Harry Styles’ “Sign of the Times” makes a splash on Billboard’s Top Movie Songs chart, powered by Tunefind (a Songtradr company), for March 2026, bowing at No. 3 after it was featured in the newly released Project Hail Mary.

Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of March 2026. The ranking generally includes newly released films from the preceding three months, with exceptions given to movies whose music is still experiencing a high volume of public interest.

“Sign of the Times,” Styles’ debut solo single, was initially featured in Project Hail Mary’s trailer in June 2025. It’s then utilized in the film itself via a karaoke scene in which the song is performed by the character Eva Stratt, played by Sandra Hüller.

In March 2026, “Sign of the Times” received 18.2 million official streams in the United States and sold 6,000 downloads, according to Luminate. With the latter count, it broke back onto the weekly Digital Song Sales chart for the first time since 2022, eventually reaching No. 19 for two weeks so far (April 11 and April 18).

The track debuted at No. 4 on the Billboard Hot 100 in 2017, the first of what has become nine top 10s solo for Styles, including three No. 1s, most recently via “Aperture” in February.

Top Movie Songs remains led by HUNTR/X’s “Golden,” from KPop Demon Hunters, earning 71.7 million streams and 15,000 downloads in March 2026. The eight-week Hot 100 No. 1 spent the entirety of March in the chart’s top eight. In March, the song was performed at the 2026 Academy Awards ceremony, at which it also won the award for best original song.

Shakira’s “Zoo,” from Zootopia 2, follows at No. 2 (27.3 million streams, 6,000 downloads), benefiting in part from the film’s Disney+ on March 11. The song returned to the Hot 100 at a new peak of No. 73 on the March 28-dated survey.

See the full top 10 below.

Rank, Song, Artist, Movie

Olivia Dean has scored the second U.K. chart double of her career with concurrent No. 1s on the albums and singles charts dated April 17.

Dean first achieved the feat in October 2025 and has repeated it once again with The Art of Loving at the summit of the U.K.’s Official Albums Chart, and “Rein Me In,” a joint track with Sam Fender, at the top spot on the Official Singles Chart.

The Art of Loving, Dean’s sophomore album, is now in its eighth non-consecutive week at No. 1; “Rein Me In” has also scored eight non-consecutive weeks as the nation’s biggest song. The latter first appeared on Fender’s People Watching LP with Dean joining for a new version in June 2025. The song is up to No. 64 on the Billboard Hot 100, Fender’s debut appearance on the charts.

On the Official Albums Chart, Dean sees off competition from Jack Savoretti, whose We Will Always Be the Way We Were finishes at No. 2.

Amid a massive North American tour, RAYE’s This Music May Contain Hope finishes the week at No. 3, while Holly Humberstone debuts at No. 4 with her second album, Cruel World. BTS’ ARIRANG holds its position at No. 5.

Ella Langley’s Dandelion is at No. 7, her first appearance on the Official Albums Chart, while Enter Shikari’s surprise LP Lose Your Self lands at No. 16.

On the Official Singles Chart, “Rein Me In” is closely followed by Tame Impala’s “Dracula” which moves up one spot to No. 2. Alex Warren’s “Fever Dream” lifts two spots to No. 3, while sombr’s “Homewrecker” closes at No. 4 and Dominic Fike’s “Babydoll” comes in at No. 5.

Justin Bieber is among the acts to see their catalogue earn a post-Coachella bump. Following his divisive headlining set, Bieber sees 2012 track “Beauty and a Beat” spike 358% week-on-week to land at No. 11 on the Singles Chart, an improvement on its previous peak (No. 16), with “Daisies” (No. 15) and “Yukon” (No. 26) also benefitting. On the Albums Chart, his 2015 LP, Purpose, is at No. 25 with 2025’s Swag placing at No. 37.

KATSEYE, who drew one of the weekend’s biggest crowds, see “PINKY Up” debut at No. 11 for the group’s best ever finish.

Ye’s (formerly Kanye West) upcoming concert in Chorzów, Poland, has been canceled. A rep for Silesian Stadium, where West was set to perform on June 19, told Wyborcza in a story published Friday (April 17) that “the concert will not take place.”

“We will inform the organizer ​in a few hours,” the rep added in a statement. “Our lawyers are preparing a ​letter ⁠regarding this matter.”

Reuters also reported on the show’s cancellation, citing stadium director Adam Strzyzewski’s statement posted to the venue’s Facebook page, which read: “We would like to inform you that the Ye (Kanye West) concert planned for 19 June 2026 ​at the… Slaski stadium will not take place due to ​formal and legal reasons.”

Billboard has reached out to West’s rep for comment

The decision to pull the plug on West’s concert in Chorzów comes shortly after Ye postponed his June show in France amid backlash from the country’s interior minister and the U.K. government’s ruling to deny Yeezy a travel visa, which led to the cancellation of London’s Wireless Fest, where he was set to headline, due to Ye’s past antisemitic remarks and hate speech.

Poland’s culture minister, Marta Cienkowska, spoke out against Ye potentially having a show in the country on social media on Thursday (April 16), calling the decision “unacceptable.”

“The decision to organize a Kanye West concert in Poland is unacceptable,” she wrote in a message posted to X on Thursday (April 16). “We are talking about an artist who has publicly made antisemitic views, downplayed crimes and profited from selling swastika T-shirts. These are not ‘controversies’. This is a deliberate crossing of boundaries and the normalization of hatred.”

Cienkowska continued: “In a country scarred by the history of the Holocaust, we cannot pretend this is just entertainment. Artistic freedom does not mean giving a free pass to everything. Culture cannot be a space for those who use it to spread contempt.”

West has yet to release a statement regarding the show cancellation in Poland. According to the Yeezy website, he’s still slated to perform in New Delhi, Istanbul, the Netherlands, Italy, Madrid and Portugal later this year.

The polarizing Chicago native is still dealing with the fallout from his actions, which included selling a swastika T-shirt and releasing a song titled “Heil Hitler” in 2025.

Ye issued an apology in The Wall Street Journal in January, which saw him address the Jewish and Black communities he had hurt in the past, and West also met with a rabbi in November 2025.

Ye released his Bully album on March 28, which debuted at No. 2 on the Billboard 200. He returned to the stage in the U.S. with a pair of SoFi Stadium shows on April 1 and April 3.

This is not a drill.

Just days after confirming that Confessions II will bring the Queen of Pop back to the dance floor this summer, Madonna has unveiled the first full taste of the upcoming album, “I Feel So Free.”

Prior to hitting DSPs, iHeartRadio’s Pride Radio exclusively debuted the track at 10 a.m. ET on Friday (April 17) and is playing Madonna’s “I Feel So Free” on the hour for at least the duration of the day. (She even recorded a lil bit of audio for the LGBTQ radio station: “Hi, this is Madonna.” Says it all, doesn’t it?)

A propulsive, driving dance song that harks back to the beat of Lil Louis’ 1989 house classic “French Kiss,” “I Feel So Free” exists within the continued sonic realm of Confessions on a Dance Floor, evoking “Future Lovers” from that 2005 disco-pop masterpiece.

Confessions II reunites Madonna with that album’s producer, Stuart Price, who also served as the music producer on her massive 2023-2024 The Celebration Tour. Since then, Madge and Price have been dropping social media teasers about new music together (when I asked Price about this in 2023, he coyly replied, “You measure a working relationship not by the gaps between but by how easily you pick up again from when you left off”). Just this week, Madonna officially confirmed that Confessions II was dropping via Warner Bros. on July 3.

Label reps confirmed to Billboard that the new Madonna song was serviced to radio on Friday morning. Billboard has reached out to reps for Madonna to learn when it will hit DSPs. A Confessions II countdown on Spotify reveals the album has 16 tracks.

Two years ago, WrestleMania 40 — arguably WWE’s greatest spectacle ever — took over Lincoln Financial Field. Home to the Philadelphia Eagles, WM40 drew more than 120,000 wrestling enthusiasts and unfolded as a cinematic answer to Avengers: Endgame. Heavyweights like The Rock, The Undertaker and John Cena flexed their in-ring superpowers, leaving thousands awestruck just hours before reality came calling.

Minutes away, inside the Xfinity Mobile Arena, Trick Williams was writing his own origin story. Headlining NXT Stand & Deliver, the former NFL hopeful was inching closer to the stage he had always envisioned for himself.

Now, his moment has arrived. On Sunday night, Williams will look to carve out his WrestleMania moment, making his official debut alongside Lil Yachty, with the United States Championship in his sights.

“This is my first WrestleMania. This stage is the biggest and where the lights are the brightest,” Williams tells Billboard in his first-ever interview with the publication. “On top of that, I have a purpose and a why. My mom had knee surgery about a month ago — she got a knee replacement. She’s been rehabbing every single day. She said, ‘There’s no way in the world I’m going to miss my baby’s first WrestleMania.’ I got to show up and show out. If she’s fighting, I’m fighting. It’s way bigger than me.”

Williams’ volcanic rise isn’t only a product of grit and tenacity — it’s charisma. His in-ring promos drip with it, leaving fans hungry for more. Add in his entrance theme, powered by triumphant horns inspired by Kendrick Lamar and Baby Keem’s Grammy-winning track “Family Ties,” and Williams feels like a star built for more than just the squared circle. He’s an in-ring firecracker with rap sensibilities, ready to conquer the entertainment world. On Thursday (April 16), Williams leaned further into that lane, releasing his new song “Gingerbread Man” featuring Lil Yachty, which is aimed at his WrestleMania opponent Sami Zayn.

“Some people are gonna kick, fly, flip, and that’s cool. But Trick Williams ain’t no stunt double — I’m a superstar,” he says. “I’m gonna make you want to watch me work. When I come out, I don’t have to do all the moving. I’m gonna sit still and soak it in.”

For entry 020 of Mic Drops and Elbow Drops, Williams speaks with Carl Lamarre about Kendrick Lamar’s influence on his entrance theme, his own musical ambitions, working with Lil Yachty, and navigating comparisons to The Rock.

Two years ago, you were main-eventing NXT Stand & Deliver. Now you’re on the WrestleMania card fighting for the U.S. Title. What’s been the biggest shift in you as a performer and as a man during that rise?

I think it’s the pressure. Going into the deep end time after time again and having ups and downs. You mentioned Stand and Deliver and that was my first time main-eventing during WrestleMania weekend. I remember being hyped for that match with myself and [Carmelo Hayes], which was crazy. It was the biggest NXT attendance ever — no title involved. I remember just saying to myself, “Oh shoot. We’re breaking records.” 

I just remember the pressure and the anxiety that came with that. But, as time progressed, with winning and losing the title eventually, main-eventing, going to TNA — no, excuse me, “Trick-N-A” — as the world champion, I had to learn to be a dog, jump off the deep end and work with some GOATs who were honestly better than me. Now, you take all that and transition to Smackdown, I felt the fire. I felt the pressure. Now I can stand across from Randy Orton. I can stand across from Sami Zayn and call him Ginger Ale or Ginger Snap, because I been here before. I’ve been working my whole life for this entire moment.

Your relationship with Carmelo Hayes goes back to your early NXT days. What did it mean to share the ring with him again on SmackDown, this time as two fully realized stars?

It was a dope moment. Even in that environment, with us trying to make it to Elimination Chamber, it felt oddly familiar hearing his music play before mine — or I’m sure it felt the same way for him hearing my music. We’ve both been here both countless times. So it’s cool to see all that hard work that we put in from day one manifest into something great like Smackdown every single Friday.

With that history between you and Melo, how much deeper can the storytelling go now that you’re both on the main roster stage?

I feel like that’s not really up to me. I’ll be honest with you: I’m not really chasing the past. Ex-girlfriends, they’re back there. I’m getting married soon. That’s just how I look at it. The past is in the past, and if Melo is in the main event scene, shoot, I’ll meet him there — because that’s what I’m on the way to, ’cause there’s where I’m trying to be. 

“Whoop That Trick” went from an NXT crowd chant to arguably one of the hottest themes in WWE today. Why do you think it connects the way it does?

The theme song is just lightning in a bottle. There’s a lot of things you can’t orchestrate or predict the way they need to hit. I’ll tell you this, Carl, I just knew I wanted horns at the beginning — because to me horns signify royalty. When Jesus is coming back, there’s gonna be horns playing. I love [Baby Keem and] Kendrick Lamar’s “Family Ties.” [Starts humming the beat.]

Triumphant. 

Triumphant. Glorious. It feels like something big is on the way to the ring and I love that. I said I needed some trap drums on there, some 808s and something to make it feel like hip-hop because that’s a large part of who I am being The Anointed One. So I sent the “Family Ties” instrumental to our musical team and they sent me back my instrumental within the next 10-20 minutes. Right away, I said, “That’s a hit.” I could feel the energy. 

Man, I was in my living room and just walking out remembering where I was going to hit my points — I already knew it. Mind you, the “Whoop That Trick” chants — if you listen to the instrumental — there’s no words in the song. Since day one, when I had a match against IIja Dragunov and debuted this theme, the crowd was right there, chanting “Whoop That Trick.” That’s why I said it’s lightning in a bottle: Because I didn’t know they were gonna chant. They were chanting “Whoop That Trick” with my old theme — which is why it crossed over so smoothly — but you don’t know if it’s gonna hit the same. It fell right on their lap. Then, Booker T was right there with the ad-libs. Nobody heard this before. There were no rehearsals. 

I’m manifesting Kendrick and Keem popping out at WrestleMania 43 and 44 to do a mash-up of “Whoop That Trick” with “Family Ties.”

That would be so tough, man. Inspirational place to be. I love that. 

You’ve shown flashes on the mic, even rapping on NXT. Could you ever see yourself taking music seriously like John Cena or R-Truth did?

Absolutely. Trick Williams and music are intertwined. I speak from this, because I’ve been a fan of music for a very long time. So I understand music — maybe not to the doctorate level where I’m hitting notes and everything — but I know what sounds good and I know what doesn’t. Now that I’m rocking with Lil Yachty, we might have a little something on the way. Gingerbread, let’s [talk] about it. Music, it gotta happen. 

Lil Yachty recently appeared alongside you on SmackDown. How do you see that relationship evolving both creatively and musically?

Can’t lie. Working with Yachty has been dope, man. He loves the business. He’s not here to be no part-timer or just pop in for WrestleMania, he wants to be here for [even the smaller markets like] Delaware or Baton Rouge. He wants to hit the cities because he loves the game. It’s funny seeing him before we went out on [Smackdown]. You can tell he was getting in his state. He said, “Man, I don’t even get nervous for no concert no more, but I feel something for this.” That’s special. 

Your charisma is undeniable. How do you make sure the personality enhances and not overshadows your in-ring work?

I can’t be worried about that. Shoot, I’m just gonna do my thing, nah mean? [Laughs.] If it overshadows, then so what? Everybody here for a different reason.

As the kids would say, some people just have that aura. 

You know what I’m saying? And the work gotta be there. That’s a non-negotiable, like having your degree. Yeah, it’s a necessary requirement to get the job, but it doesn’t make you qualified in the sense that you’re the best to do it. So know I can lean on more than what I can do inside the ring. I want to make you feel like it’s a whole other environment when my music plays. You just stepped into Trick Willy’s world. Let’s talk about it. 

Wrestling feels more embraced by hip-hop and the Black community than ever right now. From your perspective, what’s changed and what does that mean for the next generation?

Wrestling was cool — it was always cool — but especially in the Attitude Era. Stone Cold been accepted amongst us. The Rock, Booker T, DX, it was cool. People were proud to say, “Did you see what The Undertaker did last night? — it was part of the culture. Things are circling around to where wrestling is becoming hotter now than it was ever before. Shout-out to TKO, Nick Khan, [and] Triple H, because they got us on different platforms where the brand can expand to places we ain’t ever been before. Now we’re on The Breakfast Club, and ESPN. I’ve been on ESPN five times.

You were on First Take with the Lemon Peps. 

With the Lemon Peps. Me and Stephen A [Smith] kicking it, talking about South Carolina basketball. This doesn’t happen 10 years ago. It’s a good time to be in the game. 

You’ve drawn comparisons to a young Dwayne “The Rock” Johnson. How do you take that as motivation without letting it define you?

When it comes to being a WWE Superstar, that’s one of the best compliments you can ever receive, because I feel like nobody has ever done it like The Rock. That being said, I don’t want people to see The Rock in my work. Maybe the way people feel might be similar to when The Rock was doing his thing now that Trick Williams is doing his. I want that to be the extend of it, but as far as, “Oh man. He’s doing what The Rock does?” Absolutely not, man. Trick Williams is his own man because The Rock is one of those guys who can really, really say, “I’m going to pursue this.” 

When I was putting down my football helmet with the Philadelphia Eagles — it was around KofiMania time — I said let me go back to what made me love wrasstling. I watched The Rock and his promos. I saw how he can pick the crowd up and set ’em down and they can know everything he was about to say. He controlled the crowd. It was almost like a pastor at church. It was crazy how he can do it. I said if I was going to do this, I want it to feel like this. I gotta find my way to make the people know that they can have a great time. I’m not The People’s Champ, I’m The Anointed One. Let’s talk about it.