Lil Wayne is speaking out about being regularly left out of major music events.

On Saturday (April 18), the 43-year-old rap legend took to social media to express frustration about being “uninvited & uninvolved” in annual events like the Coachella Valley Music & Arts Festival and the Grammy Awards.

Related

“It’s truly a humbling experience when events like Coachella & the Grammys come around & like clockwork,I’m uninvited & uninvolved,” Weezy wrote on X. “I appreciate my position or space I hold in ya heart & mind if so bc you’re the humbling experience that’s timeless & 4dat I thk u. Iaintshitwithoutu.”

Limp Bizkit’s Fred Durst jumped into the comments to offer his support. “Let’s start our own experience gathering and our own acknowledgment event to welcome all of the uninvited – i’ve got a couple ideas i’ve been working on for quite some while now – happy to elaborate if ever interested – sending good vibes,” Durst wrote.

Wayne’s post comes about a year after the Tha Carter VI rapper was passed over to headline the 2025 Super Bowl halftime show in his hometown of New Orleans. Kendrick Lamar was ultimately selected to perform at the Caesars Superdome following the momentum of his Billboard Hot 100-topping hit “Not Like Us.”

In September 2024, Lil Tunechi opened up about how painful it was to miss out on the Super Bowl halftime performance in his own city.

“That hurt. It hurt a lot. You know what I’m talking about. It hurt a whole lot,” the rapper said at the time. “I blame myself for not being mentally prepared for a letdown. And for automatically mentally putting myself in that position like somebody told me that was my position. So I blame myself for that. But I thought that was nothing better than that spot and that stage and that platform in my city, so it hurt. It hurt a whole lot.”

Months later, he told a crowd at Lil WeezyAna Fest in New Orleans, “I told myself I wanted to be on that stage in front of my mom, and I worked my ass off for that position. It was ripped away from me, but this moment right here… they can’t take this away from me.”

While Lil Wayne has never performed a solo set at Coachella, he did make a surprise appearance during G-Eazy’s set at the Indio, California, festival in 2016.

As for the Grammys, Weezy has received 28 nominations over the course of his career and has won five awards, including best rap album for Tha Carter III at the 51st Annual Grammy Awards in 2009. That same year, he made his Grammy stage debut performing “Swagga Like Us” alongside M.I.A., T.I., Jay-Z, and Kanye West (now Ye).

See Lil Wayne’s post on X below.


Billboard VIP Pass

Billboard Women in Music 2026 Impact Award recipient Kehlani takes us deep into her creative process and emotional journey behind her hit “Folded” and her self-titled album. From bedroom-recording sessions to navigating the complexities of the music industry, Kehlani opens up about her passion for R&B, the challenges of staying true to her artistry and the impact her music has had on fans and the genre itself. She also talks about collaborating with iconic artists such as Ludacris, Lil Wayne and Clipse, the unexpected success of “Folded” and more!

Kehlani: There are some people who are like, “I can’t wait for y’all to stop listening to this toxic song. Like, this song is so toxic.” And other people are like, “Oh, girl, it’s a sex song. Like, she just wanted to get cracked.” And then there’s other songs that’s like, “OK, so they had you messed up and you’re just gonna take them back and you just folded the clothes like that?” I’m like, “Oh, wow, let’s talk about it some more.”

This album was two more albums before this. I think I was on tour and every single break I had in between all the tours, I was living in an apartment at the time, and my engineer would come over and I was recording in my bedroom. So for months, in between these touring months, every time we had a break, I was just in my room with my engineer writing completely alone to beat packs. And there’s all this kind of darker, emotional … I was, like, processing a lot of things that were happening that I was being completely silent about, dealing with all this external chaos, but I was muted. I was going through so much that I wasn’t speaking, and the only thing I was able to do was really write in my room. Then I went to Hawaii to see my cousins and my friends, surf a little bit and write. We made one song, and I was like, “It is not time for this weird-ass album. Get your head in the game, girl. Like, it’s not time for this right now. You wanna go alternative so bad, and it’s just not that. I know what time it is.”

We admitted, OK, it’s time for my self-titled. Like, if there was ever a time, it’s right now. I just went on a really big tour. There was all this chaos that I was at the center of. I just came out of it and went on kind of this redemption tour of, like, “Let me see who really is still here with me through all the chaos.” And I was like, “OK. All right, let’s do it.”

I started making that album. That album was also not true to me at the time. I think it was a part of me, but I think I was shooting for it in this, like, “It’s my self-titled, I’ve gotta go big. I’ve gotta pull out all my stops.” Then we made “Folded.” So can you come pick up your clothes? I had them folded.

Keep watching for more!

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

For Record Store Day 2026, Victrola partners with Jack White‘s Third Man Records on a new set of limited-edition turntable and speakers for music fans who love the warmth and depth of analog audio.

Priced at $649.99 for the bundle, the Victrola Third Man Records Turntable Set comes with the audio company’s Wave turntable and a pair of Tempo bookshelf Bluetooth speakers in the record label’s eye-catching black and yellow colorway.

Although it comes in an all-in-one bundle, you can get the turntable and speakers separately too. The Victrola Wave was Billboard’s pick for best turntable at CES 2025 (Consumer Electronics Show), thanks to its premium audio, Bluetooth connections (Auracast) to speakers or headphones and minimal, yet modern design.

In addition, the Tempo speakers are a perfect companion to the turntable with precise sound reproduction and wireless connectivity. Audio is deep and rich with warm and clear tones, while bass is punchy and rumbly — which is best for all sorts of rock, blues, hip-hop and country music.

For pricing, the Third Man Records-branded Wave goes for $499.99, while the pair of Tempo Bluetooth speakers are priced at $249.99. Altogether, it would go for $749.98, but the set saves you $99.99, so it’s best to go with the bundle instead.

Scroll down and shop Victrola x Third Man Records:

How to buy Victrola x Third Man Records Turntable Set online

VICTROLA X JACK WHITE

Victrola Third Man Records Turntable Set

Wave Turntable + Tempo Bookshelf Speakers Bundle


How to buy Victrola x Third Man Records Turntable Set online

VICTROLA X JACK WHITE

Victrola Third Man Records Wave Turntable

Hi-Fi Vinyl Playback


How to buy Victrola x Third Man Records Turntable Set online

VICTROLA X JACK WHITE

Victrola Third Man Records Tempo Bookshelf Speakers

Bluetooth Connectivity


“Third Man is stoked to be making these yellow-as-hell-o turntables and speakers with the cool cats over at Victrola,” Third Man Records co-founder Ben Blackwell said in a press release. “Set the volume to ‘stun’ and be blown back and blown away by the sonic magnificence on display.”

Available right now at Victrola.com, the limited-edition Victrola Third Man Records Turntable Set is priced at $649.99. Learn more at Victrola x Third Man Records here.

For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Madonna’s new song “I Feel So Free” has officially arrived on streaming services.

After debuting Friday (April 17) on iHeartRadio’s Pride station, the pulsating Confessions II track was released at midnight following the Queen of Pop’s surprise appearance during Sabrina Carpenter’s Coachella headlining set later that night.

Related

In addition to dropping “I Feel So Free” on streaming services, Madonna also shared a trippy visualizer on YouTube.

“Thanks for coming,” Madonna sing-speaks in the opening lines of the song. “Sometimes I like to just hide in the shadows/ Create a new persona/ A different identity/ I can be whoever I want to be/ Create a new persona/ Honestly I wish/ I could be like other people and just not care/ But out here on the dance floor, I feel so free.”

“I Feel So Free” is a propulsive, driving dance track that recalls the beat of Lil Louis’ 1989 house classic “French Kiss.” It continues the sonic world of Confessions on a Dance Floor, evoking the feel of “Future Lovers” from Madonna’s 2005 electro-pop dance album.

The upcoming Confessions II is the eagerly awaited sequel to Confessions on a Dance Floor, which debuted at No. 1 on the Billboard 200 albums chart. The project reunites Madonna with that album’s producer, Stuart Price, who also served as music director on her 2023–2024 Celebration Tour.

“I Feel So Free” arrives ahead of the album’s lead single, which has yet to be announced, label representatives previously told Billboard. A Confessions II countdown on Spotify reveals the album will feature 16 tracks.

Confessions II will be released on July 3 and serves as Madonna’s first album since 2019’s Madame X. It also marks her first release since re-signing with Warner Records in September 2025.


Billboard VIP Pass

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The road to WWE WrestleMania 42 leads to Las Vegas. The company’s epic two-night Super Bowl-esque spectacle has wrestling fans, celebrities and musicians flocking to “Sin City” to witness a jam-packed wrestling card and the resolution of shocking storylines.

The lineups for WrestleMania 42 are split between two nights. For night one, there are seven matches, headlined with Cody Rhodes defending his Undisputed WWE Championship title against Randy Orton. And for night two, there’s six matches scheduled CM Punk defending his World Heavyweight Championship title belt against Roman Reigns.

Here’s everything you need to know to tune in live on ESPN Unlimited.

When and Where Is WWE WrestleMania 42?

WrestleMania 42 kicks off on Saturday (April 18) and Sunday (April 19), beginning at 6 p.m. ET/3 p.m. PT each night. The two-night event takes place at Allegiant Stadium in Las Vegas.

How to Watch WWE WrestleMania 42 Online?

WWE WrestleMania 42 exclusively livestreams on ESPN Unlimited. Not a subscriber? You can get the sports streaming service for just $29.99 per month. It features every ESPN network, including ESPN, ESPN2, ESPNU, ESPNEWS, ESPN Deportes, SEC Network, ACC Network, as well as ESPN on ABC, ESPN+, ESPN3, SEC Network+ and ACC Network Extra — all in one app. Sign up for ESPN Unlimited below.

Who’s Performing During WWE WrestleMania 42?

While there’s no word on who will perform for night one, Grammy Award-winner Joe Jonas, who is a longtime WWE fan, is set to perform “The Star-Spangled Banner” to open WrestleMania 42 on night two. Additionally, Tony Award-winner Lin-Manuel Miranda is scheduled to take the stage for the event’s cold open on night one.

What’s the Match Card for WWE WrestleMania 42?

Check out the full WrestleMania 42 match cards, below.

Night 1 Match Card (Saturday, April 18, 6 p.m. ET/3 p.m. PT, ESPN Unlimited):

  • Undisputed WWE Championship: Cody Rhodes (champion) vs. Randy Orton
  • Women’s World Championship: Stephanie Vaquer (champion) vs. Liv Morgan
  • Women’s Intercontinental Championship: AJ Lee (champion) vs. Becky Lynch
  • Women’s Tag Team Championship (Fatal 4-Way): Irresistible Forces (champion) vs. Bella Twins vs. Charlotte Flair & Alexa Bliss vs. Bayley & Lyra Valkyria
  • Seth Rollins vs. Gunther
  • Drew McIntyre vs. Jacob Fatu
  • Logan Paul, Austin Theory and iShowSpeed vs. The Usos and LA Knight

Night 2 Match Card (Sunday, April 19, 7 p.m. ET/3 p.m. PT, ESPN Unlimited):

  • World Heavyweight Championship: CM Punk (champion) vs. Roman Reigns
  • WWE Women’s Championship: Jade Cargill (champion) vs. Rhea Ripley
  • United States Championship: Sami Zayn (champion) vs. Trick Williams
  • Finn Balor vs. Dominik Mysterio
  • Intercontinental Championship (Ladder Match): Penta (champion) vs. Je’Von Evans vs. Rusev vs. Dragon Lee vs. JD McDonagh vs. Rey Mysterio
  • Brock Lesnar vs. Oba Femi

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

Los Tigres del Norte’s Minnesota Performance During ICE Turmoil

The regional Mexican music legends performed their largest Twin Cities concert at Grand Casino Arena in St. Paul on Friday (April 17) during their Los Tigres Del Mundo tour, amidst heightened tensions following ICE’s Operation Metro Surge. The band — known for championing immigrant rights — told reporters before the event that they hoped to provide a moment of joy and respite for attendees.

“The date was already set for a long time before we knew any of this was going to happen. Now, we want to help,” Los Tigres del Norte‘s Jorge Hernández said in the Minnesota Star Tribune. “It’s hard, because the city has been hurt a lot, the citizens there. Whenever you perform you want people to have fun and forget about everything going on. That’s really what we want to do there.”

Days before their show, an ICE officer was charged with assault related to the surge. The officer allegedly pointed a gun at civilians while off duty.

Ricardo Arjona’s Message to Gaby Moreno on Her Broadway Role

In a heartfelt Instagram story earlier this week, Guatemalan music legend Ricardo Arjona celebrated singer-songwriter Gaby Moreno on her role as Persephone in the award-winning Broadway musical Hadestown. “I think taking the photo was forbidden, but I couldn’t resist. My little compatriot shining on Broadway,” wrote Arjona on alongside a photo of the two warmly embracing. He continued, “Immensely proud, Gaby. Of how much you are and of how much you don’t know you are. My favorite in this masterpiece.”

Moreno, playing Persephone through the end of August, reflected on her casting in a previous Billboard Español interview: “I still don’t understand how or who it was that put my name on the list, but about a year ago, my manager got an email asking if I was available to play the role of Persephone on Broadway. I thought it was a joke at first.”

Karol G’s Headlining Coachella Set Ignites Streaming Surge

Following her headlining show at Coachella on Sunday (April 12) during Weekend 1, Karol G saw a tremendous spike in streaming activity. Her overall Spotify plays Stateside increased by +35.5%, more than doubling the global lift of +14.3%. Notably, the Tiësto assisted remix of her 2022 Coachella-debuted hit “Provenza” saw a 139% increase — which she wrapped up her set with — marking the biggest spike among her catalog, according to Spotify data shared with Billboard. California cities like Rialto, San Bernardino, Santa Ana, and Riverside reported streaming increases of over 100%, with Los Angeles at 95%. Apart from California, regions like Tucson, Seattle, Milwaukee, and Brooklyn also saw noticeable surges.

“Moments like this show how deeply connected live performances and streaming are. Following her historic Coachella set, fans didn’t just watch, they went straight to Spotify to revisit her music, driving an immediate spike in listenership, especially in the US,” Maykol Sanchez, head of music, LATAM at Spotify, tells Billboard Español. “It’s a powerful reflection of how her performance resonated with audiences and the cultural impact of her milestone as the first Latina to headline the festival.” Stream the remix below.

Ruidosa Fest Returns to New York’s Lincoln Center

Ruidosa Fest is back in New York for its third edition at Lincoln Center, taking place on July 12. Featuring performances by Lila Downs, Pabllo Vittar’s CLUB VITTAR, Francisca Valenzuela, Elsa y Elmar, and more, this free, all-day festival blends concerts, panels, and community activities. Highlights include a masterclass by Latin Grammy winner Ella Bric and a book fair that celebrates the intersection of music, culture, and creative voices. Part of Lincoln Center’s Summer for the City programming, Ruidosa Fest continues to champion gender equity in Latin music. For more details, visit @ruidosafest or summerforthecity.org. See the full lineup below.


Billboard VIP Pass

After strong winds forced the cancellation of his Coachella 2026 weekend one performance last Friday (April 17) Anyma returned for weekend two on a much stiller night that allowed for the world debut of his new show, ÆDEN.

Starting a bit late at approximately 12:15 a.m. on Friday night/Saturday morning, the producer walked onstage dressed in all white, with the massive screen running the entire length of the festival’s mainstage switching on behind him. While this screen would host a varied cast of characters during the performance, it was first populated by dozens of digitally rendered columns that crumbled to the ground before rising again.

Related

Also rising was Anyma himself, with the platform on which he stood elevating and lowering at various points of the show, a cool effect that in moments made the producer appear to be floating, to positioned in the center of a swirl of fire and at the nexus of many other onscreen special effects.

The show soon introduced a character resembling Michelangelo’s David, who busted down the columns while robot-like elements showed from under his stone artifice. The performance would go on to incorporate other such characters from the worlds of ancient art and mythology, including a Medusa-like creature, the snakes emanating from her head hissing in time with the beat, a pair of spinning characters whose muscular bodies appeared to be rendered from tree roots, a female demon and eventually, an angel — but more on that later.

The interplay of the ancient and modern art is a core concept of the Anyma universe, and one that those who saw his End of Genesys residency at Sphere Las Vegas in late 2024 and early 2025 will well recognize. Along with all the new imagery, ÆDEN reintroduced visuals familiar to those who saw the Sphere show, with the bugging eyeballs from the “Voices In My Head” segment from Sphere (and the song’s corresponding video) showing up during this same song at Coachella, but with the eyes now rendered in black and eventually appearing to drip black blood.

As it was at Sphere, Ellie Goulding also made an appearance, with the vocalist’s image cast on the screen during her 2025 Anyma collab “Hypnotized.” But while at Sphere her face essentially shape-shifted, at Coachella she was made to look like a marble statue, in keeping with the show’s ancient art themes.

Typically at Coachella, the special guests show up for weekend one and then pack up and go home, but — perhaps because they didn’t get the chance to perform last weekend due to the cancellation — Anyma brought out a hos of guests including Muse‘s Matt Bellamy and Swae Lee. The biggest guest was also the one most people would have guessed was coming, LISA. Anyma and the K-Pop superstar released their collaborative single “Bad Angel” on April 8, and this show at Coachella saw them performing it publicly together for the first time.

LISA came onstage in a shimmery, diaphanous dress while imagery of her as the titular angel appeared on the screen behind her. As she walked down the stage’s runway, she declared that she’s “pretty pretty bad” for an angel, with those watching the performance via the livestream on YouTube at this point seeing a towering LISA hologram in the sky above her. For those of us in the crowd no such hologram materialized, but to be in such close proximity to the singer appeared to be thrilling enough for the people in the crowd whose hands were genuinely shaking as she walked by.

The final moments of the show featured an appearance by Joji, who came out to sing “Beautiful,” his Anyma collaboration released earlier this month. As Joji sang to the crowd out on the catwalk, a version of him rendered in stone appeared on the screen, once again juxtaposing new and old, human and digital, with “Beautiful” serving as the show’s closer.

All in, ÆDEN functioned as an expansion of the significant world-building Anyma has already accomplished, bringing in concepts of ancient art and culture and colliding them with the cutting-edge technology required to create a show of this size and scope. Presenting this show on the Coachella mainstage is certainly a win for Anyma, with having Anyma on the mainstage of one of the world’s biggest music festivals also marking a win for dance music itself.

6LACK is back with new music. The Atlanta singer-rapper released “Sunday Again” featuring 2 Chainz on Friday, alongside a companion music video directed by Levi Turner, as the latest preview of his forthcoming album Love Is the New Gangsta, due May 22 via LVRN/Interscope Records.

The track features additional vocal contributions from Serayah, Jordan Ward and Dos Dias, among others. The video — which also features cameos from artists Mereba, umi, Quin and slimwav — sees 6LACK and 2 Chainz surrounded by friends and family in what the artist describes as a moment of community and serenity, reflecting the album’s central theme of universal love.

“Sunday Again” follows 6LACK’s debut single from the project, “Bird Flu,” which drew widespread critical acclaim upon release. Together, the two tracks offer an early look at what promises to be a significant artistic statement. Rooted in self-exploration, healing and radical honesty, Love Is the New Gangsta finds the Zone 6 native examining love, identity and growth across what his label is billing as his most ambitious work to date. The album is available for pre-order now, with limited edition fan bundles — including vinyl, CDs and apparel — also on sale.

The new album follows 6LACK’s 2023 effort Since I Have a Lover, which earned a Grammy nomination for Best Progressive R&B Album and received widespread critical praise from outlets including NPR, Pitchfork, Rolling Stone and Complex. That record featured collaborations with Don Toliver, Wale, Ty Dolla $ign and India Shawn.

Born and raised in Atlanta, 6LACK — pronounced “Black” — broke through with his 2016 debut Free 6LACK, which earned a Grammy nomination for Best Urban Contemporary Album. His 2018 follow-up East Atlanta Love Letter peaked at No. 3 on the Billboard 200 and hit No. 1 on the Top R&B Albums chart. His highest-charting moment to date remains his 2021 collaboration with Lil Tjay, “Calling My Phone,” which debuted at No. 3 on the Billboard Hot 100 and simultaneously topped both the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts. The five-time Grammy-nominated artist has amassed over 8 billion global streams across his catalog.

Love Is the New Gangsta is out May 22.

Sabrina Carpenter‘s Coachella weekend two headlining set on Friday night became one of the festival’s most memorable moments in recent history, when Madonna crashed the stage for a show-stopping surprise appearance.

The Queen of Pop emerged during Carpenter’s performance of “Juno” — at the song’s iconic pose moment — as the track cut into Madonna’s “Vogue” medley, with the two pop stars performing the 1990 classic together to a frenzy from the crowd.

The pair then appeared to perform an unreleased track together, widely believed to be from Confessions II, Madonna’s long-awaited sequel to her 2005 dance landmark Confessions on a Dance Floor, due July 3 via Warner Records.

Before closing out with “Like a Prayer,” Madonna addressed the crowd directly, tying the moment to a personal Coachella milestone.

“20 years ago today I performed at Coachella — I was at the dance tent,” she said from the stage. “It was the first time I performed Confessions from the dancefloor. Same boots, same corsets… it’s like a full circle moment.”

She then noted the astrological significance of the evening: “I also want to point out it’s the new moon of Taurus. Seven planets lined up in Aries… avoid confrontations. In all circumstances — for the rest of the month — let’s try to get along, let’s try to be together, let’s try to avoid disagreements.” Carpenter, for her part, leaned into the moment: “She’s pointing to me because I’m a Taurus.”

Madonna’s 2006 Coachella performance served as a warm-up for the launch of her Confessions Tour, which went on to gross over $194 million from 60 shows and became the highest-grossing tour by a female artist at that time.

Her return to the same stage two decades later, performing the same era’s music ahead of its sequel, gave Friday night’s appearance a rare sense of full-circle weight that the crowd felt viscerally.

Confessions II — due July 3 on Warner Records — is produced by Stuart Price, who helmed the original Confessions on a Dance Floor, and will be released as a non-stop mix echoing the format of the 2005 album. It marks Madonna’s first full-length album in seven years and her first for Warner Records since Hard Candy in 2008.

Previously announced tracks include “I Feel So Free,” “Fragile,” “Forgive Yourself,” and “One Step Away.”

The appearance made for a considerably more musically star-studded set than Carpenter’s weekend one showing, where guest appearances were limited to actors Susan Sarandon, Will Ferrell and Sam Elliott.

The weekend, Actress Geena Davis also joined for a spoken word monologue — mirroring Sarandon’s cameo from the prior weekend — while Terry Crews appeared mid-set to poke fun at his iconic role in White Chicks and lightly sing “A Thousand Miles.”

Carpenter’s Coachella headline run concludes her blockbuster run behind her 2024 album Short n’ Sweet, which debuted at No. 1 on the Billboard 200 and produced the top five Hot 100 hit “Espresso.” Madonna, meanwhile, heads toward the July release of Confessions II — one of the most anticipated pop albums of the year.

Following concert cancellations in London and Poland and a postponement in France, it appears Ye’s shows will go on as scheduled in the Netherlands.

While pressure is mounting from members of parliament and the public to ban Ye (formerly Kanye West), who’s slated to perform at Gelredome Stadium in Arnhem on June 6 and June 8, for his antisemitic rhetoric, Arnhem Mayor Ahmed Marcouch doesn’t see a legal basis to ban him from entering the Netherlands and performing.

“Members of Parliament have the power to make laws, so instead of constantly posting all kinds of messages on X, they can also limit behavior they deem undesirable by law,” Marcouch told Dutch outlet NRC, while previously stating he found West’s past antisemitic remarks “disgusting.”

He explained that the process of approving West’s permits to perform in the Netherlands is still in motion as of Friday (April 17).

“Within the framework of the law, the mayor should not pass judgment on the content of a cultural activity. That concerns freedom of expression,” he added. “What I can look at are the permit applications for the two concerts. They are currently being processed as we speak. This concerns, among other things, safety and public order. If the organization meets the requirements of the permit, then we simply have to grant that permit.”

Earlier in April, minister Van den Brink explained that there’s “no legal basis” to ban West from entering the Netherlands to perform based on his previous statements. “Based on what is currently known to me, I have no indication that an entry ban may apply to this,” he said, according to RTL News.

Essentially, Mayor Marcouch agreed with the minister and that would only change if laws are adjusted or West continued to make antisemitic remarks.

“Making racist and antisemitic statements is already a punishable offense. But he has to make them first. Now it concerns someone who did something in the past and, for that reason, would not be allowed to come to the Netherlands,” he added. “Regarding that, the Minister rightly said, ‘There is no legal basis for that.’”

Mayor Marcouch said that the public statements are for naught unless there are legal adjustments or a change in Ye’s behavior.

“I observe that Members of Parliament want something and call upon the Minister to do something, while the Minister says, ‘I have no legal basis to deny that man entry.’ If the Minister comes to that conclusion after all the indignation and calls from the House, then you shouldn’t start shouting again that someone is not allowed to come,” the mayor stated. “Then you have to create a legal basis so that the Minister can do those kinds of things.”

He continued: “I am also pleased that in our constitutional state, as a citizen, you are not dependent on the arbitrariness of a mayor or any other authority. That the law prevails,” he concluded.

West was denied a travel visa by the U.K. government, which led to the cancellation of Wireless Fest. As backlash mounted from French authorities, Ye took it upon himself to postpone a June concert slated for Marseille’s Stade Vélodrome in France.

On Friday (April 17), A rep for Silesian Stadium in Chorzów, Poland, where West was set to perform on June 19, told Wyborcza that “the concert will not take place.”

Per the Yeezy website, Ye still has concerts scheduled for New Delhi, Istanbul, the Netherlands, Italy, Madrid and Portugal later this year.

West is still dealing with the fallout from his antisemitism and hate speech in recent years, which included selling a swastika T-shirt and releasing a song titled “Heil Hitler.”

Looking to work his way back into the public’s good graces, Ye issued an apology in The Wall Street Journal in January, which saw him address the Jewish and Black communities, and West met with a rabbi in November 2025.

On the music front, Yeezy released his Bully album on March 28, which debuted at No. 2 on the Billboard 200. The Chicago native returned to the stage in the U.S. with two SoFi Stadium shows on April 1 and April 3.