Elton John is preparing to release his new collaborative album with Brandi Carlile next week, but a new interview has seen the prolific artist reveal the upcoming record left him confronting his mortality.

John and Carlile’s new record, Who Believes in Angels?, is set to release on April 4, with singles such as its title track and “Swing for the Fences” arriving in the lead-up. While announcing the record, John explained it hit hard on both sides of the spectrum, describeing it as equally “one of the toughest I’ve ever made” and “one of the greatest musical experiences of my life.”

In a new episode of the Smartless podcast which was released to subscribers on Tuesday, March 25 – John’s 78th birthday – the musician revealed that the album’s closing track hit closer to home than previous songs due to its rather pertinent themes.

“I wrote a song at the end of the album and I just get the lyrics, Bernie Taupin’s lyrics,” John explained “I’m writing the verse, like, ‘Oh, this is really pretty.’ And then I get to the chorus and of course it’s about my death.

“When you get to my age, which is near 100, you think, ‘How much time have I got left?’” he continued, before his thoughts turned to husband David Furnish and sons Zachary and Elijah. “You’ve got children, you’ve got a wonderful husband, you just think about mortality. And so when I got to the chorus, I just broke down for 45 minutes – and it’s all on film.”

The sessions were recorded as part of the film Elton John: Never Too Late, which was released in October to widespread acclaim. The titular “Never Too Late” will also be released on Who Believes in Angels? and was recently up for best original song at the Academy Awards.

“I want everybody to see it because it’s really human, like deeply flawed and embarrassing,” Carlile added. And the kind of shit that you do when you forget that there is a camera on is what’s really interesting.”

The forthcoming episode of the Smartless podcast, which officially releases to all listeners on March 31, also sees John reflecting on his earliest days as a solo musician. “I never imagined myself as a solo artist,” he explained. “When I was in my group, Bluesology, I took the big risk of going up to Liberty Records saying, ‘I want to write songs, I’m so fed up with playing in a band that doesn’t want to go anywhere, and I can sing too.’”

Longtime Fleetwood Mac guitarist Lindsey Buckingham has teamed up with former bandmate Mick Fleetwood once again, with the pair reuniting in the recording studio recently.

News of the pair’s musician reunion was detailed by Swedish producer Carl Falk, who took to Threads recently to share a photo from the studio where Fleetwood has been working on a new solo album. The sessions have ostensibly also seen Fleetwood working with The War on Drugs’ Adam Granduciel.

“Slightly unreal moment to sit with Lindsey Buckingham and Mick Fleetwood to play Lindsey the album we have been working on,” Falk wrote. “And to see his genuine happiness for Mick to finally do his own album and offering to play guitar and to sing on it. Can’t wait to finish this one.”

Another post shared by Falk captured Buckingham in the studio with his guitar in hand. “Mick and Lindsey together again, what a flawless guitar player,” the caption wrote. Currently, no official details from Fleetwood have been announced in regard to the content or release of the forthcoming album.

Fleetwood served as one of the founding members of Fleetwood Mac alongside guitarist Peter Green and bassist John McVie, serving as the group’s percussionist for the entirety of their career. Buckingham joined as guitarist and vocalist alongside singer Stevie Nicks in 1974, completing the band’s most famous lineup, which also included McVie’s then-wife Christine.

Buckingham departed the group in 1987, but rejoined in 1997 as part of the band’s classic lineup reunion. Buckingham remained with the band until the 2018 announcement he would no longer be touring as part of Fleetwood Mac.

“I have sadly taken leave of my band of 43 years, Fleetwood Mac. This was not something that was really my doing or my choice,” Buckingham later explained during a live concert. “I think what you would say is that there were factions within the band that had lost their perspective.”

“It harmed the 43-year legacy that we had worked so hard to build,” he added of the group’s decision, “and that legacy was really about rising above difficulties in order to fulfill one’s higher truth and one’s higher destiny.”

The guitarist was replaced by former Tom Petty and the Heartbreakers member Mike Campbell, and Crowded House’s Neil Finn for the band’s final years. Fleetwood Mac would officially split in 2022 following the passing of Christine McVie. 

Buckingham’s departure from Fleetwood Mac occurred almost a year after the release of Lindsey Buckingham Christine McVie, an album which featured the band’s lineup with the exception of Nicks. Until 2025, it was the most recent collaboration between Buckingham and Fleetwood.

English art pop musician FKA Twigs has announced the cancellation of her upcoming North American tour dates after her production team failed to obtain the necessary visas..

FKA Twigs (whose real name is Tahliah Barnett) shared the news via social media on Tuesday (March 25), explaining that while previous shows on her current Eusexua Tour have been “absolutely incredible,” she conceded the experience “has been challenging with production and the more practical side of putting this tour together.” 

One of those challenges has now been the news that her upcoming North American tour dates have been cancelled days before they were supposed to take place. The affected dates include a March 26 date in Chicago, two dates in Toronto from March 30-31, and a pair of shows in New York City from April 3-4.

“Today I was informed that production did not fill out the correct paperwork in a timely manner for us to have our visas to come to the USA and perform,” the singer explained. “So that means by no choice of my own I will have to pull out of my New York, Chicago, and Toronto shows.”

“For those of you who are wondering why I have to pull out of Toronto because it’s not part of the United States, it’s because of routing and just the complex beast that touring is,” she added. “I don’t take this lightly. I’m completely devastated, to be honest with you. Completely heartbroken. All I want to do is be there with you and bring Eusexua to you.”

She continued by noting she was “looking into how and why this happened,” and promised that information regarding rescheduled dates would be announced shortly.

FKA Twigs has been touring off the back of her long-awaited third album, Eusexua, which was released on Jan. 24 and reached a career peak of No. 24 on the Billboard 200. The record itself followed on from her 2022 mixtape Caprisongs, though it was her first full-length album since 2019’s Magdalene.

The current tour was scheduled to launch on March 8 with a show in Prague, but this and its follow-up date in Berlin were both cancelled with “shipping issues” cited as the reason. FKA Twigs is currently scheduled to perform at the Coachella Valley Music and Arts Festival in California next month, along with an additional date in San Francisco on April 19, though no updates have been given as to whether these shows may be affected by her current visa issues.

Before we celebrate our Billboard Women in Music honorees this Saturday night — including 2025 Woman of the Year Doechii — the Billboard charts team put together the Top 100 Women Artists of the 21st Century chart (encompassing women soloists, all-women groups and groups with prominent women’s vocals).

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On the new Billboard Pop Shop Podcast, Katie & Keith are taking a closer look at the powerhouse top 10 (you can find the full 100-item chart here) and getting a breakdown of the methodology for the 25-years-in-the-making chart.

Join us at Billboard Women in Music 2025 – get your tickets now! Get Tickets → HERE

Also on the show, we’ve got chart news on how Chappell Roan’s new single “The Giver” makes a big debut, how Doechii scores her first top 10 on the Billboard Hot 100 with “Anxiety,” how Sabrina Carpenter lands an impressive fourth No. 1 song from the same album on the Pop Airplay chart, and how Playboi Carti debuts atop the Billboard 200 albums chart with his new album MUSIC.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Lynyrd Skynyrd signed a label deal with Frontiers Music Srl, which will release the iconic rock band’s live album and DVD, Celebrating 50 Years – Live At The Ryman, taped at its 50th anniversary concert at Nashville’s Ryman Auditorium in 2022. The show featured the final performance of founding member Gary Rossington. The band is managed by Vector Management.

Downtown Neighboring Rights will manage and represent Jason Mraz‘s neighboring rights. Mraz’s catalog includes such hits as “I’m Yours,” “Lucky” featuring Colbie Caillat, “I Won’t Give Up” and “I Feel Like Dancing,” the lead single from his latest album, Mystical Magical Rhythmical Radical Ride.

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Nashville-based singer-songwriter Sydney Rose (“Turning Page,” “We Hug Now”) signed to Mercury Records and will release her new EP, I Know What I Want, on the label on April 4. “We Hug Now” went viral on TikTok earlier this year. Rose is booked by CAA.

Thelma & James (“Happy Ever After You”), a duo composed of married Nashville-based singer-songwriters MacKenzie Porter and Jake Etheridge, signed with Big Loud Records. The label released the duo’s new song, “First Love,” on March 14. Thelma & James is currently in the studio working on new music.

R&B singer JayDon signed a label deal with Usher and L.A. Reid‘s mega. The label released his single “I’ll Be Good” — which samples Usher’s “How Do I Say” — on March 14 ahead of his forthcoming EP Me, My Songs and I, which is set for release this spring. Under the name JD McCrary, JayDon is known for voicing Young Simba in 2019’s The Lion King and starring in films and TV shows including The Paynes and Little. He also appeared on Beyoncé’s The Lion King: The Gift soundtrack.

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Country singer-songwriter Cole Phillips signed with WME for global representation. The Oklahoma native will release his EP Steel Toes and Texacos on April 11 on RECORDS Nashville. The EP will feature five songs he co-wrote, including “West Tx.” Phillips is repped by WHY&HOW for management. – Jessica Nicolson

Singer-songwriter Alexandra Savior signed with RCA Records and released a new single, “Unforgivable.” Savior previously released two albums, Belladonna of Sadness and The Archer, on Columbia and 30th Century Records, respectively.

Concord and Pulse Music Group’s Pulse Records signed Nashville-based singer-songwriter Elizabeth Nichols, who released her debut single, “I Got a New One,” on Dec. 6. Pulse released her latest single, “Bad Taste,” on Friday (March 21). Nichols is managed by Dylan Bourne and James Martin at Bourne Creatives and booked by Meredith Jones Long and Cheryl Paglierani at CAA.

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Third Man Records signed Austin, Texas, rock band Die Spitz. The quartet, which has previously supported Amyl and the Sniffers, Sleater-Kinney and OFF! on the road, is slated to embark on a world headlining tour starting May 28, including slots at The Governors Ball and Bonnaroo.

Mexican pop group ALMAS — composed of Alegría, Dae, Dany and Steph — has signed to Universal Music Latino. “Being welcomed to the Universal Music Latino family is more than just a milestone for us — it’s a celebration of our journey, our voices, and the strength of women in music,” the band said in a statement. “We are excited to share our story with the world and continue to push innovative boundaries while staying true to who we are.” – Griselda Flores

Also signing with Universal Music Latino was emerging Colombian artist Annasofia. Based out of Miami, Annasofia is also a musician and producer, and the signing marks “the next step” in her career, according to a press release. The 24-year-old is a graduate of Art House Academy under the mentorship of renowned producer Julio Reyes Copello. – Griselda Flores

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Billy Ray Cyrus and Scott Adkins (who manages Cyrus) signed Native American guitarist, songwriter and producer Micki Free as the flagship client of the duo’s newly-formed Roam Man Management. Free, who recently released an EP, Dreamcatcher, won a Grammy for his contribution to the Beverly Hills Cop soundtrack.

Americana artist Connor Daly signed with Burning Ground Entertainment for management. Daly released his debut album, Colors Fade, in July. Daly, who counts Jason Isbell, Zach Bryan and Ed Sheeran as inspirations, recently released a new single, “Curtains Never Close.” Burning Ground Entertainment also represents artists including Mic Drop, The Pretty Wild, and Tayiha. – Jessica Nicholson

Over the weekend, Chicago rapper Vic Mensa posted a video on his social media accounts about the time he got into it with some Italian mobsters in a club and how he had to pay them to leave him alone.

Vic starts things off by painting a picture. He was on his tour bus already drunk, in an undisclosed city, when he decided to check out a club that a friend was DJ’ing at, and mentioned that he was supposed to make an appearance in that same club the very next day.

Once he gets to VIP, he was handed a blunt, a fifth of Dusse, and a bottle of Ace of Spades before he noticed a friend on the dance floor asking him for some backup. “So, I start going down there,” he recalled. “He like, ‘G, they just choked me and dragged me out the club! And they not even security!’ I’m like, ‘Who? Who did this to you?’”

After his friend pointed the culprit out, Mensa claims that he hit he hit him with the bottle of Ace of Spades. “I’m a nut so I already had bottle of Ace of Spades in my hand,” he said. “Boom! I crashed his ass. Immediately, this shit turned into a melee. I told you, I only got one friend in the building. Now this shit is not going well. I’m getting punched up and down like cartoon fists in a cloud.”

Adding that once he got away and made it to his hotel, a friend called him to inform him that the people he fought were made men. “My mans called me, who I didn’t even know was in that city at that time,” Vic began. “He was like, ‘Man, that was the Italian mob. They finna kill you!’

Vic then had to give one of his “big homies” in Chicago a call to help him out and said he had to pay $10,000 to make things right and made his scheduled club appearance with extra security. “Long story short, I get the bread, I pay the mob,” he continued. “Oh yeah, but that’s another one of the reasons why I don’t drink.”

Vic talked about his journey on the road to sobriety on Instagram in 2023, saying that he had to “learn the difference between fun and joy.”

Check out his “Italian mob” story below.

Interscope Records rules the top of the latest Billboard 200 albums chart, as the company holds the top three titles on the list dated March 29. It’s the first time Interscope has held the top three concurrently in over 20 years. Further, Interscope is one of only two labels to have claimed the top three on the chart in the last 30 years.

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On the March 29-dated chart, Playboi Carti’s MUSIC (released via AWGE/Interscope) debuts at No. 1, while Lady Gaga’s MAYHEM (Streamline/Interscope) falls to No. 2 and Kendrick Lamar’s former leader GNX (pgLang/Interscope) dips 2-3.

All three titles are from the Interscope Capitol labels group family, which was announced a little over a year ago. It’s the first time it has held the top three.

Interscope last claimed the top three on the May 31, 2003-dated chart, when Nos. 1-3 were Marilyn Manson’s The Golden Age of Grotesque (Nothing/Interscope), 50 Cent’s Get Rich or Die Tryin’ (Shady/Aftermath/Interscope) and Cold’s Year of the Spider (Flip/Geffen/Interscope).

Interscope captured the top three-plus two other times in the last 30 years. On the Dec. 7, 1996, chart, the label had the top four with Bush’s Razorblade Suitcase (Trauma/Interscope), Snoop Dogg’s Tha Doggfather (Death Row/Interscope), Makaveli’s The Don Killuminati (Death Row/Interscope) and No Doubt’s Tragic Kingdom (Trauma/Interscope). On the Nov. 30, 1996, chart, Interscope also had the top three, with Tha Doggfather, The Don Killuminati and Tragic Kingdom at Nos. 1-3.

The only other label to capture the top three in the same week in the last 30 years is Republic, which first claimed the feat in 2018 and has done it a number of times since.

Snoop Dogg will deliver the 2025 commencement address at the University of Southern California’s Marshall School of Business graduation ceremony, the university announced Tuesday (March 25).

“I am deeply honored to join USC Marshall’s commencement in celebrating the remarkable achievements of these graduates,” the Long Beach rapper said in a statement posted to the school’s website. “Commencement is not just a milestone — it’s a launching point. It’s about stepping into your purpose, applying what you’ve learned, and making an impact that matters. I look forward to welcoming them into the next chapter of their journey as leaders, innovators, and changemakers.”

Snoop’s been rooting for SC on the sidelines for decades, from frequently visiting USC football practice during coach Pete Carroll’s reign in the early 2000s to repping USC women’s basketball superstar guard Juju Watkins during their game against Notre Dame last fall.

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The iconic MC already spoke in front of hundreds of USC Marshall students just last December during The Entrepreneur as a Brand discussion with Albert Napoli, senior lecturer of clinical entrepreneurship, as part of Napoli’s BAEP 452: Feasibility Analysis class.

“Snoop Dogg is the ‘Dogg-father of Cool,’” the professor said at the time. “He’s also a passionate and highly successful entrepreneur with a recognizable brand that speaks to a diverse range of demographics.”

Snoop also won the 2024 Lloyd Greif Center for Entrepreneurial Studies Entrepreneur of the Year award, the most prestigious honor bestowed by the Center and previously awarded to Apple’s late CEO/co-founder Steve Jobs, Starbucks’ former CEO/chairman Howard Schultz and Salesforce’s CEO/co-founder/chairman Marc Benioff.

Private equity firm Silver Lake has completed its acquisition of 100% of the stock of sports and entertainment giant Endeavor to take the company private in a deal that values it at $25 billion, the firm announced on Monday (March 24).

As part of the deal, Endeavor stockholders will receive $27.50 in cash per share, which represents a 55% premium to the company’s closing price of $17.72 on Oct. 25, 2023 — the day before Endeavor announced Silver Lake’s plans to take the company private.

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Endeavor, which owns the talent agency WME, marketing agency 160over90, brand licensing agency IMG Licensing and more, will be renamed WME Group. Endeavor is the largest company in the media and entertainment sector ever to be taken private by a private equity sponsor, Silver Lake said in a press release.

Silver Lake co-CEO Egon Durban said his firm has never sold a share in Endeavor since its first investment in the company in 2012, and over that time, Endeavor’s “revenue has grown by twentyfold.”

“Silver Lake has previously invested on six separate occasions to support Endeavor and now, with this latest investment, it is the single largest position in our global portfolio,” Durban added.

Endeavor founder and former CEO Ari Emmanuel will move into the role of executive chairman of WME Group. On Monday, Emmanuel cashed out a portion of his ownership stake in the company for $173.8 million, per a regulatory filing first reported by Variety. Patrick Whitesell, who was previously executive chairman of Endeavor/WME received a $100 million payout, Variety reported.

Following the deal Endeavor will hold on to its majority stake in TKO Group Holdings, a separately traded sports and entertainment company whose assets include wrestling promotor WWE and Ultimate Fighting Championship. The valuation of $25 billion includes TKO’s assets.

In addition to WME, 160over90 and IMG, Endeavor’s portfolio includes Pantheon Media Group, live event hospitality firm On Location and sports betting data firm OpenBet.

Led by co-CEOs Durban and Greg Mondre, Silver Lake has $104 billion in combined assets under management, and its portfolio includes stakes in companies including Oak View Group, Fanatics, TEG, Waymo, Stripe, Plaid, SoFi and Madison Square Garden Sports.

Heart’s Nancy Wilson hasn’t minced her words when it comes to the state of the world, claiming she feels “embarrassed” to call herself an American in this day and age.

Wilson’s comments came via a new interview with the Milwaukee Journal Sentinel in which she reflected on some of Heart’s enduring singles. In the interview, Wilson noted that the band’s third single, 1975’s “Crazy on You,” was written as a critical response to the Vietnam War, though the lyrics have found themselves relevant once again.

“We were kind of embarrassed at that time to call ourselves American because of the dirty politics of the Vietnam War,” Wilson explained. “To be as subtle as possible, it’s more embarrassing now.”

The discussion also focused on the likes of 1977’s “Barracuda,” which had been initially written about a sleazy industry figure of the time. However, with reference to an infamous quote from President Donald Trump, Wilson conceded the track “is even more relevant in the salacious billionaire culture with the grab-them-by-the-(expletive) mentality.”

“These songs will be there long after we are gone,” she added, before focusing on the contemporary prevalence of the sexism that inspired “Barracuda.”

“I think for women in the culture the pendulum will come back again, and there’ll be another renaissance in the arts to push back against the oppression of the cranky old rich white guys,” Wilson added. “I hope I am alive to see that next revolution.”

Wilson, who has served as the backbone of Heart alongside sister Ann, isn’t alone in her criticism of American politics. In 2018, Ann claimed that the Seattle band’s “Barracuda” could be used by just about any candidate in the 2020 election if they desired. “I think anybody but Trump,” she clarified.

Heart first formed in 1967, though would not take on its most recognizable form until Ann Wilson joined in 1971, with Nancy following in 1975. Debut album Dreamboat Annie was released that same year and would peak at No. 7 on the Billboard 200. The group would top the chart a decade later with their self-titled eighth album, which also featured their first Hot 100 chart-topper, “These Dreams.”

Despite numerous splits and reunions over their lifetime, Heart resumed activity in 2023, with the Wilson sisters receiving a Grammy lifetime achievement award that same year. One decade earlier, the band was inducted into the Rock and Roll Hall of Fame by fellow Seattle artist Chris Cornell.