Ninajirachi could fill her boots at the 2026 AIR Awards, for which the EDM star and her support cast are shortlisted in 10 categories included the coveted independent album and single of the year.

With the release last year of her debut full-length album, I Love My Computer, the electronic music producer and DJ has been flying high both on the international festivals and awards circuits. Along the way, Ninajirachi (real name: Nina Wilson) nabbed three wins at the 2025 ARIA Awards, won the Australian Music Prize for album of the year, J Awards, the NSW Music Prize for breakthrough artist, and took out second place in the Vanda & Young Global Songwriting Competition for “iPod Touch.” On the live front, she realized a dream by performing at Coachella 2026, with another North American tour to come.

Expect another gold rush at the AIR Awards, to be presented Thursday, July 30 at Adelaide Town Hall, for an invite-only industry event.

Also on the night, Ninajirachi’s label home, Nina Las Vegas’ NLV Records, is shortlisted for independent label of the year, one of the top categories. NLV Records will square off with ABC Music, Astral People Recordings, College Of Knowledge and Mushroom Music.

Other nominees, announced today, May 14, include Teen Jesus And The Jean Teasers, Spacey Jane, Jem Cassar-Daley, Confidence Man, FISHER, John Butler, Keli Holiday, and Stella Donnelly.

Produced by The Australian Independent Record Labels Association (AIR), the awards were first established in 2006 as an effort to “recognize, promote, and celebrate the success of Australia’s Independent Music sector.”

The trophies will once again be handed out on the penultimate evening of AIR’s Indie-Con Australia Conference and A2IM’s Indie Week Australian Edition, presented this year at Mercury Cinema and Nexus Arts from July 29 – 31.

“The South Australian Government is proud to support Indie‑Con Australia and the AIR Awards,” comments minister for arts Kyam Maher MLC, “and to welcome nominees, industry leaders and delegates from across Australia and around the world to South Australia.”

As previously reported, AIR has, for the first time, split its dance and electronic recognition into more clearly defined lanes. A new best independent dance/club single category will spotlight club-driven tracks — including house, techno, trance, drum & bass and garage — with eligibility requiring a DJ service component.

Meanwhile, best independent electronic single fetes electronic releases not designed primarily for club settings, separating festival-floor material from broader electronic artistry.

The category formerly known as best independent dance or electronica album or EP category has been renamed best independent electronic album or EP to align with the updated single framework.

See the full list of AIR Awards nominations below.

Best Independent Blues And Roots Album Or EP
John Butler – Prism
Folk Bitch Trio – Now Would Be A Good Time
Liz Stringer – The Second High
Melbourne Ska Orchestra – The Ballad Of Monte Loco
Sons Of The East – Sons

Best Independent Jazz Album Or EP

Natalie Gauci – Pictures Of Mars
Phia – When I’m Holding You, I’m Holding Me
Temporary Blessings – Sumbisori
The Cat Empire – Bird In Paradise
Touch Sensitiive – In Paradise

Best Independent Classical Album Or Ep

Andrea Lam – Piano Diary
Australian String Quartet – Vanessa Perica, String Quartet No.1 No Feeling Is Final
Joseph Tawadros – The Forgotten Path To Humanity
Rose Riebl – Dust
William Barton, Omega Ensemble – Gift – Our Breath Of Life
Best Independent Children’s Album Or EP

Diver City – Weekend Baby
Emma Memma – Dance Island Party
Justine Clarke – Mimi’s Symphony
Teeny Tiny Stevies – Brain Fart
The Wiggles, The Tree Of Wisdom – The Tree Of Wisdom

Best Independent Country Album Or Ep Emily Lubitz – Two Black Horses
Hayley Jensen – Country Soul
Imogen Clark – Choking On Fuel
Ruby Gill – Some Kind Of Control
Wade Forster – Gooseneck Party

Best Independent Soul/Rnb Album Or EP

Bumpy – Kanana
Cookin’ On 3 Burners – Cookin’ The Books
Don West – Give Me All Your Love
Felivand – My Body’s My True North
Wilsn – Bloom

Best Independent Pop Album Or EP

Georgia Knight – Beanpole
Montaigne – It’s Hard To Be A Fish
Stella Donnelly – Love And Fortune
The Tullamarines – Safety Blanket
Way Dynamic – Massive Shoe

Best Independent Rock Album Or EP

Playlunch – Sex Ed
Spacey Jane – If That Makes Sense
Teen Jesus And The Jean Teasers – Glory
The Belair Lipbombs – Again
The Southern River Band – Easier Said Than Done

Independent Marketing Team Of The Year

Mushroom Music – Bliss N Eso, The Moon (The Light Side)
Nlv Records, The Orchard – Ninajirachi, I Love My Computer
Playlunch, Abc Music – Playlunch, Keith
Secretly Group – Folk Bitch Trio, Now Would Be A Good Time
The Annex – Ocean Alley, Love Balloon

Independent Music Video Of The Year

Ball Bass John – Ninajirachi, Fuck My Computer
Bridgette Winten, Folk Bitch Trio – Folk Bitch Trio, Cathode Ray
Claudia Sangiorgi Dalimore – Miss Kaninna, Backstreets
Tas Wilson, James Adams – Jem Cassar-Daley, Kiss Me Like You’re Leaving
Jasper Van Daatselaar – Way Dynamic, People Settle Down

Independent Mix, Studio Or Mastering Engineer Of The Year

Becki Whitton, Timothy Harvey, Hannah Cameron – Ruby Gill, Some Kind Of Control
Leon Zervos – Ocean Alley, Love Balloon
Michael Carpenter – Imogen Clark, Choking On Fuel
Stephen Mowat – Wilsn, Bloom
Thomas Purcell Pka Wave Racer – Ninajirachi, I Love My Computer
 
Breakthrough Independent Artist Of The Year – Presented By PPCA

Folk Bitch Trio
Georgia Knight
Rageflower
Rona.
Yes Boone

Best Independent Hip Hop Album Or EP

Bliss N Eso – The Moon (The Light Side)
Devaura – Vol 1. Learning In Public
Elsy Wameyo – Wameyo
Jamaica Moana – Bud & Deni
Teether & Kuya Neil – Yearn Iv
 
Best Independent Electronic Album Or EP

Essendon Airport – Mor
Mel Blue – No More Jackets Please
Ninajirachi – I Love My Computer
Rona. – It’s All Here (EP)
Shouse – Collective Ecstasy

Best Independent Dance/ Club Single
Confidence Man, Jade – Gossip
DJ Pgz And Yikes – Ouss Ouss
Fisher – Stay
Shouse  – Sunrise
Vv Pete – Wassa Feat. Utility, Formation Boyz

Best Independent Electronic Single

Cosmo’s Midnight – 45
Keanu Nelson – Place Where I Go / Kapi Ngalyananni
Ninajirachi – Ipod Touch
Robert Baxter & Sweatbaby – Icy (Take It Off)
The Superjesus & The Journey – Something Good

Best Independent Punk Album Or EP
Press Club – To All The Ones I Love
Private Function – ¯_(ツ)_/¯
Radio Free Alice – Empty Words Ep
These New South Whales – Godspeed
Wet Kiss – Thus Spoke The Broken Chanteuse

Best Independent Heavy Album Or EP

Battlesnake – Dawn Of The Exultants And The Hunt For The Shepherd
Hands Like Houses – Atmospherics
Npcede – Npcede
The Maggie Pills  – Hearts Induring Lingering Loss
Thornhill – Bodies

Independent Album Of The Year

Folk Bitch Trio – Now Would Be A Good Time
Ninajirachi – I Love My Computer
The 046 – Legacy In Motion
The Belair Lipbombs – Again
Way Dynamic – Massive Shoe

Independent Song Of The Year

Jem Cassar-Daley – Kiss Me Like You’re Leaving
Keli Holiday – Dancing2
Ninajirachi – Ipod Touch
Playlunch – Keith
Way Dynamic – Miffed It

Independent Label Of The Year

ABC Music
Astral People Recordings
College Of Knowledge
Mushroom Music 
NLV Records

Independent Publicity Team Of The Year

Cult Logic – Ocean Alley, Love Balloon
Mushroom Music – Bliss N Eso, The Moon (The Light Side)
Mushroom Music – Wilsn, Bloom
Twnty Three – Folk Bitch Trio, Now Would Be A Good Time
Twnty Three – Ninajirachi, I Love My Computer

Independent Producer Of The Year

Angus Stone – Dope Lemon, Golden Wolf
Benjamin Stewart – Slowly Slowly, Forgiving Spree
Dylan Young – Way Dynamic, Massive Shoe
Nick DiDia – Ocean Alley, Love Balloon
Nina Wilson – Ninajirachi, I Love My Computer

A Los Angeles psychiatry clinic that prescribed Xanax to Aaron Carter has settled with the late singer’s family over his 2022 overdose death.

In court papers filed on Tuesday (May 12) and obtained by Billboard, lawyers say Amen Clinics will pay a “confidential sum” as a “full and final resolution” of the wrongful death claims against both the clinic and one of its psychiatrists, Dr. John Faber. The document says the settlement value is “within the ballpark” of the damages Carter’s family could have won from Amen Clinics at trial, which was less than $325,000.

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Carter drowned in a bathtub at the age of 34 with drugs in his system. His former fiancée later sued on behalf of their four-year-old son, alleging two doctors overprescribed Xanax to the 2000s teen pop sensation, and that two pharmacies wrongly filled the prescriptions without checking to see if Carter was abusing the drug.

Amen Clinics and Faber have not admitted to any wrongdoing as part of the settlement. In Tuesday’s court filing, their lawyers maintain that the clinic complied with all standards of care and that Carter’s death was caused not by Xanax, but by the gas he inhaled from canisters of compressed air (known as difluoroethane).

The other doctor and pharmacies sued in the case — dentist Jason Mirabile, Walgreens and a Santa Monica Medical Plaza Pharmacy — have similarly argued that the amount of Xanax in Carter’s system was not enough to make him lose consciousness. These three defendants have not settled and are set to go to trial in October.

Mirabile’s attorney declined to comment on the case on Wednesday (May 13). Lawyers for the Carter family, Amen Clinics, Walgreens and Santa Monica Medical Plaza Pharmacy did not immediately return requests for comment.

Carter got his start opening for the Backstreet Boys, of which his older brother Nick Carter was a member, in the late 1990s. He later became a teen heartthrob in his own right, and his 2000 album Aaron’s Party (Come and Get It) peaked at No. 4 on the Billboard 200. His next two albums, 2001’s Oh Aaron and 2002’s Another Earthquake, hit No. 7 and No. 18 on the chart, respectively.

Later in life, Carter was open about struggling with substance abuse. The singer did multiple stints in rehab, and he had been attending outpatient therapy in the months leading up to his death.


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Young Thug knows what it’s like to be sitting behind bars awaiting your day in court. Thugger took to X on Wednesday (May 13) with a message in support of Lil Durk, calling for the Chicago rapper’s freedom.

“Free smurk please god,” he wrote.

Fittingly, Brian Steel, the powerhouse attorney who represented Young Thug in his YSL RICO case, filed to join Lil Durk’s legal team in March and represent him in his federal murder-for-hire case.

Steel facilitated a plea deal for 15 years of probation and time served to get Thugger out of jail in October 2024 after the YSL rapper spent over two years behind bars.

“I get very close to my clients. I meet their families,” Steel told Billboard in an interview in March. “Because if I’m going to defend somebody, I gotta be invested. I gotta believe in the person. I gotta make it where if I lose this case, it’s going to ruin my life.”

He continued: “I just want to help people, ethically and zealously. And I don’t want to hurt anybody, and God willing, something good will come out.”

Steel was also part of Diddy’s defense team in April, which saw the embattled Bad Boy mogul sentenced to 50 months in prison for violating federal prostitution laws.

Lil Durk was arrested in October 2024 on murder-for-hire charges, as federal agents apprehended the OTF rapper before they believed he was headed to catch a private flight to Italy.

Durk’s trial was set for April, but has once again been delayed to Aug. 20. Prosecutors allege that Durk plotted to have rival rapper Quando Rondo killed during a Los Angeles shooting in 2022. However, Rondo’s cousin, Lul Pap (Saviay’a Robinson), was killed during the crossfire.

Prosecutors believe that Durk ordered the hit to have Rondo taken out in retaliation for the 2020 killing of rapper King Von (Dayvon Bennett), who was the rapper’s frequent collaborator.

As for Young Thug, the Atlanta native spent last weekend at Rolling Loud Orlando, where Thugger popped out at multiple sets, including Ken Carson’s headlining set to close out the festival.



Universal Music Group is expanding its work in the mental health and wellbeing spaces through new partnerships with Amber Health and Project Healthy Minds.

Through a combination of partnerships and programs, announced today (May 13) by the music giant, UMG intends to improve access to care within its creative community.

By partnering with Amber Health, UMG’s artists and songwriters in North America will have 24/7 access to a range of mental health services, including clinical expertise, including crisis response, care planning, and specialized referrals. Also, UMG will work with the organization to provide additional behavioral health support to the music major’s employees in the United States and Canada, which will include access to expanded mental health support and resources. 

Additionally, UMG signs up as a founding member of Project Healthy Minds’ workforce mental health research initiative, becoming the first music company to do so. Through that alliance, UMG cements its commitment to the development of a standardized framework to measure workforce mental health and its correlation with organizational performance, a statement reads. Through a collaboration with academic partners, including Harvard Business School, this project is meant to establish data-driven benchmarks and inform best practices across industries.

“Through our strategic partnerships with organizations like Amber Health and Project Healthy Minds — and our continued investment in groundbreaking programs like Music Health Alliance’s Music Industry Mental Health Fund,” says Susan Mazo, UMG’s chief impact officer, in a statement, “we are working to redesign how our industry supports wellbeing. Our focus is on expanding access to care, reducing stigma, and ensuring that our artists and songwriters, employees, and the broader music community have the resources they need to thrive.” 

The partnership, notes Dr. Chayim Newman and Zack Borer, co-founders at Amber Health, represents “a real shift in how labels support their artists. Together with UMG’s corporate and label leadership, we’re embedding quick access to specialized mental health care directly into the labels’ infrastructure, making it proactive rather than an afterthought. We couldn’t be prouder of this work, or the message it sends to the rest of the music industry.”  

Adds Phil Schermer, founder and CEO, Project Healthy Minds: “Music has always been a vehicle for mental health conversations and now Universal Music Group is bringing that same honesty inside its own walls. When a company of UMG’s reach commits to this, the whole industry pays attention.” 

UMG turned talk into action in February 2025, by partnering with Nashville-based non-profit Music Health Alliance on the Music Industry Mental Health Fund, which provides comprehensive, high-quality outpatient mental health resources for music industry professionals across the United States. That alliance builds upon the healthcare access program launched by UMG and MHA in April 2021.

Also last year, UMG and Apple Music globally launched Sound Therapy, a wellness collection designed to help listeners reach for clearer focus, deeper relaxation, and better sleep.

Thanks to isolation, travel, late nights and other factors, creatives and the industry professionals that support them are often at the frontline when it comes to mental health issues. The struggles are real. A study by Swedish digital distribution platform Record Union, published in 2019, prior to the pandemic, found that upwards of 73 percent of independent music makers reported the symptoms of mental illness. Separately, the Mental Health and Wellbeing Survey 2024, released by Australia’s music industry charity Support Act, found that 53.5% of Australian music and creative workers face high or very high psychological distress, with north of 68% citing high cost of living as a major issue.

UMG continues to work with existing longstanding partners including Mental Health Coalition (MHC) to highlight the resources and research-backed ways that music can support mental health. 

The late, disgraced Australian entertainer Rolf Harris is the subject of a new two-part documentary, commissioned by the Australian Broadcasting Corporation.

The film, Rolf Harris: Primetime Predator, will debut Tuesday, June 9, and will feature interviews with survivors who’ve never before spoken publicly of his crimes. The series is said to capture the full story of Harris’ double life, charting his rise from suburban Perth, Australia to the heights of fame and influence in the United Kingdom, while revealing the pattern of abuse that unfolded behind the scenes for decades.

Prior to his downfall, Harris was a popular figure on TV, the airwaves, and charts across the U.K., the U.S. (“Tie Me Kangaroo Down, Sport” hit No. 3 on the Billboard Hot 100 in 1963) and his homeland, Australia. In the mid-2000s, he was once commissioned to paint Queen Elizabeth II, a sitting that was turned into a documentary.

His U.K. chart hits included “Two Little Boys” (Columbia), which has the distinction of being the very last No. 1 in that market in the 1960s. “Tie Me Kangaroo Down, Sport” reached No. 9 in the U.K. back in 1960, and he had a No. 3 hit with “Sun Arise” in 1962. Decades later, in 1993, he enjoyed another U.K. top 10 appearance, when his cover of “Stairway to Heaven,” a spin-off from the Australian TV show Money or the Gun, reached No. 7.

Harris’ spectacular fall from grace began in 2013, when he was questioned and arrested police under Operation Yewtree, the investigation into sexual abuse among members of the English media elite, including the late Jimmy Savile. Following a trial in 2014, Harris was found guilty of various indecent assaults on women and young girls between 1968 and 1986, and was sentenced to five years and nine months in prison. He was released in 2017, but denied any wrongdoing and never issued an apology to his victims.

He died in 2023 at the age of 93. “In the years since, the silence that once protected him has begun to lift,” reads a statement from the ABC, announcing the new series, which “gives voice to those who were previously unable to, as they share their experience on their own terms.” Harris’ death “has finally lifted a veil of fear once cast by this powerful figure, and survivors who long feared retribution are at last able to speak.”

Prior to the Yewtree investigation, Harris moved within the highest circles in Britain, his adopted home. Along the way, he was named as Officer of the Order of the British Empire (OBE), a Member of the Order of the British Empire (MBE) and a Commander of the Order of the British Empire (CBE).

It was a similar scenario in his country of his birth, where Harris was appointed an Officer of the Order of Australia (AO) and was inducted into the ARIA Hall of Fame. ARIA has since scratched his name from the record books.

Rolf Harris: Primetime Predator will air 8.30pm AEST on ABC TV, with both episodes available to stream on ABC iView.

BRISBANE, Australia — GYRO.Group gears up for its next phase of growth with several leadership appointments, led by experienced digital distribution executive Henry Compton.

Announced Wednesday, May 13, Compton joins as head of APAC for DistroDirect, GYRO.Group’s white-label distribution platform.

Compton boasts more than two decades’ experience across business development, marketing and client relations, most recently serving in senior roles at The Orchard and FUGA, where he spearheaded business development, go-to-market strategy and client acquisition and retention across its Australia and New Zealand activities.

According to the Brisbane-based group, DistroDirect continues to expand its footprint across South-East Asia, having recently signed a number of leading independent music businesses in the Philippines.

Compton is “exactly the caliber of executive we’ve been building towards bringing into the DistroDirect fold,” comments group chief commercial officer Matthew Rogers. “His track record of building and scaling operations in this market is second to none. Having Henry lead that charge in APAC gives us enormous confidence about what’s ahead — both for the partners we serve in those markets and for the Australian artists we want to bring with us.”

In addition, several executives are promoted from within the business. Adrian Burke adds duties as executive vice president of artist services and A&R, having led GYRO.Group’s artist services arm GROUP SPEED since its inception, and working closely with the likes of Dom Dolla, Mariah Carey and Swedish House Mafia.

Meanwhile, Alison Bremner moves into the post of general manager – marketing, with strategic leadership of brand development across the full GYRO.Group portfolio globally; Harry Young is named head of A&R for AU/NZ, after joining in late 2025; Alexandria Thomson is elevated to artist marketing lead for Australasia; Claire Hirayama-Kaarsberg rises to a partner relations manager role within DistroDirect; Alyssa d’Artenay shifts into pitching and artist services management; and Kriza Canzon takes on the expanded role as artist support and compliance.

“The wider team changes,” explains Vivienne Mellish, CMO and co-founder of GYRO.Group, “are a reflection of the growth and ambition of the people in our corner and we couldn’t be prouder to have them with us on the journey.”

With the arrival of Compton, GYRO.Group’s global team numbers more than 70. This year, the label services and digital distribution specialist has bagged five ARIA No. 1 albums, including Keli Holiday’s Capital Fiction and Tom Busby’s Rockhampton Hangover.

“We are doubling down on our investment in Australian artists and in the people and platforms it takes to get them heard globally,” comments Andy Irvine, CEO and co-founder of GYRO.Group. “Our goal is to be the biggest net exporter of Australian music, and every decision we are making right now — who we hire, where we expand, what technology we build — is pointed directly at that.”

The changes closely follow the opening of GYRO.Group’s Latin American office, in Brazil, which opened Friday, March 27, and is led by Samuel Fernandes.

Last year, the group tapped veteran independent music executive Matthew Rogers as CCO, with responsibility for DistroDirect globally. Also last year, a rebranding that saw GYRO.Group gather its music distribution and artist services brands including G.Y.R.O., DistroDirect, GROUP SPEED, Soothe Sounds, and more.

U2 is back on the streets, this time in Mexico City where the legendary Irish rock band is shooting a new music video.

Bono, The Edge, Adam Clayton and Larry Mullen Jr. were snapped in the Mexican capital where they’re shooting a music video for the new track, “Street of Dreams,” lifted from their yet-to-be announced next studio album, due for release later in 2026.

The Rock Hall-inducted band was spotted Tuesday, May 12, rocking out on top of a school bus, graffitied by local artist Chavis Mármol, with hundreds of fans gathered for the special event.

It’s not the first time U2 has brought the streets to a standstill. In the late ’80s, the group famously recaptured the spirit of the Beatles’ “Get Back” with a performance on a rooftop in downtown Los Angeles, footage of which appears in Meiert Avis’ music video for “Where the Streets Have No Name.” The clip went on to win the Grammy Award for best performance music video at the 31st Annual Grammy Awards, and its parent album, 1987’s The Joshua Tree, was a monster, confirming U2 as a hitmaker, a stadium act and, without argument, the biggest band of its time.

This week also sees Mexico City host the 2026 Street Child World Cup, with 30 teams from across the globe in town for this year’s tournament that kicked off May 6, and wraps up this Thursday, May 14. “It’s a little NGO with a big kick for kids with all of the talent and none of the access,” chimes in U2 drummer Mullen. “Our band are proud supporters.”

U2’s next album is the followup to 2023’s Songs of Surrender, which debuted at No. 5 on the Billboard 200 and No. 1 on the Official U.K. Albums Chart.

The group has been notably active of late, and with the release in April of the Easter Lily EP, Bono shared an update on that next record. “We are in the studio, still working towards a noisy, messy, ‘unreasonably colourful’ album to play LIVE… which is where U2 lives. We still look to vivid rock n roll as an act of resistance against all this awfulness on our small screens. These are for sure ‘wilderness years’ for so many of us looking at the mayhem out there in the world,” the singer explained in a written statement.

The Dublin fourpiece “will attempt hoopla and fanfare at a later date to remind the rest of the world we exist but in the meantime,” Bono continued, “this is between you and us.”

U2 has landed 34 songs on the Billboard Hot 100, including two leaders, along with eight No. 1s on the Billboard 200 chart. Induction into the Rock And Roll Hall of Fame came in 2005. U2 had the honors of being the first band to play the Sphere in Las Vegas, which they inaugurated in September 2023 with the residency, U2:UV Achtung Baby Live at Sphere.

With her Eurovision performance fast approaching, Delta Goodrem is in a pure state of mind.

The superstar Australian pop singer this week announces the release of her next album Pure, her first through a new deal struck with Universal Music via Better Now Records/Electrola.

Pure is slated to drop Nov. 6, and will also mark the first LP released through her independent label ATLED Records (that’s “Delta” spelled backwards), which she unveiled in 2023, drawing curtains on a decades-long partnership with Sony Music.

“I am so excited to be stepping into this new chapter and joining forces with Universal Music,” she explains in a statement. “It marks the beginning of a powerful new home for ATLED Records – something I am incredibly proud of – and I can’t wait to share what we create together.”

Pure is the followup to the Sydney singer and songwriter’s 2021 collection, Bridge Over Troubled Dreams (via Sony Music), her fifth leader on the ARIA Albums Chart, after her 23-times platinum-certified blockbuster debut Innocent Eyes (March 2003), Mistaken Identity (November 2004), Delta (October 2007) and Wings Of The Wild (July 2016). 

Pure is an album I’ve been creating and living through over the past few years, and it truly feels like a return to myself and the heart of who I am as an artist,” she explains. “It holds some of my biggest singalongs, my most vulnerable moments, and brings in all the elements I love most in music – from intimate classical piano pieces to uplifting cinematic anthems. I cannot wait for everyone to step into the world of Pure and make these songs part of their own story too.”

The album houses the single “Eclipse,” which Delta will perform live later this week at the 2026 Eurovision Song Contest in Vienna, Austria, where she will take the stage for the first time as Australia’s representative.

“Eclipse” was written by Delta, Ferras Alqaisi, Jonas Myrin and Michael Fatkin, who also produced the single.

In her homeland, Goodrem is arguably the most successful pop artist to emerge this century. A soapie star who signed her first record deal at age 15, Delta’s collection of silverware includes 12 ARIA Awards and five No. 1 albums including 2003’s Innocent Eyes, which logged a whopping 29 weeks at No. 1 on the ARIA Albums Chart, making it the highest-selling debut album in Australian recorded music history. The album won seven ARIA Awards, was the highest selling album in Australia for two successive years, and yielded five of her nine career No. 1 singles. Sales across her albums catalog is close to 10 million.

A classically trained pianist, Delta incorporates the harp and piano into her performance for this year’s 70th edition of Eurovision. “Performing on the Eurovision stage is something I feel so deeply in my heart, carrying Australia with me in every note and every moment,” she says in a separate statement.

Delta will perform “Eclipse” during at the Wiener Stadthalle for Semi-Final 2 on Thursday, May 14 at 3pm ET (Friday, May 15, at 5:00am AEST).

Björn Bauer has been named CFO of the newly combined BMG and Concord, it was announced on Tuesday (May 12). Based in Nashville, Bauer will report to Bob Valentine, who has been designated CEO of the combined entity.

Bauer joins from entertainment company RTL Group, which is majority-owned by BMG parent company Bertelsmann. At RTL, where he’s been CFO since 2019, he serves as an executive director and member of the executive committee. In his role there, Bauer “has played a key part in advancing RTL Group’s transformation, including focusing the Group’s portfolio on its largest business units, diversifying its global content business Fremantle and building a profitable streaming business,” according to a press release. He has been involved in RTL deals including its acquisition of Sky Deutschland (GSA) and the sale of RTL Netherlands.

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Before joining RTL Group, Bauer had held senior leadership roles at Bertelsmann since 2007, including as executive vp of corporate controlling and strategy and CFO of Relias, Bertelsmann’s U.S.-based online learning provider.

Until the BMG-Concord transaction closes, current BMG CFO Mathis Wolter will continue in his role at the Berlin-based company and support the integration with Concord before moving to a new role within Bertelsmann. Current Concord CFO Kent Hoskins will also continue serving in his role there until the close of the deal, at which point he’s expected to take on another senior leadership position at the combined company.

“Björn brings a wealth of experience and a proven track record of delivering strong results through operational excellence and disciplined financial management,” said Thomas Coesfeld, designated chairman of the combined BMG and Concord, in a statement. “We are delighted that he is expected to join the combined company following completion of the transaction and look forward to the impact he will have as we continue to strengthen and grow the business. At the same time, I would like to thank Mathis for playing an instrumental role in shaping BMG’s strategic transformation, and for being a trusted partner to me and the executive team over the past three years.”

“We are pleased that Björn is expected to join the combined company as CFO. His deep financial expertise will be invaluable as the company continues to focus on sustainable growth and long-term value creation after the transaction closes,” added Valentine.

For his part, Bauer said: “As the global music industry evolves, the combination of BMG and Concord will be uniquely positioned to capture new opportunities through its talent focus, entrepreneurial spirit and global scale, supported by continued investments in catalogs and talent. I am excited to join the combined company upon closing of the transaction, a pivotal moment in its growth journey. I look forward to partnering with the teams to drive the combined company’s next phase of growth and support its long-term strategic ambitions.”


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Kacey Musgraves’ new album Middle of Nowhere debuts in the top 10 across seven Billboard charts (dated May 16), including a trio of No. 1 bows. The singer-songwriter’s sixth studio release arrives on Top Album Sales (No. 1), Vinyl Albums (No. 1), Indie Store Album Sales (No. 1), Top Country Albums (No. 2), Americana/Folk Albums (No. 2), Billboard 200 (No. 3) and Top Streaming Albums (No. 10).

The project launches with 100,000 equivalent album units earned in the United States in the week ending May 7, marking Musgraves’ best week ever by units. Of that sum, vinyl purchases comprise a little more than 37,000 — her best sales week ever on vinyl.

Middle of Nowhere is Musgrave’s sixth studio album and was announced in early March. The project — which features collaborations with Gregory Alan Isakov, Miranda Lambert, Willie Nelson and Billy Strings — was led by the single “Dry Spell” (peaking at No. 15 on Hot Country Songs in March) and released on May 1. Musgraves’ Middle of Nowhere arena tour launches on Aug. 21 in Chicago and continues through the end of October.

On Top Album Sales, Middle of Nowhere is Musgraves’ third No. 1, all earned consecutively. She also topped the tally with Deeper Well (in 2024) and Star-Crossed (2021).

Musgraves leads a busy top 10 on the latest Top Album Sales ranking, where five more albums debut in the top 10: ILLIT’s MAMIHLAPINATAPAI (No. 3), The Black Keys’ PEACHES! (No. 6), Isaiah Rashad’s It’s Been Awful (No. 7), Billie Eilish’s Hit Me Hard and Soft: The Tour (Live) (No. 9) and Tori Amos’ In Times of Dragons (No. 10). Meanwhile, Noah Kahan’s The Great Divide falls to No. 2 after debuting at No. 1 a week ago, BTS’ former leader ARIRANG is steady at No. 4, and Michael Jackson’s Thriller and Number Ones both jump, climbing 7-5 and 12-8, respectively.