Sia has opened about what the singer-songwriter described as a very difficult year following her split with estranged husband Daniel Bernad. In an X post on Tuesday (April 7), the “Dance Alone” star lamented that the details of her child custody settlement with Bernad had been made public and alluded to the details of the arrangement signed by both parties in Los Angeles on April 3.

“I’m a sober working mom trying to buy peace. I have primary custody of our son and since i am the only parent earning income i still have to pay California’s incredibly high child support,” Sia (born Sia Furler), 50, wrote of the settlement — the details of which were obtained by Billboard — which will require her to pay Bernad $42,500 per month in child support.

“This has been a horrific year but it taught me how to navigate incredibly difficult situations, prioritize my family and not absorb other people’s negativity,” she added, tacking on the well-known Alexander Pope phrase: “To err is human, to forgive is divine.” In a second post that appeared to take aim at her ex, Sia wrote, “good dads get jobs.” Bernad’s lawyer declined to comment on Sia’s posts at press time.

According to the court documents filed in Los Angeles Superior Court on Monday (April 6), Sia will pay Bernad the five-figure amount per month to support their child, son Somersault Wonder Bernad; the payments were slated to begin on April 1. The singer, who also adopted two children in 2019, will continue to pay the monthly fees to Bernad until their son turns 18 or, if he continues to attend high school full-time, until he graduates or turns 19.

Sia is also responsible for paying private school tuition, fees for agreed-upon extracurricular activities and uninsured health care costs, as well as for maintaining health insurance for her son, according to the agreement. Sia is also required to obtain a life insurance policy for her son with a death benefit of $5 million, with Somersault as the beneficiary and to pay Bernad’s $350,000 attorney’s fees.

The couple will share joint legal custody of Somersault, who was born on March 27, 2024, with physical custody schedules laid out in the court document, including custody on major holidays (such as Mother’s Day, Father’s Day, Halloween, Easter, Thanksgiving, Christmas and the Jewish holidays of Yom Kippur, Passover and Rosh Hashana) and agreements covering vacations, school breaks and communication between the ex’s.

The ruling also specifies that “neither party shall disparage the other” within range of their son, nicknamed “Summi,” and if he is away from either parent for more than 72 hours, the non-custodial parent is expected to be able to FaceTime at a mutually agreed-upon time. In his initial request, Bernad was seeking more than $250,000 a month in spousal support from Sia. In that earlier request, Bernad claimed he had nearly no money in his bank account and no income, saying the singer convinced him to stop working because she disliked his long hours at the hospital and that he was unable to return to work at the hospital because his license had expired.

Sia, listed in the custody agreement as “Sia Bernad,” filed for divorce from oncologist Bernad in March 2025, three years after their 2022 wedding. Bernad filed paperwork in October 2025 seeking sole legal and physical custody of their son, alleging at the time that the singer — who has been open about her past struggles with substance use — was “an unfit and unreliable parent struggling with substance abuse and addiction” according to earlier court documents.

Sia responded and said she’d been sober for six months and was participating in a recovery program that included weekly testing, hitting back with allegations that Bernad was under investigation for alleged possession of child pornography. Bernad “vehemently” denied any wrongdoing and claimed that his ex “planted” illicit material on his computer hard drive. The Los Angeles Police Department and the city’s Department of Child and Family Services both looked into the claims, but closed their investigations without any charges, citing a lack of evidence.

A judge previously rejected Bernad’s emergency request to change the couple’s custody arrangement, saying there was not sufficient evidence to justify the emergency relief at that time.


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United Talent Agency (UTA) announced Wednesday (April 8) that Janelle Monáe has signed with the agency for global representation in all areas.

“Janelle is a generational talent and the true definition of a multi-hyphenate creative,” Jay Gassner, UTA partner and co-head of talent, said in a statement. “We are thrilled to partner with an artist of Janelle’s singular vision and profound cultural impact, and look forward to working with them and Wondaland to unlock and amplify opportunities across music, film, television, brands, fashion, publishing, theatre, community building and beyond.”

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They were previously booked by Wasserman (now called THE•TEAM) in North America, and WME internationally.

Monáe’s most recent album was 2023’s The Age of Pleasure, which received nominations for album of the year and best progressive R&B album at the 2024 Grammy Awards. The artist also has several upcoming acting projects in the coming months, including a feature in Amazon MGM’s Is God Is, out in theaters on May 15, and a role in Netflix’s upcoming adult animated series, Bass x Machina, premiering on Oct. 6.

Monáe founded the Wondaland Arts Society and Wondaland Pictures, which develops film, TV and multimedia projects under a first-look deal with Universal Pictures. They also produce the month-long, city-wide Halloween festival Wondaween in Los Angeles, with the annual event stretching across cemeteries, theaters, the Hollywood Bowl, the Santa Monica Pier and more.

Monáe continues to be represented by Mikael Moore, Nate Wonder, Chuck Lightning and Kelli Andrews at Wondaland for management; Ben Rubinfield at Ziffren Brittenham, Matthew Johnson at Johnson Shapiro Slewett & Kole and Jonathan Leonard for legal representation; and ID PR.

Monáe is scheduled to perform at Freely Fest in Nashville on April 8 and at North to Shore Festival in Newark, N.J., on June 17. Their last major tour was 2023’s The Age of Pleasure, which ran from Aug. 30 to Oct. 18, 2023, in support of her most recent studio album of the same name.


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Weekend one of Coachella 2026 is just around the corner, and we’re breaking down what might be expected from one of the biggest music festivals, presented by Amazon.

Tetris Kelly: Coachella makes history, and this year, the headliners are iconic, and we’re ready to head to the desert. From the music to parties and more, we’re sharing everything you can expect, presented by Amazon. Bieber has been stripped down recently. Is that the vibe he will bring to Indio on Saturday night? And we all remember the world stopped when Sabrina debuted “Espresso” at Coachella. What will she do on Friday night? 

Katie Bain: Sabrina Carpenter called her Coachella production the most ambitious show she’s ever done. 

Tetris Kelly: While Sunday, the desert temperatures will rise for Karol G. I’m excited to see KATSEYE take the stage, but there’s so much more to look forward to. 

Katie Bain: I’m really excited to see Boys Noize and Nine Inch Nails play together for the first time as Nine Inch Noize. I’m really excited to see what Anyma does. He, of course, headlined Sphere last year, and he was the first electronic artist to do so, and that was a really big stage, and it set the stage for this even bigger performance. And so I think there’s going to be a really incredible production that he’s debuting, and a lot of interesting special guests. I’m really interested to see what Blood Orange does. He’s the first artist to ever perform in the round in the Mojave tent. So that’s gonna be really interesting. Obviously weekend one of Coachella is famous for its special guests.

Keep watching for more!

Save your tears, Ariana Grande fans. The pop star is definitely back in the studio, as confirmed in photos she posted on Instagram Wednesday (April 8) amid speculation she’s gearing up to release her eighth album.

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Some of the captionless snaps show Grande sitting behind the booth and recording her own vocals into a microphone, while others find the Wicked star producing and editing audio files on her computer. The only non-studio picture in the bunch is what appears to be a dark, greenish gray print of pressed flowers — possibly hinting at the aesthetic of whatever she’s been working on.

Naturally, the post got fans revved up in the comments. “Yes, please!” fellow hitmaker Lizzo wrote.

“ITS HAPPENING,” commented one Arianator, while another wrote, “AG8 IS COMING.”

Grande hasn’t released an album since 2024’s seventh studio effort, Eternal Sunshine, which spent three weeks atop the Billboard 200. Last year, she added several new tracks to the project for a deluxe version.

But while two years might seem like a long wait for some music fans, Grande’s listeners had thought that the star would be taking a long break from dropping albums to focus on acting projects. The Victorious alum herself had hinted as much in numerous interviews over the past year, but earlier in April, fans noticed that she’d changed her Brighter Days hotline’s outgoing message to include a possible hint about her coming out with another album after all.

“Our staff here at Brighter Days are so looking forward to continuing our mission of bringing happiness and healing to as many as we can this summer in person,” she says in the message, referring to her fast-approaching Eternal Sunshine tour kicking off in June. “We’re counting down the 8s — oops! I mean, the days.


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Cardi B kept the party going on the Philadelphia stop of her Little Miss Drama Tour by bringing out Meek Mill on Tuesday night (April 7) in the rapper’s hometown.

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The raucous crowd erupted when Cardi welcomed Meek to the Xfinity Mobile Arena stage to perform his motivational “Dreams and Nightmares” intro, which is rap gospel at this point. Fans went bar for bar with Meek to the point he couldn’t even hear the beat.

“It was sooo loud I couldn’t hear myself on beat lol,” he wrote on Instagram. “Shake the building.”

“Dreams and Nightmares” served as the opening track of Meek’s 2012 album of the same name, which debuted at No. 2 on the Billboard 200 behind Taylor Swift’s Red.

Meek was the only guest to rock the stage with Cardi, but the Bronx native made sure to shout out Jazmine Sullivan and Patti LaBelle in the building.

Meek Mill also has some history with Cardi B, as the Dreamchasers rapper teamed up with Cardi on his Championships album cut “On Me,” which arrived in 2018.

The Little Miss Drama Tour is in the home stretch, with six more shows on the docket. Cardi will be making stops in Washington, D.C.; Charlotte, N.C.; Raleigh, N.C., Sunrise, Fla.; and she has a pair of shows to close out the trek in Atlanta.

Prior to having Meek join her on stage, the Grammy-winning rapper had brought out a plethora of guests on her debut headlining tour. The list includes Megan Thee Stallion, Tyla, Kehlani, Lil Kim, Fetty Wap, GloRilla and A Boogie Wit Da Hoodie.


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Black Label Society rules Billboard’s Top Hard Rock Albums chart for the fourth time, debuting at No. 1 on the April 11-dated tally with Engines of Demolition.

In the week ending April 2, Engines of Demolition earned 24,000 equivalent album units in the United States, according to Luminate. The vast majority of that sum — 22,000 in all — are via album sales.

Black Label Society first reigned on Top Hard Rock Albums, which began in 2007, in 2010 with Order of the Black. The Zakk Wylde-led band’s other rulers include Catacombs of the Black Vatican in 2014 and Grimmest Hits in 2018.

In between Grimmest Hits and Engines of Demolition, Black Label Society also made the chart with Doom Crew Inc., which peaked at No. 7 in 2021.

Concurrently, Engines of Demolition bows at No. 31 on the all-genre Billboard 200, the band’s 14th time on the survey, dating to 2002’s 1919 * Eternal.

Engines of Demolition’s lead single, “Name in Blood,” leaps 28-21 on Mainstream Rock Airplay. It’s Black Label Society’s top-performing song on the ranking in more than a decade, since “My Dying Time” peaked at No. 17 in 2014.

“Name in Blood” also returns to the multimetric Hot Hard Rock Songs chart at No. 25 after debuting at No. 22 in January. It earned 602,000 radio audience impressions and 397,000 official U.S. streams.

One other song from the LP reaches Hot Hard Rock Songs: “Ozzy’s Song,” a tribute to Wylde’s late former bandmate Ozzy Osbourne, which starts at No. 20 (440,000 streams, 1,000 downloads). The track also debuts at No. 3 on Hard Rock Digital Song Sales.


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Taylor Swift‘s got a big reputation for putting together show-stopping tour productions, and one of them served as major inspiration for Anne Hathaway’s next film.

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In an interview with Empire published Tuesday (April 7), Mother Mary director David Lowery revealed that his upcoming thriller — which follows a pop star (Hathaway) who reunites with an old designer friend (Michaela Coel) to ask for a new dress to wear on her next tour — pays direct homage to Swift’s iconic Reputation Stadium Tour. “Her Reputation concert film is one of the best concert films ever,” the filmmaker told the publication. “It’s truly phenomenal.”

“And for our concert sequences we looked at that repeatedly,” he continued. “You would not believe the amount of time we were talking about Taylor.”

Lowery went on to explain that the Mother Mary team took three numbers from Swift’s show and broke them down “shot by shot” to determine how much it would cost to create similar sequences for the film. “We used that as a budgeting tool, because we didn’t know how to wrap our heads around actually pulling off a stadium concert-show on a minimal budget,” he said. “We were literally using Reputation as a guide. I can go on about Reputation all day.”

He also noted that the 14-time Grammy winner influenced how he wrote Hathaway’s character in the script. After the movie wrapped, Lowery says he received a friendship bracelet from the Devil Wears Prada actress with the title of Swift’s Billboard Hot 100 No. 1 “Anti-Hero” on it.

“I definitely brought a lot of Taylor Swift to the table in terms of who Mother Mary was,” Lowery added. “I would often would be like, ‘Imagine Taylor Swift in 10 or 15 years — that’s sort of who this character could be.’”

The real-life singer’s Reputation trek ran from May to November 2018 and grossed $345.7 million worldwide, according to numbers reported to Billboard Boxscore. If ever a Taylor Swift tour was perfect for a psychological horror film, it would be this one: Supporting 2017 Billboard 200-topper Reputation, the run was markedly darker than the rest of the musician’s tours and featured a lot of snake imagery, black bodysuits and pyrotechnics.

Watch the trailer for Mother Mary below.


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You might think reigning CMA entertainer of the year Lainey Wilson just blew up out of nowhere over the past few years. But to hear the Baskin, La. native tell it, that’s ignoring the years and years of hard-grinding, road-dogging blood, sweat and tears she’s put into becoming one of country music’s biggest stars.

“I busted out of my britches, that’s how you know it’s gonna be a good night,” Wilson says of splitting the seams on her skin-tight blue jeans in the opening frame of the trailer for her upcoming Netflix documentary Keepin’ Country Cool. The chronicle of the “Heart Like a Truck” singer’s rise to fame is detailed in the two-minute preview that dropped on Wednesday morning (April 8), including her saying, “I think a lot of people think that this was an overnight success. I’ve been here 14 years … so, a 14-year overnight success.”

The Grammy-winning star describes spending a decade being the “one you didn’t see coming,” and how she’s gone all-in to make sure you never forget her name. The trailer features adorable home video footage of Wilson at five-years-old dancing and performing on stage and playing any and every gig she could, from school events to a gig on top of an AC unit, for which she was paid with free hot dogs for the rest of her life. “That is one of the biggest flexes I will ever have,” she jokes about the Oscar-Meyer compensation.

The trailer touches on her relationship with fiancé Devlin “Duck” Hodges, her decision to freeze some of her eggs in hopes of being a mother some day and the daily grind it takes to rise to her level of fame. “I think it’s important to show people that, like, I don’t have my s–t all together,” she says.

Bottom line? “People keep sayin’ country’s cool again,” Wilson states near the end of the trailer. “Well, I say it never stopped being cool … the world just caught up.”

The film, directed by Amy Scott (Sheryl, Counting Crows: Have You Seen Me Lately?), will premiere globally on Netflix on April 22.

Watch the Keepin’ Country Cool trailer below.


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A select group of Stagecoach attendees will giddyup over to an invite-only afterparty for the festival later in April.

Happening at the private Zenyara estate near the festival site in Indio, Calif., Rodeo Nights will feature music from Diplo & Friends, Marshmello & Friends, Austin Millz, Brandi Cyrus, Wyatt Flores, Wuki, Bailey Zimmerman, Cameron Whitcomb and Charly Jordan. Rodeo Nights happens all three nights of the festival, April 24-26, with BigXThaPlug hosting the April 26 edition of Rodeo Nights.

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Rodeo Nights happens at Zenyara, a 70-acre private estate located 2.5 miles from the Coachella site, and features a lake and private beach, among other highfalutin amenities. The parties are hosted by creative agency Corso Millner Group and Framework in partnership with Tao Group Hospitality and Dorsia, the team that’s also behind private Coachella afterparties Desert Nights happening over both weekends of Coachella 2026.

The Stagecoach 2026 lineup features headliners Lainey WilsonCody Johnson and Post Malone, along with Zimmerman, Riley Green, Brooks & Dunn, Ella Langley, Red Clay Strays, Warren Zeiders, Nate Smith, Sam Barber, Gavin Adcock, Wyatt Flores, Hudson Westbrook and Cameron Whitcomb, and more.

Journey, Pitbull, BigXthaPlug and Counting Crows will play at at the Stagecoach’s Mustang Stage, designed to be a spot for the after-dark performances. Diplo’s HonkyTonk and Guy Fieri’s Stagecoach Smokehouse will also return to the fest this year. The newly added Nashville’s Whiskey Jam will offer a new element to the Palomino Stage. Known for spotlighting rising artists in Nashville, Whiskey Jam will host special sets and curate afterhours performances at the Palomino Stage.

See the complete lineup below.

Rodeo Nights 2026

Rodeo Nights 2026

Courtesy of Rodeo Nights


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Composer Theodore Shapiro is set to receive the BMI Icon Award at the 2026 BMI Film, TV and Visual Media Awards on May 13 in Beverly Hills, Calif. Shapiro has won two Primetime Emmys for outstanding music composition for a series for his work on Severance. He also received a Grammy nod earlier this year for best score soundtrack for visual media for season two of that hit Apple TV+ show.

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“We’re thrilled to present Teddy with the BMI Icon Award,” Tracy McKnight, BMI vp, creative, film, TV & visual media, said in a statement. “Teddy has spent over two decades elevating every storyline he’s touched, and his scores have become synonymous with some of the most beloved and enduring films and TV series of our time.”

Shapiro has won 25 BMI Awards for his scores for films and TV programs. His career as a composer includes both comedies (The Devil Wears Prada and 13 Going on 30) and dramas (Bombshell and The Eyes of Tammy Faye). He received his first Primetime Emmy nod in 2012 — outstanding music composition for a miniseries, movie or a special for HBO’s Game Change.

Most recently, he scored the 2025 thriller The Housemaid, directed by Paul Feig. Shapiro scored The Devil Wears Prada 2, due in theaters May 1, as well as Focker in Law, out Nov. 25, as well as the Apple TV+ miniseries The Off Weeks, starring Ben Stiller, Jessica Chastain and Richard Gere.

Previous BMI Icon Award recipients include Terence Blanchard, Mychael Danna, Alexandre Desplat, Ramin Djawadi, Harry Gregson-Williams, James Newton Howard, Christopher Lennertz, Thomas Newman, Rachel Portman (PRS), Mike Post, Atticus Ross, Alan Silvestri, Brian Tyler and John Williams.

The May 13 ceremony will also salute the composers of the previous year’s top-grossing films, top-rated primetime network television series and highest ranking cable and streamed media programs. McKnight will be joined in hosting the event by BMI CEO Mike O’Neill and BMI evp, chief revenue & creative officer Mike Steinberg.


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