It’s been more than 550 days since Foo Fighters singer/guitarist Dave Grohl made the public admission that he’d fathered a child outside of his marriage to wife Jordyn Blum. At the time, Grohl wrote on Instagram, “I’ve recently become the father of a new baby daughter, born outside of my marriage. I plan to be a loving and supportive parent to her.”

The father of three daughters added, “I love my wife and my children, and I am doing everything I can to regain their trust and earn their forgiveness.”

Until this week, Grohl had not publicly discussed the fallout from his infidelity, but in a new, candid interview with The Guardian, the 57-year-old Rock and Roll Hall of Famer addressed the issue for the first time, revealing that he’s been going to therapy “six days a week for 70 weeks,” adding up to more than 430 session to date.

When the interviewer did the math and suggested that the timeline suggested he started therapy shortly after his mea culpa, Grohl said, “there were so many things that led me to this therapy” in an interview in which he also discussed his deep well of sorrow over the deaths of his beloved mother, Virginia Grohl, who died in August 2022, as well as late Foos drummer Taylor Hawkins, who died in March of that year at age 50 while on tour in South America.

When pressed to discuss the scandal further, Grohl said, “I have to be perfectly honest. Writing songs and writing lyrics about these things is sometimes enough. As far as having a deeper, longer conversation about them, I still do reserve a lot of this for my own personal life, as impersonal and public as it may seem. But I think that for many reasons, I wound up in a place that I needed to stop and sit with myself and re-evaluate myself. It’s an ongoing process.”

Grohl said after posting the admission of the affair online he had to “turn everything off” out of his concern for “what other people think,” calling that kind of public pull-back a “very healthy exercise” in considering “life within your immediate radius. Not giving all of that so much currency within yourself that it can completely destroy yourself.”

Ambitious by nature and perennially juggling multiple projects, Grohl looked back at the years when he was “overly ambitious,” cranking out an HBO series (Sonic Highways) and writing books (The Storyteller) while recording albums and touring, now wondering what he was trying to prove by keeping his schedule so hectic.

“There is such a thing as addiction to achievement, and it’s dangerous,” he said. “You’ll set a goal for yourself and you put everything you have into it; the world disappears. Then you achieve that finish line, and it feels good for 24 f–king hours, and that feeling immediately goes away. And there’s that hole again, there’s that emptiness, and you’re like, s–t, I need to fill it up with something else.”

Asked if that endless need to keep busy and fill the hole led to his infidelity, Grohl is described as “grimly” laughing and saying, “No. I think that’s how I ended up overextending myself and getting lost. I wasn’t sitting with myself and really letting [feelings] go from my head into my heart. Getting to the point where I was just like, I need to stop, turn everything off and find my heart.”

Since that time, bandmate bassist Nate Mendel said he’s seen a change in Grohl, describing the Foos founder as putting his aspirations for the band “in a different place, ambition-wise. There’s other things that have more prominence: life outside music.”

The band took a break and canceled a planned tour after the news broke, with Mendel admitting that there were concerns it would damage the group, who had previously canceled two other tours in that five-year span, one due to the pandemic and the other following Hawkins’ death. “We just all wanted to run and give him a big hug,” said guitarist Pat Smear. “[And] let him know, both of them” – Grohl and Blum – “that we are here.”

Asked if his public statement helped him win back the trust of his wife and family, Grohl pointed to the lyrics from the band’s recent single, the raging “Your Favorite Toy,” saying “I think they speak volumes. Maybe more than I can speak right now.” He said the song is akin to “one side of yourself screaming at the other: I’m almost taunting myself for all of those things that needed to be examined.”

Grohl also touched on how since Hawkins’ death he has been visited by his charismatic friend and late bandmate in vivid dreams. “I have had these dreams that seem like visitations,” he said. “Whether it’s from my mother, or my old friend Jimmy, or Kurt, or my father. And in the dreams, I know that I’m dreaming, but those people are here. And it’s as if they’ve never left.”

In one of those dreams, Grohl said he fell asleep on the couch in front of the TV and he thought he’d woken up to find Hawkins sitting right next to him. His eyes welling with tears, Grohl added, “It was so f–king real. He was happy. His hair looked great; he was tan. The first thing I said was: oh my God, we miss you so much. He smiled. I said, where are you? And he smiled again and said: ‘Dude –’ And I woke up. I was like: ‘f–k, I almost had it!’”

The Foo Fighters’ 12th studio album, Your Favorite Toy, is due out on April 24. The band’s very intimate show at St. James Church in Dingle, Ireland — which they played last month in front of 80 fans — will be streamed worldwide on April 6, airing at 4:30 p.m. ET on the RTÉ Player.


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Got the album, and the “SWIM” music video on repeat? Now ARMY can get their hands on a piece of BTS wax.

Target will exclusively stock the limited-edition Tiny Vinyl release of “SWIM,” the new single lifted from the K-pop superstar’s fifth and latest album release, ARIRANG. The b-side is “NORMAL,” which is also housed on the new collection.

The release is priced at $14.95, and comes with a gatefold outer sleeve, and inner sleeve, and that 4″ piece of precious red vinyl. Customers are restricted to buying one copy, which they can expect to receive in the week April 6-9.

Tiny Vinyl is a playable, and tiny, record that can hold four minutes of audio per side. According to a press release, the mini format aims to “[bridge] the gap between modern and traditional to offer a new collectible for artists to share with fans that easily fits in your pocket.” The business’s slate of initial releases includes Chappell Roan, Rihanna, Ariana Grande, Olivia Rodrigo, The Rolling Stones, Black Sabbath, and more.

Pre-order “SWIM” on Tiny Vinyl here.

BTS’ latest studio recording dropped at midnight, marking the septet’s first release in three years, and first album in six, following a break to allow the members to complete their compulsory South Korean military service. To celebrate the big moment, BTS and Hybe Labels dropped the music video for “SWIM,” directed by Tanu Muiño and starring Lili Reinhart.

Buckle up, there’s much more to come.

On Saturday, March 21, BTS will perform a free concert in Gwanghwamun Square in Seoul, titled BTS The Comeback Live | Arirang. The show will live on as a Netflix special. Then, next week, the boy band will participate in a “special performance and Q&A” for an exclusive fan event in New York, organized by Spotify. While in the Big Apple, the lads will return to late night TV for a two-night stand on The Tonight Show Starring Jimmy Fallon, including an interview and a performance on March 25, then returning the next day to perform another song.

A few weeks later, the group will embark on an 82-date Arirang World Tour, spanning 34 cities.

For those who couldn’t get tickets (or can’t get enough BTS), global live cinema event will bring two of the group’s full-length concerts to movie screens. BTS WORLD TOUR ‘ARIRANG’ LIVE VIEWING will capture a live airing of one of their three kick-off shows in Goyang, South Korea (April 11) followed by a broadcast of the April 18 stop in Tokyo.

Muse’s music is often said to be out of this world. With The WOW! Signal, the British alternative-rock trio once more turns its attention to the stars.

The band’s 10th and latest studio album is due out June 26 via Warner Records, and achieves lift-off with the single “Be With You,” a track that manages to straddle two galaxies. One, with a pipe organ that will remind listeners of Hans Zimmer’s Interstellar soundtrack. The other, a pumping nightclub.

To launch into the spirit of the new project, Music sent a special tablet 20 miles into the atmosphere, in partnership with Sent Into Space. While floating above Earth, the device premiered the music video for “Be With You,” starring Ella Balinska (Resident Evil, The Occupant) and directed by Nico Paolillo (Deafheaven, BAD OMENS). 

A second package is said to carry stickers for a limited-edition vinyl release, which is certain to be coveted by fans.

On “Be With You,” frontman Matt Bellamy sings: “It seems my light’s been swallowed up, I’ve used up every ounce of luck / I need to leap into the fire, find a higher power, and reach for something new.” 

It’s the first taste of an album that’s a “mix of cosmic mystery, existential hope, and the exhilarating possibility of contact with something far greater than ourselves,” according to a statement from Warner Music.

Since forming in Devon, England in the mid-1990s, Muse has sold more than 30 million albums globally, won multiple Brit Awards, MTV Europe Music Awards, NME Awards and collected Grammy Awards for best rock album, first with The Resistance (2009) and later with Drones (2015).

The rockers have landed three titles on the Billboard Hot 100, and 10 albums on the Billboard 200 chart, including a No. 1 with Drones. They’re a chart force in the United Kingdom, with seven No. 1 albums, most recently with 2022’s Will of the People, their previous album. In Australia, Will of the People opened at No. 1 for the group’s fourth No. 1 on the ARIA Chart.

Muse’s forthcoming album takes its name from one of the great mysteries of modern science, a powerful 72-second radio burst detected in 1977, originating from the constellation Sagittarius with a bandwidth and intensity that suggested a possible extraterrestrial source. Or maybe not. The source was never located, and the signal never received again.

The researcher who discovered the anomaly circled the now-iconic sequence “6EQUJ5” and wrote “WOW!” on the printed data, a moment that resonates in popular culture and scientific circles, and gives the Netflix sci-fi series 3 Body Problem its backbone.

Watch “Be With You” below and check The WOW! Signal tracklist.

The WOW! Signal tracklist:
​1. The Dark Forest
​2. Nightshift Superstar
​3. Shimmering Scars
​4. Cryogen
​5. Be With You
​6. Hexagons
​7. The Sickness In You & I
​8. Unravelling
​9. Hush
​10. Space Debris

Shakira will close her historic world tour this fall in Madrid, and she will do so in a special way. The Spanish superstar will offer a three-night residency at the “Shakira Stadium,” a temporary 4.2-acre (185,000-square-meter) venue that will integrate cinema, gastronomy, literature and exhibitions curated by the artist herself under the title “Es Latina.”

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The event is scheduled to take place Sept. 25-27 at the Iberdrola Music space in the Villaverde district, south of the city, Live Nation announced on Friday (March 20) in a press release. Designed as an immersive experience, this temporary venue model aligns with recent formats in Europe, such as the one presented by Adele in Munich (2024), which allow for greater control over the audience experience and production scale.

The announcement comes just days after Shakira revealed her plans to conclude her Las Mujeres Ya No Lloran World Tour in Spain with a production specifically designed for the occasion. “I’m going to go all out because Live Nation is preparing a stadium for these concerts. It will be called Estadio Shakira,” the artist revealed in a preview of an interview with the RTVE’s show Al Cielo Con Ella published last Sunday (March 15). “It’s going to be something out of this world, a production that I don’t think has been seen before in Spain.”

It also follows her recent nomination to the Rock & Roll Hall of Fame.

The Las Mujeres Ya No Lloran World Tour, which began on Feb. 11, 2025, and continues throughout this year, set a Guinness World Record as the highest grossing tour of all time by a Hispanic artist. The historic tour grossed $421.6 million and sold 3.3 million tickets across 86 shows, according to figures reported to Billboard Boxscore.

That momentum was recently reflected in Mexico City, where Shakira broke attendance records at the GNP Seguros Stadium with 13 sold-out dates, surpassing 800,000 tickets sold, before culminating her trek in the Latin American country with a historic free show at the Zócalo square before 400,000 people on March 1. Tickets for the Madrid residency go on sale on March 27.

Before her arrival in Spain, the artist will perform on May 2 at another of the world’s most iconic and massive venues: the legendary Brazilian beach of Copacabana, where organizers expect an audience of at least one million people — just as was the case with Madonna in 2024 and Lady Gaga in 2025.

Harry Styles is unmoved at No. 1 on Australia’s albums chart with Kiss All The Time. Disco, Occasionally (via Columbia/Sony), as Olivia Dean enters rare air with “Man I Need” (Universal).

Dean’s signature song collects an 18th consecutive week at No. 1 on the national tally, making it the second-longest reigning single since the official ARIA Charts rolled out in 1983. “Man I Need” breaks the tie with The Kid Laroi and Justin Bieber’s “Stay” and Alex Warren’s “Ordinary,” both stuck on 17 weeks at No. 1.

The English singer and songwriter is still some distance from the all-time crown. That belongs to Tones and I’s “Dance Monkey,” which led for 24 non-consecutive weeks in 2019-20.

The good times don’t end there for Dean. She claims a 1-2, with “Rein Me In,” her collaboration with Sam Fender, holding at No. 2; while “So Easy (To Fall In Love)” improves 6-5, and “Nice To Each Other” lifts 23-15.

After 21 weeks on the chart, and following a fresh mix with BLACKPINK’s JENNIE, Tame Impala‘s “Dracula” (Columbia/Sony) enters the top 10 for the first time. The Deadbeat cut is up 15-8 for a new peak position, and a career best. Until now, Tame Impala’s best position on the ARIA Chart was No. 17 for “The Less I Know The Better” back in 2015. “Dracula” is the only homegrown recording in the current ARIA Top 50.

The top debut, and only new release, on the latest ARIA Singles Chart, published Friday, March 20, belongs to Noah Kahan as “Porch Light” (Republic/Universal) switches on at No. 29.

Over on the ARIA Albums Chart, Harry Styles’ latest release enters a second week at No. 1, ahead of Olivia Dean’s The Art of Loving (unchanged at No. 2) and Tate McRae’s So Close to What (up 6-3 via RCA/Sony), respectively.

Finally, new releases from Lamb of God (Into Oblivion at No. 16 via Century Media/Sony), Beccy Cole (Through The Haze at No. 26 via ABC/Orchard), The Black Crowes (A Pound of Feathers at No. 34 via STO/MGM) and James Blake (Trying Times at No. 35 via Virgin/Inertia) impact the frame.

Variety, we were reliably told in our youth, is the spice of life. If so, Hilltop Hoods has been cooking with the stuff for decades.

The Australian hip-hop trio has enjoyed the type of career that isn’t written in any guidebook, one that’s busted records and consistently tracked up.

Hailing from Adelaide, the South Australian capital, the Hoods boast more career entries on triple j’s Hottest 100 countdown (with 23), a fine gauge of their connection with young music fans, across decades. They’re on a streak of six straight ARIA No. 1 albums, beginning with The Hard Road in 2006, through to their most recent effort, 2025’s Fall From The Light (via Island/Universal).

With their tally of seven total leaders, HTH stand alone as the Australian band with the most No. 1s, besting the likes of AC/DC, Powderfinger, Cold Chisel and Silverchair.

Their achievements will be set in stone. The City of Adelaide will rename Clubhouse Lane, a spot just off Hindley Street, the entertainment district in the CBD, as Hilltop Hoods Lane.

The Hoods’ core members Suffa (Matthew Lambert), MC Pressure (Daniel Smith) and DJ Debris (Barry Francis) have done it without bluster, without mugging cameras or headlines. They’ve kept it fresh. Along the way there was a horror film, a range of sneakers, a comic, and an ongoing record label (Golden Era). They’ve raised money for charities, including Lion Hearts Learning, CanTeen, and Support Act. Collaborated.

“That’s one of the ways that you extend your stay,” Suffa tells Billboard. “That sort of creativity outside the creativity is what keeps it interesting, for you and for other people as well. Rather than just album, tour.”

He identifies the Beastie Boys fan-filmed concert project from 2006, “Awesome; I F—in’ Shot That!,” as a “thought outside of the box about how people can be involved with you, with your group.”

On the road, the Hoods’ national tours typically head off the well-traveled path of the big five cities, reaching into regional Australia with all-ages shows.

“They’re so appreciative when you go out to the regional zones. A lot of (artists) skip them,” explains Pressure. “So when you go there, it’s a really electric vibe. They’re the most appreciative people. Sydney, Melbourne, and all the other bigger cities around Australia, you’re expected to go there. But when you go to places like Wollongong, or Cairns, or Karratha, there’s an extra level of welcoming.”

When the Never Coming Home jaunt visited Brisbane Entertainment Centre last Saturday (March 14), Hilltop Hoods welcomed a procession of starry guest vocalists on stage, including Australia’s 2021 Eurovision Song Contest representative Montaigne, chart-topping homegrown hip-hop artist Illy, along with Nyassa, Adrian Eagle, Marlon Motlop, Maverick Sabre and Trials, the opening act on this latest arena run.

“It’s an absolute pleasure to be back in the River City. No place I’d rather be,” Pressure remarks at the top of the show. A show of hands reveals “there’s a lot of new heads in the building.” A scan into the sold-out crowd tells part of the story. Generation X lifers, teens. Several infants with protective ear muffs clinging to their dads.

Hilltop Hoods have accumulated fans along their journey, and mixed it up along the way.

With a performance Saturday night, March 21 at Perth’s RAC Arena, the end of a long road. Work on Fall From The Light began almost five years ago. An international tour in support of it rumbled through 2025. Usually, Australia would be the launch pad. Not this time. Variety.

“It’s feeling so good. It’s nice getting towards the end, as well. It’s always a feeling of elation and achievement, I guess,” says Pressure backstage at BEC. “This is our biggest domestic tour ever. So, it’s been an overwhelming success, and it’s nice to know there’s still heads there for us.”

It’s the end of a cycle. Another will start soon. New Zealand dates are yet to be announced. A “Restrung” album, a remix featuring orchestration, is coming soon. “Once we get some time,” Suffa confirms, “we’ll finish that up.” The “Restrung” cut of Drinking From The Sun, Walking Under Stars is one of their ARIA Chart leaders, debuting at No. 1 back in 2016.

For an act that’s shifted over 1.1 million albums, 1.9 billion global streams, nabbed 10 ARIA Awards and six APRA Music Awards, the end of tour presents a rare moment to reflect.

What else is there to do for Hilltop Hoods?

“Laundry,” quips Pressure. “No matter how big I get, I still have to do laundry.”

Billboard’s Friday Music Guide serves as a handy guide to New Music Friday’s most essential releases each week — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

Last week, we featured Noah Kahan, Kacey Musgraves, The Pussycat Dolls and more.

This week, BTS is back! The K-Pop sensation returns with with its latest studio album, Arirang. Also: Niall Horan releases the much-teased lead single, “Dinner Party,” from his forthcoming album, and Lizzo kicks off her new music era with “Don’t Make Me Love U”… plus much more. Check out all of this week’s picks below:

BTS, Arirang

ARMY can rejoice, because the Bangtan Boys are back in a big way. After the members of BTS (RM, Jin, Suga, j-hope, Jimin, V and Jung Kook) stepped away from the group to fulfill government-mandated time in the South Korean military and pursue solo endeavors, the seven members have reunited for the first BTS full-length in six years: Arirang. The 14-track project features an impressive roster of superstar producers, including Diplo, Tame Impala’s Kevin Parker, Mike WiLL Made-It and Ryan Tedder. Led by “Swim,” a track that fuses dance-pop production with the group’s signature blend of singing and rapped vocals, it’s clear that BTS have not missed a step; the group not only sounds ready to meet this moment, but eager to dominate the world once more.

Niall Horan, “Dinner Party”

After politely picking up the tabs for various dinner guests across Los Angeles and New York restaurants, it’s now clear Niall’s intention may have had some hidden meaning, too. The former One Direction member has shared a new single, which happens to be the title track for his forthcoming new album, Dinner Party, out June 5. He previously revealed that his longtime girlfriend, whom he met at a dinner party, inspired the song — and much of his new project. Fittingly, “Dinner Party” is a mid-tempo pop song perfect for swaying to with a smitten smile, complete with swoon-worthy lyrics: “One kiss on your neck, it was so concrete/ I’m done looking for somebody.”

Lizzo, “Don’t Make Me Love U”

The latest from Lizzo balances vocals fit for a ballad with assertive lyrics — aimed at herself — all united by funky and glimmering pop production. The video for “Don’t Make Me Love U” offers more insight into the single’s inspiration, as it shows Lizzo confronting and embracing a past version of herself. For anyone following along, Lizzo has been in her healing era — and now, as a press release for the single shares, she’s kicking off her “new musical era” to match.

Paris Paloma, Miyazaki

“I have something to say/ As has anyone who’s ever made anything worth enjoying/ Nobody can destroy it,” sings British singer-songwriter Paris Paloma on her latest single. It’s an immediately grabbing opening, forcing casual listeners to perk up and pay attention. And she makes it worthwhile, continuing to sing in defense of human creativity — especially with the rise of AI. Fittingly, the track is named after Hayao Miyazaki, the Studio Ghibli director who famously called AI-generated art “an insult to life itself.” In turn, Paloma sings: “I’d do it unpaid, unseen, unthanked/ It’s worth more than anything that I have…I won’t let you take it from me.”

Dermot Kennedy, “Honest”

Ahead of his upcoming third album, The Weight of the Woods, out next week (March 27), Dermot Kennedy has shared another preview in “Honest.” The surging song balances his signature rasp with an urgency that feels less familiar for the Irish singer-songwriter. Throughout the near four-minute song, Kennedy struggles with love lost, admitting: My heart’s too honest/ All my colours spilling out/ Cause I know you’re all I want/ Have we missed our moment? How could fate be so unfair?” And in a compelling twist, the song doesn’t boast a happy ending but rather acceptance of what is, with Kennedy speak-singing: “I can change my path, I can learn his heart but I cannot change his will.”

Grab your suit, or your Speedos. And get ready for a swim.

Unless if you’ve been living in a cave, covered by a massive rock, the pop music community is locked-in for return of BTS, and their new album ARIRANG.

The 14-track collection dropped at midnight, featuring production from Diplo, Tame Impala’s Kevin Parker, Mike WiLL Made-It and Ryan Tedder.

ARIRANG is no ordinary recording. It marks the first release in six years, lava hot-run for the Bangtan Boys that briefly cooled when its members enlist in the South Korean military to fulfill mandatory service requirements.

To celebrate the release of ARIRANG, Hybe Labels drops the official music video for album cut “Swim.”  Directed by Tanu Muiño and starring Lili Reinhart, it’s a cinematic experience, a high-seas drama that sees RM, Jin, Suga, j-hope, Jimin, V and Jung Kook work the ropes and navigate a sailing ship. It’s not any boat. Of course, the lads are cruising on the good ship ARIRANG. Also that year, BTS climbed the summit of the Billboard Hot 100 with smashes “Life Goes On” and “Dynamite,” after which the group would top the chart again with “Butter,” “Permission to Dance” and “My Universe” with Coldplay.

The ARIRANG ship will come in to dock on Saturday, March 21 when BTS performs to a free concert at Gwanghwamun Square in Seoul, South Korea, with an expected 260,000 fans watching on. BTS hasn’t performed as a group since October 2022, when the septet performed in Busan as part of South Korea’s bid to host the World Expo in 2023. Shortly afterward, their staggered enlistments into the military began, while solo projects got underway.

Watch “SWIM” below.

True music moments are born when cultures collide.

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On Friday, Ghanaian megastar Shatta Wale shared his new “Ain’t Nobody” single, which features EGOT-winning global R&B icon John Legend. Executive produced by Leslie Quaynor, “Ain’t Nobody” arrives via Fantasy Entertainemnt Group as a breezy anthem of love and loyalty.

“Gyal you are mi happiness/ Still mi love your snappiness/ You the girl weh me wanted to know me when no one else/ Making love to you and you say boy mi love your scrappiness,” Shatta sing-chats in a ’90s reggae cadence over a soulful mélange of guitars and brass, before Legend chimes in with his buttery vocals in the soaring chorus. “Who gon’ give it to you/ Like I give it to you/ Don’t get it confused/ Ain’t nobody,” the “All of Me” singer belts.

Written by both artists alongside Rob Murat, who co-produced the song with Sean Kantrowitz, “Ain’t Nobody” bridges reggae and R&B by relying on the genre’s shared muses of love and relationships. The rollicking collaboration serves as the official lead single for Shatta’s forthcoming studio album, currently slated for a fall release. Of course, the Ghanaian powerhouse is no stranger to joining forces with American superstars. In 2019, Beyoncé recruited him for “Already,” a fan favorite cut from her The Lion King: The Gift compilation soundtrack.

“Ain’t Nobody” also marks Legend’s second new collaboration of 2026. Last month (Feb. 26), he teamed up with Maryland-based artist Foggieraw for “Grow Up.” Although it’s been nearly four years since his last R&B studo album, 2022’s Legend, the acclaimed multi-hyphenate has kept busy. He spent most of 2025 on an arena-headlining tour celebrating the 20th anniversary of his landmark Get Lifted debut LP. In addition, he released three major collaborations, including link-ups with Clipse (“The Birds Don’t Sing”), Norah Jones (“Summertime Blue”) and Tasha Cobbs-Leonard (“Church”). Notably, “Church” earned Legend his first Grammy nomination for best gospel performance/song.

Last week (March 12), Legend officially joined the Cats: The Jellicle Ball Broadway producing team alongside Tony winner Mike Jackson via their Get Lifted Film Co. banner.

Stream “Ain’t Nobody” now.

Latto has been lying low for the past few months, but Big Mama is back on the scene.

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On Friday (March 20), the Grammy-nominated MC dropped her new “Business & Personal” single, marking the first taste of Big Mama, her forthcoming fourth studio album, out May 29 via Streancut and RCA Records. Bold and assertive, the new single finds Latto settling scores and addressing every rumor that’s been slung her way.

Latto officially announced the single’s release with a cinematic trailer posted to her social media pages on Thursday afternoon (March 19). “I ain’t go missing. I had to give y’all time to miss me. Before you run the game, you gotta take baby steps to go the distance,” she narrates as the camera follows her slowly strutting towards a baby cheetah — in jet-black stilettos, of course — and handing it a bottle of milk. “Home to the studio, studio back home, listening to every beat [and] feeling every kick. Ever since I was a little girl, I always dreamed of having my own. Big Mama. But this time, the stakes way bigger. Now, it’s on me to deliver.”

The trailer’s slick wordplay and motherly imagery smartly play on both Latto’s Big Mama persona and the pregnancy rumors that have emerged over the past couple of months. We last heard from hip-hop’s resident “Georgia Peach” on last summer’s “Somebody,” which peaked at No. 94 on the Billboard Hot 100 and will also appear on Big Mama. In the months that followed, Latto went on a buzzy feature run that include collaborations with Nemzzz (“Art”), Ice Spice (“Gyatt”), Cardi B (“ErrTime” remix), Summer Walker (“Go Girl”), 21 Savage (“Pop It”) and Ludmilla (“Bota”).

Her last studio album, Sugar Honey Iced Tea, arrived in 2024, reaching No. 15 on the Billboard 200. Notably, the star-studded set — which included the singles the Hot 100 hits “Big Mama” (No. 92), “Sunday Service” (No. 100) and “Put It On Da Floor” (No. 13) — also debuted atop Top Rap Albums, making Latto the first solo female rapper from Atlanta to hit No. 1 on that ranking. She supported the album with a North American headlining tour alongside special guests Mariah the Scientist and Karrahbooo.

Stream “Business & Personal (Intro)” now.