Grammy winner has collaborated with a Stranger Things cast member; in 2021, the show’s Sadie Sink starred alongside Dylan O’Brien in Swift’s self-directed “All Too Well” short film.

Plus, co-star Joe Keery — who makes music under the stage name Djo, known for “End of Beginning” — was once spotted at the same studio as Swift. Though he later clarified that their overlap was purely coincidental, he did tease on The Tonight Show in December that it may have “generated something in the universe.”

Listen to Quinn talk about meeting Swift on Happy Sad Confused below.

The 2024 BET Awards — hosted by Academy Award-nominated actress Taraji P. Henson — provided the big news of the weekend, with some of the biggest names across R&B, hip-hop, gospel and Afrobeats descending upon Los Angeles for the ceremony.

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Amid parodies of Kendrick Lamar‘s “Not Like Us” and countless reminders to vote in the upcoming presidential election, Tyla (best new artist and best international act) and Victoria Monét (video of the year and the BET Her Award) took home two trophies each, Megan Thee Stallion opened the show with fiery medley of tracks from her new Megan LP, and Black country stars Shaboozey and Tanner Adell made their respective BET Awards debuts.

Of course, there was also that star-studded Usher tribute — featuring Monét, Teyana Taylor, Chlöe, Tinashe, Keke Palmer, Childish Gambino, Marsha Ambrosius, Summer Walker, Latto and Coco Jones — which had the entire crowd on its feet, as did Usher’s 15-minute acceptance speech for the lifetime achievement honor.

While the BET Awards swallowed up most of the weekend’s discourse, there were still scores of new releases across R&B and hip-hop to sift through. With Fresh PicksBillboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Lucky Daye & RAYE‘s emotional new duet to Flau’jae and Lil Wayne‘s new collaboration. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Lucky Daye feat. RAYE, “Paralyzed”

Lucky Daye and Raye are two of the most gifted singer-songwriters across contemporary pop and R&B, so their union was always going to be a winner. “Paralyzed,” a standout track from Lucky’s new Algorithm LP, is an exquisite acoustic ballad that allows both artist’s voices to take center stage. Lucky’s luscious layers of background vocals during his opening verse and chrous are an absolutley haunting color to lyrics that grapple with the anxiety that comes with living and leaving this life without your other half. By the time RAYE comes in with her swaggering rap-sung cadence, the sparse production remains mostly unchanged, with her and Lucky’s smoldering, evocative vocal chemistry becoming the song’s life force. “I’m not leaving, paralyzed/ Say love’s easy, a pair of lies/ Know you see me, terrified/ Pair with mine, come pair with mine,” Lucky croons in the final chorus.

Flau’jae & Lil Wayne, “Came Out a Beast”

The LSU college hoops star checks a dream collaboration off her bucket list when connecting with Lil Wayne for the thunderous “Came Out a Beast.” Flau’jae’s hard-hitting bars go toe-to-toe with Weezy for a competitive sparring session with one of the best to ever pick up a pen. “I’m a millionaire and I don’t got a degree,” she flexes. Wayne takes the baton and floats with ease, proving the rap alien he really is. “Screaming ‘f–k the world’ like a virgin,” Weezy spits in vintage fashion, with a simile that we’ve come accustomed to hearing for over two decades now. Flau’jae should be proud of her performance, but there’s a reason Wayne is a true one-of-one in this game. 

Tinashe, “Getting No Sleep”

Just after scoring her biggest solo hit in a decade with the deliciously salacious “Nasty,” Tinashe has unveiled the next single from her forthcoming Quantum Baby LP. Less in the slinky hip-hop-inflected lane of “Nasty” and more in a drum-and-bass PinkPantheress-esque space, “Getting No Sleep” finds Tinashe continuing her quest to find someone who can “match her freak.” “All week long, keep pressure high/ Got you whipped, all quick replies,” she coos, slyly playing up the tension of time apart that ultimately gives way to passionate sleepless nights. The urgency of the D’n’B beat is the perfect complement to the “we ain’t getting no sleep” hook; lyrically and musically, Tinahse is utterly relentless, and “Getting No Sleep” triumphs because of it.

Wolfacejoeyy, “Finsta (sexy liar)”

The Staten Island native isn’t slowing down following the release of his Valentino project via Alamo Records in May. Wolfacejoeyy feels like he’s on the precipice of a breakthrough. Joey returns with “Finsta (Sexy Liar)” as part of a two-pack, which finds him meshing the worlds of sexy drill, pop-rap and infectious R&B into a woozy cocktail. There are layers to his simple-yet-complex songwriting, with “Finsta” serving as a prime example of his talents. Someone’s “fake Instagram” is actually a glimpse into their real personality when they’re not performing for society, and only those closest to them have access to it. “I wanna know the real you, can I get your Finsta,” he cheekily asks. Our grandparents would be so proud. 

Eric Benét & Tamar Braxton, “Something We Can Make Love To”

Ahead of his first album since 2016’s self-titled LP, four-time Grammy nominee Eric Benét has returned with the Tamar Braxton-assisted duet “Something We Can Make Love To.” He opens the slow jam crooning, “I don’t know if he knows what to do when you finally decide to get loose/ Those moments they come far and few/ In between/ I don’t mind If I gotta be the guy that comes to the front of your mind,” painting over Laney Stewart’s production with his heated, soulful tone. Tamar effortlessly matches Benét’s breathy delivery with a vocal performance that helps steer the song’s steady pacing, ultimately ending with cathartic vocables and riffs that pay tribute to the best slow jams of R&B days past.

Jahkoy, “Someday”

Love can be a hell of a drug. Jahkoy’s “Someday” recalls a classic ‘90s R&B vibe that many from that era wish they could bottle up and implement in today’s music landscape. The Toronto-bred singer is writing checks he might not be able to cash down the line, but knows he needs to do what he can to woo a lover. Jahkoy will do whatever it takes to keep her around even if he can’t live up to her expectations at the moment – a relatable topic for many out there. “Someday I’m gonna love you the right way/ Get you high on satisfaction/ Girl I’m really bout that action,” he croons while painting the picture of a fantasy life. Even if he doesn’t, at least it sounds good. F–k it, we ball!

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Happy 15th birthday, Minecraft! The open-world sandbox game is bigger and more popular than ever, and it all started on May 17, 2009 — when Minecraft was simply known as “The Cave Game.”

To celebrate the occasion, we rounded up a few gaming exclusives from Walmart that can show off your love and affection for all things Minecraft.

And since it’s from Walmart, you’ll get Minecraft 15th-anniversary merch and apparel shipped to your home for free as soon as it’s available if you’re a Walmart+ member.

If you’re not a member, then you can sign up for a 30-day free trial to take advantage of everything the retailer’s rewards program has to offer with perks, such as free and fast delivery; fuel discounts; streaming access to Paramount+; additional savings with early access to exclusive deals; and much more. Learn more about Walmart+ here.

Although it started out as a computer game, Minecraft quickly caught on with gamers when it was introduced to various platforms and consoles — such as Google Chromebook, Xbox One, PS4, Nintendo Switch, iOS and iPadOS, Android and others. One of the best things about Minecraft is, no matter what you’re playing it on, everyone’s playing the same game in the same community — thanks to online multiplayer.

And in that spirit of togetherness, you’ll find our picks for the best items to shop for Minecraft’s 15th anniversary at Walmart below. Meanwhile, a number of the items listed below come with exclusive in-game DLC (downloadable content and codes) for additional skins, texture packs and more in Minecraft.

Minecraft 15th Anniversary: Walmart Exclusive Merch, Gear, Apparel

Minecraft Lineup Crew Tee

The Minecraft Lineup Crew Tee comes in five sizes from XS to XL and features loveable and iconic characters from the game. It also comes in two colors: heather gray (pictured) and black.


Minecraft 15th Anniversary: Walmart Exclusive Merch, Gear, Apparel

LEGO Minecraft The Pirate Ship Voyage

The LEGO Minecraft The Pirate Ship Voyage — which is only available at Walmart — comes with 166 pieces and is best for anyone who is 8 years old and up. It also comes with a buildable pirate ship, a squid, a camel, two pirate minifigures and accessories.


Minecraft 15th Anniversary: Walmart Exclusive Merch, Gear, Apparel

Minecraft Netherite Sword

Bring the Netherite Sword into reality with this life-size model. It’s ideal for taking a piece of Minecraft into the real world.


Minecraft 15th Anniversary: Walmart Exclusive Merch, Gear, Apparel

Minecraft Creeper Spinner

Minecraft Creeper Spinner makes for a great office or gaming accessory, while it spins between your fingers to pass the time.


Minecraft 15th Anniversary: Walmart Exclusive Merch, Gear, Apparel

‘Minecraft Dungeons: Ultimate Edition’

Take Minecraft into the realm of role-playing adventure with Minecraft Dungeons: Ultimate Edition for the Xbox Series X (it’s also compatible with the Xbox One). The game features all six of its DLCs (downloadable content), including Jungle Awakens, Creeping Winter, Howling Peaks and others.


Minecraft 15th Anniversary: Walmart Exclusive Merch, Gear, Apparel

Dynacraft x Minecraft BMX Bike

Best for children under 4 feet tall, the Dynacraft x Minecraft BMX Bike is an 18-inch bike that’s best for boys and girls over the age of 6. It even has a removable and plush creeper on the handlebars.


Minecraft 15th Anniversary: Walmart Exclusive Merch, Gear, Apparel

Minecraft Red TNT Fridge

$38 $43 12% off

Buy Now at Walmart

The Minecraft Red TNT Fridge is just over 10 inches tall, 10 inches wide and 10 inches deep in a stylish cube that sits on a desk. It’s designed to hold up to nine 12-ounce soda cans and great for a kid’s room, dorm room, office or gaming setup.


Minecraft’s 15th-anniversary merch and apparel are now available at Walmart. Shop more, below:

Want more? For more product recommendations, check out our roundups of the best over-ear headphoneswifi extenderslaptop deals and more.

Morgan Wallen is heating up the summer with a brand new single. The country superstar announced that his new single, “Lies Lies Lies,” will arrive on Friday (July 5).

Written by Jessie Jo Dillon, Josh Miller, Daniel Ross and Chris Tompkins, and produced by Joey Moi, “Lies Lies Lies” was originally recorded by Wallen at London’s iconic Studio Two at Abbey Road Studios, per a press release. The song details the feeling of lying about moving on from a lost love despite holding on.

It’s been an exciting year for Wallen, whose Post Malone collaboration, “I Had Some Help,” rebounds from No. 2 for a sixth week at No. 1 on the Billboard Hot 100 songs chart.

“I Had Some Help” also hits No. 1 on the Radio Songs chart, becoming a rare title that has topped the all-format airplay tally as well as the Country Airplay survey.

He also opened a bar in Nashville, Tenn., earlier this summer. Wallen announced the bar’s opening on May 4 at one of his three sold-out Nissan Stadium shows in Nashville, though never specified the exact date. “It’s over off 4th Ave. just beside the Ryman [Auditorium], and it’s going to be opening Memorial Day weekend, so I hope I see y’all there,” Wallen said from the stage

He’s set to headline BST Hyde Park in London on July 4, and plans on selling exclusive merch at the event. A portion of every ticket purchased to his live shows benefits The Morgan Wallen Foundation, which “operates on the core belief that all children deserve a chance to thrive, play, and create through sports and music.” To further celebrate his Hyde Park debut, MWF has earmarked $20,000 to support London Youth Choirs (LYC). LYC’s mission is to improve access to singing and music for disadvantaged young people.

Last June, Michael Bibi’s team announced news that no one wants to have to share: the producer had been diagnosed with CNS Lymphoma, a rare form of cancer.

Shows were cancelled, as the London-based artist went into treatment at the city’s Royal Marsden Hospital, with late nights at the club swiftly traded for days watching Netflix in the oncology department. “It was pretty intense,” Bibi tells Billboard on the phone from London, in what is presumably a massive understatement.

He’s generous with his story in conversation, laughing a fair amount while recapping the last year of his life. That year started in treatment, included a last-minute trip to Ibiza to play the closing event of his Solid Grooves part, led to the September announcement that he was cancer free, brought him to Coachella for his first show back in the States in April, and now this Saturday (July 6) will find Bibi playing London’s Finsbury Park — a show being billed as the city’s “largest electronic event to date,” expected to draw 45,000 attendees.

The show will feature an extended set by Bibi, following performances by producers such as Chloé Caillet and Dixon, and also begins Bibi’s One Life concept, which will include another five shows throughout Europe through late September. The launch of One Life also establishes a new normal for the previously globetrotting DJ: playing a very select number of shows, most of them during the day and early evening.

“I am still very much in recovery,” says Bibi, 34 — adding that since leaving the hospital, he feels better on some days than on others. “I’m only doing a very, very, very, very limited number of shows, and making sure they are the best that they can possibly be.”

Below, Bibi talks about his diagnosis, the support he got from the electronic music community and how he is “so just living for each day right now.”

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There’s so much I want to talk to you about, and maybe the best place to start is the show this weekend — which is obviously huge and I imagine meaningful for you in many different ways. How are you feeling about the performance?

I’m very excited. I was nervous. I mean, there’s a whole range of emotions going on, and they change daily, depending upon how I feel. It’s a mix of excitement and nervousness and anticipation – those are the main emotions that keep coming up. But I’ve been preparing, because I haven’t really played much at all since everything happened.

That must be nerve-wracking.

When you’re playing a lot of shows, you’re a well-oiled machine. You’re just in it constantly. It’s like being an athlete; you’re practicing while you’re playing, constantly keeping yourself in pinnacle condition.

But I haven’t played, for obvious reasons. So there are some nerves there. So I’ve been preparing for that, just messing around at a little studio at home. Actually, even just preparing for [the show] has been a quite healing process. It’s been a very healing process actually, just going through old tracks, new tracks — particularly old tracks, because they just have so many memories for me, different tracks and different locations and stuff. It’s been very healing. And emotional.

Was it always clear to you that you would come back to music, if you were able?

I knew that I was always going to come back to music. I just knew that I would never come back in the same way. Like, this is going to change me forever. I was touring a lot. I think that part of my life pretty much done now. I still want to do shows, and I’m still going to be touring, but I’m never going to be touring as heavily as I used to. And I just want a more of a balance in my life. But no, music is just part of me. I don’t think I could live without music.

Let’s go back to the beginning of all this. You and I spoke at Coachella in 2022, and the focus of that conversation and one of the big takeaways was that you were on this incredible rise and then the pandemic happened and put a stop to things. When you announced you had cancer, it was like “Oh my god, this is this is happening to him again.”

[Laughs.] Yeah.

How is it back now coming back now, this second time?

Yeah, it was hard. There were moments where it was like “I don’t know what’s happening here, but every time I seem to be having my moment, I get a major setback again.”

Yeah.

But this one was a lot more serious, I guess. More intense. I think the only way I got through it was just kind of surrendering. Acceptance of what is. You can make the best plan in the world, but it will never pan out how you planned.

So now, I’m just kind of living each moment, I guess you could say. Just living each day as it comes right now. Today right here, I’m alive. I’m sitting in sunshine. I feel good. So that’s about it. That’s all I need at the moment. The truth is I care a lot less about the whole — you know I remember that conversation, talking about the success and the pandemic and the hard work. Now I just care about being healthy.

Can you tell me when you realized you were sick and what it looked like in terms of getting the diagnosis?

I had tinnitus for a long time. And it just was getting worse and worse. I’d done every test you could possibly think of, and nothing was happening. Eventually, through some advice and a bit of luck, It came up with an abnormality. The doctors believe that we found it as a coincidence. So in a way, I got lucky, to have found it.

How long after getting that diagnosis did you go into treatment?

It took a long time to get a diagnosis. They found something in a very delicate area, which made immediate identification challenging. So after some time, once the diagnosis was done, I was getting treatment. 

That’s fast.

I’d already been under medical care at that point, because my symptoms were getting worse. I did become quite ill at that point, because it took such a long time.

What were the conversations like with your team at that time? I imagine you just put an immediate pause on anything career related.

I mean, yeah. Shows just had to stop, and everything got put on hold for about a year, really. Then I went through all the treatment, and then doctors started telling me that everything was looking good and that possibly I could be getting back to work within a certain period of time. So then I was like, “Okay, if that’s what the doctors are telling me, then that’s what I’m planning for.” It was obviously a massive journey in between that.

I’m curious about the response from the electronic community. I think your first post about having cancer was last June, so right around this time. When did you decide that you want to share the news with the world?

I pretty much decided that I was going to share the news straightaway. When I didn’t know what was happening, there was a period where I didn’t really say anything, because there as nothing to say, really. We knew something was going on, but didn’t know what. Then basically, once I got admitted into hospital, I was in a situation where people were like “What’s going on?” I had to cancel shows.

So then I was like, “Right. I’m going to tell people what’s happening.” There was an option of either just going quiet, or speaking about it. I thought, “I don’t really have anything to hide.”

From an extremely outside perspective, the response seemed to be very big and very warm. What was your take on how the broad community reacted?

It was quite overwhelming. It was beautiful. Just nothing but love and support. The whole thing was overwhelming, but it was very hard to even grasp what was happening. When you’re in the middle of a storm, it’s very hard to see it from an outside perspective. And then I just posted, and from that point on, would post something on social media once a month, just to give an update of what’s happening. But I would not be on my phone. I just had to concentrate on getting through the treatment. It was pretty intense.

How were you spending those days during treatment?

Just with my family around me, kind of finding things to keep busy not involved in watching the outside world. A lot on the laptop, Netflix, making a bit of music. But then that started getting a bit hard. I was finding it hard to concentrate on stuff later on. I was in hospital for six months. That’s a long time.

When did it start to become clear that this was something you were going to beat?

Well, I would say my mentality — I always thought I was going to beat it. I didn’t really have any other options. I just had to like to be like, “Right, I’m gonna win. I’m gonna beat this no matter what.” If what you mean by that is when I got verification from the doctors, it’d probably be towards the fourth month in. Towards the end.

Were you listening to music at all during that time?

I wasn’t listening to club music. Not really appropriate for the environment I was in, but I was listening to a lot of like ambient house mixes actually. They were pretty cool. A lot of ambient stuff. Pretty nice.

The post where you announced you were flying to Ibiza for the Solid Grooves closing party at DC10 got such a huge response. What was that like for you, re-entering the club world even momentarily at that point in your recovery?

Yeah, it was quite overwhelming, that. I didn’t really anticipate quite how overwhelming. When you’ve been stuck in a hospital room for four months, when you’ve been stuck in there for a long time, isolated away from people, then you sneak back into the club and all eyes are on you, it is intense. [Laughs.] But good.

Like I said, it’s very difficult to feel what’s happening in the moment until afterwards. It’s really afterwards that you can reflect on things and go, “That actually happened.” It’s kind of like you’re in a dream when you’re in it. I’m not sure if the fight or flight mode or reality sets in afterwards. I don’t know how the brain works. But it was an emotional moment, for sure.

I can’t imagine a bigger dichotomy between the hospital and DC 10.

Complete opposite ends, and then back into hospital, like a week later.

That really must have been extremely surreal, to be back in treatment thinking like, “Did that even just happen?”

It was very reckless and very spontaneous. But it just worked out that — basically you have different cycles between each each treatment session. Each cycle is a month, or 21 days. then you get a five day period off, and usually that five day period, if you’re well enough to go home, you get to go home. If you’re not well enough to go home, you don’t. But it just so happened that it worked out perfectly that my cycle ended just when that closing party happened. And I was feeling well. So I thought, “Well I’ll just go.”

Did you run it by your doctor, like, “Hey, can I go to DC 10 tonight?”

I did not, no. She found out through social media and sent me an email.

What did she say?

I don’t remember exactly, but something along the lines of, “Please inform me next time.” Basically like, “Be careful.”

Fair.

But that’s when the whole One Life concept came up. Because I was like, “Well, you got one life, let’s live it.” I remember someone was like, “Are you really going to?” I think it was my brother, someone close to me, and I was like, “I’ve got one life, so let’s go.” And that’s where “one life, live it” came up. The concept basically is that — it’s living in the moment, living in now, embracing the now. If you’re well, and you have the capacity to enjoy life, enjoy it. Be free, and be happy, and don’t take things too seriously.

And so how are you enjoying your days, since getting out of the hospital and being told you’re in remission.

I’m focusing on being healthy. Also being in a hospital bed for that amount of time, I had to have a couple of surgeries, which left me a bit immobile for a while. I’m okay now, but there was a lot of rehabilitation from lying flat on my back for such a long period of time. So I’m in the gym now, just slowly rehabilitating myself, trying to get back to how I was, the old me. Eating well, three meals a day. Spending as much time as possible with my loved ones and my friends. Sleeping well is important to me. I’m not doing any shows that are late at night anymore. I’m just chilling for now. The doctor’s orders are literally “just chill,” and that’s what I’m doing.

Nourishing yourself and resting and gaining strength.

Yeah, because I am still very much in recovery. They told me recovery is a year from when you’re discharged, and I’m only seven months out now. They said work can start again — well, they weren’t specific, but they were like, “We’d be happy for you to start working around five or six months. But you have to listen to your body and take each day as it comes.”

How’s that going?

It’s difficult to do in my job because you have to plan, and there’s a lot of preparation. It’s not like I’m just going into the office and can be like, “You know what, I don’t feel like going into the office today.” It’s different. But that’s why I’m only doing a very, very, very, very limited number of shows and making sure they are the best that they can possibly be. And enjoying it and having fun.

The July 6 show is being billed as the biggest electronic show ever in London. To be able to do a very limited number of shows, but have it be at that caliber — what does that mean to you in terms of your return and your community?

London’s my hometown. I’ve got so many memories there. It’s just a very special place for me. I just wanted to do something to give back to everyone that I’ve ever been involved or worked with. And when I say that, I mean anyone who’s ever danced with us — just every single person that I may have had a moment with in my life and their lives.

I’ve been doing it for a long time now, especially in the U.K., so I knew there was going to be a very high demand for it. Deciding to do Finsbury Park — the response was amazing. It sold out pretty much straightaway, I think. So now it’s just about putting on the best show possible for everyone. Which I enjoy, but it also takes quite a lot of work.

How are you handling that work, considering, as you said, that you’re still in recovery?

I’ve got an amazing team around me, helping me. But obviously on the creative side, I’m having to do a lot. I probably bit off a little bit more than I thought I could chew. But it’s going well, I’m enjoying it now. To begin with, it was a bit — I have a very limited bandwidth for the moment. My brain is not functioning how it used to function. I’m okay, but concentration isn’t what I used to do. So I have to know my limit and what I can do each day. But I’ve got people around me helping me, which is great.

It’s just a slow process. I have to listen to my body, Take my time. Relax. But it’s difficult, because I’m a very motivated person. I like doing things. I have a lot of ideas. When I have to just chill, sometimes it can be frustrating, but it is what it is, so just get on with it.

Club world, nightlife, late nights, parties — do you foresee ever really returning to all that, or is there a new normal for you now?

Yeah, definitely. That’s why I said I don’t think I’ll go back to touring how I used to tour. How that landscape looks in the future, I don’t know. It’s always changing. But for now, while I’m in this recovery period, it is definitely only daytime shows and very limited shows.

I’ve had lots of offers. People are offering all sorts of different crazy, amazing, beautiful shows. It’s like “Wow, amazing,” but I just have to say no for now, because I am in recovery. That’s the thing — I have to remember myself, and also sometimes I have to remind other people that I am still recovering. I know I look well, and I’m pushing, but it’s hard.

And I imagine when you’re getting these amazing offers, and are, as you’re saying, a doing type person, you have to restrain yourself.

Yeah, exactly. Exactly.

Michael Bib and his mom and Coachella 2024
Michael Bib and his mom and Coachella 2024.

Can you tell me about the decision making behind playing Coachella this past April?

That [offer] came in last minute, really. It was on the table earlier on, because I wasn’t announced on the main lineup. At that period of time, I was like, “It’s quite soon. I’m not sure if I’m doing well enough.” Then they came back and were like, “We’re doing a new stage. Can you play?” It was only a month away from the festival, I think, if that. I felt well, so I thought, “Okay, let’s do it.”

I kind of liked it like that, that last minute thing. I’m leaning towards that at the moment. If I did do any extra shows — there might be some surprises coming down the pipeline where I’m just turning up. Because it’s like the whole process of “I don’t know when I’m gonna feel well and when I’m not going to.” So it’s like, if I feel well, maybe I might show up somewhere.

That’s interesting. You, by necessity, having to make game-time decisions lends itself to doing last-minute shows which are inherently quite buzzy and excitement generating.

Yeah. It’s kind of what happened with Ibiza and Coachella. And also I played in Barcelona a couple of weeks ago. That wasn’t planned. That was just last minute, spur of the moment. It was Solid Grooves, my party, but I wasn’t supposed to be playing. And then it was “Yeah, I feel well. I’m gonna come to Barcelona and play.” And I did.

Your Coachella crowd was huge. How did it feel to be received like that?

It was incredible. And also, my mum came out with me and my brother and other people from my family and my close friends. And it was just, it was amazing. I do love the States. I had a good time there before I got sick. I will get back over there and start doing things at some point when I feel well. It’s easier to fly around Europe, but getting to the States takes a little more planning.

Do you feel like your purpose is different now?

Most definitely. I’ve been debating with this a lot. I just want to help other people. How I go about doing that exactly, I don’t know. I know I help people with my music. I know I’ve helped people with my story. Just going through what I’ve been going through — there’s a lot of other cancer patients, all different types of cancer patients that have reached out to me, or their families shave reached out, saying that I’m inspiring them, or giving them hope when they don’t have any other hope.

I like that, and I am enjoying that. So I’m in a process where I’m trying to figure out what the next steps are to keep developing on that, because I really want to do that. The hospital where I got treated at are involved in the London show. We’re making some donations to them, and they’re coming down and have stalls to raise awareness for cancer treatment, prevention and all these different things. So I don’t know whether it’s cancer specific, or whether it’s just in general yet, but I know I want to help people.

Has this experience shifted your taste in music, or the kind of music you want to play?

Very good question. I still enjoy the same music that I did before. I think maybe now I have a broader scope on the music I enjoy. I haven’t played many club shows yet, so I don’t know how that will translate into the clubs. Maybe it won’t; maybe it will. But you know, I’m a producer and a DJ, and I know one of my main skills when I DJ in particular is that I can read a room very well. So I’m going to keep it spontaneous, have all different types of music available to me and then just play what I feel is right.

But, I am so just living for each day right now. Planning things is so difficult. But I’ve accepted it, and there’s freedom to it — when you do really, really live in the moment.

Beyoncé appears to have given her stamp of approval on Victoria Monét and Teyana Taylor‘s recreation of her and Usher‘s 2004 “Bad Girl” performance during the 2024 BET Awards Sunday night (June 30).

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The “Texas Hold ‘Em” singer shared clips on her Instagram Story Tuesday (July 2) of the duo performing “Bad Girl” from Usher’s 2004 magnum opus Confessions during his tribute performance, before Usher received the Lifetime Achievement Award.

Beyoncé and Usher famously performed the song together in 2004 at the Coliseo de Puerto Rico José Miguel Agrelot as part of his Truth Tour. Showtime filmed his Puerto Rico stop for the One Night One Star: Usher Live broadcast special in 2005, which also featured special guests Lil JonLudacrisDaddy Yankee and Fat Joe. Grammy-nominated director and choreographer Frank Gaston Jr. choreographed Beyoncé and Usher’s performance that Monét and Taylor paid homage to over the weekend.

“OOOOH MYYYY GOD!!!!! na I AM SCREAMING!! WHATTTT!! CAN NOT GRASP AIR I AM UNWELL HOLY S–T I did not expect to pass out today! GAGGEDD…completely,” Monét replied on her Instagram Story. “@beyonce WE LOVE YOU!!!!!!! THE ORIGINAL BAD GYAL I will forever honor you.” She later tagged Taylor and added “WTFFFF PINCH ME.”

“yes everything she saiddddd!!! Bihhhhh I’m speechless,” Taylor replied on her Instagram Story while writing earlier, “& DATS ON QUEEN BEYYYYYYYYYYYY” and “I’m GAGGGGINGGGGGGGI!!!! @victoriamonet get in here neowwwwwww!!!!!”

Childish Gambino, Keke Palmer, Summer Walker, Coco Jones, Tinashe and Latto also performed during the Usher tribute. Monét also came out victorious at the BET Awards and won video of the year and BET Her for “On My Mama.”

Check out Victoria Monét and Teyana Taylor’s performance to “Bad Girl” below:

Eddie Murphy recently sat down with The New York Times for an episode of its podcast The Interview. During the conversation, host David Marchese pointed out that, early in his career, Murphy was at the same level of white-hot fame as Elvis Presley, Michael Jackson and Prince, all of whom died before their time and, in one way or another, from drug use.

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“Those guys are all cautionary tales for me,” Murphy told Marchese. “I don’t drink. I smoked a joint for the first time when I was 30 years old — the extent of drugs is some weed. I remember I was 19, I went to the Blues Bar. It was me, [John] Belushi and Robin Williams. They start doing coke, and I was like, ‘No, I’m cool.’ I wasn’t taking some moral stance. I just wasn’t interested in it. To not have the desire or the curiosity, I’d say that’s providence. God was looking over me in that moment.”

All four of these performers achieved superstardom at a young age. Jackson was just 11 in 1970 when The Jackson 5 landed their first No. 1 hit on the Billboard Hot 100, “I Want You Back.” He was only 14 in 1973 when he sang his solo hit “Ben” at the Academy Awards, where it was nominated for best original song. Presley was 21 in 1956 when he landed his first roof-rattling (and Billboard chart-topping) smash, “Heartbreak Hotel.” Prince was 21 in 1980 when he received his first platinum album for Prince and his first gold single for “I Wanna Be Your Lover.”

In similar fashion, Murphy was just 19 when he debuted on Saturday Night Live in December 1980. He was the standout cast member on a show that was rebuilding following the departure of the remaining original cast members at the end of the previous season.

Murphy’s fame quickly spread beyond the show. His first comedy album, Eddie Murphy, was released in August 1982. That December saw the release of his first film, 48 Hrs., in which he co-starred with Nick Nolte. Trading Places, in which he co-starred with SNL alum Dan Aykroyd, was released in June 1983. Beverly Hills Cop, which he carried by himself, was released in December 1984.

Murphy was just 21 in early 1983 when he received his first Grammy nominations – best comedy album for Eddie Murphy and best R&B instrumental performance for “Boogie in Your Butt,” a novelty track from the album. He won a Grammy the following year for his second album, Eddie Murphy: Comedian.

Murphy had turned 22 when, later in 1983, he received his first Primetime Emmy nomination for outstanding supporting actor in a comedy, variety or music series for SNL. He received two more Primetime Emmy nods – for both performance and writing – the following year. He finally won his first Emmy in 2020 for returning to SNL as a guest host. He received his first Oscar nomination in 2006 for best supporting actor in Dreamgirls.

Murphy, 63, has already lived longer than Presley, Jackson and Prince — Presley died at age 42 in 1977; Jackson at age 50 in 2009; and Prince at age 57 in 2016.

In the podcast, Murphy explained that getting famous at a young age, especially as a Black artist, can be like living in a minefield. “Now, at this age, I can look back and be like, ‘Wow, I came through a minefield for 35 years.’ How do you make it through a minefield for 35, 40 years? Something has to be looking over you,” he said. “This business, it’s not set up for a Black artist. It was a new thing: I’m doing this stuff that no one’s ever done, and it’s in a business that’s not set up for me. It’s set up for some white dude. So, you don’t have people watching your back, and you don’t have support groups.”

Murphy also discussed how his enormous success impacted how comedy performers, and Black performers, are seen. “The comic used to be the sidekick, the comic was the opening act, and I changed it to where the comic can be the main attraction,” he said. “They thought of comics one way, and it was like, no, a comic could sell out the arena, and a comic could be in hundred-million-dollar movies. All of that changed. And with Black actors, it was, like, the Black guy could be the star of the movie, and it doesn’t have to be a Black exploitation movie. It could be a movie that’s accessible to everyone all around the world.”