Katseye can check off another accomplishment on their bucket list: performing at Coachella.

The K-pop girl group — currently a five-piece (Daniela, Lara, Megan, Sophia and Yoonchae) while bandmate Manon is on a temporary hiatus — chatted with Billboard the day after their first time playing the iconic music festival in Indio, Calif., Friday night (April 10).

“It was electric,” Lara tells Billboard‘s Tetris Kelly of Katseye’s time on the Sahara Stage. “Our dreams came true last night. You know, every interview, if you’ve ever asked our biggest goal it was playing Coachella. We achieved that last night. so I think it’s so much gratitude.”

“It was bonkers,” she adds, as seen in video of Katseye’s full interview, seen above. “We went crazy.”

One of the headline-making moments of Katseye’s Coachella set: welcoming surprise guests HUNTR/X to their stage for a joint performance of the massive Kpop Demon Hunters hit “Golden.”

Yoonchae was quick to tell Billboard what the experience was like from their perspective: “I was so happy to bring HUNTR/X to our Coachella stage. They were really, really nice. They were so sweet. When we started to sing ‘Golden,’ we saw a lot of the crowd was screaming — they were so excited. I was so happy about that.”

“It’s really beautiful to have a joint slay on the stage at Coachella,” Sophia chimed in.

Perhaps the biggest personal moment for Katseye at Coachella was the group’s live debut of “Pinky Up,” the brand-new hyper-pop single they dropped just before performing it on the big stage. (The song is their first release without Manon.)

“We absolutely love, love, love the song,” Daniela says. “To perform it for the very first time, debut it at Coachella, was fire. I looked back at the videos and I was like, ‘Guys, we ate that.’ Especially the dance break. The crowd went wild.”

Megan adds of the track, “I think it’s one of our favorites. It’s very hard-hitting, something that makes us feel confident. I think it’s probably pretty high up there.”

BTS’ ARIRANG captures a third consecutive, and total, week at No. 1 on the Billboard 200 (dated April 18), as the set earned 124,000 equivalent album units in the United States in the week ending April 9 (down 34%), according to Luminate. The album debuted atop the chart dated April 4.

The last album by a group to spend at least three weeks at No. 1 was Mumford & Sons’ Babel, which had five nonconsecutive weeks atop the list in 2012-13. It spent its first three weeks on the chart at No. 1 (charts dated Oct. 13-27, 2012) and then returned to the top for two more weeks (March 2 and 9, 2013) following its win for album of the year at the Grammy Awards. Babel was also the last album by a group to spend its first three weeks at No. 1.

ARIRANG is the first album to spend its first three weeks at No. 1 since Taylor Swift’s The Life of a Showgirl racked up its first seven weeks atop the list (Oct. 18-Nov. 29, 2025), of its 12 total weeks at No. 1.

It’s a quiet week in the top 10 on the latest Billboard 200, as there are no debuts in the region. It’s the first time there are no debuts in the top 10 in three months, since the Jan. 17-dated list.

Of ARIRANG’s 124,000 equivalent album units earned in the latest tracking week, album sales comprise 71,000 (down 34%; it’s No. 1 on Top Album Sales for a third week), SEA units comprise 50,000 (down 24%, equaling 52.44 million on-demand official streams of the set’s songs; it moves 3-4 on Top Streaming Albums) and TEA units comprise 3,000 (down 65%).

Morgan Wallen’s chart-topping I’m the Problem pushes 4-2 on the Billboard 200 (80,000 equivalent album units earned, up 5%); BULLY by Ye (formerly Kanye West) falls one spot to No. 3 (69,000, down 54% in its second week); Don Toliver’s former leader OCTANE climbs 8-4 (57,000, up 7% after new physical editions of the album dropped); and Olivia Dean’s The Art of Loving lifts 7-5 (50,000, down 7%). Luke Combs’ The Way I Am is a non-mover at No. 6 (46,000, down 16%).

Four former No. 1s fill out the rest of the top 10, as Bad Bunny’s DeBÍ TiRAR MáS FOToS ascends 9-7 (45,000 equivalent album units earned, down 9%), Wallen’s One Thing at a Time drives 14-8 (39,000, up 1%), Harry Styles’ Kiss All the Time. Disco, Occasionally. steps 10-9 (37,000, down 22%) and Bruno Mars’ The Romantic rises 12-10 (nearly 37,000, down 7%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Offset has returned to the stage for the first time since being shot in Florida.

On Saturday (April 11), the 34-year-old Migos rapper was rolled onto the stage in a wheelchair during his appearance at the University of Arkansas’s Rowfest.

Footage from the concert shows Offset — who was released from the hospital after being shot outside the Hard Rock Casino in Hollywood, Florida, on April 6 — performing on what appears to be an outdoor stage surrounded by energetic college students.

“REAL LOVE,” Offset captioned an Instagram photo gallery from the event.

The carousel included clips of the Atlanta rapper being wheeled onto the stage, as well as photos of him posing in a red shirt, sunglasses, a hat and a skeleton mask.

Offset was shot in the valet area of the Hard Rock Casino following an altercation. He was later transported to a nearby hospital, where he was treated for non-life-threatening injuries.

Lil Tjay was later arrested on a misdemeanor disorderly conduct charge in connection with the incident and posted a $500 bond on April 7. After his release, Lil Tjay gave an interview in which he called Offset a “rat” and recounted the alleged shooting.

“The last thing I seen was Offset looking at me like this, ‘Yo, that n—a shot me. That n—a shot me.’ La la la. N—a is a rat. N—a is a rat. I don’t do no damn fighting,” he said, before being asked if he was the one who shot Offset. “I didn’t do no damn fighting. Did I shoot Offset? That s–t is crazy.”

During the Rowfest performance, fans in the audience were seen holding up phones displaying the message “F—k Lil Tjay.”

Offset’s next scheduled performance is set for May 9 at the Xperience Live Event Center in Orlando, Florida, according to his website.

Check out Offset’s post on Instagram here.

Asha Bhosle, one of India’s most versatile Bollywood singers whose performances shaped the country’s musical memory and modern cinema, has died. She was 92.

The legendary singer across genres died Sunday (April 12) of multiple organ failure at Breach Candy Hospital in Mumbai, Pratit Samdani, a physician at the hospital said. Her son, Anand Bhosle, told reporters that her last rites will be performed on Monday.

Asha was admitted at the hospital on late Saturday with a chest infection and exhaustion, her granddaughter Zanai Bhosle said in a social media post.

Asha’s timeless voice resonated across a film-obsessed India for nearly eight decades, recorded on about 12,000 songs. She boldly embraced cabaret and Western-influenced melodies to forge a distinct musical identity that stood uniquely apart from her sister, Lata Mangeshkar, herself a legendary voice revered as the “Melody Queen.”

Asha’s death was widely condoled.

“I am deeply saddened” by her passing, Indian Prime Minister Narendra Modi said in a social media post.

“Her unique musical journey spanning decades has enriched our cultural heritage and touched the hearts of countless people around the world,” Modi said. “From soulful melodies to spirited compositions, her voice carried a timeless brilliance.”

Born on Sept. 8, 1933, Asha Bhosle was initiated into music by her father Dinanath Mangeshkar, who was also a trained singer. All her four siblings became accomplished singers and musicians.

Asha’s first marriage, in 1949, ended in separation in 1960. Her second marriage was to iconic music composer R.D. Burman in 1980. She is survived by a son and grandchildren.