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Australian pop rock band 5 Seconds of Summer is on its Everyone’s a Star! World Tour, and the show looks like a blast. The United States leg began in late May, and was launched in support of the act’s sixth studio album of the same name, which dropped in 2025 via Republic Records.

This new stint is a major deal, considering the Tumblr-famous boy band’s last major tour was the 5 Seconds of Summer Show, which ran from July to October 2023. Members Luke Hemmings, Michael Clifford, Calum Hood and Ashton Irwin have a jam-packed schedule with a massive amount of stops in the United States, Canada, Asia, Australia, South America and the United Kingdom.

If you don’t want to wait until the next time the band goes on tour, which might take years, or you’re currently experiencing major FOMO from all the new concert videos you’ve seen on X, there’s still time to snag tickets to see 5SOS live — and at wallet-friendly pricing too.

Below, we’ll show you the best spots to snag affordable stubs to the band’s circuit online. We’ll specifically be covering 5SOS’ stops in the United States. Keep reading to learn more.

Where to Buy Affordable Tickets to 5 Seconds of Summer’s Everyone’s a Star! 2026 World Tour

Where to buy last-minute tickets to 5 Seconds of Summer's Everyone's a Star 2026 world tour online.

OFFICIAL TICKETING

Ticketmaster


As of this writing, pricing for seating to the boy group’s outing on Ticketmaster is pretty budget-friendly at certain venues. Tickets currently go for as low as $40.55 at certain venues. If you’re looking for an up-close view, floor seats are available for $100+. The ticketing service offers a fan guarantee, which allows for cancellations, refunds or exchanges within 24 hours of booking, subject to certain exclusions.

Where to buy last-minute tickets to 5 Seconds of Summer's Everyone's a Star 2026 world tour online.

EDITOR’S PICK

StubHub


StubHub is yet another great option when searching for reasonably priced seating. As of this writing, we have seen tickets for the “Not Ok” band’s tour circuit go for as low as $28. When searching on StubHub, you’ll find certain venues labeled with a “great value” badge that indicates pretty hefty markdowns on tickets. For example, the group’s Rocket Arena show in Cleveland and TD Garden stint in Boston seem to have the best pricing right now, according to StubHub.

The platform makes buying tickets easy with its “FanProtect Guarantee,” which protects your purchases with authentic tickets and refund policies. Plus, if your event is canceled and not rescheduled, you will receive a credit worth 120% of the amount you paid, or the option of a cash refund.

Where to buy last-minute tickets to 5 Seconds of Summer's Everyone's a Star 2026 world tour online.

PROMO CODE

SeatGeek


SeatGeek is a ticketing site with inexpensive options for the Everyone’s a Star! 2026 stint. The pop band’s Ruoff Music Center concert in Noblesville, Ind., features seating for as low as $27. This is the lowest pricing we’ve seen thus far for 5SOS tickets.

Spots closer to the stage are around $200+, depending on your chosen venue. Right now, you can use promo code BILLBOARD10 at checkout to receive $10 off for new members. The ticketing service features a Buyer Guarantee that ensures smooth ticket purchases every time.

Where to buy last-minute tickets to 5 Seconds of Summer's Everyone's a Star 2026 world tour online.

PROMO CODE

Vivid Seats


Price-conscious shoppers can also rely on Vivid Seats for deals on 5SOS tickets. The site has a slew of affordable stub options at venues such as the Rocket Arena in Cleveland for $35. The Australian boy band will perform in the Ohio city on June 9. To sweeten the deal, you can use our promo code BB30 to snag $30 off your purchase for new members only. The ticketing service offers a “100% Buyer Guarantee” policy that vows your transaction will be secure, that your tickets will be delivered before your event, and that your tickets will be valid and authentic. 

We’ve got even more savings for concertgoers. You can grab stubs to one of 5SOS’s concerts through TicketNetwork with the code BILLBOARD150 to save $150 off orders of $500. TicketNetwork has $40 seats for the act’s Cleveland show at the Rocket Arena. If you can’t pay up for your tickets just yet, you can buy the tickets on the website now and pay later with help from Affirm. Plus, the site includes all-in pricing that lets you see exactly what you’ll be paying upfront (fees included).

Where to buy last-minute tickets to 5 Seconds of Summer's Everyone's a Star 2026 world tour online.

BEST SEATING

Gametime


We’ve found that Gametime has great pricing and tons of seating for the boy band’s tour. Tickets are going for as low as $27 at some venues. This is the best price we’ve seen on our search thus far. Gametime’s in-depth maps show that there are still ample seats available for spots on the floor or higher up at in-demand venues like Madison Square Garden in New York and Rocket Arena in Cleveland.

The site will notify you when certain venues/dates feature deals, allowing you to find the best pricing every time. Gametime guarantees the lowest prices, event cancellation protection and on-time ticket delivery for a smooth ticket-buying experience every time, no matter the occasion.

During their 2026 jaunt, the Australian boy band will be stopping to perform at 2026 Lollapalooza on Thursday, July 30, on the festival’s T-Mobile Stage. You can buy tickets for the occasion here.

5 Seconds of Summer 2026 Tour Dates:

June 9 — Cleveland — Rocket Arena

June 11 — Pittsburgh — PPG Paints Arena

June 13 — New York — Madison Square Garden

June 16 — Atlanta — State Farm Arena

June 17 — Orlando, Fla. — Kia Center

June 19 — Nashville, Tenn. — Bridgestone Arena

June 21 — Austin, Texas — Moody Center

June 23 — Fort Worth, Texas — Dickies Arena

June 26 — Glendale, Ariz. — Desert Diamond Arena

June 27 — Anaheim, Calif. — Honda Center

June 30 — Portland, Ore. — Moda Center

July 2 — Seattle — Climate Pledge Arena

July 7 — Sacramento, Calif. — Golden 1 Center

July 9 — San Diego, Calif. — Viejas Arena

July 11 — Los Angeles — Kia Forum

July 22 — Shakopee, Minn. — Mystic Lake Amphitheater

July 24 — St. Louis — Hollywood Casino Amphitheatre

July 25 — Noblesville, Ind. — Ruoff Music Center

July 27 — Cincinnati — Riverbend Music Center

July 29 — Grand Rapids, Mich. — Acrisure Amphitheater

Aug. 6 — Clarkston, Mich. — Pine Knob Music Theatre

Aug. 8 — Camden, N.J. — Freedom Mortgage Pavilion

Aug. 9 — Richmond, Va. — Allianz Amphitheater at Riverfront

Aug. 12 — Hollywood, Fla. — Hard Rock Live

Aug. 14 — Raleigh, N.C. — Coastal Credit Union Music Park at Walnut Creek

Aug. 15 — Charlotte, N.C. — PNC Music Pavilion

Aug. 18 — Rogers, Ark. — Walmart AMP

Aug. 20 — Kansas City, Mo. — TBA

Aug. 22 — Denver — Junkyard

Aug. 26 — Salt Lake City — Utah First Credit Union Amphitheatre

Aug. 28 — Mountain View, Calif. — Shoreline Amphitheatre

Ariana Grande is in the tens club. The pop supernova shared a heartfelt reaction on Instagram Monday (June 8) after earning her 10th No. 1 hit atop the Billboard Hot 100 with “Hate That I Made You Love Me.”

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“Crying…….. thank you all from the bottom of my heart for my tenth number one ! ! ! i simply cannot believe those words,” Grande wrote. “I feel like the most grateful human being alive everyday to be able to do what i love, to be able to share it with fans as loving as mine, and to do it with collaborators as spectacular and kind as @ilya_music and max.”

The Grammy-winning singer continued to share the emotional moment with her diehard fan base, who has been with her on this fruitful journey for well over a decade. “The fierce love and support that you all show is still and will always be unfathomable to me,” she wrote. “please just know that there isn’t a day that goes by where i don’t feel it and that it is something that i will never, ever take for granted. i love you and thank you for showing this record such love. happy tenth number one. i cannot wait to sing it for you all tomorrow again and then for the rest of my life.”

The Petal lead single bowed at No. 1 on the Hot 100, which gives Ari her 10th No. 1 on the chart, which also ties her for 10th most No. 1s in the tally’s history. Produced by ILYA and Max Martin, the latter of whom extended his record for the most No. 1s of any producer with 28, “Hate That I Made You Love Me” arrived on May 29.

The song totaled totaled 23.6 million official streams, 18.9 million radio airplay audience impressions and 70,000 sold in the U.S. for the tracking week ending June 4, according to Luminate. “Hate That I Made You Love Me” launched at No. 1 on Digital Song Sales and Billboard Global 200 charts. It also marks Grande’s first Hot 100 No. 1 since 2024’s “We Can’t Be Friends (Wait for Your Love).”

Grande made her highly anticipated return to the stage to kick off her Eternal Sunshine Tour on Saturday night (June 6) in Oakland, Calif. The trek continues on Tuesday (June 9) with the second of three Oakland Arena shows before heading to Los Angeles.

Petal arrives on July 31. See Ariana Grande’s full reaction below:


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Tens of thousands of country music fans descended on Nashville this past week for the annual CMA Fest, which ran from June 4-7 in downtown Nashville, with hundreds of artists performing across multiple stages. The fest included not only superstars headlining the nightly Nissan Stadium shows but also rising and established artists playing many daytime sets, bringing in sounds including rap-infused country, swirls of bluegrass, classic country, Americana-tilted sounds and more. Over at Fan Fair X, fans also watched as the careers of artists including Ashley McBryde, Randy Travis, Shaboozey and more were celebrated.

CMA Fest began in 1972 (then known as Fan Fair) and has grown from an estimated 5,000 attendees in its first year to approximately 95,000 daily attendees in recent years. Along the way, the fest has moved from Nashville’s Municipal Auditorium to the Nashville fairgrounds to now dominating Nissan Stadium and spreading across the city. Each year, the celebration connects artists and fans, bringing performances and surprise collaborations, highlighting an array of sounds and performers.

As the sun set Sunday night on the final CMA Fest that will be held at the current open-air Nissan Stadium (a new, enclosed Nissan Stadium is under construction), fans and the industry alike started to turn their sights toward CMA Fest 2027.

The Country Music Association and ABC will also highlight top moments from CMA Fest Presented by SoFi when it airs June 25 on ABC and streams the following day on Hulu. Riley Green and Good Morning America‘s Lara Spencer will host the three-hour concert, which was filmed during this year’s 53rd CMA Fest.

Some of the artists on the CMA Fest bill were also featured during Billboard’s Country Live event, which overlapped with CMA Fest for much of Thursday and Friday.

Below, we highlight some of the top moments we saw across CMA Fest this year.

Lizzo joined Drink Champs for an interview clip that went live Saturday (June 6), and when asked to choose between two musical greats, the Detroit native refused to do so.

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Instead, Lizzo gave the often-compared rivals Michael Jackson and Prince their flowers, and saluted MJ and the Purple One’s iconic legacies that she doesn’t think will be touched by any artists of today.

“How lucky are we to be able to experience or have experienced or witness the kind of artistry that Michael Jackson and Prince gave in real time? This is Mozart-level s–t,” she said. “In 150 years, people are still going to be talking about these artists.”

Lizzo believes there are too many distractions for artists these days muddying the waters to truly be dedicated to their crafts.

“It’s not even possible to be that great anymore,” she added. “We got too many cell phones, too many distractions. What they had was working at home on their craft. Do you know the blisters and the bleeding that you have to have on your fingers to play guitar the way Prince played guitar?

The “Truth Hurts” artist continued: “That comes from hours of sitting and just playing. Like, that’s not going to come to you after going viral on TikTok. Michael Jackson was working on his spins in a dance studio from 7 p.m. to six in the morning.”

Lizzo credited the Jacksons with being the original pop family band and inventing pop stardom. “That’s what I always say about Janet [Jackson]: She’s the queen of pop because they invented pop,” she claimed. “Motown literally invented what modern pop is today.”

“I don’t think there’s ever been a pop star of that magnitude. And it will never happen again, baby,” Lizzo added of Michael Jackson, before crowning Prince as the “greatest guitar player of all-time.”

Over the course of their careers, Michael Jackson placed 52 songs on the Billboard Hot 100 and six No. 1 albums on the Billboard 200, while Prince landed 47 songs on the Hot 100 and five No. 1s on the Billboard 200.

As far as her own music goes, Lizzo returned with her first album in four years on Friday (June 5), as Bitch arrived on streaming services. 2022’s Special debuted at No. 2 on the Billboard 200 with 69,000 total album-equivalent units, according to Luminate.

“Reclaiming the word ‘b—h’ is power. It’s taking a label once used to diminish women and turning it into a declaration of confidence and unapologetic self-love,” she said in a statement. “So many incredible women in music have used the word for positivity like Meredith Brooks and Missy Elliott. It was only fitting to name my album Bitch because it has become my favorite word when using it on my own terms, and because I am 100% that b—h!”

Watch the clip of Lizzo on Drink Champs below.


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There’s no cure for the shock Olivia Rodrigo is experiencing over teaming up with one of her idols, Robert Smith, about whom she penned a heartfelt letter days ahead of their duet “What’s Wrong With Me” arriving alongside the pop star’s new album, You Seem Pretty Sad for a Girl So in Love.

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In a handwritten letter sent to fans on her email subscription service Monday (June 8), Rodrigo reflected on debuting the unreleased collaboration at Primavera Sound in Barcelona the night prior. “I’ve been insanely excited to tell you guys about this song & it’s been so hard to keep it a secret!” she gushed. “It’s the first feature I’ve ever done on an album and I actually cannot believe I got to do it with Robert Smith!”

“Somebody pinch me!!!” the Gen Z star continued of The Cure frontman. “Robert has been soundtracking my life for as long as I can remember. He has written some of my favorite songs of all time. His music moves me & inspires me to a degree that is hard to put into words. I’ve also been lucky enough to spend time with him over the last year & experience first hand his generosity & graciousness.”

She added, “I am in disbelief that this song exists and I cannot wait for it to come out officially!”

You Seem Pretty Sad for a Girl So in Love will finally drop on Friday (June 12). So far, Smith’s influence has been laced into both of the tracks Rodrigo has released from the project so far; on Billboard Hot 100-topping lead single “Drop Dead,” she references The Cure’s “Just Like Heaven,” and the album’s second single is simply titled “The Cure.”

Now, “What’s Wrong With Me” will complete the trifecta of Cure-related songs on Rodrigo’s third studio album, as previewed for the thousands of fans who showed up to her surprise set at Primavera Sound on Sunday (June 7). Smith joined her on stage to give the tender ballad a proper live debut, the pair singing lyrics such as, “My head is spinning and my stomach is sick/ Say I’m in love, so it’s hard to admit/ I can’t eat, I can’t sleep/ I think you’re what’s wrong with me.”

Previously, Rodrigo and Smith performed together at her Glastonbury set last July.


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Following the release of his emphatic three-peat last May, Drake’s reign continues as ICEMAN notches a third consecutive week atop the Billboard 200. Along the way, the Toronto superstar surpassed Jay-Z for the most No. 1 albums among male solo artists and leapfrogged Michael Jackson for the most Hot 100 chart-toppers after “Janice STFU” debuted at No. 1.

While Ariana Grande reclaimed the Hot 100 crown this week, it will take more than one chart cycle to slow Drake’s momentum, with “Janice STFU,” “Shabang,” and “Ran 2 Atlanta” remaining formidable contenders in the Song of the Summer race.

Drake’s Hot 100 conquest began in 2010 when he earned his first No. 1 as a featured guest on Rihanna’s “What’s My Name?” Five years later, the island-infused “One Dance” became his first chart-topper as a lead artist and served as the launching pad for one of the most dominant commercial runs in music history.

Throughout that run, Drake’s penchant for sticky melodies, bruising bars, and scene-stealing guest appearances became his calling card. Fridays often felt like appointment listening, with the OVO leader routinely steamrolling his way to another No. 1. While some of those records have endured as defining entries in his catalog, others burned bright before fading from the public consciousness. Regardless,

Drake’s chart dominance and unrivaled hitmaking consistency have placed him in rarified air.
Below, Billboard ranks every Drake Hot 100 No. 1, from his first trip to the summit alongside Rihanna on “What’s My Name?” to the history-making arrival of “Janice STFU.”

Ariana Grande’s “Hate That I Made You Love Me” debuts at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts. The star singer-songwriter, producer and actress ups her totals to five leaders on the Global 200 and four on Global Excl. U.S.

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Plus, aespa notches its fourth Global Excl. U.S. top 10 with “Lemonade.”

“Hate That I Made You Love Me” drew 63.4 million streams and sold 81,000 downloads worldwide from its May 29 release through June 4, according to Luminate.

Before the lead single from her eighth studio album, Petal, due July 31, Grande topped the Global 200 with “We Can’t Be Friends (Wait for Your Love)” (one week, March 2024); “Yes, And?” (two weeks, January-February 2024); “Save Your Tears” (one, May 2021), with The Weeknd; and “Positions” (one, November 2020).

On Global Excl. U.S., Grande previously led with “We Can’t Be Friends (Wait for Your Love)” (one week), “Yes, And?” (two weeks) and “Positions” (one).

Drake’s “Janice STFU” is No. 2 after spending its first two weeks on the Global 200 at No. 1; Michael Jackson’s “Billie Jean” holds at No. 3, following a week on top in May; Olivia Rodrigo’s “The Cure” retreats 2-4 in its second week; and BTS’ “Swim” slips 4-5 following four weeks at No. 1 in April.

Below Grande’s new No. 1 on Global Excl. U.S., “Swim” descends to No. 2 after eight weeks at the summit since April; “Billie Jean” backtracks to No. 3 from its No. 2 high; Justin Bieber’s “Beauty and a Beat,” featuring Nicki Minaj, dips 3-4 after two weeks at No. 1 in May; and Tame Impala and JENNIE’s “Dracula” drops 4-5 after reaching No. 2.

Also, aespa’s “Lemonade” debuts at No. 8 on Global Excl. U.S. with 21.4 million and 16,000 sold outside the U.S. in its first week. The South Korean pop quartet previously reached the region with “Dirty Work” (No. 2, last July), “Whiplash” (No. 8, November 2024) and “Supernova” (No. 6, June 2024).

The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

The latest charts, dated June 13, 2026, will update on Billboard.com Tuesday, June 9. For both tallies, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.


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As Omnivore Recordings celebrates its 15th anniversary, the reissue label has announced it recently acquired the catalog of Baltimore label Chariot Records, which produced regional hits including singles by Bob Brady and the Con Chords back in the mid-‘60s and ‘70s.

Terms of the acquisition were undisclosed, but it marks the third label catalog acquisition Omnivore has made since its inception. ADA-distributed Omnivore previously acquired Ru-Jac Records, a mid-1960s-originated R&B label, and Nighthawk Records, a 1980s-originated roots reggae label. Both labels had ceased operating as ongoing entities. 

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Aside from these acquisitions, Omnivore, founded and staffed by four music industry veterans — Cheryl Pawelski, Brad Rosenberger, Dutch Cramblitt and Greg Allen, all holding the title of owner/partner — fields a catalog composed mainly of licensed masters of well-known legacy recording artists including America, The Bangles, The Beach Boys, Kool & The Gang, Peggy Lee, Little Richard, Nina Simone and Woody Guthrie, according to the company’s website.

“People like to pigeonhole us as a reissue company, and we do reissue things, no doubt about it…our primary lane is dealing with historic music,” concedes Rosenberger. “But I would say probably 50% of our releases never even existed before.” By that, he means that those releases are either music recorded but never released back in the day, or music issued in new configurations or as compilations. 

For instance, the first release from the Chariot Records acquisition was a compilation of Bob Brady and the Con Chord singles entitled Love In: The Chariot Records Recordings, which was issued just in time for this year’s Record Store Day in April.  

The Chariot Records deal was brought to Omnivore by music supervisor Alan Mason and a principal of Chariot, Brent Gordon, who himself subsequently had a long career in the music industry at various companies, including WEA, after Chariot ceased operations back in the day. 

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In another compilation example, Omnivore packaged four Ru-Jac titles — Something Got A Hold on Me: 1963-1964, Get Right: 1964-1966, Finally Together: 1966-1967 and Changes: 1967-1980 — into a CD box set entitled The Should Of Baltimore: The Ru-Jac Records Story 1963-1980. It also issued compilations of two titles from the label’s bigger artists: Mr. Clean: Winfield Parker At Ru-Jac, and True Enough: Gene and Eddie with Sir Joe at Ru-Jac

For Nighthawk Records, Pawelski says Omnivore put together the compilation Send I A Lion: A Nighthawk Reggae Joint, which pulled together songs by the Gladiators, Junior Biles, the Wailing Souls and the Mighty Diamonds, among others. 

In 15 years, Rosenberger says, the label has put out more than 600 releases. According to a Billboard count of the artists listed on the label’s website, its release roster comprises some 250 artists. “Yes, we have been busy,” says partner Pawelski. Currently, the label fields some 300 to 400 active titles, as new titles are added and other titles’ licensing periods end. 

Omnivore will occasionally put out new music from legacy acts, as it did with Jellyfish/Imperial Drag and Beck collaborator Roger Joseph Manning’s Radio Daze & Gaming and his forthcoming HopiumGame Day and Merry-Go-Round from Peter Holsapple of the dB’s; and solo artist Emitt RhodesRainbow Ends. The latter release, put out in 2016, was the late Rhodes’ first full-length release of new material in 43 years. 

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“We’ve done a lot of releases by key people that we have relationships with, whether it’s Big Star releases, we’ve done a number of Beach Boys-related releases and we’ve put out more Jellyfish records than they did when they were still a band,” Rosenberger says. 

The label has also been issuing music resulting from relationships Rosenberger formed while at Warner Chappell during his time working on a CBGB documentary, whose original soundtrack was subsequently released on Omnivore in 2013.  

Rosenberger took advantage of the knowledge gained from that endeavor to release music from CBGB/Max’s Kansas City bands who weren’t included on the compilation, such as the Mumps and The Miamis.  

Omnivore is still trading on that knowledge. Earlier this year, the label released Completely Necessary (Anthology 1978-1982), a compilation of former Sire recordings from The Necessaries, an alternative rock mainstay from the New York City punk/new wave scene. The Necessaries members included Ed Tomney, an Emmy-nominated musician/composer of music for movies, TV and commercials; former Modern Lovers and sometimes Gods and Monsters member Ernie Brooks; the late Jesse Chamberlain, a former member of Red Crayola and the son of renowned American sculptor John Chamberlain; and the late Arthur Russell, an avant-garde musician/composer of experimental and dance music. In keeping with the premise of issuing music not previously available, the album consisted of 37 tracks, 29 of which had never been released before.  

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Omnivore’s partners say they’re still on the prowl for catalog acquisitions — specifically for smaller targets in line with its available capital resources, but also under-exploited repertoire that would benefit from the partners’ expertise in mining and marketing such music to achieve upside economic potential. 

As Pawelski puts it, “We’re certainly looking ahead to find more smaller labels to [acquire] and become the custodian of, in the way that we’ve done in the past.” 

Rosenberger and Pawelski note that there are a lot of new financial entities buying up catalogs, which creates competition for acquisitions. But Pawelski says financial buyers may want to partner with Omnivore “because we have a certain expertise that might be valuable to them… in terms of audio and art restoration, and synch licensing because between [the four label principals]. Our careers cover the gamut, and I think we can be useful to them.” 

Rosenberger notes that the label has also been nominated for three Grammys for its reissues, including two won by Pawelski for best historical album: It’s Such A Good Feeling: The Best of Mister Rogers and the Hank Williams compilation The Garden Spot Programs. Outside Omnivore, Pawelski has won two additional best historical album Grammys, for Wilco’s Yankee Hotel Foxtrot (Super Deluxe Edition), released on Nonesuch, and Written In Their Soul: The Stax Songwriter Demos, released by Stax/Craft Recordings. 


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Tyler, The Creator’s Camp Flog Gnaw Carnival is coming back for another year. In collaboration with Goldenvoice, the festival announced the 12th installment of Camp Flog Gnaw on Monday (June 8), which will take over the Dodger Stadium grounds on Nov. 14 and Nov. 15.

Advance pre-sale tickets will be available starting on Thursday (June 11) at 2 p.m. ET. In each of the last three years, the festival has been sold out through advance sale tickets.

Camp Flog Gnaw’s lineup will be announced at a later date. Tyler had fans solve a crossword puzzle to find out who was performing at last year’s festival.

General admission passes cover admission for both days and are going for $395. There are VIP packages available, with one priced at $705, which includes a VIP entry lane, exclusive food vendors as well as shaded and seated viewing areas.

There’s even a super VIP deal with an all-in price of $1,750, which includes unlimited carnival games and rides and dedicated VIP merchandise lines. The package also comes with gifts such as a customized Sony turntable, Sony speaker, duffle bag, pillow, keychain and festival banner.

Payment plans are an option for the first time, as fans can put down either 25 percent of 50 percent of the total cost for their passes at once, and then utilize a bi-weekly or bi-monthly payment system.

In addition to a headlining set from Tyler, 2025′s Camp Flog Gnaw saw performances from Kali UchisDoechii, A$AP Rocky, Childish Gambino and 2 Chainz. The festival was postponed a week due to inclement weather in Los Angeles.

Tyler, The Creator’s last album arrived with Don’t Tap the Glass last July, which topped the Billboard 200 with 197,000 total album-equivalent units earned, according to Luminate.


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Bad Bunny officially kicked off his Madrid residency on May 30 at the Riyadh Air Metropolitano, where he is performing 10 concerts spread out until June 15 as part of his Debí Tirar Más Fotos World Tour. With nearly 63,000 attendees per night, according to sources from Atlético de Madrid, the residency has become one of the biggest musical events of the summer in Spain.

This series of shows comes after his historic No Me Quiero Ir de Aquí residency, which included 30 concerts at the Coliseo de Puerto Rico José Miguel Agrelot in San Juan between July and September 2025, and is part of a tour that began on Nov. 21 in Santo Domingo, Dominican Republic. The Madrid residency has proven to be one of the most ambitious undertakings in the European leg of the tour, which has already exceeded $200 million in revenue, according to figures reported to Billboard Boxscore, and ranks among the most successful of the year.

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In addition to performing songs from Debí Tirar Más Fotos such as “La Mudanza,” “Turista,” “Baile Inolvidable,” “NuevaYol” and “DtMF,” Bad Bunny has kept fans intrigued night after night with surprise guests. Both on the main stage and on “La Casita,” the show’s secondary stage, artists, actors, athletes and influencers have made appearances, including Penélope Cruz, Los Javis, Chiara Ferragni and Trueno.

After completing his 10 dates in Madrid, the trek will continue across cities in Germany, the Netherlands, the U.K., France, Sweden, Poland, Italy and Belgium.

Here’s a chronological recap of all the surprise guests who have joined Bad Bunny during his stay in Madrid, so far.