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Guns N’ Roses, with Axl, Duff, Izzy and Slash, hits the road this summer, with the tour scheduled to end in the United States on Sept. 19 at Truist Park in Atlanta, Georgia. The legendary rock band will then travel to Asia, Australia and New Zealand for the rest of 2026.

A rotating lineup of artists are set to support, with Public Enemy, The Barbarians of California, The Black Crowes, Ice Cube, Pierce the Veil and XCOMM all set for opening slots across the tour.

Tickets to the tour first went on sale through Live Nation and Ticketmaster, while the retailer’s Face Value Exchange program is an option for fans to resell tickets.

However, many of the dates have either sold out, or are very close to selling out, so one of the best ways to find last-minute Guns N’ Roses tickets online is through third-party sites, such as StubHub, SeatGeek, Vivid Seats, TicketNetwork, Gametime, Event Tickets Center and others. All online retailers guarantee authentic tickets in time for your concert. Prices may be above or below face value at times.

Where to Find Guns N’ Roses World Tickets Online

StubHub has Guns N’ Roses tickets available. The retailer ensures that all tickets are valid and authentic, but for whatever reason, if they’re not, you’ll get your money back. And, if your concert is canceled and not rescheduled, you’ll receive 120% in credit, or a full refund without the extra 20% credit. As of this writing, tickets start at $11.

One of the lowest prices we’re seeing for Guns N’ Roses tickets is at SeatGeek. We’re seeing tickets starting at only $10, as of publication. Use our discount code BILLBOARD10 to save an additional $10 at checkout.

You can find Guns N’ Roses tickets online at Vivid Seats, which lets you search by price, location and “Super Sellers,” which denotes reputable sellers with the best deals on tickets. You can even get 10% off your first purchase when you sign up for the company’s newsletter. On Vivid Seats, tickets start as low as $11, as of this publication date. As a bonus, you can use our exclusive promo code BB30 to take $30 off your purchase.

TicketNetwork has tickets to Guns N’ Roses’ concerts with all-in pricing that lets you see exactly what you’ll pay up front (fees included). Tickets start at just $11, as of this writing. You can use our exclusive code BILLBOARD150 to save $150 off $500 or BILLBOARD300 to save $300 off orders of $1000 and up.

Guns N’ Roses 2026 Tour Dates

Sphere Entertainment reported Thursday (July 30) that second-quarter revenue rose 11% to $313.6 million, as the company’s flagship Las Vegas venue added more viewings of its popular adaptation of The Wizard of Oz.

However, the company recorded an overall $61.3 million operating loss, $11.1 million more than the year-ago quarter, due in part to a 30% increase in the Sphere segment’s selling, general and administrative expenses, which totaled $125.6 million for the second quarter ending June 30.

Sphere Entertainment had an adjusted operating income of $50.9 million, down 17% from a year ago. Notably, this figure was adjusted to strip out the impact of share-based compensation, depreciation and amortization costs related to a merger with MSG Networks and other costs the company says are not related to its fundamental business operations.

The Sphere segment, which generates revenue from Sphere Experience film showings, brand events, concert residencies and sponsorship and suite licensing fees, generated revenue of $226.4 million, up 29% compared to the year-ago quarter, mainly on more “per-performance” revenue from The Wizard of Oz at Sphere.

“We’re not shy of demand from artists to come play the Sphere, and we have some great artists coming up,” executive chairman and CEO James Dolan said when asked during an earnings presentation about Oz and where additional growth will come from. “But the whole business strategy behind the creation of Sphere is utilization of the venue, and that’s where we look at the growth to come.”

From its opening last August to mid-June, The Wizard of Oz at Sphere has sold more than three million tickets and generated over $400 million in ticket sales. The company said 220 “performances” of Oz in the second quarter exceeded the 215 showings of Postcard from Earth and V-U2 An Immersive Concert Film in the year-ago quarter. That translated to Sphere Experience-related revenue growing by $53.8 million in the second quarter from a year ago.

The company announced earlier this quarter that it is working on the production of a new Sphere Experience — The Rocky Horror Picture Show at Sphere — which is expected to open in 2027. Dolan said earlier this year that the company also expects to debut From The Edge, a film about extreme sports, later in 2026.

Sphere event-related revenue fell $11.7 million due to two fewer brand events compared to the year-ago quarter, but that was partially offset by higher revenue from concerts, according to the company. While there were six more concerts held in the second quarter at Sphere this year compared to a year ago, the concerts held in April, May and June had lower per-concert revenue compared to the same period last year.

The company did not disclose an overall event-related revenue figure in its initial second-quarter financials, making it difficult to determine the share of revenue contributed by The Sphere Experience and concerts. However, the company said it generated $150 million in ticketing and venue licensing fees from Sphere in Q2 overall.

Dolan compared Sphere’s ability to capitalize on concerts to Madison Square Garden, which he also owns.

“The Garden does approximately 200 or something events a year, and it is hamstrung by the fact that you have to load in, you have to load out,” Dolan said. “When we created Sphere, it was all about increasing utilization through our own IP and our own content. I don’t think that we have refined the model to the point where we’ve maximized the revenue potential there, and I think we have new products, some of which we haven’t talked about.”

The Sphere segment generated a nearly $70 million operating loss. That’s around $14 million less than the loss notched in the year-ago quarter thanks to higher revenue.

The company continues to develop plans for additional Sphere venues, and Dolan said the company will likely announce plans for a new Sphere later this year. Construction on the Sphere on Yas Island in Abu Dhabi is expected to be completed in 2029, with the company saying in a statement that “plans to bring Sphere to National Harbor also continue to move forward.”

MSG Networks generated revenue of $87.3 million, down 18% from the year-ago quarter, primarily due to distribution revenue falling $13.7 million on a 16.5% decline in total subscribers.

This year has already been a jam-packed for Cardi B, and now she’s set to release her first single since 2025’s Am I the Drama?

After previewing the single “Ah Ha” on Monday (July 27), the overwhelmingly positive reception from the Bardi Gang pushed Cardi and Atlantic Records to slap a release date on the single, which is slated to hit streaming services on Friday (July 31). “Meet me at the club,” Cardi captioned the IG post announcing the release date.

On “Ah Ha,” Cardi delivers a catchy chorus, which finds her repeating the song’s title, and then goes on to snipe at her opps and the men after her.

“A n—a can’t trap me, I won’t keep it/ B—es really hate me, so be it/ Bathroom floors and these hoes both heated/ It goes threee, two, to the one in this b—h/ I’ll give a hoe exactly what she want in this b—h,” she raps.

The 33-year-old rapper even disses Donald Trump on the track, which she’s had no problem doing when speaking out against the president publicly in the past.

“Black trucks at the club look like Trump in this b—h, f–k him/ A hoe never played with me once in this b—h,” she continues.

The hard-hitting single’s cover art shows Cardi posing in the same Dominican Republic-themed flag bikini she wore on the beach in the initial track teaser video.

Cardi hopped on IG Live on Tuesday (July 28) to clear up any confusion surrounding the “a n—a can’t trap me bar,” which fans believed was a shot at ex-boyfriend Stefon Diggs.

“I know exactly how I felt when I said that s–t. I could have a baby with a n—a, but that’s the issue,” she said. “You could have a baby with a n—a, and sometimes n—as think that because you have a baby with them or you gonna keep a baby or you have a baby that you won’t move the f–k on or you’ll stay there taking s–t. Nah, b—h, I’ll take my baby and get the f–k on. That’s for sure. Like nah, b—h, a baby ain’t trapping me b—h.”

Cardi kicked off the Little Miss Drama Tour in February, which served as her first headlining North American trek. She’s continued to remain outside since Am I the Drama?‘s arrival in September 2025, which topped the Billboard 200.

Check out a teaser of “Ah Ha” and the single’s cover art below.

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UPDATE (July 29): Recording Academy CEO Harvey Mason jr. released a statement on Wednesday (July 29) in response to BTS’ decision not to enter their music for the 2027 Grammy Awards.

“I am saddened to hear that BTS has chosen not to participate in the Grammy Awards process this year, but as a music creator, I understand and respect their decision.

“I do want to clarify something that seems to be getting lost in the conversation. The Asian Pop category was created to celebrate the depth, diversity and extraordinary growth of pop artistry coming out of Asia. The spirit of this new category is to shine a dedicated spotlight on these important artists. More categories mean more artists’ work is recognized. It’s never to divide, but to expand who is recognized by our 15,000 Grammy voters.

“I also want to be very clear: submitting music in a genre category such as Asian Pop, or Jazz or Country does not exclude an artist from also submitting and being considered in the General Field categories, including Record of the Year, Album of the Year and Song of the Year. Those categories remain open to any eligible recording, regardless of genre. Recognition in a genre category and recognition in the General Field are not mutually exclusive. An artist can absolutely pursue both.

“The Grammy organization is here to serve music and all the people who make it. As we continue to expand the reach, our membership and our awards, regardless of geography or language, I want to emphasize that we will continue to listen to the global music community and work to honor and celebrate all the artists whose music moves the world. – Harvey Mason jr, Grammys CEO”

PREVIOUSLY (July 29): BTS has announced that they will not be submitting music from their comeback album ARIRANG for consideration at the 2027 Grammy Awards.

All seven members of the K-pop supergroup — RM, Jin, Suga, j-hope, Jimin, V and Jung Kook —simultaneously posted an identical statement on their individual Instagram accounts on Wednesday (July 29): “We have decided not to submit to the Grammys this year,” a translation of the message reads. “I hope that music can be heard and loved for what it is, rather than being divided by region or language. Thank you to ARMY and everyone who is always with us.”

Their message takes an implicit swipe at the guidelines for the Recording Academy’s newly created Best Asian Pop Music Performance category, which was one of five new Grammy categories introduced in June. The group members’ choice to specify both “region” and “language” is relevant, as the category specifies that songs must include “meaningful use” of any Asian language.

Ironically, BTS’s smash English-language hit single “SWIM,” which debuted at No. 1 on the Billboard Hot 100, would have been excluded from this new Asian pop category anyway.

The boycott comes during a banner comeback year for BTS. After completing the group members completed their mandatory military service, they released their fifth studio album, ARIRANG, in March 2026. The album debuted at No. 1 on the Billboard 200 with 641,000 units, marking the biggest opening week for a group album in more than a decade.

BTS has received five Grammy nominations, including three consecutive nominations in the high-profile best pop duo/group performance category, for “Dynamite” (2021), “Butter” (2022) and “My Universe,” the latter a collab with Coldplay (2023). In 2023, the group received two other nominations: album of the year as a featured artist on Coldplay’s Music of the Spheres and best music video for “Yet to Come.”

BTS’ decision not to enter its music is a blow to the Grammys’ prestige, but the biggest impact could be the Grammy telecast losing a powerhouse draw. The group has performed on the Grammy telecast twice; it contributed a remote performance from a Seoul skyscraper in 2021 and a live, spy-themed rendition of “Butter” in Las Vegas in 2022.

Other artists have declined to submit their music for Grammy consideration, often in reaction to what they saw as snubs, including Drake, The Weeknd and Morgan Wallen.

Some have criticized the new best Asian pop music performance category, which sits in the Pop & Dance/Electronic Field, fearing that it will lock Asian acts into a subcategory and deny them the opportunity to compete in the higher-profile General Field categories or in pop performance categories. The former fear is unfounded. All artists from all genres can compete in the General Field categories, which include album, record and song of the year and best new artist.

But it is true that a specific recording can compete in only one performance category. If a recording is entered for best Asian pop music performance, it cannot be entered for, say, best pop duo/group performance. The same act can, however, be nominated in multiple performance categories with different recordings.

K-pop achieved its first-ever Grammy win earlier this year when “Golden” from Netflix’s KPop Demon Hunters won best song written for visual media. The song was also nominated for song of the year but did not win.

The Recording Academy’s description of the new award, in full, reads:

“This category recognizes artistic excellence in Asian pop music performances. Eligible recordings include contemporary popular music originating from or widely recognized within Asian markets, including K-pop, J-pop and C-pop.

“Asian pop is a distinct and globally recognized form of popular music characterized by its integrated approach to music, performance, and presentation. Eligible recordings typically feature melody-driven composition, mainstream pop songwriting, and commercially oriented production, as recognized within their respective markets, and may incorporate elements of pop-adjacent styles such as pop-rock, pop R&B, and other related forms. Recordings in this category are often characterized by genre-blending arrangements, layered production, and dynamic structural shifts designed to support both audio and performance-based delivery.

“Recordings must feature meaningful use of one or more Asian languages. An Asian language should play a significant role within the song in bilingual or multilingual structures such that the recording is identifiable with that language. Recordings performed entirely in an Asian language are eligible. Incidental or minimal use (e.g., isolated words, adlibs, or brief phrases) does not qualify. Recordings performed entirely in English are not eligible in this category and remain eligible in other appropriate categories.

“The musical style is determinative of eligibility, not the ethnicity or nationality of the performer(s).

“Other popular music forms which originate in Asia or the Asian diaspora but do not meet the genre criteria for this category are eligible in other categories as appropriate.

“Only one version of a recording is eligible in a performance category in any year. A recording which is eligible and entered in another performance category is not also eligible in Best Asian Pop Music Performance for a different version featuring an Asian language performance.

“Nominees are Artist(s).

“Grammy statuettes awarded to Artist(s).”

There is recent precedent for tracks to win both in General Field categories (such as record and song of the year) and genre-specific categories. In 2019, Childish Gambino’s “This Is America” won best rap/sung performance as well as record and song of the year. In 2022, Silk Sonic’s “Leave the Door Open” won in two R&B categories as well as record and song of the year.

Earlier this year, Bad Bunny made history when Debí Tirar Más Fotos became the first all-Spanish-language album to win album of the year. It also won best música urbana album. Of Bunny’s six 2026 nominations, four were in genre-neutral categories and two were in genre-specific categories. Of his three wins, one was in a genre-neutral category and two were in genre-specific categories.