Back when they were just starting out, 98 Degrees singer Nick Lachey says that someone from the group’s label handed the band a book that laid out the age of consent in every single state. The shocking revelation comes in the new Investigation Discovery docuseries, Boy Band Confidential, which features stories from members of some of the era’s biggest names dishing on life inside the boy band bubble.

“This is going to sound super shady but when we first went out — I remember in our first tour — someone at the label gave us a book,” Love Is Blind co-host Lachey says in the series that debuts on Investigation Discovery on Monday (April 13) and Tuesday (April 14) at 9 p.m. ET before later streaming on HBO Max. “It was the age of consent in every state in the country,” he added, according to Us magazine.

“We kept that book on the tour bus. Unfortunately, there were people out there looking to tear you down,” he adds in the show of the manual that was seemingly meant to make sure the singers, then in their early-to-mid-20s, did not break the law on the road when interacting with fans. Lachey fronted the band that also featured his younger brother, Drew Lachey, as well as Jeff Timmons and Justin Jeffre, and he says that the safeguards in place today were not there when he and his bandmates were touring.

“You see [Justin] Bieber cancel a tour. You’ll see Shawn Mendes cancel a tour because [their] mental health needs to come first,” he said, noting that no matter what was going on off stage for the group known for such hits as their Billboard Hot 100 No. 1 collaboration on Mariah Carey’s 1999 smash “Thank God I Found You” (also featuring Joe) and 2000s No. 2 hit “Give Me Just One Night (Una Noche),” they were encouraged to carry on.

“That was not an option when we were out there. You went out there and you did the show. Then you came back after the show and you broke down and you cried and you kicked a hole in the wall. Or you did whatever you had to do. But you didn’t bow out. You work so hard to get there, you can’t let your foot off the gas,” he said of expectations for the band, who were all between 25-27 years old during their peak 1998-2000 years (Drew was between 22-24).

98 Degrees released their first non-Christmas album in more than a decade, Full Circle, last May. The collection featured six updated versions of their biggest hits. Boy Band Confidential, executive produced by *NSYNC’s Joey Fatone, features Fatone, Lachey, O-Town’s Ashley Parker Angel, *NSYNC’s Lance Bass, Backstreet Boys’ AJ McLean, Boyz II Men’s Wanya Morris and Shawn Stockman and LFO’s Brad Fischetti.


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Noah Kahan’s 2026 Great Divide World Tour just got a whole lot bigger.  

Follows the completion of his sold-out North American stadium tour, the “Stick Season” singer will play arenas in Australia, New Zealand, the United Kingdom and Europe. Those newly-added dates get underway Sept. 25 at Melbourne’s Rod Laver Arena, the first of five shows in ANZ.

Up next, a show Nov. 5 at OVO Arena in Glasgow, Scotland, the starting point for a U.K. and Europe run that should come to an end Dec. 7 with a concert at Paris’ AccorHotels Arena.

Produced by Live Nation, the North America leg gets underway June 11 at Kia Center in Orlando, FL. Well over one million tickets have been sold ahead of the jaunt, according to the concerts giant, which includes four performances at Boston’s Fenway Park, making the New Englander the first artist ever to play and sell out four nights at the iconic venue. Additional dates have been added “due to incredible fan demand,” reads a statement.

Ticketholders will have time to absorb his next album, The Great Divide, which is slated to drop April 24, four years after he released Stick Season. That slow-burn collection climbed to No. 2 in 2024, and yielded the Billboard Hot 100 hits “Dial Drunk” and the title track.

Kahan should enjoy a warm welcome on his international route. “Stick Season” was the biggest single of 2024 in the U.K., where he landed the chart double with simultaneous No. 1 albums and singles. The single led the Official U.K. Singles Chart for seven, and enjoyed lengthy stretches atop the charts in Australia, Ireland, the Netherlands and elsewhere.

Before the arrival of The Great Divide, Netflix will release the documentary Noah Kahan: Out of Body on April 13. Directed by Nick Sweeney (Santa Camp, AKA Jane Roe), the film premiered at the 2026 SXSW Film Festival, where it received the 24 Beats Per Second Audience Award.

Visit noahkahan.com for full tour dates.

The thrill of Gorillaz, the British “cartoon band,” collaborating with Sparks, the eclectic American alternative pop duo, is the stuff of pure fantasy for the edgier music fans among us.

Late owls got a taste of the real thing on Thursday night, April 9, when those two worlds collided for a performance of “The Happy Dictator,” the lead single from Gorillaz’s ninth studio album The Mountain, via the band’s own new label KONG.

Every Gorillaz performance raises the question of just how Damon Albarn and Co. would realize the animations that are so important to the band’s visual storytelling. In the early days, the characters 2-D, Murdoc Niccals, Russel Hobbs and Noodle were splashed on a big screen, the band members performing incognito behind it.

For their performance on Jimmy Kimmel Live, Jamie Hewlett’s lovable illustrations took a back seat for the humans, Albarn playing the happy dictator in military threads, aviator glasses and a red beret.

The Mountain climbed the U.K. chart peak in March of this year, for Gorillaz’ third leader. On the other side of the Atlantic, Gorillaz swung to No. 1 on Billboard’s Top Rock & Alternative Albums chart for the fourth time. 

Produced by Gorillaz, James Ford, Samuel Egglenton and Remi Kabaka Jr., plus Bizarrap (Orange County), The Mountain was recorded at Studio 13 in London and Devon, various locations in India including Mumbai, New Delhi, Rajasthan and Varanasi, as well as Ashgabat, Damascus, Los Angeles, Miami and New York. The collection features an impressive lineup of collaborators, including Sparks, and songs performed in five languages: Arabic, English, Hindi, Spanish and Yoruba.

Gorillaz continue The Mountain Tour of the U.K. and Europe tour in June, with a schedule that includes festival spots and a one-off headline show at London’s Tottenham Hotspur Stadium on Saturday, June 20, for the band’s biggest show in their homeland to-date, with support from Sparks and Trueno. Dates are booked through January 2027.

Watch the late night performance below and check out Gorillaz’ tour dates here.

Olivia Dean dominates Australia’s charts once again, as The Art Of Loving (via Universal) lifts 2-1 on the national albums tally and “Man I Need” returns to the summit of the singles chart.

“Man I Need” is five-times platinum now enters its 20th non-consecutive week at No. 1 on the ARIA Chart, and stands alone as the No. 2 longest reigning single in the history of the charts, which were first published in 1983. It now has the all-time leader in its sights, Tones and I’s “Dance Monkey,” which led for 24 non-consecutive weeks in 2019-20. Another month, and Dean will be at the top of the tree.

The English singer unseats herself at the top of the tally, as “Man I Need” improves 2-1, which “Rein Me In,” her duet with Sam Fender, dips 1-2 after a week on top.

No new singles enter the latest chart, published Friday, April 10, and just one homegrown recording appears, Tame Impala’s Deadbeat track “Dracula” (Columbia/Sony), down 4-5.

Over on the ARIA Albums Chart, Olivia Dean’s The Art Of Loving collects an 11th non-consecutive at No. 1, ending BTS’ two-week stint on the throne with ARIRANG (Virgin Music Group/Geffen).

Australian pop artist Peach PRC nabs the week’s top debut with Porcelain (Island/Universal), new at No. 4. Peach PRC’s 2023 EP Manic Dream Pixie logged one week at No. 1 on the main chart in 2023, and earned her a hattrick of nominations at the ARIA Awards.

Also new to the all-genres albums frame is Irish singer-songwriter Dermot Kennedy The Weight Of The Woods(Island/Universal), at No. 17, and Canadian rock duo Angine de Poitrine’s independently released Vol. II, at No. 21, for their first appearance on the national chart. Bass whiz Thundercat makes his mark at No. 28 with the independently released Distracted, while U2’s surprise EP release Easter Lily (Island/Universal) is close behind at No. 30.

Billboard’s Friday Music Guide serves as a handy guide to New Music Friday’s most essential releases each week — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

Last week, we featured Jack White, Arlo Parks and Anne Hathaway.

This week, Lady Gaga and Doechii team up for the high-powered, high-fashion “Runway” from The Devil Wears Prada 2, Katseye releases a pre-Coachella single with “PINKY UP” and The Strokes are back with a new song and album on the way… plus much more. Check out all of this week’s picks below:

Lady Gaga and Doechii, “Runway”

Turns out, Lady Gaga and Doechii are the perfect pair to “turn a dance floor into a runway,” as they sing on their catchy collab — and even though the two stars had never worked together before, it sounds obvious here they were meant to. “Runway” — which was co-written and co-produced by Bruno Mars — is the first official single from the anticipated upcoming film, The Devil Wears Prada 2, out May 1. Fittingly, the track is booming with in-your-face bass and filled with the exact type of confident sass that anyone about to hit the runway would want to hear.

KATSEYE, “PINKY UP”

“Pinky Up” arrives at a pivotal time for Katseye: the girl group is fresh off the Grammys and one day away from making its Coachella debut and, of course, now operating as a fivesome following the recent hiatus by member Manon Bannerman. Needless to say, the girl group’s new single had just a bit of pressure on it. But the high-energy techno-pop track delivers, dizzying and delighting with its relentless tempo — perhaps meant to soundtrack just how nonstop Katseye is right now.

The Strokes, “Going Shopping”

This week, The Strokes announced its first album in six years, Reality Awaits, produced by Rick Rubin. With the announcement came the release of lead single “Going Shopping,” an auto-tuned yet still retro-sounding Strokes song that seems to find a balance between the band’s essence and perhaps its commentary on the “reality” of what’s ahead — or is already here — in popular music. The new music arrives just in time for the band’s Coachella set, providing an opportunity to preview even more tracks off the upcoming project.

Alabama Shakes, “American Dream”

After announcing a 2026 tour, bluesy rock band Alabama Shakes is back with new music — and right on time. The aptly titled “American Dream” is the group’s first new release since 2015’s Grammy-winning Sound & Color (but follows two solo albums from vocalist Brittany Howard) and despite its slow and simmering production, delivers an urgent message. “What are we doing?” asks Howard, before reciting various indicators of the state of the country right now: “Got the White House pretty and pimped out/ Gun reform/ My body my choice…Low grade fever, lower wage people/ How many folks got shot this week/ It’s enough to make you wanna go back to sleep.” Still, Howard concludes on a note that could be viewed as sarcastic, instructional or hopeful — and maybe even all three — when she states, “keep dreaming.”

Tiny Habits, “Right In Front Of Me”

Folk-pop group Tiny Habits (a trio that formed in 2022 while still students at Berklee College of Music) could be gearing up for its next era. Following a debut EP in 2023 and full-length debut in 2024, the group has released its latest single, “Right In Front Of Me,” a breezy track that sounds as carefree as its subject yearns to be. “You can tell by myself, is where I’m comfortable at/ Oh, but tonight this lady, she looked crazy, but so free,” the three harmonize ahead of the song’s happy ending, in which the subject hits the dance floor as freely as they always wanted. And the best part? “Nobody is saying, ‘You look crazy.’”

Sometimes, a know-it-all just needs to suck it up and listen. That’s at the heart of Teddy Swims’ latest release, “Mr. Know It All,” which drops ahead of his mainstage performance this weekend at Coachella.

“Mr. Know It All” is a balancing act of old soul with a production that’s thick enough to grab with both hands, and marks the start of a new era for the American artist.

The fresh cut “explores the idea that love can become a self-fulfilling contradiction,” Swims explains in a statement. “When you believe you already know how it ends, you protect yourself by holding back and that distance becomes the reason it fails. But when you try to fight that fate and control every outcome, you can end up suffocating the connection.”

Going deeper, “it’s about how both fear and control can quietly undo something real. It’s essentially a spin on Robert K. Merton’s concepts of self-destroying prophecy versus the self-fulfilling prophecy also known as ‘The Prophet’s Dilemma’.”

For “Mr. Know It All,” Swims reunites with co-writers and producers Julian Bunetta, Ammo, and John Ryan, with additional writing from Eskeerdo and first-time collaborator Ed Drewett.

On it, he sings: “Shoulda told you I could see this coming / Like I’m lookin’ right into a crystal ball / When I fall in love it’s with misfortune / Oh, I wish I wasn’t Mr. Know It All.”

Born Jaten Dimsdale, in Conyers Ga., in 1992, Swims made his Billboard chart debut in 2021, and forced the music world sit up and take notice with 2023’s “Lose Control.” In 2025, he was nominated for best new artist at the Grammy Award, and by midyear was a record holder.  “Lose Control” became the first song in the history of the Billboard Hot 100 to spend triple-digit weeks on the chart, as collected its 100th frame on the ranking, for the chart dated July 26, 2025.

Previously, the single surpassed the run of Glass Animals’ “Heat Waves,” which rang up 91 weeks in 2021-22, for the most time spent on the chart since its inception back in Aug. 4, 1958. “Lose Control” has now racked up 112 weeks on the tally.

After Coachella, Swims’ concerts itinerary includes Stagecoach, BottleRock and New Orleans Jazz Fest, and a headliner spot at Bonnaroo.

Stream “Mr. Know It All” below.

FISHER’s Out 2 Lunch festival is skipping this year.

The 2026 edition was mapped out to be the most ambitious yet, growing from a single show in the artist’s hometown, the Gold Coast, to a four-city coast-to-coast traveling fest, featuring a lineup with Gorgon City, Skream, Sarah Story, Azzecca, Little Fritter and headliner FISHER (real name: Paul Fisher).  

As it was planned, the one-day EDM spectacular was to kick off May 2 at Melbourne’s Fleming Racecourse, stopping in the Gold Coast’s Doug Jennings Park (May 3), Sydney International Regatta Centre (May 9) and wrapping up at Perth’s Wellington Square (May 10) – a nine-day rolling party crossing this expansive country, with an estimated 100,000 tickets sold.

Those plans, however, will have to wait.

“Due to the significant pressures currently impacting Australian live event audiences and the industry, TEG Live has made the difficult decision to postpone the OUT 2 LUNCH Festival from its planned May 2026 dates to 2027,” reads a statement Friday (April 10) from organizers.

“Across Australia, fans and communities are navigating significant pressures arising from the cost-of-living crisis, rising inflation and broader economic uncertainty. TEG Live believes it is important to ensure that Out 2 Lunch fans can fully enjoy the festival without added financial strain.”

Those pressures became acute with the war in the Middle East, which has caused the price of fuel to rocket in Australia, like elsewhere, and ruined punters’ budgets.  Every cost is mounting. Weighing everything up, it’s an “unprecedented situation for Australia,” reads the message from TEG.

In making the decision, TEG points out the “considerable challenges as the diesel fuel shortage will impact the trucking logistics, power generators, production infrastructure and a multitude of suppliers and services that underpin a major touring festival.”

The postponement of OUT 2 LUNCH follows closely on the heels of Bluesfest, which canceled its 2026 show and immediately went into liquidation. The list of fests that have skipped a year, or disappeared entirely, is a growing one that includes Rolling Loud Australia, Esoteric Festival, Caloundra Music Festival, Splendour in the Grass, Groovin the Moo, Listen Out and others.

The decision comes as the festival’s national expansion – with four large-scale events spread across nine days and spanning the entire country – faces considerable challenges as the diesel fuel shortage will impact the trucking logistics, power generators, production infrastructure and a multitude of suppliers and services that underpin a major touring festival.

“Given the severe pressures on fuel supplies and consumer sentiment right now, we have to do the right thing and postpone the festival so that greater needs can be prioritised during this critical period, which we understand will be most acute during the next 6-8 weeks,” comments Tim McGregor, Global Head of Touring, TEG Live. “The scale of this touring festival is immense and delivering a world-class experience is our top priority — we believe rescheduling to 2027 is the best way to ensure we can deliver the incredible, high-quality festival that fans deserve.”

New dates for OUT 2 LUNCH 2027 will be announced in due course. Tickets will remain valid for the rescheduled dates. All existing ticket holders who wish to obtain a refund can do so, the TEG statement confirms.

“I’m really bummed at the moment, at what is happening,” comments FISHER. “And no one more than me would like to put on this show for you guys. We tried all angles but unfortunately we had to postpone due to the circumstances that were put before us. This is something that I don’t take lightly. I’ve seen this before, back in 2020 and 2021 when we had to postpone my shows 2 times before they ended up playing out, although it wasn’t what we wanted, it was the right thing for the fans in the end so we could put on the best show for you. Sometimes the pause is part of the plan. 2027 is worth the wait.”

Ella Langley is hitting a new high note in 2026 with her RIAA platinum-certified, five-week Billboard Hot 100 No. 1 hit “Choosin’ Texas,” which set a new record for the most weeks ever spent atop the Hot 100 for a song by a woman that also hit No. 1 on Billboard‘s Hot Country Songs chart.

The heartbreak song’s irresistible groove and all-too-relatable storyline have brought Langley’s career to new heights. She further elaborated on the song’s story arc with a star-studded music video, which featured Langley alongside Luke Grimes, Miranda Lambert, Kaitlin Butts and Ava Phillippe, as well as a host of other notables making cameos.

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But with her new album Dandelion, out Friday (April 10), the Alabama native proves she’s got plenty more songs to resonate with fans. Throughout the album, she offers songs that center on love, heartbreak, faith and staying close to her roots while evolving, both creatively and personally.

Langley executive produced the album along with Miranda Lambert and Ben West, and worked with co-writers including Lambert, Joybeth Taylor, Luke Dick, Austin Goodloe, Laura Veltz, ERNEST and Devin Dawson to craft a collection of songs that convey ever-increasing depths of unfiltered honesty and keen, observational perspectives.

The album is bookended with snippets of her version of the traditional folk nursery rhyme “Froggy Went A-Courtin’.” Back in 2024 during an appearance on the God’s Country Podcast, Langley told Reid and Dan Isbell that the song was one of the first two songs she learned how to sing (the other being the hymn “Amazing Grace”). She said on the podcast, “I think I might start this next record off with this. The next record is gonna be a lot about Alabama and just kind of about my roots.”

Below, Billboard ranks each of the album’s 16 songs (not including the intro and outro).

Hilary Duff just revisited one of her most beloved tracks ahead of the Laguna Beach reunion special, re-recording “Come Clean” and surprise releasing it Friday (April 10).

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Approaching the track with a mature sound that still evokes the charm of her teenage self, the Lizzie McGuire star sings, “Let the rain fall down/ And wake my dreams/ Let it wash away my sanity/ ‘Cause I want to feel the thunder/ I wanna scream/ Let the rain fall down/ I’m coming clean.”

The track will appear on Hilary Duff – (Mine), the star’s upcoming collection of re-recorded versions of her greatest hits. The project will arrive Friday (April 18) on a silver vinyl exclusively for this year’s Record Store Day. Only 10,000 copies will be available to purchase, meaning only a small number of fans will get their hands on Duff’s updated renditions of “What Dreams Are Made Of” and other nostalgic favorites.

“Come Clean (Mine)” will also be featured on The Reunion: Laguna Beach, which premieres Friday on The Roku Channel. The original track by Duff — which reached No. 35 on the Billboard Hot 100 in 2004 — served as the theme song for the reality show back in the day. That’s not to say Duff herself was a fan of the show; she hilariously confessed on Watch What Happens Live in 2023 that she’d never seen it.

The How I Met Your Father alum is currently in the midst of a major musical comeback, dropping her first album in 10 years in February and reaching No. 3 on the Billboard 200 with Luck … or Something. Her seven-month Lucky Me Tour kicks off in June.

Listen to Duff’s new-old song “Come Clean” below.


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Ella Langley‘s “Choosin’ Texas” has planted its roots at the top of the Billboard Hot 100 for five nonconsecutive weeks, but on her new album, Dandelion, she proves that the array of songs on the project are just as grounded in her ever-evolving artistic outlook as they are in her Alabama upbringing.

Across 16 songs (with the album bookended by Langley’s take on the traditional folk poem “Froggy Goes A-Courtin’”), Langley explores heartbreak, love, loss faith, and her unwavering dedication to being exactly who she is. Some songs are entrenched in soft-focused, acoustic-driven melodies, such as “Speaking Terms” and “Most Good Things Do,” but she also showcases her prowess with a ’90s country-leaning barnburner with “I Gotta Quit.”

She offers her own steel guitar and piano-soaked rendition of the Kitty Wells classic “It Wasn’t God Who Made Honky Tonk Angels.” Elsewhere, she teams with Miranda Lambert on “Butterfly Season,” as they contemplate what it means to evolve and mature emotionally, transitioning from one era to another.

“Be Her” finds Langley etching a portrait of the type of woman she aspires to be — one who is confident in herself, who speaks honestly and truthfully, and is content with the community she has built around her. While some songs, such as “Bottom of Your Boots,” find her yearning for a consistent, steady kind of romance, other songs such as “Last Call for Us” look frankly at dissolving romances.

As she celebrates the release of her latest project, Langley also just earned seven ACM Awards nominations leading up to the 61st annual ACM Awards in May. Among her nominations are female artist of the year, single of the year (“Choosin’ Texas”) and song of the year (“Choosin’ Texas”).

Listen to Langley’s Dandelion below: