In late May, Teezo Touchdown — clad in all-black leather, spiky silver nails piercing his shoulder pads — leaped across the stage of Los Angeles’ Fonda Theatre. As he performed his groovy 2023 song “Mood Swings,” he screeched helium-pitched “Wee!” ad-libs mid-air, and a vibrant flower bouquet encasing his microphone swung along with him.

“A night at Lil Yachty’s house” inspired his mic setup, Teezo says today as he periodically munches on a raw orange carrot that matches the couch he’s lounging on. Teezo and Yachty were marathoning Morrissey music videos, and the way the former Smiths frontman nonchalantly swung a bouquet of flowers in the “This Charming Man” video “really influenced” Teezo — so much so that the avant-­garde 31-year-old rapper-meets-rock star eventually made it his own.

He has now whirled that microphone onstage at the country’s biggest arenas and stadiums, thanks to opening gigs for Tyler, The Creator in 2022 (after featuring on Tyler’s “RunItUp”) and Travis Scott in 2023 (after appearing on Scott’s UTOPIA track “Modern Jam”). “Being an opener is so hard,” Teezo admits — but he gained valuable perspective playing for early arrivers interested in the main act.

“I’m like the doorman welcoming you into Tyler’s crib, Travis’ crib: ‘Can I grab you anything? He’ll be down shortly. But while you here, let me entertain you,’ ” he explains. That attitude has also informed Teezo’s recent guest appearances on tracks by artists including Drake, Doja Cat and Don Toliver — A-list collaborations that launched him onto the Billboard Hot 100 with “Amen,” from Drake’s 2023 album, For All the Dogs, marking Teezo’s highest-charting entry, at No. 15.

“Teezo is your favorite artist’s favorite artist,” says his manager, Amal Noor, who has worked with him since 2019. “He respects these artists’ careers, and to know that they love him creatively is an amazing feeling.”

Following his own first headlining tour last spring, which came on the heels of his 2023 debut album, How Do You Sleep at Night?, Billboard’s 2024 R&B/Hip-Hop Rookie of the Year is still coming to terms with his current level of stardom. “I can still go to Whole Foods and grab my six hard-boiled eggs or go to Paris and walk the streets, and no one bats an eye,” he says. “But on the other end, I’m on the biggest albums in the world, biggest tours.”

Long before he became Teezo Touchdown, the artist born Aaron Lashane Thomas followed in the footsteps of his father, a DJ and avid music collector, and started DJ’ing in the second grade, performing at friends’ parties, weddings and graduations in his hometown of Beaumont, Texas. “Every year, I would get something music-related for Christmas, but in seventh grade, I got this small box. There was a key inside to the studio that my dad had built for me upstairs,” he says. Teezo made his first song ever that day — and he still plays the piano riff at studios he visits “to call back to that kid on Christmas, like, ‘Look where you at right now.’ ”

Tragedy affected his trajectory early on. After his girlfriend was fatally shot in 2016, Teezo channeled his grief into his art, and in February 2019, he dropped the somber single “100 Drums,” which decried gun violence over a sample of Panic! at the Disco’s emo smash “I Write Sins Not Tragedies.” Chance the Rapper and Trippie Redd both noticed, and the latter flew him out to L.A. for the first time the following month. Noor noticed, too: After seeing a clip of the “100 Drums” music video on a meme page, she also reached out to Teezo.

While spending time at his childhood home afterward, Teezo stumbled upon his father’s toolbox. “Punks are usually spiky. My dad had nails around the crib, and I was like, ‘This is going to be my spike,’ ” he says. In March 2020, Teezo asked his best friend to braid the nails into his hair for the first time, for his “Strong Friend” music video. “I think I was meant to find [the nails],” Teezo says, adding that he has comfortably slept with them in his hair multiple times.

His unorthodox image complemented his developing sound, which he now describes as “R&B with the boom of rock.” He didn’t think he could meld those genres until he saw the Afropunk festival’s Instagram post about Black rock band Living Colour and his producers, Brendan Grieve and Hoskins, played him a mashup of Craig David and metalcore band Killswitch Engage.

How Do You Sleep at Night? (released last September on Not Fit for Society/RCA Records) showcases Teezo’s genre-defying talents — from the garage punk-meets-R&B anthem “Too Easy” to the guitar-driven indie-rock jam “Impossible.” It failed to crack the Billboard 200, but Teezo only cares about the numbers for one reason: “I’m so obsessed with numbers because I just want to make my team proud. I’m proud because I’m making music and one person knows who I am.”

Drake called How Do You Sleep at Night? “some of the best music ever” when Teezo played it for him a month early. But ironically, Teezo’s profile expanded even further when Kendrick Lamar name-dropped him in the opening lines of his Hot 100 No. 1 Drake dis track, “Not Like Us” (“Nail a n—a to the cross/He walk around like Teezo”). Having just started his own tour (a “little bubble” filled with “loving fans”) at the time, “I made a decision that I wasn’t going to listen to any of the back-and-forth,” says Teezo, who claims to have somehow avoided listening to the inescapable “Not Like Us” in its entirety. “I’m seeing a mob mentality, and I don’t like division. Sorry I’m so kumbaya, but it’s all love over here.” The simple fact that both Drake and Lamar “know who I am… it’s still one of those moments where you have to pinch yourself. The kid in Beaumont, I’m pretty sure he’s jumping through the roof right now.”

Come October, Teezo will hit the road again on Don Toliver’s North American arena tour — an opportunity he initially hesitated to take because he wanted to focus on making his next album. But “[Don] was like, ‘Teezy, I’m telling you. If you know you got a tour coming up, it’s going to make you lock in.’ I needed a fire under me, and that was the fire.”

And it’s working: Teezo has already started on his next project. “The word that [we] keep bringing up is ‘undeniable.’ Everything that we’re making, is it undeniable?” he says. “If it’s not, put a red mark on it and let’s move on to the next.”

This story appears in the Aug. 31, 2024, issue of Billboard.

Oasis’ Liam and Noel Gallagher could not have chosen a better time to hit the road for their reunion tour — they don’t have to do press, they can skip the big festivals and they won’t be running into their ’90s Brit-pop rivals Blur.

Blur and frontman Damon Albarn already reunited last year and dropped a documentary in July, with plans to exit the road and go off-cycle in 2025. And instead of suffering through an NME interview or having to address their colorful history with TV host Graham Norton, the Gallaghers can just log on to Instagram and share a post with the band’s 3 million followers.

The on sale, covering 17 stadium shows — including three at the last minute due to demand — likely grossed $200 million to $225 million based on Billboard’s own calculations, conservatively estimating that each concert will gross $11 million to $13 million per show. Add in the two new shows the group announced earlier today — Sept. 27-28 at Wembley Stadium — and the potential gross jumps up to $209 million to $251 million for all 19 dates.

Those huge grosses are not possible in a festival setting. Unlike the brothers’ final show on Aug. 22, 2009, at the now defunct V Festival at Weston Park in the U.K., the economics of touring have changed so much in the last decade that the band is forgoing all festivals in 2025, according to their Instagram page. Instead, the Gallaghers are playing only headline stadium shows in the U.K, where they will make far more money — possibly eight to 10 times as much as they would appearing atop the bill for Coachella, Glastonbury or any other festival.

For the only announced leg of the tour so far, the band is playing gigs in huge stadiums like Dublin’s Croke Park, which holds 80,000 people. While prices for the current tour vary greatly, the average sticker price for the top 20 stadium shows of 2023 was $138.

That means that if Oasis can pull off all 19 concerts, the boys could stand to gross $209 million, or about $11 million per show, just on the average ticket price of $138, not including platinum and VIP. Compare that to festivals, where attendance typically fluctuates between 30,000 to 80,000 fans who on average spend $133 per day on a ticket, often buying a weekend pass for $399. With that number in mind, about 30,000 tickets sold would generate $12 million, while 80,000 tickets would generate $32 million in sales. Not bad — but that gate money would have to be split between all headliners and all other performers across the festival’s three days.

Stadium shows have other advantages over festivals. Using pricing tools, promoters can charge more money per seat, while the best festivals can do is upcharge for VIP sections. And unlike festivals, stadium concert promoters can easily add additional concerts based on demand. By asking fans to register in advance, promoters from SJM Concerts and Live Nation already have a decent idea of how many people want to buy tickets and can add shows based off those numbers.

That’s bad news for festivals like Coachella and Glastonbury, which have built their reputations on reunion tours. However, there are still plenty of superstar acts looking for platforms to rip through another gig. Last year, No Doubt — one of the biggest bands of the 1990s — played a reunion set at Coachella, along with their Long Beach reggae-punk brethren Sublime; French DJ trailblazers Justice; and Blur, who could probably have toured after their Coachella set but instead decided to make a statement high up the lineup on the world’s biggest festival stage.

Sure, Blur would have made more money grinding their way around the world on a multicity tour — but sometimes bands have different priorities, and a high-profile set at Coachella is a major milestone that many acts want. But when it comes to cashing in on a reunion toward the $100 million mark, there are just not enough festivals to generate that much money.

The Atlanta Braves made it all about Ludacris on Wednesday night (Sept. 4) when the team honored the hometown hero with a bobblehead night and a ceremonial first pitch. After handing out the bobble to the first 15,000 fans who showed up at Truist Park — depicting the Grammy-winning MC wearing jeans, a throwback Hank Aaron No. 44 jersey and rocking a mic in his hand — the real show came when Luda hit the mound.

After being carted onto the field by mascot Blooper, the “Roll Out” rapper drew wild applause when fans realized he’d come dressed as his larger-than-life character from 2004 video for “Get Back.” No, his massive prosthetic arms, oversized shoes and watch were not some weird side-effect of his recent plunge into drinking glacial pool water.

They were, in fact, an homage to that Spike Jonze-directed video in which a mega-swole Luda confronts an overly familiar fan in a bathroom by knocking him out with his humongous hands before hitting the streets with his Hulked-out look. With the baseball velcro’d to his big mitts, Luda impressively smoked one right down the middle.

In video from the big moment, Luda seems to be having a blast stomping around in his vintage “Get Back” gear and No. 11 custom jersey. A post from the Braves celebrating his long history with the team included previous pre-game concerts, Luda posing with a glittering Braves 2021 World Series ring and championship trophy and other happy moments with the squad over the years.

The team also shared the dishes served at the stadium on Wednesday night inspired by the menu at the rapper’s Chicken and Beer restaurant.

Check out video and photos of Luda throwing out his first pitch below.

True love is where you find it. And sometimes you find it at a Deftones show in Las Vegas. In honor of her eighth wedding anniversary to Jelly Roll, Bunnie XO posted footage of the singer’s surprise onstage proposal to her during a show by the “My Own Summer (Shove It)” band that led to their spur-of-the-moment Sin City wedding later that night.

“I am always getting asked all the time, ‘Where did you meet J? When did you start dating? Will we see wedding pictures, will we see video of you from before?,” Bunnie said in a video posted earlier this week. So, she made a compilation video featuring a bunch of never-before-seen footage that took fans on a romantic stroll down memory lane.

The clip opened with the first time she ever met the singer in 2015, seemingly in a dressing room backstage at show, with Bunnie admitting in voiceover that she had no idea why she was filming the scene. “I was just so drawn to him,” she said. They began talking to each other in February of 2016 after she broke up with her then-boyfriend and when Jelly went on tour with her pals in Cypress Hill that spring she said flew out to see one of the shows to spend a few “strictly platonic” days on the road with them.

By July of that year things started heating up when he visited her at home, as evidenced by a clip of their first make out session. A month later, she said he proposed to her on stage at that Deftones show in Vegas. “How f–king rock n’ roll is that?” she said.

In the video, Bunnie walked out on stage as Jelly hyped the crowd up and then dropped to one knee and gave a very on-brand proposal. “[I wanna know] will your fine a– marry my white trash a– tonight in Las Vegas?” Jelly asked. The answer, obviously, was yes, since the video then cuts to the boozy wedding ceremony later that night, during which Jelly said he wanted to spend “the rest of my life with you.”

Jelly Roll recently announced that his next album, Beautifully Broken, will drop on Oct. 11.

Check out the video below.

Island Records has announced the promotion of Jackie Winkler to Senior Vice President, Head of A&R, effective Sept. 5.

Winkler, who was recently honored as Billboard’s Executive of the Week for her collaborative work with Sabrina Carpenter, will now lead the A&R department for Island Records, overseeing signing and creative development for the label’s roster of artists.

“Jackie is an exceptional leader and A&R executive,” said Co-CEOs Majid and Eshak in a joint statement. “Her collaborative spirit, creative instincts, and steadfast nature make her the ideal person to run our A&R Department. We’re thrilled she’ll join us in developing the next generation of iconic artists for Island Records.”

Winkler expressed gratitude for the opportunity, saying, “I am deeply grateful to Imran and Justin for their unwavering belief and trust as I step into this new role. Their guidance has not only fueled my personal career growth but has been the cornerstone of our department’s success.”

She added, “I am thrilled at the opportunity to lead such an exceptionally talented, dynamic, and fiercely competitive team as we push the boundaries of what we can achieve together.”

Winkler’s promotion comes after her work with Sabrina Carpenter for her latest album Short n’ Sweet, which has dominated the Billboard charts with two consecutive No. 1 Hot 100 singles, “Espresso,” which was recently crowned Billboard’s No. 1 Global Song of the Summer for 2024, and “Please Please Please.”

The album has achieved global success, reaching No. 1 in 15 countries, including the U.S., Australia and the U.K. Winkler signed Carpenter to Island Records in 2020 and has played a crucial role in shaping her career since.

In a June interview with Billboard, she spoke about working with Carpenter and the impact of her chart-topping singles.

“‘Nonsense’ walked so ‘Feather’ could jog, then ‘Espresso’ ran so that ‘Please Please Please’ could start a stampede,” she said. “At the core, the music Sabrina makes is perfectly reflective of who she is as a person, and all the quirks and character are what give her such a strong musical identity.”

“It is all owed to her remarkable talent, the music itself, and the relentless detail put into every aspect of her creative campaign,” she added.

Winkler began her career at Warner Records, where she rose from intern to A&R manager and discovered Academy Award-nominated artist Andra Day. She joined Island Records in 2015 as A&R Director and was promoted to Vice President of A&R in 2022. Along with Sabrina Carpenter, she works closely with artists like Demi Lovato, Keshi, and Lauren Spencer Smith.

Winkler’s achievements have not gone unnoticed by the industry with Billboard naming her one of its Women in Music for 2023.