A judge says Eminem’s publisher can move forward with a $109 million lawsuit over allegedly unlicensed songs in the Facebook, Instagram and WhatsApp music libraries.

A Tuesday (June 16) order, first obtained and reported by Billboard, denies Meta’s motion to dismiss the direct copyright infringement claim brought by music rightsholder Eight Mile Style. That means the social media giant will be subjected to the lengthy (and often expensive) evidence discovery process.

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Eight Mile owns 243 compositions, including Eminem hits like “Lose Yourself.” The publisher sued Meta last year, alleging that its subsidiaries Facebook, Instagram and WhatsApp all featured its catalog in the apps’ music libraries without a valid license. Eight Mile sought the maximum statutory damages of $150,000 per case of infringement, which, multiplied by 243 songs and three platforms, would add up to a whopping $109.4 million.

Meta’s lawyers called the lawsuit “fanciful” and the damages request “eye-popping.” The company argued that the allegations were far too general to survive past an initial motion to dismiss — but Judge Brandy R. McMillion disagreed, writing in Tuesday’s decision that the complaint “states enough to plausibly claim infringing acts by Meta.”

“Plaintiff alleges that Meta placed all 243 of the aforementioned works in the respective music libraries of all three of its platforms. Accepted as true, this fact can plausibly be construed as constituting reproduction of the copyrighted work,” wrote the judge. “Because the Copyright Act gives owners the exclusive right to reproduce their work, storage of the Eight Mile compositions, without permission, would create an unauthorized reproduction of copyrighted material.”

The judge did, however, side with Meta to rule that Eight Mile’s secondary infringement claims should be dismissed. In this part of the lawsuit, Eight Mile sought additional damages based on the theory that Meta not only hosted unlicensed music but also induced billions of individual social media users to add illegal tracks to their posts.

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Judge McMillion said these claims fail because Eight Mile did not provide any examples of supposedly infringing posts. She also cited the Supreme Court’s recent decision in the major record labels’ piracy battle with Cox Communications, which raised the standards for such secondary infringement claims.

“Even construing these facts in Eight Mile’s favor, the court finds them insufficient to plausibly support an inference that defendant actively encouraged or otherwise (affirmatively) induced user copyright infringement,” wrote the judge. “While Meta may encourage its users to use the platforms’ tools, the court is unwilling to equate an encouragement to use the tools with an encouragement to infringe, especially when the tools can be used in a non-infringing way.”

The order does not specify whether these secondary claims are dismissed with or without prejudice, meaning the door might be open for Eight Mile to rewrite them in an amended lawsuit.

A lawyer for Eight Mile declined to comment on the ruling on Tuesday, and reps for Meta did not immediately return a request for comment. Eminem himself is not involved in the case.

This is not Eight Mile’s first time going to court over digital licenses; the publisher previously sued Spotify in 2019 for allegedly making its music available for streaming without authorization. That case made it to discovery, too, but it was ultimately thrown out in 2024 after a judge criticized Eight Mile for intentionally delaying the licensing process in order to maximize legal damages.


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Rod Wave’s next album is on the way. The Florida rapper/singer announced Tuesday (June 16) that his Don’t Look Down project is set to arrive before summer ends on Aug. 28.

Rod released a bittersweet trailer to coincide with the announcement, which takes place at a funeral and finds the “Heart on Ice” artist plotting with his crew.

“No more sneaky business, no more side deals. Keep building our own machine. Keep going and don’t look down,” Rod says in the clip before being asked about his next move. “Album.”

The trailer closes with a preview of a soulful track, which appears to be on Don’t Look Down. A press release confirms that a single is “coming soon.” “I am the chosen one/ The only one they banking on/ Real s–t that raw s–t they waiting on,” he croons.

Billboard caught up with Rod Wave at a homecoming show in St. Petersburg, Florida, last year, where the Grammy-nominated artist spoke about the growth he felt going into this LP.

“Growth,” he said when describing the project. “I feel like every album, as I grow older, is different. I paint a different picture, because I’m a different version of myself. Every album’s a different chapter. I feel like it’s all real-life stuff.”

The 27-year-old continued: “We all can agree that life goes up and down. So every year, what I basically do is I just talk about where life has taken me up to that point, and people connect with it. We’re all growing up together.”

Rod Wave’s most recent album, Last Lap, arrived in 2024 and debuted at No. 2 on the Billboard 200. Watch the Don’t Look Down trailer below.

Mikal Bridges of the New York Knicks was still celebrating the team’s historic run to an NBA title on Monday and gave fans an IG Live to remember.

During one clip that was spliced out by Internet sleuths, Bridges got serious for a moment as he poured a shot of tequila when Kendrick Lamar‘s song “Count Me Out” popped up on his playlist and told fans why he loved the song and Mr. Morale & The Big Steppers so much. “Let me let you know, let me be honest about this song, about this album, if y’all can hear me right now over this music,” he said before revealing that he was really down after his Suns lost to the Dallas Mavericks in seven games during the second round of the 2022 NBA Playoffs. “I was really depressed, bro. We lost to Dallas, I was in Phoenix, I was f—in’ depressed, bro. This album came out. I was just liftin’ bi’s and tri’s, chest, and that sh– got me through it. I love this f—in’ album, for real. I will never forget this album. Ever.”

He then continued to vibe and rap along to the chorus as Lamar rapped, “I love when you count me out.”

The combo shooting guard/small forward can relate to that very phrase, especially during this past season. The Knicks famously staked their future on Mikal when they traded six first-round picks to the Brooklyn Nets in 2024 and signed him to an extension in 2026. However, fans have given him a nickname after the organization won their first championship in 53 years and he now goes by Mikal “F— Them Picks” Bridges.

F-A-B-O-L-O-U-S is back to incorporating current events into his freestyles. This time, he managed to incorporate OG Anunoby’s historic game-winner into a “Spend Dat” (Knicksmix).

Earlier this month, artist and content creator Lowkey Mar posted a video of him previewing a Knicks-themed flip he made of Yung Miami‘s viral “Spend Dat” (currently on No. 47 on the Billboard Hot 100 and climbing) as the team was in the midst of a historic playoff run that culminated in their first championship in 53 years. Mar starts his version off by pointing out that the Knicks have a player “named Karl-Anthony Towns in ‘the towns’” and “Jalen BrunSON, come on, son,” and flipped Yung Miami’s chorus from “Spend dat sh–” to “Win dat chip.”

The post was shared and reposted by Knicks fans and eventually made its way to Brooklyn rapper Fabolous, who then posted a snippet of his verse on Saturday as the Knicks were getting ready to play Game 5 of the NBA Finals on the road in San Antonio.

Fab impressively incorporated the starting five in Jalen Brunson, Josh Hart, Mikal Bridges, OG Anunoby and Karl-Anthony Towns with lines like, “OK, you know I got the towns on my back like KAT/ You know we keep that paper comin’ thru like fax/ We the ones like Jalen Brunson in that bag for them rings like we eating Funyuns/ Shorty you my heart like Josh, stop trippin’/ Bring that ass here and let an OG put the tip in.” He also managed to show love all five boroughs with bars like, “You know we f— with bridges like Brooklyn and Manhattan/ Third Ave to the BX/ Verrazano go to Staten/ Big Queens, Triboro/ We hit all five boroughs/ Big step through the city, it’s an NY euro.”

Let’s see if this version will ever make it on streaming in time for the Knicks championship parade this upcoming Thursday (June 18).

At the Braves Country Fest in Atlanta over the weekend, country music audiences got a treat when two of the genre’s biggest stars teamed up for a surprise collab.

Cody Johnson and Ella Langley surprised fans Saturday with a duet version of Reba McEntire’s “Whoever’s in New England” during Johnson’s set. Johnson has a history with the McEntire classic: He previously recorded an acoustic version of the song in 2020, while McEntire herself joined Johnson to sing the song during his set at CMA Fest in 2023.

“Whoever’s in New England” is the title track from McEntire’s 1986 album and reached No. 1 on Billboard‘s Hot Country Songs chart. The song also earned McEntire a Grammy for female country vocal performance. “Whoever’s in New England” also earned CMA nominations for single of the year and music video of the year (Jon Small directed the clip).

Both Johnson and Langley are at the top of their games. Johnson was named entertainer of the year at the recent Academy of Country Music Awards (in addition to winning male artist of the year). His song “The Fall” recently rose to No. 1 on Billboard‘s Country Airplay chart, marking his third No. 1 on that chart. Johnson also previously collaborated with McEntire on the song “Dear Rodeo.”

Meanwhile, Langley’s hit “Choosin’ Texas” just keeps breaking chart records. The song logged 10 weeks atop the all-genre Billboard Hot 100 and set a new Hot Country Songs chart record for longest-leading hit by a woman with no other credited recording artists since the survey became the genre’s main songs chart in 1958. At this year’s ACM Awards, Langley earned honors for female artist of the year, artist-songwriter of the year, song of the year and single of the year (both for “Choosin’ Texas”), as well as music event of the year (“Don’t Mind If I Do” with Riley Green).

In addition to Langley and Johnson, Braves Country Fest also featured sets from Ernest, Mackenzie Carpenter, Scoot Teasley, Zach John King and Colton Bowlin. The fest benefited the Atlanta Braves Foundation.

Watch their onstage collaboration below:

Bad Bunny officially kicked off his Madrid residency on May 30 at the Riyadh Air Metropolitano, where he performed 10 concerts spread out until June 15 as part of his Debí Tirar Más Fotos World Tour. With nearly 63,000 attendees per night, according to sources from Atlético de Madrid, the residency bacame one of the biggest musical events of the summer in Spain.

This series of shows came after his historic No Me Quiero Ir de Aquí residency, which included 30 concerts at the Coliseo de Puerto Rico José Miguel Agrelot in San Juan between July and September 2025, and was part of a tour that began on Nov. 21 in Santo Domingo, Dominican Republic. The Madrid residency proved to be one of the most ambitious undertakings in the European leg of the tour, which has already exceeded $200 million in revenue, according to figures reported to Billboard Boxscore, and ranks among the most successful of the year.

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In addition to performing songs from Debí Tirar Más Fotos such as “La Mudanza,” “Turista,” “Baile Inolvidable,” “NuevaYol” and “DtMF,” Bad Bunny kept fans intrigued night after night with surprise guests. Both on the main stage and on “La Casita,” the show’s secondary stage, artists, actors, athletes and influencers made appearances, including Penélope Cruz, Los Javis, Chiara Ferragni and Trueno.

After completing his 10 dates in Madrid, the trek will continue across cities in Germany, the Netherlands, the U.K., France, Sweden, Poland, Italy and Belgium.

Here’s a chronological recap of all the surprise guests who joined Bad Bunny during his stay in Madrid.

“Come Over,” an ARIRANG bonus track from BTS that just made its streaming debut, tops this week’s new music poll.

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Listeners voted in a poll published Friday (June 12) on Billboard, choosing the K-pop superstars’ latest digital release as their favorite new music.

“Come Over” flew to the top spot in a landslide win against new releases from artists like Olivia Rodrigo, Cultura Profética, Charles Wesley Godwin, KATSEYE, Jack White, Bebe Rexha and more. At the poll’s closing time on Sunday, BTS ARMY kept the group in the lead with more than 86% of the vote.

“Come Over” — which has members SUGA, RM and j-hope among its list of co-writers, and which was co-produced by Cirkut with SUGA and Ammo — had its streaming debut on Friday after previously only being available on the physical deluxe vinyl edition of ARIRANG.

Its streaming premiere was timed alongside BTS’ annual fan celebration, Festa, and a lyric video for the song was uploaded to YouTube on release day.

With some lyrics in Korean and some in English, the translated chorus of “Come Over” has the septet pleading to reconnect with the subject of the song: “Yeah, I’m lost, can I come over?/ Yeah, I’m lost, can I come over?/ I just wanna say I’m sorry.”

Coming in second place behind BTS’ “Come Over” is Olivia Rodrigo’s You Seem Pretty Sad for a Girl So in Love album, which dropped on Friday. Rodrigo also released a new music video for album track “Stupid Song.”

See the final results of this week’s poll below.

Fresh off her historic induction into the Songwriters Hall of Fame, Taylor Swift was back in midtown Manhattan this weekend to see one of the hottest tickets on Broadway, Oh, Mary! with Maya Rudolph, with Travis Kelce by her side. They caught the play just in time to see Rudolph starring as Mary Todd Lincoln, as the SNL alum’s limited run in the show wraps July 5.

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The pair posed backstage for photos with the cast of Oh, Mary!, including Rudolph, while attending a matinee performance at the Lyceum Theater in New York City on Saturday (June 13). A clip taken at curtain call by a fellow audience member shows a glimpse of Swift just a few rows back from the stage, leading a standing ovation for Saturday’s performers.

Cheyenne Jackson, Martin Landry, director Sam Pinkleton, Travis Kelce, Taylor Swift, Maya Rudolph as "Mary Todd Lincoln," Bianca Leigh and Phillip James Brannon pose backstage at the hit comedy 'Oh, Mary!' on Broadway at the Lyceum Theatre on June 13, 2026 in New York City.

Cheyenne Jackson, Martin Landry, director Sam Pinkleton, Travis Kelce, Taylor Swift, Maya Rudolph as “Mary Todd Lincoln,” Bianca Leigh and Phillip James Brannon pose backstage at the hit comedy ‘Oh, Mary!’ on Broadway at the Lyceum Theatre on June 13, 2026 in New York City.

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Oh, Mary! is a Tony Award-winning, comedic “one-act play that finally examines the forgotten life and dreams of Mrs. Lincoln, through the lens of an idiot (playwright Cole Escola),” the production’s official synopsis says. Rudolph currently portrays the “miserable, suffocated” first lady “in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism, and suppressed desires abound in this 80-minute one-act play.” The play’s plot centers on Mary Todd’s unhappiness with her marriage to the then-U.S. president — a reimagining of the couple’s story that has President Lincoln closeted (though it’s a fictional story, some historians do believe he was queer), and Mary Todd drunk and dreaming of being a showgirl.

“This play is about a woman with a dream that no one around her understands,” Escola told NPR. “A dream that the whole world is telling her is stupid and doesn’t make any sense.”

At the 2025 Tony Awards, Escola — who not only wrote the book, but originated the lead role of Mary as its first performer — was named best leading actor in a play, while Oh, Mary! director Sam Pinkleton took home best direction of a play.

Following Rudolph, Megan Stalter is slated to take over the role of Mary next, for a 10-week stint beginning July 6.

Swift received her Songwriters Hall of Fame honor Thursday night (June 11) at a ceremony held at the Marriott Marquis Hotel. Sombr performed two Swift classics in tribute — “Cardigan” and “Dear John” — with the honoree and her parents softly singing along, from heir table in front of him. Steven Spielberg saluted Swift, who’s the youngest woman ever inducted into the SHOF, by introducing her to the stage for her speech.

“If I look back at my entire 23-year career in music, the ups and downs and industry battles, the trials and tribulations, the cheers and tears and dogpiling of doubt, the criticisms — both fair and unfair — the complete loss of privacy, the world tours and ego wars, and the twists of fate, the absolute magical chaos of this path that I chose when I was too young to remember it even being a choice at all, songwriting was the easiest thing I ever did,” Swift said in her speech. “Not because it didn’t take effort. It definitely did. Not that it wasn’t frustrating at times, because it could be. And not that my songwriting didn’t haunt me relentlessly until I cracked the perfect internal rhyme scheme for the third line of the second verse before my teachers called me out in class for not paying attention, because that definitely happened.”

She continued, “But when I say that songwriting was the easiest part for me, I think what I mean is that it was instinctual. No one taught me how to do it. I had to be taught how to entertain a crowd. And learn choreography, and be less annoying and navigate the industry and fiercely protect my own sanity through difficult lessons and massive amounts of trial and error and chaos and calamity. But songwriting for me was pretty much the only thing I naturally did.”

Last week she unveiled an original song penned for Toy Story 5, “I Knew It, I Knew You,” which she debuted live on piano on Tuesday at the film’s world premiere. Swift also performed the Toy Story mainstay “You’ve Got a Friend in Me” as a duet with Randy Newman at the premiere.


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Madonna fans got a preview of one of her new Confessions II tracks this weekend courtesy of Martin Garrix. “Bizarre,” a song that will appear on Madonna’s imminent album release (street date: July 3), had a surprise debut during Garrix’s performance at Barclays Center in Brooklyn, New York, Saturday night (June 13).

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Garrix played “Bizarre” set to a pulsing dance beat and amplified with a light show in pink and purple, the apparent color scheme of the Confessions II era. His June 13 gig was the third of a trio of nights at Barclays on his Americas Tour.

On Sunday evening, Garrix shared a video featuring the song sneak peek from Saturday’s concert on Instagram.

“Who knew love could be so bizarre?” Madonna’s heard singing on the track’s hook. “Only love could be so bizarre.”

“Bizarre” is track 10 on Madonna’s 16-song collection Confessions II, and the fourth tune to be teased ahead of the July release of her 15th full-length studio album. She first released album opener “I Feel So Free,” followed by the Sabrina Carpenter collab “Bring Your Love,” in April. “Love Sensation” arrived in early June.

Confessions II, the sequel to 2005’s Confessions on a Dance Floor, has her reuniting with producer Stuart Price and is the first album she’ll release since her return to Warner Records. It Madonna’s first new album in several years, following the 2019 Billboard 200 chart No. 1 Madame X.

Madonna recently unveiled CONFESSIONS II – The Film, which premiered at Tribeca Festival in New York City and is now available to watch on YouTube. In early June she also performed a surprise pop-up show in celebration of Pride Month in Times Square — marking the official launch of the new venue The Square on Broadway and 47th Street.


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Day three of Bonnaroo Music & Arts Festival experienced severe weather Sunday afternoon (June 14), resulting in a temporary evacuation and delayed set times Sunday night.

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Organizers of the Manchester, Tenn., fest on ‘Roo Farm announced an updated timeline for the evening for concertgoers and those watching via livestream on Disney+ and Hulu.

Headlining set times are now as follows:

• Modest Mouse takes the This Stage from 9:15 p.m. – 10:30 p.m. CT
• Kesha takes the Which Stage from 9:30 p.m. – 10:30 p.m. CT
• Noah Kahan takes the What Stage from 10:30 p.m. – 12 a.m. CT

See all updated set times for Sunday night at Bonnaroo below:

Bonnaroo first issued an update that performances were paused due to storms in the area just before 2 pm. local time Sunday.

Soon after, organizers evacuated Centeroo, the main festival grounds. A statement was published online via the festival’s official social media pages: “Please calmly head to the nearest exit and shelter in a vehicle. Follow staff instructions and monitor festival communications including social media, Bonnaroo Radio on 101.5 FM, and app notifications for updates. If you do not have a vehicle, find a friend to take shelter with. We expect this storm to continue for the next 2-3 hours with moderate to heavy rain and lightning. We’ll keep you updated!”

Around 4 p.m. local time, Bonnaroo posted an update announcing the severe weather had passed, but Centeroo wasn’t ready to be reopened just yet. “Allow us some time to prepare to reopen, finalize the new performance schedule and then…get ready! It’s going to be a very muddy and LEGENDARY final night on The Farm!” they advised.

By 5:30 p.m., festival grounds were officially open again, and the night’s updated schedule was released.


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